Music Trade Review

Issue: 1905 Vol. 41 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
REVIEW
EDWARD LYMAN DILL,
E d i t o r a n d Proprietor
J. B. 5P1LLANE. Manarfln* Editor.
EXECVTIVE AND REPORTORIAL STAFF:
GKO. B. KELLER.,
W. N. TYLER,
BMILIE FRANCIS BAUER,
WM. B. WHITE,
W. L. WILLIAMS,
A. J. NICKLIN,
GEO. W. QDERIPEL.
BOSTON OPPICE:
CHICAGO OFFICE
ERNEST L. WAITT, 255 Washington St.
E. P. VAN HARLINGEN, 1362 Monadnock Block.
PHILADELPHIA OFFICE:
MINNEAPOLIS AND ST. PAUL:
S T . LOUIS OFFICE
R. W. KAUFFMAN.
E. C. TORREY.
C H A S . N. VAN BUKEN.
SAN FRANCISCO OFFICE: ALFRED METZGER, 425-427 F r o n t . St.
Published Every Saturday at 1 Madison Avenue, New York.
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION (Including postage), United States, Mexico and Canada, $2.00 per
year ; all other countries, $4.00.
ADVERTISEMENTS. $2.00 per inch, single column, per Insertion. On quarterly or
yearly contracts a special discount Is allowed. Advertising Pages, $50.00; opposite
reading matter, $75.00.
REMITTANCES, in other than currency form, should be made payable to Edward
Lyman B11L
On the first Saturday of each month The Review contains in its
THE ARTISTS' "Artists' Department" all the current musical news. This is effected
without in any way trespassing on the size or service of the trade
DEPARTMENT section of the paper. It has a special circulation, and therefore
augments materially the value of The Review to advertisers.
niRFTTORV rf PIANO T h e d l r e c t o r y o f P l a n ° manufacturing firms and corporations
UIK.LHUKT of riAnu found on another page will be of great value, as a reference
MANVrACTUKERS
f or dealers and others.
LONG DISTANCE TELEPHONE-NVMBER 1745 GRAMERCY.
NEW YORK, JULY 29, 19O5.
T
HE extreme heat of last week paralyzed all lines of trade, and
many factories were compelled to shut down temporarily.
Quite naturally business continues to be quiet, but the reports which
come from manufacturers in regard to the first half of the year, in-
dicate that business for that period was on the whole of very satis-
factory volume, several of them referring to their trade as having
been exceptionally good.
The prevalence of warm weather naturally has the effect to
depress trade in the immediate present, but the tone of advices from
all classes of merchants and manufacturers is encouraging and even
confident. With the practical assurance of good crops and the preva-
lence of generally prosperous conditions, the outlook for the re-
mainder of the year is full of promise.
r
I ^ H E R E is a belief on the part of some that the fall trade will be
X
the largest which has ever been experienced in this industry.
There are many who believe that there will not be manufactured
goods enough to go round, but nevertheless, it is the tendency of
the dealers to order sparingly. Very few piano men place heavy
orders months in advance, for there is no denying the fact that
there is a tendency to conduct business conservatively, and not to
purchase at all speculatively. Conservatism is all right; in fact it
is better to exercise moderate conservatism than not to use discre-
tion in purchases for future business. But at the same time, con-
servatism can be overdone.
According to the views of those who are best informed the
fall trade will be of satisfactory proportions, therefore it will be
to the advantage of piano merchants to see to it that their trade
stock is ordered well in advance. Bright, fresh stock in the early
fall will help them to get the first of the favoring trade breezes. A
state of preparedness is the first essential to business success.
A
MANUFACTURER writing to The Review says: "I think
your term 'special brands' which applies to pianos of indefi-
nite origin much more applicable than the old worn out term,
'stencil.' We have outgrown that word, and 'special brands' ap-
plies with directness and exactness."
The word "stencil" has become obsolete, and the names which
appear on the fall boards of various pianos made for dealers are in
most cases their own special brands. They are names under which
they exploit them, and they are generally created in most instances
for the individual dealer.
The term, "special brands," will steadily grow in favor, and
find a permanent place in piano nomenclature.
O
NE of our correspondents in a Western city last week stated
that a local dealer "was very much pleased with his special
brand pianos which bore his own name, and which he was
selling with splendid results, competing with the best known pianos
on his floor."
This same dealer, by the way, has the agency for one or two
pianos of established reputation and splendid history, and yet he
is using the drawing influence of both of these instruments to sell
his own specials.
()f course, this sort of traffic from a legal standpoint is all
right, and if manufacturers are content to permit their instruments
to be used to prop up some special brands why it is their affair, but
any one who has given this subject the study which it deserves
must realize that the exploitation of the special brands "as the just
as good" or "a trifle better" is working serious evil to the industry.
