Music Trade Review

Issue: 1905 Vol. 41 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
FROM PENNSYLVANIA'S MUSICAL CENTER.
Home-Comers Help Business—Estey Small Grand a Wonderful Creation—Miller Lyric Grand in
Demand—Ludwig Style That Strikes the Popular Fancy—Lester Activity—Woolley's Good
Work—Pease with Strawbridge & Clothier—Herzberg's Fine Line.
(Special to The Review.)
Philadelphia, Pa., September 5, 1905.
The piano business in Philadelphia has started
in in the most encouraging way for September.
The summer out-of-town colonies have begun to
arrive home, and are preparing for the winter,
which is evident by the big increase in the num-
ber of piano shoppers. A number of very satis-
factory sales were made the beginning of this
week, and there is not a Philadelphia dealer to
be found but who is predicting a most active
business for the remaining months of the year.
I have never seen the Philadelphia dealers
stocked up as they are at present. You cannot
go into a wareroom but you find all available
space taken, and those dealers who have been
complaining right along that they have been un-
able to get any stock on hand, have ceased to
make that statement as, through some means or
other, they have been able to get an ample
supply.
One of the most interesting things I have seen
in the Philadelphia warerooms this week is the
new infant that has arrived at the Estey ware-
rooms. It is their latest baby—an Estey tiny
grand—and Mr. Woolley and the rest of the em-
ployes of the house are as tickled with it as if
it was flesh and blood. And well they can be,
for just at this time a squalling infant is not one
of the most desirable things to have about, but
this little fellow is just as pretty and just a'j
sweet in tone as any one could desire, and I pre-
dict that there is a very wide field for this un-
named as yet Estey baby, only five feet in length,
but capitally proportioned, and with a voice,
which in strength and sweetness, sets to shame
many of its bigger brothers of pianodom. The
baby's scale is unusually even, and its body is
very similar in construction to the other three
grands made by the Estey Company; its legs are
just as shapely, but of a little difference in carv-
ing, and contains all the latest features of the
Estey factory. The piano will be sold for $650,
and is one of the best bargains in Philadelphia.
Besides this new baby grand, the Estey factory
makes a small grand, a parlor grand and a con-
cert grand, and are also manufacturers of four
different styles of uprights, named X, B, C and
D. X is their smallest upright, and is one of
the smallest uprights made by any firm, and
they have quite a large sale on it. The style D
in butternut case has always been a special with
the Estey firm, and it is also a very popular
instrument. The Estey Company are purchasers
of all the butternut veneer coming into the
country.
Edward M. Read, of St. Louis, was in town
again this week for several days, and has started
for home. Mr. Read has many interesting views
as to the piano business, but one thing particu-
larly striking is his opinion that the player piano
would not be long lived.
William M. Jenkins, of Richmond, Va., was an-
other Philadelphia visitor this week.
The Estey Company have just completed a very
fine pipe organ in the St. Elizabeth's Episcopal
Church at 16th and Mifflin streets, and have also
completed a large pipe organ in the Trinity M.
E. Church of Ridgway, Pa.
Miss Katherine Funcheon has started on a two
weeks' vacation, during which she will visit Bos-
ton, Portland, Maine, and other New England
coast cities. She went to Boston from Philadel-
phia by boat.
Eldorus Hurff, who went to Williamstown, N.
J., some weeks ago on a vacation, and took sick
while there, is still seriously ill, and his family
have been unable to move him home.
James C. Miller, after a visit of several
months in Massachusetts, part of the time at the
Boston Miller house, will return to Philadelphia
on Thursday of this week.
The Miller house has been doing an excellent
business this summer in. Mr. Miller's absence,
particularly in the Miller Lyric grands, more
of which style of instruments have been sold by
the Miller house than by any other Philadelphia
house.
