Music Trade Review

Issue: 1905 Vol. 40 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MU3IC TRADE REVIEW
REVIEW
EDWARD LYMAN BILL,
Cditor and Proprietor.
J. B. SPILLANC, Managing Hdit.r.
EXECVT1VE AND REPO1TOKIAL STAFF:
W. N. TYLER,
EMILIE FRANCIS BAUEB,
GEO. B. KELLER,
W. L. WILLIAMS,
A. J. NlCKLIN,
GEO. W. QUERIFEL.
Wu. B. WHITE,
CHICAQO OFFICB
BOSTON OPFICE:
ERNEST L. WAITT, 255 Washington St.
E. P. VAN HARLINGEN, 1362 Monadnock Block.
PHILADELPHIA OFFICB:
It. W. KAUFFMAN.
MINNEAPOLIS AND ST. PAUL:
E. C. TOBREY.
5T. LOU 15 OFFICB
CHAS. N. VAN BUKEN.
SAN FRANCISCO OFFICE: ALFBED METZGEE, 425-427 Front. St.
Published Every Saturday at 1 Madison Avenue, New York.
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION (Including postage), United States, Mexico and Canada, $2.00 per
year ; all other countries, $4.00.
ADVERTISEMENTS. $2.00 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising Pages, $50.00; opposite
reading matter, $75.00.
REMITTANCES, in other than currency form, should be made payable to Edward
I.yman Bill.
On the first Saturday of each month The Review contains in its
THE ARTISTS' "Artists' Department" all the current musical news. This is effected
without in any way trespassing on the size or service of the trade
DEPARTMENT section of the paper. It has a special circulation, and therefore
augments materially the value of The Kevlew to advertisers.
n i i r r m n v * PIAMA T n e directory of piano manufacturing firms and corporations
UIK.LC I OKI «r riANO found on another page will be of great value, as a reference
MANUFACTURERS
f 01 . dealers and others.
LONG DISTANCE TELEPHONE-NVMBER 1745 GRAMERCY.
NEW YORK, JUNE 24, 19O5.
I
T must be considered as we view the official roster of the Deal-
ers' Organization for 1905, that all parts of the country are
1 airly represented, that sectional lines have been wholly eliminated.
The officers of the Manufacturers' Association, too, have been
chosen from various sections of the Union, all of which shows a
fairness in the conduct of association work which is to be highly
commended.
There are no sectional lines in this trade, and the associa-
tions have done much to wholly eliminate them.
J
AMES C. MILLER, retiring president of the Dealers' Associ-
ation, has been an indefatigable worker for the welfare of
the association, and he has brought a ripe experience to bear in all
his official work.
Mr. Miller may well view the success of the convention at
Put-in-Bay with pride and satisfaction. It was the successful cul-
mination of a very satisfactory official career. The newly elected
president, Philip Werlein, is young, talented and ambitious. He
has the oratorical talent with which so many Southern men are
endowed, and there is no doubt but that President Werlein will
create a very pleasing record in office.
T
HERE is ample evidence that the arguments presented by The
Review in favor of the establishment by the manufacturers of
a maximum retail price at which their pianos shall be offered to
the public have had the effect to cause this subject to be seriously
considered by thousands of men, many of whom realize that it is
the real solution of one of the most vexatious problems which has
confronted this trade for years. The dealers themselves have taken
a greater interest in this matter than the manufacturers, judging
from the prominence which this topic occupied in the discussions
at Put-in-P>ay. A fixed price by the manufacturers settles for-
ever the arguments of the one-price question, for it establishes the
right price, and if the dealers slash that price they themselves are
the losers.
T
O illustrate: Suppose a manufacturer places a price of $500
on a particular piano style. This price being catalogued and
advertised. It is the honest price set upon the instrument by the
manufacturer himself, and if a dealer cuts that price, he is cut-
ting his own profit, and he cannot ask a price beyond that placed
by the manufacturer.
This, in truth, amounts to the true grading of pianos, and the
instruments are graded by those who best know their values, the
men who make them and stand sponsor for them, place their own
values upon them. And who is better qualified to estimate values
than the man who produces these values?
T
HE more this subject is considered from every viewpoint, the
more obvious it becomes that it is the real sokttion to the
one-price problem as applied to pianos, and at the same time will
regulate most effectually the position of the special brand pianos.
There is no other way in which the position of the special
brand instruments may be so thoroughly and completely defined
as by the manufacturers placing upon their own legitimate products
the retail prices at which the instruments may be offered to cus-
tomers.
It strikes, too, at the root of the "just as good" evil, because
no dealer can place a valuation which he knows is beyond the limit
of a customer's pocketbook on a high grade piano, simply to dis-
suade him from purchasing that in order that he may dispose of
one of his special brand pianos to him.
