Music Trade Review

Issue: 1905 Vol. 40 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
DEATH OF WILLIAM WANDER.
The Veteran Hartford Dealer Passes Away—
An Interesting Career—The Oldest Steinway
Agent—The Funeral Services.
(Special to The Review.)
Hartford, Conn., March 7, 1905.
William Wander, founder of the old estab-
lished firm of Wm. Wander & Sons, died at his
home in this city last Saturday. At the time of
his death Mr. Wander was eighty-one years old.
He was born in Munich, Germany, and came to
this country while a very young man. He was
employed in ,the factories of some of the early
piano makers in New York, and later came to
Hartford, establishing his firm in 1851.
Mr. Wander had always taken a great inter-
est in music, and was himself a singer of note,
having sung in operas and concerts with Car-
lotta Patti and for a while he was first tenor of
THE LATH WILLIAM
WANDER.
St. John's Church, Brooklyn, N. Y. He was one
of the founders of the German Liederkranz Soci-
ety of New York, which was established in 1847.
He was a member of the old celebrated Wilson
Quartet, and everywhere enjoyed a wide reputa-
tion among musicians. His acquaintance with
William Steinway began before he assumed the
agency for the Steinway instruments. They
were warm friends during the third national
Saengerfest, which took place in New York in
1852, under the directorship of Argiol Pauer.
Mr. Steinway was then a member of the Teutonia
Mannerchor. The concerts were given at that
time in Tripler Hall, known later as Winter
Garden.
Mr. Wander possessed an excellent memory,
and he took great pleasure in reviewing his asso-
ciations with distinguished men, as well as
events of his musical life.
Wm. Wander was the oldest Steinway agent in
America, having' secured the representation the
first year when Steinway & Sons began to build
instruments.
Wm. Wander & Sons control an excellent trade
in Hartford and vicinity. In later years his two
sons, Emil C. and Eugene A. Wander practically
carried on the business, and it is probable that
the firm will continue to be known by the same
name.
The funeral services were held yesterday at
Christ's Church and were conducted by the Rev.
James Goodwin, the rector, and the Rev. James
P. Faunce, assistant rector. Prayers were held
previously at the house. The music at the
church was of a special character, and was un-
der the personal direction of John Spencer
Camp, the organist and choir director of the
Park Church. The floral offerings were many
and elaborate; Steinway & Sons sent a magnifi-
cent tribute in the form of a superb wreath. The
casket was borne by colored porters, and the
following were the honorary pallbearers: Dud-
ley Buck, the composer; L. T. Downes, of Provi-
dence, formerly organist of Christ Church; Jus-
tin A. Trant, of New Britain; A. C. Sternberg,
of West Hartford; George B. Hoadley, Herman
REVIEW
Maercklein, Nathan H. Allen and Charles J. Hel-
fricht, of this city.
The interment was in Spring Grove Cemetery.
All of the principal music stores in Hartford, in-
cluding the establishments of Ludlow Barker &
Co., John M. Gallup & Co., Woods, McKann Co.,
Sedgewick & Casey, and H. A. Fairfield were
closed during the time set for the funeral serv-
ices of Mr. Wander.
A number of prominent trade representatives
attended the funeral, including Adolpho H.
Fischer, of J. & C. Fischer, J. H. Hempstead and
John G. W. Kuhl, of Steinway & Sons, and Chas.
H. Mehlin, of Paul C. Mehlin & Sons, and others.
CALHOUN HAD CONFEDERATE.
Who Has Been Indicted by the Federal Grand
Jury.
(Special to The Review.)
Akron, 0., March 7, 1905.
L. B. Calhoun, formerly of this city, who was
indicted by the Federal grand jury charged with
having used the mails to defraud, seems to have
had a confederate in his operations.
A special dispatch to the Beacon Journal from
Cleveland, Wednesday, states that James Fred-
ericks was arrested by Postoffice Inspector
Owens at Evansville Tuesday, and was arraigned
Wednesday on the same charge as that against
Calhoun, using the mails to defraud.
Fredericks was indicted jointly with Calhoun,
and it is charged that Fredericks made his head-
quarters with Calhoun at Alliance, where they
had their headquarters. They were acting or
pretending to act as agents for A. B. Smith, a
piano dealer of this city. Their plan of opera-
tion is alleged to have been as follows:
They reported to Smith sales of instruments to
fictitious persons and gave notes signed by im-
aginary purchasers and confiscated the instru-
ments. These pianos would then be disposed of
and the money apropriated by Fredericks and
Calhoun, according to the Federal officials.
W. C. ALPETER AT AEOLIAN HALL.
W. C. Altpeter, of Rochester, is a visitor in
New York, where he came to get acquainted with
the powers that be at Aeolian Hall, since Mr.
Altpeter is ono of the most energetic of the Steck
agents. Mr. Altpeter states that business in that
section of the country is exceptionally good, and
that the Spring promises to fulfil the greatest
expectations that those in the piano business
have looker 1 , forward to.
GEO. GRASS ON ROAD.