The most popular seller at present, and for
some time past, in the Philadelphia house of Lud-
wig, is their Style I, Louis IV. It is a very
handsome instrument in appearance, beautiful in
tone, and has undoubtedly struck the popular
fancy more than any upright piano yet turned
out by the Ludwig factory. The firm are get-
ting out two or three new styles for the fall
trade, which they expect to become great fa-
vorites. Miss Bertha Krugg, the Ludwig stenog-
rapher, has gone on a two weeks' vacation to the
Pocono Mountains, and William Jamison has
just returned from his vacation at Sea Isle City.
The Lester Piano Co. are in better shape than
they have been for some years, in spite of the
fact that they have had an unusually busy sum-
mer. They have already on their books large
orders for fall and early winter shipment, and
they expect to more than double this year their
output of grands. It has been a long time since
a Philadelphia manufacturer has turned out any-
thing that has been so universally well received
as has the Lester grand piano.
D. E. Woolley is anxiously awaiting the return
to this city of several members of the executive
committee of the local Piano Dealers' Associa-
tion, in order that he can get them together to
take up the winter's work. Mr. Woolley is very
much gratified with the result he obtained in try-
ing to prevent'gyp dealers from at least advertis-
ing themselves in the local papers. He has suc-
ceeded to the extent that the newspapers have
refused such advertisements, and several of the
former "gyp" dealers have had to place ware-
room signs over their places of business in or-
der to attract customers.
Through the effort of the Association's black-
list most of the undesirable people who have
been preying on the dealers have had to forsake
the vocation, and at the present time Philadelphia
is practically clear of all these men, and it has
been some time since any of the firms have
suffered a loss through trickery by these people.
The results thus obtained, principally through
the continued effort of Mr. Woolley, has led him
to believe that there is nothing impossible in
the Philadelphia trade, as to undesirable busi-
ness methods, that cannot be regulated or elimi-
nated, if the proper effort is made.
Strawbridge & Clothier are expecting almost
daily their first shipment of Pease pianos, and
they are very well satisfied that they have been
able to add these fine instruments to their list of
agencies.
The Strawbridge & Clothier depart-
ment affirm that they are going to continue the
handling of the Steck piano, and will also get the
Steck Pianola, while on the other hand, the
Heppe people are just as positive in their affirm-
ing that the Steck piano and the Steck Pianola
will shortly be added to the Heppe stock. Who
is right and who is wrong it is hard to say, but
at present the Heppes have the best of the argu-
ment, as they have in stock and have been sell-
ing the Steck Pianolas, while none of these in-
struments have yet been on the floor of the
Strawbridge department. Mr. Hillebrand, who
is in charge of the Heppe player department, is
most enthusiastic over the Steck Pianola, which
instrument he says is strongly admired by all
the musicians whom he has called in to pass
judgment upon it. When Mr. Hillebrand's at-
tention was called to a statement made by an-
other Philadelphia dealer to the effect that the
inside player was a question of whether it would
or would not be successful, he became very much
stirred up on the subject, and said that it was
the old story that he had been hearing ever since
the Aeolian Co. first put the Aeolian organs on
the market, and again when the Pianolas were
gotten out, and both of these instruments had
proven the assertion that they were fads to be
false.
Harry Herzberg feels that he has a surprise
up his sleeve to be sprung upon his father when
he returns this month from Europe. He has
more than the usually successful summer, and is
satisfied that his father will be more than sat-
isfied with the results obtained. While Mr. Herz-
berg, Jr., may have full reasons for being elated,
yet the Herzberg warerooms in the Snellenberg
store is one of the easiest propositions in Phila-
delphia. It is really a self-selling department, in
that the elder Herzberg has been in the business
so long, has established such a big clientele, has
the reputation of being thoroughly reliable and
honest, and has a line of pianos second to none
in any other Philadelphia store—that is the rea-
son why the pianos would sell themselves with-
out an effort. Uf course, the name of Kranich &
Bach has long been established in this city as
the best, the very best in piano construction, and
the purchasing of a Kranich & Bach is heredi-
tary, running from the grandmother of the past
to the granddaughter of the present generation.
