Music Trade Review

Issue: 1905 Vol. 41 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW/
6
the call for the subdued in art. It hardly seems possible that the
masses should have learned so much in so short a time.
N
EDWARD LYMAN DILL.
Editor t n d Proprietor
J. B. 9PILLANE, M*n«tflnrf Edlt«r.
EXECUTIVE AND REPORTORIAL STAFF:
GEO. B. KELLER,
VVM. B. W H I T E ,
W. N. TYLER,
E M I L I B FBANCIS BAUER,
W. L. W I L L I A M S ,
A. J. N I C K L I N ,
GEO. W. QCEBIPEL.
BOSTON OPPICE:
CHICAGO OFFICE
ERNEST L. WAITT, 255 Washington St.
E. P. VAN HARLINGEN, 1362 Monadnock Block.
PHILADELPHIA OFFICE:
MINNEAPOLIS AND ST. PAUL:
5 T . LOUIS OFFICE,
R. W. KAUFFSIAN.
E. C. TORREY.
CHAS. N. VAN BUREN.
SAN FRANCISCO OFFICE: ALFRED METZGER, 425-427 Front. St.
Published Every Saturday at I M&diion Avenue, New York.
Entered at the New York Post Office as Secvnd Class Matter.
SUBSCRIPTION (including postage), United States, Mexico and Canada, $2.00 per
year; all other countries, $4.00.
ADVERTISEMENTS. $2.00 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount la allowed. Advertising Pages, $50.00; opposite
reading matter, $75.00.
REMITTANCES, in other than currency form, should be made payable to Edward
Lyman BUL
On the first Saturday of each month The Review contains In Its
THE ARTISTS' "Artists' Department" all the current musical news. This is effected
without in any way trespassing on the size or service of the trade
DEPARTMENT section of the paper.
It has a special circulation, and therefore
augments materially the value of The Review to advertisers.
T h e dlt ect01
n i R F r m p v ^ r PiANft
'
' y 0 I piano manufacturing firms and corporations
i A N O
MAiu
i
found on another page will be of great value, as a reference
MANUFACTURERS
f or dealers and others.
LONG DISTANCE TELEPBONE-NVMBER 1745 CRAMERCY.
NEW YORK, SEPTEMBER 16. 19O5.
' T ' ^ H L S far September has made a splendid record in a business
X
way. The month opened very satisfactorily in all branches,
and it has continued improving- since the opening day. The reports
which we receive from various trade centers indicate that there is a
good demand for musical instruments. This condition of affairs
must mean an increasing demand upon the piano manufacturers as
the season advances.
There is every reason to believe, judging from present condi-
tions, that the fall months of 1905 will be record-breakers, not only
in the piano line, but in all other industries. There never has been
a time when the basic conditions of trade were better than at the
present period, and piano men generally will take advantage of
this pleasing situation.
A
READER asks if we consider that there will be radical
changes in piano architecture within the near future. The
ordinary piano styles are influenced somewhat by the furniture de-
signs, and the pendulum of taste has swung to its farthest limit of
simplicity in the matter of house furniture. Ten or fifteen years ago
the furniture in the average home, even of the better class, was
ornate with machine carving, the favorite carpets and wall papers
were many colored and sharply figured, and the pictures which hung
high above the eye line on the unattractive walls of the average home
were chromo lithographs, cheap water colors, or cheaper oil all
framed in gold, or in white fancy woods, badly carved to match the
furniture. The ornaments that burdened the shelves or mantels are
still borne in memory, bisque shepherds and bashful shepherdesses,
the silly little porcelain dolls, always in danger of being extermi-
nated by the bronze warriors, stood on each side, evidently guarding
the lamps and clocks, necessary accompaniments of a wedding at
that time.
A
LL this is too recent to be forgotten, and makes the change
more striking and more interesting. It hardly seems possible
that the same good people who liked these things are the ones, who,
by their increasing demand for simplicity, have accepted single-
toned carpets, ingrain wall paper, colonial glass, and, above all, re-
productions from the old and modern masters of paintings, simple
carbons or platinums simply framed and following to the last degree
OW, will we become tired of the monopoly of straight lines
and replace the really artistic home fittings to-day with the
inartistic styles which were accepted years ago? If so, piano cas-
ings will move in perfect harmony with the other lines, but we are
hardly inclined to the belief that having made a step in advance, we
will go back to the heavy cumbrous styles of years gone by. Our
friend may rest assured that piano architecture will accommodate
itself to home fittings, and as the trend in furniture has been toward
simpler lines, largely on the Colonial, so the piano case architecture
has conformed to those changing conditions.
I
X our opinion there will be no radical change in piano case ar-
chitecture for a few years to come, save, of course, in the crea-
tion of art pianos which have a special place.