George Grass left New York on Thursday
morning on a trip through New York and Penn-
sylvania in the interest of Mason & Hamlin. Mr.
Grass is out for business, and there is every rea-
son to believe that he will get what he is after.
FRED KANN RETURNS HOME.
Fred Kann, manager of the Apollo warerooms
in New York, has just returned from a visit to
the factories of the Melville Clarke Piano Co.,
and the A. B. Chase Piano Co., where he found
things active to the fullest possible extent. Up
to the present time it has been impossible to fill
the orders for the Apollo piano, which sells at
sight.
BENNETT-BRETZ AFFAIRS.
(Special to The Review.)
Harrisburg, Pa., March 8, 1905.
R. Sherman Care presented to Judges Weiss
and Kunkel in motion court this morning his re-
port as auditor in the affairs of the Bennett-
Bretz Piano Co., of which the Commonwealth
Trust Co. was receiver. The report was con-
firmed absolutely.
The schedule of distribution, to which no ex-
ceptions were filed, gives a fraction of sixty-
three and one-third per cent, to each of the com-
mon creditors. The balance for distribution was
$3,322.39, being left after paying the mortgage
and preferred claims. The receiver was named
on February 19, 1904, H. M. Bretz having been
temporary receiver for a short time.
11
PURCHASE PLAYANO PLAYER.
The Story & Clark Co. Now Sole Owners of the
Exterior and Interior Player Manufactured
by the Playano Co., of Boston—The Story &
Clark Playano Piano Will Soon be Placed
On the Market-^What E. H. Story Says.
(Special to The Review.)
Review Office, 36 La Salle St.,
Chicago, 111., March 8, 1905.
E. H. Story, president of the Story & Clark
Piano Co., returned to-day from Boston after
completing the purchase of the entire interests
of the Playano Co. in their interior and exterior
player.
"We long have seen the handwriting on the
wall," said Mr. Story, "and have realized that in
order to keep fully up with the procession we
must have a piano player, especially an interior
player. Just how to do it is what has puzzled
us. We were not enamored with the idea of the
great expenditure of time and the enormous ex-
pense of developing a player ourselves, and we
did not want to combine somebody else's player
with our own piano. We thought the Story &
Clark piano was justified in having its own play-
er. I confess that I went down to Boston some-
what skeptical, but I came back full of enthusi-
asm. We've got a player that is going to en-
hance the prestige of the Story & Clark name.
The Playano Company have spent years experi-
menting, and somewhere in the neighborhood
of $75,000 and $100,000 in developing both an ex-
terior and an interior player that are just about,
as perfect devices as can be produced, in my
opinion. They have sold several hundred of
them, and they are giving excellent satisfaction.
We have bought the whole business, both players,
patents, patterns, stock on hand, machinery, fix-
tures, and all, and it's now being boxed to be
moved to our factory at Grand Haven, Mich.
The player department at the factory will be in
charge of Mr. Hall and his son, who have been
the factory men for the Playano Co., and whom
we have engaged. We are going to market the
other player as well, but the interior proposition
will receive our particular attention. Of course
it's impossible for me to state now when we will
have the Story & Clark piano with the interior
player ready for the market, but it will be done
just aa quickly as possible.
TENTH CHICKERING SUNDAY CONCERT.
(Special to The Review.)
Boston, Mass., March 8, 1903.
A great audience filled Chickering Hall on Sun-
day last for the 10th Sunday Chamber Concert in
the series under the auspices of Chickering Sons. The concert was by the Ondricek quintet
(Messrs. Ondricek and Finward, violins; Zach,
viola; Keller, 'cello, and Kunze, double bass)
and Mr. Emilio de Gogorza, baritone. The pro-
gramme consisted of quintets by Dvorak and Am-
broise Thomas, the andante from Haydn's
"Kaiser Quartet" and songs by Augusta Holmes,
Palhadilhe, Godard, Dubois, Lockruf, Rubinstein
and Hildoch.
The excerpts from the quintet by Ambroise
Thomas were performed here for the first time—
an andante and a finale in waltz tempo, which
were the most interesting of the instrumental
numbers. The andante contains beautiful and
unusual effects, and the waltz is charming.
Dvorak's work also gave pleasure. Everything
was in gentle vein. Everything was loudly ap-
plauded, even the variations. The performance
of the quintet was smooth and effective.
Mr. de Gogorza sang admirably. He has a
virile and beautiful voice; his enunciation is es-
pecially excellent. His choice of songs was ju-
dicious. Godard's "Embarquez Vous" aroused
the most enthusiasm. He was recalled repeated-
ly, and added to his second group the familiar
"Drink to Me Only with Thine Eyes."
At the next concert the Strube Orchestral Club,
Mr. Gustav Strube, conductor, and Mrs. Jessie
Downer Eaton, pianist, will be heard.
The Krell-French Piano Co., Newcastle, have
opened a retail store in Bluffton, Ind.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
EXHIBITION OF ANTIQUE ERARDS.
REVIEW
even lately a gilder offered £30 for the gold
that he could take from the metal ornaments.
