Music Trade Review

Issue: 1905 Vol. 41 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
45
MUSIC TRADE! REVIEW
.•^S^S^^TTi^^?5£<5^ri^^^
In tKe World of Music PublisHing
a mandolin folio published in separate book form
containing such up-to-date popular and operatic
successes as "Dearie" (worth the price alone);
Again
Being Discussed by Publishers—Cut
"And the World Goes On," from "Easy Dawson";
Trade Establishments Growing Bold in Their
"My Little Buttercup," "Little Girl, You'll Do,"'
Demands—A Pretty State of Things Truly—
and "The Church Parade," from "The Catch of
Eastern and Western Methods Discussed—
the Season"; " 'Twas the Rose," from "Happy-
Trade Rather Quiet.
land"; "Rosita," from "The Duke of Duluth";
songs from "Humpty Dumpty," "Rollicking Girl,"
With the general dulness now prevailing, pub-
"Babes in the Wood," "Sergeant Brue," and other
lishers are again exchanging views on the price
TIMELY WITMARK TOPICS.
successes. As if these were not enough, there is
situation. The opinions do not differ from what
also in the book "Everybody Works But Father,"
has been expressed before, excepting the state-
It is difficult to recall a little novelty song
ments are made still more emphatic, if that is which has had such a vogue so early in its career "In Sweet Loveland," "In tne Golden Autumn
any help to anyone. To be sure trade is a trifle as Morris and Ephraim's "Hello, All Right, Good- Time, My Sweet Elaine," 1863 march medley;
"Peter Piper," and many other hits all in one
slower than last year, especially east, though
bye." Not in a long while has a song of its par-
folio
edition de luxe, arranged by the master,
the reports from the west and northwest and the ticular class been in such great demand only a
Pacific coast are brighter, especially in the lat- few weeks after us appearance in print. Yet the Luigi Tozzoti. The first editions are all gone,
ter section. About New York sales have been number of those who are singing it in public is but new editions are on the press.
greatly curtailed, and it will doubtless be several already large, and gives promise of a rapid* in-
weeks before business will resume a normal crease.
GUS. KERKER'S ONLY VALSE.
aspect. Jobbers speak of the demand being
The 0. T. Johnson Co., Inc., Galesburg, ill, are
"A Garden of Beauty" is the first valse ever
fair, but not what it might be, and collections having the following Witmark numbers played by
written by Gustave Kerker, and it is in the front
are slowing down, as is customary-
the orchestra in their department store during
Publishers are "pounding" the five and ten the Christmas shopping season: "Babes in Toy- rank of meritorious melody—tuneful, catchy and
cent stores for their audacity in offering music land," selection, Herbert; "Bohemian Knights," dreamy. T. B. Harms Co. are the publishers, and
at the uniform rate of ten cents, and wonder intermezzo, Isidor Greenberg; "In My Merry Olds- the sales are rapidly growing.
In the romantic comic opera of "The Rose of
where they get the stock. These cheap estab- mobile," medley waltz, Gus Edwards; "Sally
lishments are getting more and more aggres- Ann," march, Dave Reed, Jr.; "Goodbye, Eyes of Alhambra," another ten strike for the Harms Co.,
sive in their demands, and now declare that they Blue," march, Harry Armstrong; "The Leader," the hit "The Nightingale and the Rose," promises
will handle only the "hits"—no more, no less. medley overture, W. C. O'Hare; "Good Night, Be- to make a record. Other good sellers are "The
With the publishers denying their complicity loved, Good Night," tenor solo, James Oliver; "A Lay of the Lute," "The Vagrant Stream," "Bur-
in the deal, the dealer is directed to the sinful Madcap Princess," selection, Ludwig Englander; lesque Serenade," and among the instrumental
jobber, who is charged with the heinous offence "King Dodo," selection, Gustav Luders; "The selections, "March of the Guards." Lucius Hos-
of "swapping" and "switching," and general Storks," selection, Frederic Chapin, and "Jack-o'- mer's music is spoken of as deserving a "column
deviltry with the "five and ten centers," whereby Lantern Joe," march, from "The Pearl and the of expert and appreciative musical criticism."
the opera as a whole is free from the common-
the goods are delivered just the same. However Pumpkin," J. W. Bratton.
place, brilliant and colorful, and Lillian Blau-
that may be the Knox store management is
At the Towle Opera House, Hammond, Ind.,
velt, the prima donna, has music worthy her
said to be placing under a ban publishers who
where Barnie Young is musical director, the or-
singing.
have, the temerity to criticise their methods.
