Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
ADVANCE LIST OF RECORDS FOR AUGUST.
4738 Waltz Me Around Again, Willie. . . .Cobb-Shields
NEW COLUMBIA RECORDS.
HARRY MACDONOUGH AND HAYDN QUARTET, W I T H
ORCH.
31,546 What Would You Take for Me, Mamma. .Morse
XP. (Cyl.) No.
10-in. Dfsc No.
I'BINCK'S MILITARY BAKD.
•a 444
32982 "Dixie Queen" March
BABITONB SOLOS BY BOB KOBEKTS, OKCH. ACCOM.
32974 Gee! But this is a Lonesome Town
32975 Twenty-three (That means Skidoo)
(Coon song.)
o44d
346U
BARITONE SOLOS BY ABTIIUR COLLINS, ORCH. ACCOM.
Bill Simmons (I've Got to Dance 'till the
Band Gets Through)
3438
BARITONE SOLO BY J . W. MYERS, WITH OKCH. ACCOM.
32976 You'se Just the Girl I'm Looking For
TENOR SOLO BY ALBERT CAMPBELL., WITH ORCH. ACCOM.
32977 Down Beside the Meadow Brook (I'll Wait
for You)
TENOR SOLO BY WILL F. DENNY, ORCH. ACCOM.
32978 Fol de Iddley Ido
3440
TENOR SOLO BY BILLY MURRAY, ORCH. ACCOM.
32979 Is It Warm Enough for You? (Waltz song) 3430
CONTRALTO AND BARITONE Wt:BTS BY MISS MORGAN AND
MR. STANLEY, ORCH. ACCOM.
3295G The Tale of a Stroll
3437
32973 Cross Your Heart
idi'J
VAUPEVILI-E SKETCHES BY MISS ADA JONES AND LEN
HrENCER, ORCH. ACCOM.
32981 Coming Home from Coney Island
3441
I lans and Gretchen
3442
NEW EDISON GOLD MOULDED RECORDS.
0314 Polonaise Militaire (Chopin).Kdisou Concert Band
!»315 Waiting at the Church (l'ether; . . . . Ada Jones
0310 Afloat on a Five-Dollar Note (Helfj
-
Collins and Harlun
!)317 St. Louis Tickle (Barney & Seymour) V. L. Ossman
0318 After They Gather the Hay (Henry)
Harry MacDonough
0310 Heaven Is My Home (Sir Arthur Sullivan)
Anthony and Harrison
0320 Bill Simmons (Spink)
Arthur Collins
0321 Gen Mixup, U.S.A. (Allen) .Edison Military Baud
0322 Smile on Me (Sutton)
Irving Gillette
0323 Daughter of Vanity Fair (Itogers)
Harlan and Stanley
0324 Bell solo from "The Magic Flute' (Mozart)
Albert Benzlei 1
9323 Bonnie Banks O' Loch Lomond (Traditional)
Marie Narelle
032G The Morning After (Original) .Spencer and Porter
0327 Minerva (linger) ...Edison Symphony Orchestra
0328 With the Kobins I'll Return (Witt) . . B. G. Ilarlau
9320 I'm Up in the Air About Mary (Solman)
Billy Murray
9330 Baby Parade (Pryor)
Edison Concern Band
0331 Poor Old Man (Bryan)
Bob Roberts
0332 While the Old Mill Wheel is Turning (Mills). .
Harry Anthony
0333 Clancy's Wooden Wedding (Simons) Edw. Meeker
!»334 Fisher's Hornpipe Medley (Original) .L. Moeslein
Violin solo, introducing "Fisher's Hornpipe," "Little
House Under the Hill," "Straight Jig," and "Gypsy
Reel," Orch accom.
9335 Bashful Henry and His Lovin' Lucy (Original)
Ada Jones and Len Spencer
0330 Teacher and the Tack . . . .Edison Male Quartette
NEW VICTOR RECORDS FOR AUGUST.
4743
4773
4700
31530
31540
ARTHUR PR YOU'8 BAM).
Azaleas—Two-step Intermezzo
Hawthorne
La Sorella March (La Mattchicue)
Gallini
You're a Grand Old Flag
Cohan
"You're a Grand Old Flag," Medley..... .Cohan
La Feria—Suite Espagnole. Part III. "La
Zamiela"
Lacome
SOUSA'S BAND.
4744 L a Sorella—March ( L a Mattchiche) . . . . Gallini
300 S t a r s a n d Stripes Forever March
Sousa
VICTOR ORCHESTRA, WALTER B. ROGERS, CONDUCTOR.
4745 Smiling Sadie—March and Two-step
Scheu
BELL SOLO BY CHRIS CHAPMAN, WITH ORCH.
4700 Little Nell—Song and Dance
Pryor
CORNET DUET BY CLARK AND MILLIIOUSE, ACCOM. BY
SOUSA'S BAND.
4753 The Swiss Boy—Tyrolean Air
MANDOLIN SOLO BY SAMUEL SIEGEL.
4754 An Autumn Evening—Serenade
Siegel
VIOLIN SOLO BY CHAS. D'ALMAINE, W I T H ORCII.