Including Those Used by Queen Victoria, Na-
poleon, Liszt, Rubinstein and Other Celebri-
ties at Siegel-Cooper Co.'s Piano Depart-
ment—A Remarkable Collection.
A magnificent specimen in its original state.
It is a walnut concert grand used by Anton
Rubinstein at his first appearance with the Phil-
harmonic Society on May 16, 1857, and it was
used for years after by that celebrated artist at
all his concerts in England.
Members of the trade who have not yet seen
these instruments will find them of exceeding
interest. While on exhibition in London they
attracted considerable attention from the daily
and trade press, owing to their many peculiar
and individual merits.
The Siegel-Cooper Co., New York, have sent
out invitations to the elite of New York asking
them to view the collection of antique Erard
pianos on exhibition in their art piano rooms on
the fifth floor. The collection comprises eight
pianos made by the famous houses of Erard
LINDEMAN & SONS NEW CATALOGUE.
Freres, Paris and London, and includes one of
An antique square made in 1788; this is the
the oldest instruments of this make in existence,
as well as other noted pianos, famous through oldest Erard traced that is playable.
The Lindeman & Sons Piano Co., 548-550 West
their association with great personalities in the
23d street, have this week issued a very tasteful
worlds of royalty and music. Taken in detail
and effective catalogue with handsome cover in
the collection is as follows:
white and sold. The general arrangement is
unique and unusually attractive throughout, in-
cluding a number of pithy paragraphs, all of
which are well worthy of quotation. Here are a
few examples:
"The name of Lindeman & Sons on a piano
stands for the acme of piano making. The fact
that to-day there are numbers of Lindeman &
Sons pianos in uSe of from twenty to thirty years
of age and are practically just as solid in tone
and quite as durable as when manufactured, is
the best kind of proof of that fact.
A little square piano of the first Empire period
"There is no better piano made to-day, nor has
mounted with ormolu, entirely in its original there been any better made since the founding of
state.
the old reliable Lindeman & Sons Piano Co. in
1836, and very few as good.
"Can there be stronger proof of the real value
A mahogany grand pianoforte upon which her
of the piano than an army of twenty thousand
late Majesty Queen Victoria received her lessons
satisfied purchasers? And, at the opening of the
from Mendelssohn. This instrument was pre-
century, 'Lindeman' is far ahead of any of its
sented to her by her uncle, King William IV.
predecessors. Can there be any better or safer
when she was the Princess Victoria, and it was
investment for the dealer or for the home pur-
the only piano used by her Majesty until she
chaser than a 'Lindeman' piano? The value is
ascended the throne.
embodied in the instrument. The name in itself,
proven by its history of over three-quarters of a
century, constitutes a guarantee which is higher
Manufactured by the Erard house for Napoleon than eulogy."
I. and presented by him to the Empress Marie
The Lindeman & Sons styles, graphically shown
Louise on March 10, 1810, and has the imperial and described in the new catalogue, present an
crown branded in a recess at the left also under excellent choice. Styles 8, 14 and 33 are plain
the case.
panels in cabinet and grand cabinet uprights;
styles 16 and 27 have ornamental panels of very
artistic design and elegant appearance. Style
50 is the new scale Lindeman & Sons baby
grand.
Lindeman & Sons began the new year with a
strong list of active and loyal agents and a sub-
stantial list of orders. Activity now prevails at
the factory and the prospects of a healthy year's
business are excellent.
Made for Napoleon I. by Erard Freres in 1801.
The peculiarity of this piano is that it has five
WILL MOVE UPTOWN.
pedals. Thepe pedals call into play effects of the
lute, zither, drum and triangle. The keys are
The International Automatic Music Co., of
of mother-of-pearl and tortoise shell. The fall-
2 W. 29th street, are soon to move from their
board is fine cloisone effect.
present place of business to some point further
A mahogany piano chosen by Franz Liszt for uptown. The company have fixed on 67th street
Mme. Mytton on June 25, 1840, and contains as the most, central point for headquarters, and
are negotiating for commodious warerooms on
Liszt's autograph on the sounding board.
that street.
GOL. TREACY HOME TO-MORROW.
Col. D. F. Treacy, of the Davenport & Treacy
Piano Co.. who is now in the Middle West, is
expected home Sunday. The Colonel reports the
most successful trip in his firm's history, and in
consequence a sense of contentment pervades the
home office.
GEO. BAYER BOUND WEST.
Exhibited at the London Exhibition of 1851,
with gilt metal ornamentations in the Gothic
style. The gilding on this piano is so thick that
At the office of the Keables & Bayer Piano Co..
reports of plenty of business are coming from
George Bayer, of that firm, who left a little over
a week ago for a tour of the Middle West.
j-«_|—1_|
LESTER PIANOS
1.) l.r—1 i— —II—^—
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Upright and Grand.
High Grade, Great Durability, Pine Tonal Quality
The Price ii Rl£ht.
FactoriMt LESTER, PA.
PHILADELPHIA, PA.

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