It is undermining the faith of the people in the pianos of glorious
historv.
customers, believing in the. sincerity and honesty of the
dealer, have purchased his own special brands after listening
to his positive utterances regarding their values—his statements
that in them are incorporated several of his own ideas, and that his
own plans are carried out down to the minutest detail—that he has
incorporated within them all of the good points of the best grade
pianos in addition to some of his own which, of course, are far su-
perior. After having listened to the persuasive eloquence of the
dealer whom they trusted, and having selected one of his own special
brands rather than the instrument which bore the manufacturer's
name of established reputation, and learned that it has proved
to be an instrument of mediocre value—in other words, a common,
ordinary, commercial piano—has not the whole transaction through-
out shattered their faith in piano values, and in the truthfulness
of the statements of piano merchants? They trusted the dealer
implicitly, and when they accepted his word that his own special
brand exceeded in value the pianos which had won fame, they
accepted his statements that on account of his reduced expenses he
could sell it to them at a considerably reduced price. They swal-
lowed the bait because they believed the dealer.
T
HE people will learn that the instruments which are exploited as
specials are of the most ordinary values in pianodom, and the
whole line of the dealer's argument will have done much to destroy
their faith in piano values.
This question is a broad one, and affects even the instruments
which occupy a seemingly impregnable position to-day, for, if per-
sisted in the sale of special brands will in the future very seriously
militate against any concern maintaining a high position in the
piano world for artistic products.
As far as the legality of this kind of work is concerned that is
not to be questioned. Self-interest dominates the views and de-
termines the attitude of the dealers who purchase these goods and
the manufacturers who create them and carries with it, some argue,
no reproach.
T
HEY say that it is simply good business. Well, if it is, it should
be discussed from a broad standpoint, and like all trade
questions treated purely upon merits, with a breadth of view,
independence of judgment, and a uniform fairness that shall avoid
abuse on one side or on the other.
The Review 7 holds that a discussion of this matter in an inde-
pendent, impartial spirit can only be helpful to the best interests of
the trade, and our observations gleaned in thousands of miles of
travel yearly, teach us that the insidious work of the special brand
is steadily going on in such a way that it is obviously detrimental
to the future of the piano business.
How to adjust it—how to regulate it?
W
ELL, that is one of the problems which confront the trade.
Piano merchants buy and exploit this class of goods,
because they make large profits on the individual sales. In most
instances they sell the pianos out of their class. Manufacturers
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC TRADE:
continue to supply the demand, because there are large numbers of
pianos to be created to fill this particular call for specials, therefore
there is an attractiveness for both manufacturer and merchant in
the arrangement. But the manufacturer who caters to this traffic
is building no future for himself; he is creating no trademark
value, and no standing for his product. And the dealer in turn is
destroying his own reputation in his locality when he exploits goods
at a fictitious valuation and impresses upon his customers that they
are purchasing the best in pianodom. Whether it comes this year,
or next, or the year after, there surely must be a turn about, a halting,
commanded in this traffic.
I
N our opinion the key to the whole situation lies in the hands
of the manufacturers; they can use it when they desire. They
can, by fixing the maximum price at which their instruments shall
be offered at retail, regulate by one stroke the entire special question.
They can place their instruments in their own class, and thus estab-
lish a proper grade for pianos. Suppose the prices upon every re-
putable instrument in this country were fixed by the manufacturers
would not that at once relegate the special brand to its own sphere?
And surely no one is better qualified to place a correct valuation
upon a product than the men who create it. They certainly would
grade it fairly and accurately, and that would at once establish a
clear mark of demarcation between the various grades of in-
struments.
If it is well to advertise instruments of "the highest grade,"
and their value actually warrants it, what harm is there in fixing a
high grade price upon them, and if a manufacturer advertises "the
best popular priced piano," why should he hesitate to say just what
that popular price is? And so on down the line. Manufacturers
in other lines of trade do not hesitate to place their retail prices upon
their respective creations. The principle has worked out success-
fully in other lines, and thus far we have heard no good reasons
advanced why it should not apply with equal fitness to this industry.
CINCINNATI reader of The Review writes: "I have been
interested in your remarks on piano salesmen, and I believe
that such expressions are helpful to the craft. I hope you will con-
tinue with your good work."
We have no intention of slowing up, and anything which we
can do to encourage or stimulate the salesmen is indeed a pleasure,
for salesmanship should be recognized as an art; an art, too, in which
no one can win proficiency without giving the subject thought and
study, and it seems surprising that men do not give a closer analyti-
cal studv to salesmanship as a profession.
To illustrate: A doctor will spend years in preparatory work
before he begins active practice, and he then does not expect to
bring all of his varied experience and learning to bear on an in-
dividual patient every time he calls, but he has a tremendous fund
of information in reserve, which can be at once drawn upon when
the occasion demands.