31542 Brindisl
Alard
TENOR SOLO BY HARRY MACDONOUGH, WITH
47G3 The Way of Peace
ORCH.
Bingham-Lloyd
TENOR SOLO BY ALBERT CAMPBELL, WITH OHCH.
47C2 Little Girl You'll Do
Solman
TENOR SOLO BY JAMES MC COOL, WITH ORCH.
4770 The Little Irish Girl
I-ohr
TENOR SOLO BY RICHARD J . J O S E , WITH ORCH.
4755 The Ninety and Nine
Sankcy
BARITONE SOLO BY J . W. MYERS, WITH ORCH.
4701 The Good Old U. S. A
Morse
BASS SOLO BY EUGENE COWLES. WITH ORCH.
31543 Gypsy Love Song—Fortune Teller
Herbert •
BASS* SOLO BY WILLIAM F . HOOLEY, WITH OHCH.
31544 The Harbor of Home, Sweet Home
Solman
TENOR SOLOS BY BILLY MURRAY, W I T H ORCH.
4741 The Little Chauffeur—From "The Vanderbilt
Cup "
Bowers
4742 College Life
.Frantzen
4710 Cheyenne
William \ an Alstyne
CONTRALTO SOLO BY M I S S CORINNE MORGAN, WITH ORCH.
31541 Return O God of Hosts—Samson
Handel
COMIC SONGS BY BOB ROBERTS, WITH ORCH.
4740 The Umpire is a Most Unhappy Man. . . .Howard
4747 The Pood Old Man
Bryan
DUETS BY MISS MORGAN AND MR. STANLEY, W I T H ORCII.
4740 By the Light of the Honeymoon
4704 We Parted as the Sun Went Down
Caldwell
Solnnin
DUETS BY MISS STEVENSON AND MR. STANLEY, WITH ORCH
4777 I Would Like to Marry You
Laska
4770 Cross Your Heart.—From "The Umpire" Howard
DESCRIPTIVE SPECIALTIES BY MISS JONES AND MR.
SPENCER, WITH ORCH.
4720 Peaches and Cream
4750 Flannigan's St. Patrick's Day
DESCRIPTIVE
SPECIALTY BY SPENCER AND MURRAY,
W I T H ORCH.
31545 The Jokesmiths
RECITATION BY EDGAR L. DAVENPORT.
4752 In Bohemia
:
O'Reilly
DUET
MISS MORGAN AND MR. MACDONOUGH, WITH ORCII.
DUET
MISS HAY WARD AND MR. MACDONOUGH WITH OKCH.
4751 Songs My Mother used to Sing.
Smith
4758 In Starlight
King
COMIC DUETS BY COLLINS AND HARLAN, W I T H ORCH.
4757 My Lovin' Henry
4725 I r s Up to You to Move
Sherman
Rogers
COMIC DUET BY MURRAY AND ROSE, W I T H ORCII.
4705 I've Said My Last Farewell
Fischer
BILLY MURRAY AND HAYDN QUARTET, W I T H ORCH.
MALE QUARTET BY T H E HAYDN QUARTET, W I T H ORCH.
4750 Dixie Dear
Reinier
CHOIR RECORDS BY T H E TRINITY CHOIR, W I T H ORCH.
4748 Blessed Assurance
4749 Praise Ye the Father
Crosby-Knapp
Gounod
RECORDS FOR T H E CHILDREN.
4759 Chidren's Series No. 1—-Mother Goose Rhymes
(with animal imitations)
4554 Children's Series No. 2—Punch and Judy
(with (imitations)
TENOR SOLOS IN GERMAN BY EMIL MUENCH, W I T H ORCH.
4642 Stille Nacht, Heilige Nacht
4691 Der Tannerbaum
4600 Wenn die Schwalben Heimwartz Ziehn
HARMONIE
MALE
QUARTET
Gruber
Zarnack
Abt
( I N GERMAN).
4734 Wunsch
4771 Grusse an die Heimat
Witt
Kromer
BARITONE SOLOS BY GUSTAVE BERL-RESKY, W I T H
41
machines, there is a marked falling off in the
sale of the banjo, the guitar and the mandolin.
This seems natural. Many an individual has
taken up one of these instruments with the pur-
pose of meeting his need for music. Conscious
of his failure to gain proficiency he has been glad
enough to turn to the finished machine with its
accurate reproduction for the enjoyment and
comfort which his own feeble efforts have failed
to give him. In like manner another, without
even purchasing a mandolin, guitar or banjo,
has found in the phonograph or the talking ma-
chine just what he needs to satisfy his desire for
a little music now and then.
ORCII.
4772 El mar Sin Playas. Barcarola Mexlcana (Span-
ish)
Sancedo.
4774 II Furiosso (Italian)
Donizetti
31520 A Granada. Cancion Espagnole ( S p a n i s h ) . . . .
'TALKERS" FOR SUMMER.
BARITONE SOLOS IN SPANISH BY SENOR FRANCISCO,
WITH ORCH.
Big Call for Records for Dancing—Owners of
Yachts Very Partial to the Talking Machine
—Dealers Should Devote Attention to This
Phase of Summer Trade.