Then the Mehlin is such a prime favorite here
that it is hardly second to the Kranich & Bach
with the customers of the Herzberz department.
In fact, it is not unusual for a customer to drop
into the Herzberg department for a K. & B. and
take a Mehlin instead, or vice versa, the ex-
planation being due entirely to the ear, as the
tone of these two high-grade pianos are different,
the one being soft and melodious, and the other
more brilliant, but with other satisfying qualities.
ULLIHANN WILL REPRESENT KNABE
In European Territory—A Traveling Man of
Wide Experience.
Mr. Ludwig Ullmann, who for many years
has represented the Needham Piano & Organ Co.,
of New York, in Berlin, has accepted a similar
position in Europe for William Knabe & Co., of
Baltimore. Mr. Ullmann has won the record of
being one of the best traveled men in the piano
and organ business on the other side of the At-
lantic. He has visited practically every country
in Europe and Asia, and is splendidly equipped
as far as experience and a knowledge of the craft
goes. With the Knabe piano he is certain to
add further to his laurels.
WILL PLAY CHICKERING IN RECITALS-
W. T. Frederick, the prominent Chickering
representative in Pittsburg, and who controls a
number of establishments throughout Pennsyl-
vania, has planned for an active musical season
the coming fall. Mr. Monguio, the Spanish
pianist, who is to arrive in this country in
about two weeks, will be heard in a number of
recitals on the Chickering, and his itinerary is
now being arranged. By this means, Mr. Fred-
erick will bring the merits of the Chickering
to the notice of a wide constituency in a most
pleasing and effective way. Enterprise of this
kind is to be commended. It speaks eloquently
of Mr. Frederick's interest in the Chickering
piano, which has world-wide honors to its
credit. He is able by this plan to impress the
people with its remarkable musical qualities.
No more effective advertising campaign could
be conceived than this, and Mr. Frederick is to
be congratulated.
CALVIN WHITNEY OPTIMISTIC.
Calvin Whitney, president of the A. B. Chase
Co., Norwalk, Ohio, who recently returned home
after a visit to Denver, Col., reported trade for
July and August as unusually satisfactory. He
said: "Our business for these months has been
from twenty-five to thirty per cent, better than
for the same period last year. I expect that the
fall season will equal all expectations."
Burglars were very busy in Cleveland, O., last
Sunday, and managed to steal a typewriter from
the Starr Piano Co.'s store at 317 Huron street.
As the doors and windows were locked when
Manager Lincoln arrived Monday morning he is
puzzled as to how the burglars gained entrance.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE: MUSIC TRADE
REVIEW
THE REVIEW'S TECHNICAL DEPARTMENT.
Conducted and Edited by Win. B. White.
On all sides one hears the news of the advanc- consider it the duty of the tuner to repair, ad-
ing interior-player army. Without ceasing, ap- just and generally tinker up the interior-player
parently, new recruits are drawn into the ranks, piano with as much skill and confidence as he
until it seems as if the years cannot go by with- habitually brings to bear upon the treatment of
out every manufacturer of any size in the coun- the ordinary instrument. But it would be ab-
try being included among the interior player surd to say that any such general knowledge is
producers. Without exaggeration, it seems as if common or even visible among the body of tun-
the present movement is about to surpass all ers. The truth is very far from any such thing,
others in its rapidity and pervasiveness. The and it therefore behooves the tuners with all
future will show how far it is likely to be perma- speed to begin to equip themselves for the very
nent, and to what, if any, extent the piano busi- complex conditions that they are soon to be called
ness is to be modified in its fundamental prin- upon to master.
ciples by these new developments.