A
I
T is the same with the lawyer. He does not anticipate that
every chapter of knowledge gained in his preparatory work
will be required in every case that he defends in court, but he has
learned something, and the mere fact that he has a fund of knowl-
edge to draw upon gives him confidence, and if we take the average
salesman in the high industries we find that their salaries rank as
high as professional men, much higher than college professors and
more than the average doctor or lawyer, therefore why should they
not have had a certain preparatory work? Why should the be-
ginner say that he is a salesman because he has worked in a ware-
room a week and really believes that he is master of the art ?
O be a good salesman, a man must be a good student of human
nature, and he must never cease in search for more knowl-
edge which has direct bearing upon his own trade. There are cer-
eain requisites necessary and imperative. Among these, considera-
tion, discernment, judgment, decision, persistence and most im-
portant of all, confidence in yourself, and the article you are selling.
No piano salesman can make a distinguished success unless he
first has confidence in his own ability and confidence in the instru-
ment which he offers for sale. He should treat his pianos from an
intelligent, practical standpoint. He should cultivate enthusiasm
in their merits, and not talk them in a dull, listless, unemotional way,
for if a piano salesman has not a belief in the honesty of his calling,
in the value of the instruments which he offers, in the correctness
T
REVIE:W
of their pricings, he cannot impress a customer with the values
which he presents.
N
OW, there is not a piano salesman living who cannot advance
his own position if he will give the subject of salesmanship
the same study that men engaged in professional life give their pro-
fession. If a lawyer has a particular case he thinks it over, studies
it in detail, maps out his line of argument and its considerations,
and why should not a piano salesman adopt the same plan? Dis-
cernment, too, how and when to talk or stop talking, or in other
words to know just when enough has been said, and as to
whether or not the customer's interest is growing. Judgment is
required as to when is the proper time to press the matter, or
whether the best policy would be to take it easy with the particular
customer you are working upon, and as to the proper time to tell
a story, if you will, or otherwise rest the customer and incidentally
yourself. But never lose sight of the main object at stake—the sale.
B
E careful, too, that the attention of the customer is not diverted
by other people coming in. That is one of the advantages
of individual showrooms. They give the salesman an opportunity
to hold the attention of the customers in a manner which renders
them less liable to outside interruptions.
There are many things to be considered. Salesmanship should
be classed as a profession, and every piano salesman should culti-
vate a more intimate knowledge of his own business environment.
The better he knows pianos from the practical standpoint, the
more intelligent he can present his arguments to the customers.
We know of an instance recently where a lady asked a piano
salesman how many white keys a piano had. He couldn't answer.
She asked him how many black keys, he still hesitated. She said:
"I do not believe you know as much about your pianos as I do,"
and the sale was not made. If a man has only the most superficial
knowledge of the business how can he impress others?
T
HE people of the Northwest have taken a patriotic pride in
the Lewis and Clark Exposition. It is the greatest undertak-
ing ever credited to the far West, and the people who have the Expo-
sition in charge propose that it shall be a record breaker in every
way. They commenced on time with everything more nearly
completed than any previous Exposition. They, too, started in
out of debt, and there will be no deficit when the Lewis and Clark
Exposition passes into history.
The attendance daily is steadily growing, and large excursions
from the East are planned for August and September. The sump-
tuous booth of The Review which occupies a commanding position
in the Liberal Arts Building is the rendezvous of the trade and
musical people visiting the Fair. The souvenirs which we are dis-
tributing at that point are conceded to be not only interesting, but
the most valuable ever given away by any concern at an Exposition.
S
OME newspapers have much to say about the governmental
deficit for the fiscal year just closed. This shortage actual
and prospective is not due to lessened revenue, but to increased
expenditure. If we wish to go the pace, we must pay the price, and
it certainly takes more money to run this country than ever before.
Our rural postal delivery has swallowed up millions in expenses,
and as a matter of fact when the people have had the best of service
they never wish to go back to the old system. If we are going to
create a big navy, and most of us seem to be in favor of that, and
construct the Panama Canal, we have got to foot the bills. That's
all. That which contributes to the efficiency of our Government
and to the ease and comfort of our people at home we should not
hesitate to expend, but we are not in sympathy with the cry which
comes from some quarters that our ambassadors and ministers
abroad should receive higher salaries and should be provided with
official dwellings in some of the principal cities. There are always
plenty of rich men who can represent the United States abroad
with dignity and credit, even if it does make a goodly strain upon
their private fortunes. But in our home affairs, if we are running
behind in our Government expenses our people would gladly favor
stamps on legal documents and checks, rather than to turn the
wheels of progress backwards to the unsatisfactory conditions of
years ago.
This country will never go back. We demand the best service
in everything—it isn't a question of dollars, it is a matter of con-
venience—and we will have it, no matter what the cost.

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