chestra is playing. "A Chinese Honeymoon,"
For example, one prominent New York publish-
march, H. Talbot; "My Honor and My Sword,"
er who spoke his mind in a recent issue of
SOL. BLOOM STILL BLOOMING.
march, from "Babette," Victor Herbert; "Peggy
The Review, on calling at the Buffalo, N. Y.,
from Paris," selection, Wm. Loraine; "Zenda,"
headquarters, was confronted with his alleged
Libbey Blondell, whose winsome personality
waltz, Frank M. Witmark; "Johnny Wise" and
"crime," and in brutal fashion was told there
"Nitghmare Land," from "The Filibuster," Wm. and pleasing voice are much sought by publishers
was no use of his coming around, as they would
Loraine; "The Roses' Honeymoon," reverie, J. W. in the matter of popularizing their songs, is at
never again buy any of his music. This method
Bratton, and "Mam'selle Napoleon," march, G. present using two of Sol Bloom's songs that are
of retaliation is almost too cheap for ordinary
making good in every particular. They are Wil-
Luders.
belief.
The orchestra of the Joliet (111.) Theatre, liam H. Penn's new coon song, "I've Such a
But a Western concern has gone this one bet- under the direction of Howard bweet, are playing Funny Feeling When I Look at You," and Ray-
j
ter on the point of assurance. This firm has the following Witmark numbers: "Cupid is the mond A. Browne's song "Come Back."
Greene and Werner, who are so well kmrvvn to
addressed the leading publishers, and after stat- Captain of the Army," march, Dave Reed, Jr.;
ing they controlled fifteen stores in central Illi- "Araby," intermezzo characteristique, Al. Johns; theatre-goers as impersonators of jungle types,
nois, say: "We are tried of paying 10 and 12V-2
"An Odd Number," Collin Davis, and "Jack-o- are playing in and around Greater New York
with their extremely successful act, using as a
Lantern Joe," march, John W. Bratton.
THE PRICE SITUATION
cents for music when others are retailing it for
10 and 15 cents. We must have goods at 7 and
8 cents, and then it must be placed "on sale'
with us—goods unsold to be returned." This
is the limit, without a doubt, so far as "laying
down the law" is concerned, and the publishers
are itching to get after the cheeky firm with
an axe.
Complete vocal score and Separate Numbers of
"THE ROSE OF THE ALHAMBRA"
Book and Lyrics by CHAS. EMERSON COOK.
Music by LUCIUS HOSMER.
Featuring the well-known prlma donna,
Mme. LILLIAN BLAUVELT.
Supplementary Songs in the following productions :
EDNA MAY'S New Musical Play,
"THE CATCH OF THE SEASON."
"RAINING"
By Jerome D. Kern
SHUBERT BROS.' English Musical Comedy Success,
"THE EARL AND THE GIRL."
"HOWD YOU LIKE TO SPOON WITH ME."
Max. C. Eugene's hit, "IN HOSELAND" Intermezzo
Published by
T. B. HARMS CO.
126 West 44th St.
NEW YORK
"The House Melodious."
GUS EDWARDS
M U S I C P U B L I S H I N G CO.
Publishers of Lillian Russell's and the Sea-
sons Song Hits,
" I f a Girl Like You Loved a Boy Like Me "
"Somebody's Sweetheart I Want to Be,"
and "Napoli,' and Italian Love Story.
Our New Issues
"Pocahontas" (Tammany's sister). " I n a little Canoe
with Y o u " being featured by all the leading acts in
Vaudeville. "When the Green Leaves turn to Gold' a
Beautiful Rustic Ballad.
Gus Edwards Music Pub. Co.
1512 Broadway, New York.
LECTURE ON FRENCH POPULAR SONGS.
"The Popular Songs of France" was the theme
of a discourse delivered before the Alliance
Francaise of Philadelphia, Pa., December 4, by
M. Julien Tierso, librarian of the National Con-
servatory of Music of the French Republic in
the rooms of the Acorn Club. Many society peo-
ple and members of the French colony attended.
M. Tierso introduced into his lecture a number
of popular songs which were representative of
the different provinces of his native land. His
singing of the plaintive "Song of the Poor
Laborer" was especially well received. M. Tierso
is a native of Bourg, Department of Ain, and
in 1875 was commissioned by his government
to revive the old songs of France, the results
of his labors appearing in book form. In dis-
charge of this task he traversed the whole of
Brittany, Normandy, Berry, Burgundy and the
French Alps.
STERN'S NEW MANDOLIN FOLIO.
The No. 7 Markstern Folio, which has just been
issued by Jos. W. Stern & Co., is no exception to
the others, and if possible, contains even more
hits than any of tne preceding numbers. Imagine
DO YOU KNOW ?