It is through this train of reasoning that we
Surely the conservator of the technical inter- have been led to the conclusion that some obser-
ests in the trade would be far behind the times vations in this department might be used as the
did he not take up the subject of interior players, decoy to allure the wandering attention of tuners
and present for the consideration of his readers to the new and important problems presented in
certain observations that have been prompted by the adjustment of interior players. We propose
a close study of the present situation.
now to make certain general observations on the
It cannot be denied that the interior player interior player idea in general, to the end that
question is fully as important in its technical the reader may be able better to focus his atten-
bearings as it can possibly be from a business or tion upon the main points of the problem.
economic point of view. This is not the place,
of course, for the discussion of anything but the
Roughly speaking, there is no fundamental dif-
former consideration; nor would we relish the ference between the player as attached in cabinet
task of delivering a preachment upon the eco- form to the exterior of the piano, and as placed
nomic aspects of interior-player development. inside it. But the change of position carries
Yet these latter are tremendously important, and with it certain peculiar features that are not to
a study of them would be fraught with the grav- be found otherwise. While the exterior player
est kind of interest to the trade at large. It may be arranged as to its mechanism according
would be idle to deny that the whole problem to the discretion of the designer, so long as the
threatens peculiarly embarrassing complications positions of the fingers, roll-spools and pedals re-
in the already sufficiently complex piano busi- main fixed according to convention, the interior
ness.
instrument is in a very different position. No
It is our duty, however, to confine ourselves longer is it possible to design with a careless-
with great strictness to such purely technical ness of space limitations, no longer can the rela-
considerations as the questions here stated plain- tive positions of motor, wind-chest, and pneu-
ly involve. We are therefore forced to evacuate matics be juggled with promiscuously. On the
the pleasing field of speculation on which we contrary, the space is very clearly defined within
were just now standing, and confine ourselves which the whole mechanism may be secreted.
rigidly to the gross materialism of mechanical The waste area that is found behind the bottom
fact.
frame of an upright piano provides the greater
part of the utilizable space. To this may be
Above all practical men, the outside tuner is added the few inches that divide the back of the
vitally interested in the development of the in- top frame from the front of the action. It will
terior player. The factory man need not concern thus be seen that the given space is distinctly
himself with anything of the kind; his confreres more cramped for the interior than for the ex-
who devote themselves to the player portion of terior player. The natural consequence of this
the combination instrument will leave him is that the mechanism can hardly help being
severely alone. But the case of the outside man crowded together in a very jumbled condition.
is different. If the present rate of progress is In order to prevent this it will become necessary
maintained, the outside tuner will soon be con- to alter slightly the exterior design of the instru-
fronted with an unusual and complicated prob- ment; so that we see some makers of interior
lem, and he will meet with it more and more players compelled considerably to distort the
often as the popularity of the new device in- case designs of their pianos in order to make
creases. Of course, it may be objected that the proper provision for the player mechanism. But
present state of knowledge leaves it an open this means that an entirely new style of upright
question whether the interior player is to figure piano design will in time begin to appear. Nor
in history merely as a passing fad, or as a could it be altogether an evil thing if this were
marked and influential development of piano really to happen. True, the continual struggle to
making. If the former supposition be correct, place the mechanism with convenience and me-
there can be no doubt that the practical man chanical neatness within the case would hardly
could conceivably afford to leave the interior be likely to lead to a reduction of the present
player alone. Even if this be admitted, however, coffin-like upright case to anything architecturally
knowledge of player mysteries certainly would be more suitable. The contrary is to be feared.
a good thing, if only on the principle that all If we might borrow an illustration from another
knowledge is per se good. But we are by no mechanical industry, the automobile has worked
means sure that the interior player is a mere out its own destiny along lines entirely apart
passing fancy. Certainly the fact that so many from those followed by any other wheeled vehicle.