4767 El Capitan de Lancero. Sevillanas. .Hernandez
4768 Himno Nacional Mexicano. (Mexican Nation-
al Hymn)
Nuno
4706 El Celoso
Alvarez
NEW RE-D SEAL RECORDS.
VIOLONCELLO SOLO BY J O S E F
64040 Le Cygne.
The Swan
HOLLJiIAN.
Saint-Saens
There has been an unusually brisk summer
trade for talking machine records, according to
64047 Soldiers' Chorus. Faust "Deponiam il hrando"'
the reports of most of the large retail dealers in
(In Italian)
Gounod
04048 Opening Chorus—"Blossoms of Oranges" "Gli
the city. For the most part, orders have been
aranci olezzano" Cavalleria Rusticana (In
Italian)
Mascagni
for from one to five dozen lots, and were to be
BARITONE SOLO BY EMILIO DE GOGORZA
packed for out of town shipments. In many
With the New York Grand Opera Chorus and Orch.
74040 Toreador Song.—Carmen (In French)
Bizet
cases these assortments are composed mainly of
SOPRANO SOLOS BY MME. EMMA EAMES, WITH ORCH.
SS<)35 Ave Maria—Otello (In Italian.)
Verdi
dance music, intended to take the place of the
88030 Micaela's Air—Carmen "Je dis que rien ne
so-called orchestras for barn and similar dances.
m'fpouvante.
(In French.)
Bizet
88037 Santuzza's Aria. "Voi lo sapete" Cavalleria
Yacht owners now regard talking machines as a
Rusticana.
(In Italian)
Mascagni
very necessary part of their equipment, and they
have been very heavy purchasers of records,
TALKING MACHINE AND ART.
mostly vocal. Country dealers will find it profita-
John Philip Sousa Pays Great Tribute to the ble to look after the boarders who possess talking
Talking Machine and Its Position in the machines, and arrange to supply them with the
Musical World, Although He Didn't Mean latest records, and save them expressage. There
has also been a big demand for the cases iu
To Do So.
which to carry records and talking machines.—
That is a most interesting suggestion which Talking Machine World.
John Philip Sousa made at the recent copyright
Consecutive quarterly dividend No. 45, of 1%
healing in connection with the increasing use of
phonograph and kindred machines, through per cent., on the preferred capital stock of the
which the productions of masters are brought to American Graphophone Co., will be paid August
the people at comparatively small prices. The 15; 1906, to stockholders of record August 1.
machines have been so perfected that at little
outlay one may sit at home and hear a good pro-
gramme in which standard operas and oratorios
are drawn upon as well as the current popular
plays and the lively selections of some famous
band leader. The familiar old songs, long cher-
ished in our literature, may be heard as sung
by good singers, and, with an occasional bit of
recitation or monologue, an hour may be spent
in an enjoyable manner.
Mr. Sousa's principal interest is connected
with what he believes is an infringement upon
Do you carry a regular line of Talk-
his rights as a composer. He says that in every
ing Machines? If not, why not?
catalogue of such machines and their supplies
There's good money in it, and it
he is able to pick out anywhere from twenty to
blends perfectly with your vocation.
Do you wish to know all about the
one hundred of his own compositions, for which,
business? Its possibilities and Tiow to
however, he received nothing in the way of
make money in selling "talkers"?
royalty. This is an interesting problem, it is
true. The band music can be purchased at reg-
ular rates from music houses. A band having
THE
TALKING
paid the ordinary fee of 50 cents for a selection,
MACHINE
WORLD
or a larger amount for longer compositions, is
at liberty to play these pieces anywhere, in the
is the only publication in America de-
park stand with thousands listening, on an ex-
voted solely to the interests of the
cursion boat, or even in concert where an ad-
talking - machine trade. I t contains
mission fee is charged. The rights of the com-
forty to fifty pages 11 x 15 of interest-
poser apparently cease when he sells his pro-
ing matter, and has practical sugges-
ductions to the publisher. The talking machine
tions, helpful comments, a complete
list of all records issued monthly by
is only another form of reproduction, and, if Mr.
the leading concerns, patents and im-
Sousa finds a hundred of his compositions cata-
provements, and every item of trade
logued he probably will have to accept the situa-
news which is worth recording from
tion as one of the penalties of fame.
all parts of the world.
But, aside from this commercial question, Mr.
The cost is only a trifle—one dollar
Sousa makes another contention. People are
a year (stamps or cash). No subscrip-
getting to be so well satisfied with the machines
tion entered for less than one year.
that they are ceasing to sing themselves. The
result is that the human voice is no longer heard
as it once was, and the Cassandra-like prophecy
of the bandmaster is that the vocal chords by
reason of this disuse may become useless. It is
EDITOR AND PUBLISHER
doubtless if there is so much in this, properly
remarks the Chicago Tribune, as in the other
OFFICES: I MADISON AVE., NEW YORK
statement that, because of the popularity of the
TWO NUMBERS BY T H E NEW YORK GRAND OPERA CHORUS,
WITH ORCH.
A Word with
the Piano Dealer
EDWARD LYMAN BILL