ALICE DARLING !
SWEETHEARTS FOREVER!
MISSES AND KISSES !
TANGLEFOOT JOE !
THE GALLANT BRIGADE !
If not-send Ten Cents in Stamps
and Get Acquainted !
The Moore Music Co., Inc.
Frank B. Perry, Mgr.
1345 Broad mi.
NEW YORK;
JEROME H. REHICK & CO.
ANNOUNCE
"MY
IRISH MOLLY O"
BY JEROHE & SCHWARTZ
The terrific hit in "Sergeant Brue," sung
by Blanche Ring, and other big hits by Je-
rome ft Schwartz.
JEROriE H. REfllCK & CO.
DETROIT and CHICAGO.
45 West 28th Street,
-
NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE:
46
MUSIC TRADE
REVIEW
difficulty lies in getting the publishers to take
feature William H. Penn's darkey ditty, "I've
E. J. VILAS' VIEWS
concerted action."
Such a Funny Feeling When I Look at You."
One of the biggest of the big novelty vaudeville On Musical Copyright and Other Matters—
Vilas modestly refrains from giving his
Says Cost of Music Is Too High— -His Point
thoughts about the future of the coon song. For
acts is that called "The Military Octette and Girl
of View Rather Peculiar.
this relief many thanks.
with the Baton." This is a collection of talented
young men and women who play, sing and gen-
A rather peculiar expression of opinion wai
erally entertain audiences for twenty to twenty- given by E. J. Vilas to The Globe during his
SOME RECENT SUCCESSES.
five minutes at every performance. Two of the visit to New York recently, "representing Blei-
The Aurora Piano Co., Aurora, 111., have brought
principals are Mr. Madock and Mr. Lucas, the
stein & Co.," whom he spoke of as music pub
out
a new song "I Can Part With All But You,"
first of whom possesses a beautiful baritone voice,
lishers. His views on the copyright law have
and the second being an accomplished violinist.
been heard before, and his suggestions about which promises to be an excellent seller. The
They are using with great effect in the act Ray-
piracy are original, if not sensible; but when words are by Ellen Norwood and the music by
mond A. Browne and William H. Penn's "Good- Mr. Vilas says that the cost of music is too high F. L. Ryder, a prominent member of the Chicago
bye, Dixie Dear," published by Sol Bloom.
he is certainly "talking through his hat." What retail forces of the Cable Company, and a com-
poser of more than local note. The trade can
he said follows:
KEMICK NEWS NOTES.
"Our musical copyright law has proven a most be supplied by Lyon & Healy, Chicago; Will
imperfect protection of the composers' right, and Rossiter, New York and Chicago, and the F. J.
Georgia and Blanche Howard are using "Silver
Heels" and "Why Don't You Try" with genuine the extent to which piracy now flourishes is some- A. Forster Co.. Chicago.
thing outrageous. Why no less than forty-five
success. May Evans, whistler, with the "Navajo
"THE SPINSTER'S QUARTETTE.'
(sic) thousand contraband copies of copyright
Girls," is using "Silver Heels." Maydee DuCrey,
music have been discovered during the past
with "Lured from Home" company, is using
"The Spinsters' Quartette," made up of four
"Sympathy." McMaypn's "Watermelon Girls" month. Much stiffer legislation is urgently re- remarkably clever ladies, do an effectively humor-
quired. Our federal copyright law, as at present ous impersonation of "Four Old Maids" of various
are using "Fare Thee Well, Annabelle." Felix
framed, gives the publisher redress in money types, and in their make-up, dialogue, action and
and Barry are using "Silver Heels" and "In Dear
Old Georgia," while Klein, Ott Brothers and Nich- only, but there is always a fearful fight neces- singing they are a hit. One notable number of
sary in order to get it. What's more, the pirate their offerings is the rendition of William H.
olson, instrumentailtsts, have added to their rep-
can evade payment entirely by simply putting all Penn's song, "In the House of Hugs and Kisses,"
ertoire the new Indian intermezzo, "Silver
Heels." Jessie Mae Hail, now starring in "The his property in his wife's name. Even were the "Good-bye Dixie, Dear," and Henry Clay Smith's
penalty imprisonment there would be no satis- song, "Come Back."
Street Singer," has introduced Williams and Van
faction in that for the publisher. Neither would
Alstyne's substantial ballad success, "In Dear
it scare the gutter merchant.
