Music Trade Review

Issue: 1904 Vol. 39 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
35
because the one fundamental rule of art has been work of one and the same person. This must
violated in its production, the rule by which the come again to be the universal rule if any real
progress is to be made in the art of wood-carving
Some Fundamental Principles of the Art and craftsman and the designer should not be, must
How the Commercial Tendency of Our not be, separated. The simplest leaf form may be or any other art, for the matter of that. The
so carved as to express something finer and commercial tendency of the times has had much
Times Have Separated Design From Crafts-
greater than itself—the real thing—the soul, if to do with keeping our arts and crafts upon that
manship.
you like. The purest design may become in the level where sordidness and a willingness to imi-
Action is followed by reaction, and it is well. translating, and how much of our modern work tate have been their curse, and one proof of this
The old days of the showy, elaborate and over- is, lifeless and void. The simple truth is, the is the separation of the design from the crafts-
crnamented piano designs a decade or two ago one who is incapable of making a design is in- manship itself.
That is why we tire of so much work that on
has swung to the other extreme. To-day we de- capable of rightly carving one made by another.
The ancients knew this, and the crafts, one by the surface seems, and is even, well-executed,
iriand the simple, the massive, the plain.
The reaction has come not so much against one, have decayed as this ancient ideal has been well-designed. We never tire of a true and per-
fect Indian basket, a rare old bit of Italian carv-
carving, in itself, as because of the kind of carv- lost.
It was a fundamental principle in the old days ing or one of those marvelous missals or manu-
ing that has been inflicted upon us. The mass
of it has been lifeless and worthless, generally that both design and execution should be the script traceries that have come down to us from
the old days. The secret is very simple. They
have something to say to us, something to reveal.
Through them the soul itself has poured some-
thing of its life. It has been left to us moderns
to change all that and we have changed with a
vengeance. A design that is worthy of the name
That TOWSLEY'S Glue Spreaders
is something living, vital. Let it be "transferred"
are giving to many Piano Manufacturers
to wood by some one who is ignorant of the prin-
ciples of design or who is incapable of producing
a design equally excellent, and that which was
alive becometh dead forthwith. Our artists know
Write the Company for their new Catalog "C
this principle. Is it not time that our craftsmen
showing their complete tine of Gluing
Appliances.
should learn it too? Let a song by Schumann
be sung by the cracked voice of a Bowery im-
Glue Spreaders, Hand and Power Feed; 12 to
presario, with an accompaniment played on a
JOHN T. TOWSLEY MFG. CO. piano that is hopelessly out of tune, and what
54 inches wide. Single, Double and Combi-
nation Machines.
CINCINNATI, OHIO
have you? The cases are parallel. Then, consid-
ering that a large proportion of our carved fur-
niture has been cursed with bad design to start
with, and unfeeling, mechanical workmanship to
conclude with, need we wonder that the reaction
has come and left us praying for the simplest
possible lines in our pianos and fine furniture?
IMPORTANCE OF WOOD CARVING.
DO YOU KNOW
ABUNDANT SATISFACTION?
UNIVERSAL
ARM . . . .
BORING MACHINE
FOR PIANO MANUFACTURERS.
R. C. KOCH'S STEADY ADVANCE.
Rudolph C. Koch, maker of the Reinwarth
strings, 386-388 Second avenue, has recently re-
ceived several important accessions to his list of
patrons. Up to date, the Koch output of this year
has called for the use of full facilities and a full
force.
Mr. Koch has virtually been associated with the
development of the Reinwarth string business
and is not only maintaining the high reputation
which the founder of this business enjoyed, but
he is augmenting it by the production of strings
which give the utmost satisfaction to makers of
artistic pianos.
C. S C H I L D R O T H ,
H. B. SMITH MACHINE CO.,
PIANO and ORGAN KEYS
148 WEST 4th ST., Near 6th Ave., NEW YORK
Repairing Promptly Attended to
EVERT DESCRIPTION
WOOD WORKING MACHINERY.
FACTORY.
Salthrlll*, N. J.
NBW YORK,
123 Liberty St.
Particulars and Prices on Application.
B-UrTLE-POIHTEB
Manufacturer of
CHICAOO,
M 5. Caul St.
PIANO STRING CO.
IT WON'T HURT THE DEALER
Any to See that
THE-MAPES-
STRING
is on his Pianos.
VENEERS
MANUFACTURERS OP
Ba$$ mm
312, 316 East 95th Street,
NEW YORK.