In accordance with the growth of the country there has been an
increased demand for special creations in every line. Our rich
people have furniture built especially for them, and they give orders
for pianos to our best-known manufacturers, paying princely sums
for single instruments. This class of business has grown to such an
extent that a number of manufacturers to-day have special art de-
partments, where ornately decorated cases are created in most cases
only to special orders. People of wealth like to have something
individual in pianos as well as in paintings, and they take a special
pride in having instruments in their homes which combine the highest
degree of decorative art with musical quality.
B
UT while there may be a steadily growing demand for the spec-
ially created pianos their increased sale will not affect what
we may term the rank and file pianos. In other words, the instru-
ments that are turned out according to catalogue description by the
thousands East and West.
These appeal to people of moderate means, but they must be
artistic and ornate in effect, because Americans are having a more
highly developed art sense with the passing of the years, and they
demand that pianos shall be in conformity with the general archi-
tecture of the rooms.
Then when we talk of radical changes in piano architecture it
will be extremely difficult to make changes which are very much dif-
ferent from the generally accepted styles. There is a chance for spe-
cial case development, of course, but as far as radical changes go it
will be a long time, if ever, before that transformation occurs.
F
^OR some time past reports have persistently circulated in
trade circles of impending labor troubles. It has been said
openly that the workers in the Xew York piano factories are better
organized to-day than ever before, and that they propose to test the
strength of their organization in forwarding certain demands
which they may make later. It will be a long time before the differ-
ences between capital and labor are satisfactorily adjusted in this
country. In order to reap the most satisfactory results there must
be mutual understandings of the rights of the employer and employe,
and the demagogue, whose chief reason for existence seems to be to
disturb settled conditions in order that he may demonstrate his p o w r
and show his right to draw scale, must be removed from the throne
of power.
\ T Germany, France and in Belgium perhaps better conditions exist
in labor circles than in any other countries on earth, and there is
no good reason why they cannot be successfully adopted in this
country. In the printing trades in those countries organizations
exist which are really industrial courts. They are composed of em-
ployers and employes, and they meet at stated intervals for the pur-
pose of discussing matters which may be of interest to both divisions.
There is no chairman selected for these meetings, and there are no
wrangles whatsoever, each side presents its argument in a delib-
erative manner, and it is said upon excellent authority that in seven
cases out of ten the adjustments have been made on the side of the
employe, which shows the fairness and consideration of the employ-
ers for the rights and privileges of their men.
I
A CCORDING to the opinion of an eminent expert recently ex-
l \
pressed in The Review office who has just given the labor
question in Europe a comprehensive study, America must solve its
labor problems along the same lines. This gentleman stated that in
his opinion America was ripe for that sort of a move, and that in-
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
stead of having separate organizations, composed of employers and
employes in this country, we would make a long stride forward by
having organizations in every trade composed of men who pay the
wages and men who work for wages. In this way there would be
really no organized opposition to one side or the other, but all of the
matters for discussion would be subject to reasonable argument,
doing away wholly with the one man power which has been of ob-
vious injury to the cause of honest labor in this country.
DEALER who has had an experience with special brand
pianos announced to The Review that he intends hereafter to
deal only in those pianos which bear the name of the manufacturer,
or the corporation producing them.
There is no question but that special brands in all lines are in-
tended largely to free the original producer from certain obligations,
and to enable the retailer to offer inferior goods at a greater profit to
himself. No matter how we argue the question of special brands it
resolves itself down to one of profit. The retail piano merchant is
willing to pay more for a piano bearing his own name or trade-mark
which he can control than he would for a piano of absolutely the
same value bearing the manufacturer's brand.
A
T
HE dealer who sells a special brand can place any valuation
upon it that his conscience permits, and he can have an elastic
price for every customer which pleases him. But more and more
it will become necessary to have a general selling price for reputable
pianos in all sections, and if manufacturers would put a fixed selling
price, a maximum price, on their instruments, allowing, of course,
the retailer a generous profit, it would do away with the whole special
brand business, which is bad for the consumer, retailer and manu-
facturer; in fact, it is eating the life out of legitimate trade.
T
O be successful the piano merchant must be imbued with such an
enthusiasm for his calling that he will not fail to believe the
instruments that he is selling embody good value at the prices asked.
His enthusiasm falls short of its full measure, if it does not include
appreciation of the merit of everything in his stock.
It is necessary to have faith in pianos and in the values offered
to be good merchants and good salesmen. A man may take a pride
in the appearance of his store, in the system which he introduces into
his accounts, in the methods which he uses in securing the attention
of the public, and the bargains he makes with those who sell goods
to him, but he will fail in the essential requirement if he has not
faith in the actual value of the instruments which he offers.
Pianos at one price, and that the right price, is a good slogan
for the piano merchant, no matter where he lives or whether he em-
ploys fifty salesmen or one.
T
HE commercial benefits of the Asiatic war are considerable to
this country. There has been a profitable market in those
countries for American manufacturers- of metal lines. The total
sales have reached many millions of dollars, and it is believed that
this trade will continue to grow, now that peace has been adjusted.
