Music Trade Review

Issue: 1906 Vol. 42 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
CLUBHOUSE FOR MUSICIANS
Will be Erected in Chicago by the Federation
of Musicians—Many Unique Features.
This is the second misfortune of this nature Mr.
Wood has had within the past eighteen months,
a former agent named Black now being in the
penitentiary for peculations committed while act-
ing as his agent.
The Chicago Federation of Musicians will
shortly erect a clubhouse for its members upon
LONG DISTANCE ORDER FOR PIANOS.
which $100,000 will be spent. It will be the
first clubhouse built by a labor organization for
J. C. Bridge, the wideawake piano dealer of
use of its members in Chicago.
Logansport, Ind., recently received quite a long
The musicians will take for a model the $200,- distance order for a Bush & Gerts piano from
000 clubhouse built and owned by the Aschen- Mrs. John C. Gess, of Milan, Wash. Mr. Bridge
broedel, a social branch of the New York Mu- tells the story to The Review as follows: "Fif-
sicians' Union, which, it is said, has proved a teen years ago I sold Mrs. Gess a "B. & G."
successful venture and has done much toward piano (who was then Mrs. Dr. Carter, of Cam-
promoting and cementing the organization there. den, Ind.), and she was so well pleased with the
Following closely the lines of the New York instrument, that she now wanted another with
home in the main, the Chicago players plan to the same sweet singing tone, and sent me the
include one or two novel features. One of the present order unsolicited, although she is now
main attractions of the Chicago home will be a living nearly 3,000 miles away, which seems a
school department, in which members of the long distance for a little one horse dealer like
union may receive additional musical training me to receive an order for a piano, but it goes
at a small expense. One .branch of the educa- to show that a party will sometimes go a long
ways to get the instrument they like best."
tional department will be devoted to those union
players who desire to develop their talents for
composition and follow this calling for a liveli-
DEATH OF ASHBEL A. STIMPSON.
hood.
Another feature will be an infirmary, where
Ashbel A. Stimpson, up to six years ago a
sick or incapacitated musicians may be cared member of the Sabin Mfg. Co., makers of organ
for by a staff of physicians and nurses. It is springs, died at his home in Montpelier, Vt., last
possible that quarters also may be provided in week at the age of seventy-three.
this connection for old players who are de-
pendent.
ANOTHER PIANO MAN HONORED.
In addition to halls and offices, rooms will be
provided for social purposes. Billiard rooms,
Governor Guild of Massachusetts has appointed
bowling alleys, a swimming tank and a gym-
nasium are listed in the features already out- Samuel H. Hudson, president of the Jewett Piano
Co., to the office of Excise Commissioner. Mr.
lined.
Hudson is ably fitted for the post, being a grad-
It is said about $40,000 is available for the
uate of the law department of Boston University.
plans already. Steps will be taken soon to raise
Mr. Hudson has held both the office of assistant
the balance of the amount required.
city solicitor and that of first assistant corpora-
tion counsel of Boston.
MOLLER PIPE ORGAN DEDICATED.
The inaugural recital on the handsome pipe
organ built for the Bellevue Methodist Episcopal
Church by M. P. Moller, the well-known manu-
facturer of Hagerstown, Md., occurred on the
evening of May 31. M. H. Oetting presided, as-
sistsd by E. E. Giles, tenor. The action is the
Moller patent tubular pneumatic throughout, in-
cluding couplers, stop action and combination,
and embraces every new improvement and acces-
sory known to the modern organ builder. The
casing of the organ is in quartered oak, finished
in harmony with the general woodwork of the
church. The greatest charm of the instrument,
however, lies in its beautiful tone, the voicing
of the pipes showing the work of an artist.
WILL TAKE POSSESSION JULY 1ST.
. Sherman, Clay & Co., the large Pacific Coast
music dealers, who recently purchased the stock,
good will and other assets of the Allen & Gilbert
Ramaker Co., Seattle, Wash., will take possession
on July 1. For the present the two stores will
bs continued in Seattle, further plans not having
been consummated as yet.
ARMSTRONG, BYRD & CO.'S RECITAL.
J. H. Ashburn, manager of Armstrong, Byrd &
Co.'s music store in Shawnee, Okla., who was but
recently appointed to that post, successfully en-
tertained three hundred guests at the warerooms
of the company last week, when a piano player
recital was given by George W. Allison. This
firm handle the Chickering, A. B. Chase, Kurtz-
mann, Emerson and other makes, the total num-
ber being thirty-two. Mr. Allison had complete
charge of the recital and proved an entertainer
of the very best.