Old Georgia"; she is assisted by six pretty show
Here are a few of the popular publications:
girls. Etta Williams recently added "Sympathy"
"About the only thing left for the legitimate Vocal—"In Timbuctoo," "Starlight," "The Hoo-
to her repertoire of songs, and finds that it leads
trade to do in the matter is to cut the ground doo Tree" and "A Quaint Old Bud" (in "The
in popularity wherever she has appeared. Anna
from under the pirates by lowering the prices Catch of the Season"), by Theodore Morse; "I
Laughlin, whose clever work in "The Wizard of
of the copyright publication. So long as there Want Somebody to Love," by Harry Kelly;
Oz" is well remembered, is now duplicating her
is a difference of a few cents between the piracy "When Sweet Rose Bid Me Good-bye" and "I'm
success in vaudeville, and one of the daintiest and the authorized edition the public will have So Lonely," by Thurland Chatteway. Instru-
songs she sings is "Won't You Take Me Home no compunction in purchasing from the pirate. mental—"Keep a Little Cosey Corner in Your
with You," written especially for her by Lenox
In this connection I must admit, as most other Heart For Me," march and two-step, and "Julia
& Sutton, who now write exclusively for Jerome publishers will, that the cost of music is too Dean," walty, by Theodore Morse.
H. Remick & Co.
high, and it is therefore a serious tax on the
Among this popular firm's latest prints are the student and a hindrance to educational purposes.
Margileth & McFarland, the enterprising deal-
A man can obtain a library of the classics at the ers of Springfield, O., are great admirers of the
following: Vocal—"Only You," by L. Frank
Miller; "Come Back, Kathleen," by Theo. West- cost of something like $10, but a similar repre- Hamilton pianos, and in a recent announcement
man; "On an Automobile Honeymoon" (in "The sentation of the great composers would entail an state that over thirty-three thousand of these in-
outlay of four or five times that amount. The struments are now in use.
Ham Tree"), by Jerome and Schwartz.
COMPLIMENTS OF THE SEASON!
and then let us again call your attention to the subjoined
WITMARK POPULAR
SUCCESSES!
Our prestige is behind these numbers, and we are exploiting them through every channel of publicity,
merous calls for them. We therefore hope for early and frequent orders.
That means you will have nu-
VOCAL
"He's Me Pal."
"Tammany."
"You're My Heart's Desire, I Love You Nellie Dean."
"The Prettiest Gal in Borneo."
"Those Songs My Mother Used to Sing."
"Kate Kearney."
"If I Should."
"In My Merry Oldsmobile."
"Sally Ann."
"Nola."
"Listen to the Big Brass Band."
"Good-night, Beloved, Good-night."
"I Love You All the Time."
"Lucy Linda Lady."
"Hello, All Right, Good-bye."
"The Honey Bee's Honeymoon."
"I've Got No Right to Love You But I Do."
"I Will Always Think of You."
"Why Don't You Quit, Quit, Quit."
"Araby."
"Al Fresco."
"Dewdrops."
"Laces and Graces."
"My Cosey Corner Girl."
"Awake, My Beloved, Awake."
"You're the Flower of My Heart, Sweet Adeline."
"Happy, Jappy Soldier Man."
"Ole Man Moon."
"Because You Were an Old Sweetheart of Mine."
"Just for To-night."
"All Is Fair in Love and War."
"Star of My Life."
"Resignation."
"Take Me to Your Heart Again."
"Just Idle Dreams."
"Only a Message from Home, Sweet Home."
"In the Shadow of the Pyramid."
"Injun Gal."
"Rosebud Sioux."
"Norah-Floradora."
"Cupid Is the Captain of the Army."
,
"Little Drowsy Eyes."
I I M S X R L J IVf E N T A L
"The Roses' Honeymoon."
"Roses."
"Little Fawn."
"The Mouse and the Clock."
"Mexican Beauties."
"Idlewilde."
"Hyacinth."
"An Odd Number."
"Love's Return."
"Ky-isses."
"Thoughts of Love" Waltz.
"Bohemian Knights."
Also Vocal and Instrumental Numbers and Complete Scores of the Following Musical Comedies and Comic Operas:
"The Pearl and the Pumpkin."
a
The Mayor of Tokio."
"The Rollicking Girl."
"It Happened in Nordland."
"Fantana."
"Woodland."
"The Sho-Gun."
"Miss Dolly Dollars."
"Princess Beggar."
"Mile. Modiste."
"The Press Agent."
"Babes in Toyland."
"The Maid and the Mummy."
"Love's Lottery."
"The Yankee Consul."
PUBLISHERS
M.
WITMARK
CHICAGO.
SONS,
=
Witmark
Complete Catalogue Sent FREE on Application.
=
=
=
"The Prince of Pilsen."
"The Tenderfoot."
"Peggy from Paris."
"Wonderland."
"His Honor the Mayor."
=
Building, New
York
LONDON.

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