Considering the question for the American manufacturer from
purely a selfish standpoint, Russia bids fair to enter upon a recon-
struction period, perhaps gradual at first, but with accelerating im-
petus. A great war, like a great conflagration, sometimes proves to
have its blessings as well as its malevolent side, and to Russia, if the
results of the war shall spur her on to better social and industrial
conditions, an incalculable good will have been accomplished.
I
F this be true, if Russia is to develop industry, great quantities of
American machinery and raw materials will be required. The
world will, of course, compete for the increasing market, but no one
doubts that the United States will have a large share.
Japan has already progressed far in its development on indus-
trial lines, and great sums of money and continued intelligent energy
must still be expended. American manufactures which found a
very lucrative market that has developed under the imperative needs
of war, will continue for some time, and, of course, when our larger
industries are well employed it means the disbursements of large
sums of moneys from the various channels of trade, every one bene-
fiting in the end, so that the piano business must indirectly profit by
the demand for American manufactures in the Orient.
T
HE Portland Exposition has nearly a month more of activity
before the gates are closed. The record of this far Western
enterprise reflects great credit upon the business ability of the men
behind the initial move. It was simply nothing more nor less than
a gigantic advertising scheme to boom the Pacific Northwest, using
as the lever the one hundredth anniversary of the discovery of that
country by Lewis and Clark.
The Exposition started in practically free from indebtedness,
and it has been a paying institution from the start, therefore the
stockholders will receive some dividends, so in that respect it will be a
record-breaker for great expositions.
The work which has been carried on there by this newspaper in-
stitution has been highly complimented. The Review bcoth has been
headquarters for visiting members of the trade and profession.
More than that the splendid souvenir which has been given away
by us has drawn thousands of people to our headquarters who have
passed considerable time looking over the interesting photographic
display of notable instruments which are shown in our collection.
These photographs are all handsomely framed, and the size, 22x28,
enables the visitor to appreciate the beauties of the instruments which
are exhibited. Some of the special art styles as well as rare and his-
toric instruments are displayed in the collection.
The line of publicity which we have been carrying on at Port
land is of obvious benefit to the entire industry, and it is the kind
of journalistic work which dignifies the profession.
T
HERE lias been at times considerable comment on our post-
office needs, and in common with other publishers we occa-
sionally suffer by late deliveries of The Review. What is really
needed to bring New York abreast with London and Paris, and
other foreign cities, is more branch stations, pneumatic tubes and
automobile wagons. These could come, if we had an adequate ap-
propriation, but the average Congressman refuses to recognize the
fact that the service of New York City is really the center of the
service of the whole country, and that wlmtever benefits this city will
benefit the entire land.
The present Postmaster-General is fully alive to the needs and
the merits of the case, and can be depended upon to support with all
power at his command such recommendations and requests as our
present efficient postmaster, Mr. Willcox, may make. Between the
two the needs of the New York service are likely to be placed before
Congress in a more convincing light than has hitherto been the case,
and it is to be hoped that Congress will act with more intelligence and
more liberality than it has exhibited in recent years.
A
PROMPT and efficient postal service is imperative in these
days of rush business. There has been in many quarters
some criticism of the action of the Post Office Department in regard
to throwing out of pound rate privileges certain mediums. The
critics are either uninformed, or have belonged to that class who
desire to use the United States mail for ulterior purposes. The
Third Assistant Postmaster-General, Mr. Madden, has cleansed the
postal service of this country of many of its objectionable features.
He has thrown out the house organs, but he has always exhibited
a strong desire to support the legitimate trade press in all of its work.
He does not feel that a catalogue house organ or a sheet which is
distributed for purely advertising purposes is entitled to admission
to the United States mails at pound rate privileges, but he does
recognize the fact that a trade paper is a powerful influence to in-
dustry, an "engine for the good," as Mr. Madden recently remarked
at a banquet. Publishers who can produce proof of legitimate cir-
culation have no trouble with the department, but advertising sheets
and house organs do not meet with favor at his hands, and Mr.
Madden is invariably correct in his decisions.
M
USIC trade advertisers in New York State should now be
careful in the use of the flag in their advertisements, for the
Wainwright law amends the Penal Code in relation to the desecra-
tion or mutilation or improper use of the flag of the United States or
of this State. It declare guilty of a misdemeanor "any person who
in any manner, for exhibition or display, shall place or cause to be
placed any word, figure, mark, picture, design, drawing, or any ad-
vertisement, of any nature upon any flag, standard, color or ensign
of the United States of America or State flag of this State or ensign,
or shall expose or cause to be exposed to pubic view any such flag,
standard, color or ensign, upon which shall have been printed,
painted or otherwise placed, or to which shall be attached, appended,
affixed, or annexed, any woi d, figure, mark, picture, design, or draw-
ing, or any adverliaemeat of any nature.

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