I
T is the only practical solution of three problems which con-
front this trade: One-price, piano misrepresentation, and the
encroachment of special brands upon the domain of the regular
instruments.
Whether this principle is put in force this year or next, it is
bound to come ultimately, for it is the real salvation of the in-
dustry.
Why should manufacturers hesitate to place an honest val-
uation upon their own pianos, when, by so doing, their interests
may be best conserved? Byron Mauzy, one of the leading dealers of
San Francisco, and a manufacturer himself, in calling upon The
Review last week, stated that he had read with much interest our
editorials upon this topic, and that he was thoroughly convinced
that The Review's argumentative campaign was based on the sound-
est logic, and the quicker the industry realized that the manufac-
turer himself should establish his own retail prices the better it
would be for him.
M
R. MAUZY said unqualifiedly that if this were generally
adopted, it would do more to eliminate piano misrepresen-
tation and to maintain the one-price standard than any other action
that the industry might take. He stated that it is too important
a topic to be easily passed by; that it meant too much to the indus-
trv, to manufacturers and to reputable dealers everywhere.
MANUFACTURER of special brand pianos remarked the
other day that he was convinced that not only were our
views correct in this matter, but that he should in future place
upon his instruments the prices at which they should be offered to
retailers. He stated that he found that unscrupulous dealers were
using his instruments in such a way that he was suffering as a
result of their actions.
To illustrate: His instruments were sold regularly at whole-
sale at about $100. Some dealers placed a retail price upon those
of $250, which was entirely out of harmony with the values which
they offered. It was a dishonest price, and their competitors would
place a piano that was worth wholesale $150 in competition with
his at the same retail price and invariably lost by the transaction.
A
H
IS idea was to place a retail price of from $160 to $180 upon
his piano, and then to advertise it as the best piano in the
world at such a price. He wound up by quoting The Review's
argument that a piano man should not hesitate to safeguard the
retail purchasers a= well as cigar manufacturers, and if a man
wanted a five cent cigar there were plenty of such brands to sat-
isfy his taste. If he wanted a ten cent cigar, he trusted absolutely
to the honesty of the dealer and manufacturer who had created
cigars to retail at that price.
I
T is absurd for the manufacturers of the lowest grade pianos
to claim their oroduct is first-class in every respect, because
by so doing they :.re helping along the dealer who misrepresents
their true values.
There are various grades in every line of trade from cigars
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
to battleships, and it is considered no reflection on a naval vessel
to say that it is a fecond-class battleship or a cruiser, the grade
is there, and the men who grade them are thoroughly posted as to
their equipments in every way, and they do not misrepresent by
claiming that a cruiser belongs in a first-class battleship grade.
Yes, let us grade pianos, and let them be graded by the men
who make them, and not by anyone else.
LEADING manufacturer remarked this week to The Review:
"I was much interested in reading your editorial in which
you suggested doing away with the whole piano guarantee propo-
sition. It had never occurred to me before, but I believe you are
perfectly correct. We have all formed this habit of giving a guar-
antee, and some of them putting it on a piano so that it looks like
a signboard, and, as you say, after all, what does it amount to?
1 think such suggestions coming from a trade paper are excellent,
and I believe, they are well worth considering and following up."
One of the legitimate functions of a trade publication is to not
only chronicle the news, but to lead in the way of suggestions
which may be of value to the industry which it represents, and in
our opinion this industry has outgrown the guarantee environ-
ment. The statement is well worthy the serious consideration of
piano manufacturers. We have gone beyond the guarantee stage.
The custom is antiquated, and it opens the door to any amount
of petty blackmail. There is hardly a manufacturer in this country
who has not been bothered and harassed by ridiculous claims which
have arisen wholly through the guarantee which accompanies each
sale. In all other lines when a sale is closed that ends it. But
it seems in the piano business it is the beginning of trouble.
We would like to make a national issue of this guarantee
business, and we invite opinions from manufacturers and dealers.
A
T
H E REVIEW advocates a national music trade exposition,
one that shall thoroughly represent this industry which has
made such rapid strides during the past decade.
We have interviewed a number of prominent piano merchants
North and South regarding this matter, and there is hardly a dis-
senting opinion as to the success of an enterprise of this kind if
it were launched in a proper manner. Piano merchants would
make any sacrifice in order to be present at such an exposition
and view the various products from the many manufacturing estab-
lishments. The amount of information which would be supplied
to them after careful examination of the various instruments, would
be worth many times the expense of a trip.