WARREN WOOD VICTIMIZED.
Warren Wood, a piano dealer, of Huntington,
W. Va., has been victimized by an agent who last
week sold some pianos for cash and skipped.
Efforts have been made to apprehend this party.
It's all right
to sell pianos, but
there's no reason why you
shouldn't sell the Victor, too.
Pianos are comparatively
slow sellers and a piano dealer
has lots of time on his hands
that he can use to advantage
by handling
Victor
Talking Machines
and Records
SMITH & NIXON PIANO USED AT RECITAL.
At the opening of the C. M. Stevenson Piano
Co., Hamilton, Ohio, a recital was given at the
Jefferson Theatre, that city, under the auspices
of the company. Hans Richard, the well-known
pianist, entertained a large audience with the
aid of a Smith & Nixon piano.
CANTRELL & CO.'S FINE RECORD.
W. A. Cantrell & Co., the music dealers of
Charleston, W. Va., during the seven or eight
years during which they have been in business,
have built up an excellent trade in both pianos
and small goods. The firm's business last year ag-
gregated $85,000. They are agents for the Stein-
way, Chickering, Weber, Hardman, Behr Bros.,
Hobart M. Cable, Shoninger, Mathushek and other
makes of pianos.
NORRIS NOISELESS AXIOMS.
No. CXVIL
It was Shakespeare who said, "Delays have
dangerous ends," and this might be taken to
heart by manufacturers who are still adhering
to the old squeaky, nerve-racking, antiquated
pedal mechanisms. How much better it is to
augment their prestige, satisfy the dealers hand-
ling their instruments, as well as those who
purchase them, by using exclusively the Norris
noiseless pedal mechanism made by the Norris
Noiseless Pedal Action Co., of Boston, Mass. The
man who delays in- this matter is bound to en-
counter danger, expense and loss. The Norris
noiseless pedal has now become a necessity in
every piano that desires to be considered high
grade.
You don't need to put a big
pile of money in it, but it will
pay you well, probably even
better than pianos.
We spend hundreds of thou-
sands of dollars in getting cus-
tomers for you. Our magazine
advertising a l o n e r e a c h e s
49,000,000 readers every month.
You can easily work on every
one of these readers who lives
in your immediate locality—
through newspaper advertising,
circulars and window displays
—and land a big bunch of or-
ders and prepare the way for
many future sales.
Victor Talking
Machine
Company
Camden,
N. J.
One of the representative dealers in Dansville,
N. Y., is A. L. Van Valkenhurg, who has built
an enviable reputation for honesty and fair deal-
ing during his many years connection with the
music trade of that city. He handles a large
line of Everett, Estey, Pease, Needham and
Schubert pianos.
9
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE MUSIC TRADE
REVIEW
EFFECT OF THE SAN FRANCISCO DISASTER ON THE MUSIC TRADE
quiet. This quietness was so prolonged that I
immediately came to the conclusion that while
the earthquake shock was considerably worse
Pre-
Retrospective Sketch of Conditions Since the Earthquake—The
Situation
Interestingly
than anything I ever experienced in San Fran-
sented by Alfred Metzger, The Review Representative on the Pacific Coast.
cisco, it did, after all, not do much damage. I
(Special t o T h e It'vien )
that very few of the thre"e thousand people would was strengthened in this conviction by the fact
Los Angeles, Cal., June 1, 1906.
have survived. Those who witnessed that per- that nothing seemed to be wrong in my room,
Although a great many articles have been writ- formance will never forget the brilliancy of the and after listening a while longer I turned around
ten in the Eastern press regarding the terrible event. They will never forget the wonderful and went to sleep again. It must be remembered
calamity that befell San Francisco on the morn- efforts of Enrico Caruso in the role of Don Jose that I lived in a two-story frame building on
ing of April 18, none of them has yet given an
absolutely accurate idea regarding the effect this
disaster had on the music trade and the manner
in which the various dealers met a difficult situa-
tion with that undaunted spirit that by this time
has become the wonder of the world. I sincerely
believe that the readers of The Music Trade Re-
view are sufficiently interested in this phase of
the disaster to scan a detailed review patiently and
with the necessary interest. On Tuesday evening,
WHAT KIOMAIMS OK BYUON MAUZl'S OLD yUAUTEUS WHERE HE IS l'KKl'AUING TO UKUV11.1).
wherein he amalgamated the fierce temperament Washintgon street, near Van Ness avenue, a part
of the passionate Don Jose with that beautiful of town considerably removed from the down-
quality of voice for which he has become famous. town section, where buildings collapsed imme-
But seldom have I witnessed an ovation like diately.