manufacturers have begun to manufacture such All will remember how the first motor cars
devices is a sure sign that the trade at large is looked—bad imitations of carriages with the
inclined to think it worth while to put money, horse and shafts omitted. The running of these
time and brains into the development of this new crude affairs was distinctly a liberal education
branch. So that we may consider it quite safe in mechanics and mechanical engineering. It
to direct the attention of all such tuners as make never seems to have occurred to these early mak-
a practice of reading this page to the fact that ers that the motor or carburetor would ever need
the interior-player, in our opinion, is a force to any attention or repair. Such simple and touch-
be reckoned with in the future. Once admit this, ing faith in the invulnerability of their apparatus
remember, and you at once logically admit the was a splendid thing from their point of view,
imperative necessity of gaining knowledge in the but the unfortunate owner was scarcely likely to
new technical realms thus laid open. For it is feel the same way about it. Yet we see to-day
quite sure that the public, without greater knowl- that the automobile has developed along lines
edge of the technical situation than usual, will essentially different from those on which it start-
ed. It has "evolved its own style of body,, its own
style of control, and its own individual style of
mechanism. Is it too much to hope that the in-
terior player of the future will be as accessible,
as to mechanism, as the modern automobile, and
as handsome and appropriate, as to case, as the
handsomest "benzine buggy" that can be seen in
all the land.
We may therefore be prepared to see radical
changes in the design of interior player-pianos
if the development of the player devices meets
with the approval of the public and the demand
grows large. It is certain that as at present con-
structed the interior player suffers from the
gravest defects, and that these are directly
chargeable chiefly to the impossible conditions
under which it is sought to accommodate both
piano and player.
In taking a general survey of the player situa-
tion, then, it is first of all necessary to take into
consideration such facts as these: First and
foremost, the point of space limitation must be
carefully borne in mind. The greatest difficulty
that will be found in instruments not provided
otherwise will be the difficulty of getting at the
working parts for the purposes of repairing and
regulating. It is true that praiseworthy and
more or less successful attempts have already
been made to overcome these defects. Among the
most successful may be mentioned the makers of
the auto-grand, who have been careful to provide
for the removal of pneumatics and other parts
with facility and rapidity.
Next in importance of the features that distin-
guish the interior from the exterior player must
be counted the position of the pneumatics with
reference to the keys. In the exterior or cabinet
form of player, the striking fingers can always
he adjusted in the correct position above the
manual of the piano, no matter where the pneu-
matics themselves may be placed. Of course it
is much better that the connection between the
pneumatics and fingers be as direct as possible,
as in the Simplex, or that the pneumatic be di-
rectly the touch agent, as in the Apollo. But in
the interior player the difficulty is great of doing
this in a really convenient manner. Various
methods of actuating the hammers have already
been attempted. Some makers have arranged
the pneumatics to strike upwards from the backs
of the keys. Others have gone still further
afield and have arranged for the stroke of the
pneumatics and their connections to take place
upon the bottom of the wippen in the action.
Neither of these methods has aught but conveni-
ence to recommend it. Yet something can be
said, as the reader will by this time understand,
for any method of arranging the pneumatics that
gives them accessibility. A far better method
has been invented by Melville Clark, of Chicago.
His new interior player has the pneumatics ar-
ranged so as to strike directly down on the key-
levers immediately behind the ivories. Thus the
touch more nearly approaches that which the
human hand would deliver, with the added ad-
vantage that the all-important pneumatics are
placed where they can all be reached at once, and
this without any special trouble. The present
discussion will be continued next week.
Communications for the department should be
addressed to the Editor, Technical Department,
The Music Trade Review.
A NEW MATHUSHEK PIANO MFG. CO.
The Mathushek Piano Mfg. Co., New Haven,
Conn., have issued a very handsome catalogue
containing illustrations and descriptions of their
latest styles, as well as views, both interior and
exterior, of their factory, and reference to some
features of construction in the different depart-
ments. Among the instruments illustrated are
Style 1, Style 13, Style 14, Style 26, Style 20,
Style 15, Style 7, in uprights and Style 17 par-
lor grand. This publication is attractively
printed and should prove an effective medium
of conveying information regarding the con-
structive features of the Mathushek pianos.

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