The trouble usually in such cases is that there is a weak spot
somewhere along the argumentative lines, before coming to the
closing argument. Presumably our friend has not impressed upon
his customers the real individuality of his instruments. We should
say, have more faith in them. Such a faith that is bound to sway
the customer, and hold the strongest appeal until the last. While
the final appeal is only one link in the chain, it is a cap to the whole
climax of argument and demonstration which has gone before it.
Now, the reason why probably his customers do not evince a will-
ingness to sign is because he doesn't feel the real interest in his
pianos that he professes.
Now, to sell a piano, a.man must believe in it; believe in its
musical qualities, its exterior beauty, know that the price is right,
and when he has fortified himself with all of these and sticks to
them, he is pretty apt to sway a customer.
M
ANUFACTURERS should not try to vault over the dealer
to the consumer. The dealer is the distributing force in
all lines, and it is an unsound business policy to follow the belief
that public advertising will cause the dealer to take on any par-
ticular line of pianos.
Magazine advertising may be helpful to its interests, but trade
advertising is, after all, most essential, for it is a fact that the
dealer can sell that which he most desires. He has naturally a
personal following who believe in him if he is a man of standing
in his community, and his personal word on piano values will go a
long ways toward convincing a customer—in fact a mighty sight
further with a customer than page display in Nobody's Magazine.
T
H E magazine story tells but very little; it is not impressive, and
there is much of a sameness about the whole system of adver-
tising direct to the consumer so that a certain impressiveuess is
lost. It pays better to advertise, to reach the dealer and impress
upon him the importance and value of a piano alliance than to spend
much money in trying to reach an elusive public. The consumer
is all right. It is for him that all the plays are made, but to reach
him the intermediate play, the play for the dealer, cannot be over-
looked.
There are vast sums of money wasted in trying to reach the
retail purchaser, which, if distributed in trade channels, would be
productive of infinitely better results.
A
H E exposition could be handled mosl: successfully in one of
the larger cities, and it could be made the one great music
trade event of the year. It it were combined with the meetings
of the two associations it would do more to advertise them and
popularize them with all branches of the trade than any method
which might be adopted.
Commercialism of course. Commercialism in its broadest as-
pect, but what is business but commercialism, and what is the basis
of all association work but to secure the best and most advanced
ideas as to the'successful conduct of manufacturing and retail en-
terprises ?
Commercialism, well, then, this is a commercial age, and the
man who fails to appreciate that is liable to be found at the rear
of the trade procession.
MANUFACTURER recently remarked to The Review that he
had concluded to abandon the manufacture of special brand
pianos, and henceforth send out instruments bearing only his own
name.
A wise decision, surely, and it may interest piano men to know
that the American Hardware Manufacturers' Association has given
a great deal of attention to the matter of special brands, and has
carefully considered the position, which, in justice to itself, and for
the benefit of the entire trade, it should take in regard to this trouble-
some subject. The report has been prepared with much care, and
represents the matured convictions of representative manufacturers.
This significant report stated at length the careful investigation
which the committee, composed of nineteen members, have made re-
garding the effect of special brand articles, and they found that
there was a steadily growing practice to substitute the dealer's name
or trade-mark in place of the manufacturers, thus fully eliminating
the maker's name.
I
T
T
N order to succeed, a salesman must have confidence in the in-
struments which he offers. He must know that their prices
are right, are honest, and then he throws into his work a certain
amount of enthusiasm which insures success. Without this sus-
tained enthusiasm there would be no permanent or lasting victory.
A salesman writing to The Review recently says: " I have
difficulty in closing sales. I seem to get up all right in my ap-
proaches and invariably interest people in my instruments, but some-
how I lose a large proportion of sales that I should have made
when I come to get the papers signed. Can you give me any
suggestions?"
I
T is pretty difficult to make any general suggestions in such a
case, but we would assume, however, that our friend per-
mits his enthusiasm to slacken at the end, and in this way loses
sight of the vital part in his work.
HIS practice of creating special brands for the dealer has had
the immediate effect to deteriorate largely thequalitvof manufac-
tured articles. The hardware men say that the whole proposition of
special brands is undermining the soundness of the trade, that it
is bringing about conditions which are most unsatisfactory, and
means the loss and disorganization of the entire industry unless
speedily remedied. They advocate the sale of standard factory
brands, and a discontinuance of irregular private brands which work
serious disadvantage to the trade.
The paper which has been prepared is a strong one, and if the
manufacture and sale of special brands has reached such an import-
ant point in the hardware trade that to-day a committee has been
selected to investigate the report, of how much more importance is
it in the piano industry, where the name of a piano means much
more than it does on some particular piece of hardware, where the
purchase price is comparatively small ?

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