I did not rise until half-past eight in the morn-
that given to Caruso, and it was a night that
could not have been improved in enthusiasm and ing, and when I looked around my room I found
general representation of the most cultured ele- that the plaster was cracked on the walls and
ment in one of the most cultured cities on the many things had fallen down from tables and
American continent. After the opera the huge mantelpiece. I then began to realize that the
audience directed its steps toward the many shock was, after all, more severe than I first
brilliantly illuminated cafes, especially the Pal- anticipated. On my way out I met the landlady of
ace Grill, that us'ually catered to the refined taste the house, who looked terrified, and upon my
of the opera audiences, and here again it is con- anxious inquiry as to what had happened she
soling to remember that the catastrophe did not looked at me in surprise with wide-open eyes
occur even at that time, when San Francisco and asked: "Why, did you just get up?" And
was refreshing itself after the opera performance. when I responded in the affirmative she gave me
Everyone went home, taking along a memory of a puzzled glance as if to doubt my sanity. She
.the magnificent spectacle which it had been his then replied: "You had better get downtown and
see whether your office is left. Everything is
or her good fortune to witness.
burning." Even then I could not realize what
I arrived home about one o'clock in the morn-
had happened. I went out on the street and found
ning, and, being rather worn out, sank imme-
people gathered on the sidewalks in crowds,
SHERMAN, CLAY'S OU> BUILDING, LOOKING FROM SUTLER
diately in deep slumber. Suddenly I awakened all looking with fearful glances toward one direc-
STKKET TOWARD MARKET.
with a peculiar sensation. At first I really did tion, and following the glances I saw big volumes
The Cross marks the former location of Kohler &
not know what happened. It seemed to me I of smoke rising from the Mission district of the
Chase, corner of Post and Kearny Streets.
was dreaming. But gradually I became aware city and the sun seemed like a big red ball cast-
April 17, the Metropolitan Opera Co., of New of the fact that everything was shaking in a ing a pall of mourning all over the land. It
York, gave the second performance of their en- terrific manner. My room seemed to be forced seemed as if the whole town was on fire south of
gagement, which was to extend over two weeks, first up and down and then from one side to the Market street.
before a crowded house. In the neighborhood of other, and there did not seem to be an end to
I at last began to realize how terrible the
three thousand people were crowded in the Grand this terrible contortion. I expected every minute
Opera House, where the performance took place, that the house would collapse. I listened intently catastrophe really was, and I immediately pre-
and it is fearful to contemplate the gruesome for some sort of noise in the house which would pared to go downtown to see how my office fared,
results had the cataclysm struck San Francisco enlighten me as to the extent of the cataclysm, and whether it was in immediate danger. I went
during this performance. It is safe to assume but, strange to say, everything seemed to be down Larkin' street and turned into Sutter. Wher-
ever I passed big window panes were smashed
into atoms, brick buildings had either entirely
or partially collapsed, churches were injured to
an irreparable extent, and there really was not
one block which I passed wherein some buildings
had not suffered fearfully from the cataclysm.
From all directions big wagons drawn by four
and six horses were driven downtown packed
with soldiers, and large streams of men and
women were wending their way downtown. Not
a word was spoken; everyone seemed to have
been struck dumb by the terrible danger that
threatened the community. At last I arrived
downtown, corner Sutter and Kearny streets,
and I found that the store of Sherman,
Clay & Co. was still intact, not having been in-
jured at all by the earthquake except for one or
two plate glass windows which were broken. I
looked quickly up Kearny street and found Koh-
ler & Chase also in solid condition, and hence
I knew that my office, too, was all right, for it
was in the Kohler & Chase building. On arriv-
ing at the Kohler & Chase store I found present
Mr. Jackson, Mr. Chesbro, George Q. Chase and
HOW BY EILERS ANNOUNCES THE RESURRECTION OF THE EILERS ESTABLISHMENT ON THE OLD SITE.

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