C. H. O. HOUGHTON
ESTABLISHED 1824 BY E. ® C. W. HOVGHTON
96 FIFTH AVENUE
NEW YORK CITY
Phone, 6935 Griynrvercy
Grand Rapids
Piano
Case
Co.,
Ltd.
BRAND RAPIDS, MICH.
The most modern and
complete exclusive
case factory in the
world.
QUALITY AND PROMPT SHIPMENTS GUARANTEED
A. C. CHENEY PIANO ACTION CO.
Manufacturer* el HIGH GRADE PIANOFORTE ACTIONS.
CASTLETON, NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
36
THE
MUSIC TRADE
REVIEW
In tKe Musical Merchandise Domain
CAMPAIGN WILL HELP BUSINESS.
At
Least in the Small Goods Field—Looks
Like a Strenuous Time All Along the Line.
The near approach of the Presidential cam-
paign is having a stimulating influence on the
musical merchandise trade in all parts of the
country. It now looks like a strenuous campaign
on both Democratic and Republican sides and this
means plenty of music in order to stimulate the
enthusiasm so necessary in the making of a
President.
Leading band manufacturers, as well as whole-
sale houses, report an immense demand for all
kinds of band instruments, notably fifes and
drums. Dealers even in small towns report a
steady call for these instruments. Other special-
ties in demand by dealers for campaign purposes
are small instruments such as harmonicas, zobos,
kazoos—in fact anything that will make noise
musically and otherwise.
Broadly speaking, the outlook for business in
the small goods field is excellent, and members
of both wholesale and retail trades are quite op-
timistic altogether apart from the extra demand
which may come through the Presidential cam-
paign. Through the West and Northwest talking
machines and music boxes are finding a largely
increasing market. All things considered, job-
bers and dealers have reason to look forward to
the business for the balance of this year with
a great deal of confidence.
DECISION ON VIOLIN WOODS.
A Protest by Carl Fischer Sustained in Part—
What the General Appraiser Ruled in This
Case Is of Interest.
(Special to The Review.)
Washington, D. C, July 19, 1904.
The protest of Carl Fischer against the assess-
ment of duty by Collector of Customs at the port
of New York came up this week for hearing be-
fore General Appraisers Lunt and McClelland. In
this case certain blocks and strips of wood were
involved which were classified as manufactures
of wood under paragraph 208, tariff act of 1897.
They were claimed by the importer to be dutiable
as wood unmanufactured under paragraph 198.
The decision by General Appraiser McClelland
was as follows:
"An examination of Exhibit 1 shows the blocks
to. be about 16 inches long, 4 inches wide, and 2
inches thick on one side, tapering to 1 inch in
thickness on the other side. It is roughly planed
on one side and both edges, and is intended for
use in making violins. In G. A. 4416 (T. D.
21028) it was held that blocks similar to these,
except that they were not planed, were dutiable
as "blocks
* * * rough hewn (or) sawed"
under paragraph 200 of said act; but as the evi-
dence shows that these blocks have been rough
planed, it is clear that they cannot be classified
under that pai"agraph. We are satisfied that they
are properly subject to duty as "wood, unmanu-
factured," under paragraph 198, as claimed, for
the reason that the blocks have not been fash-
ioned into any different article by reason of such
rough planing. See G. A. 5332 (T. D. 24394), Ab-
stract 1998 (T. D. 25411), and T. D. 23009.
"The merchandise represented by Exhibit 2
consists of long narrow strips, about one-six-
teenth of an inch wide, and of about the same
thickness. The strips are in three layers of about
equal thickness, the two outside layers being
black, hard wood, and the inside layer being
white wood. The testimony shows that these
strips are used for inlaying violins or tables.
There is no doubt that these are manufactures
of wood and were properly assessed for duty.
"We sustain the claim in the protest for the
classification of said blocks or slabs, represented
by Exhibit 1, at 20 per cent, under paragraph 198,
and in all other respects the protest is overruled.
The decision of the collector is modified accord-
ingly."
TONK'S NEW CATALOGUE.
A Magnificent Production of Over Three Hun-
dred Pages—Everything in Music Repre-
sented in This Grent Work.
William Tonk & Bro., 452-456 Tenth avenue,
have this week issued their new biennial cata-
logue, 1904-1906, 310 pages, profusely illustrated.
An Ingenious Device Perfected by Giovanni
A conspicuous feature is the illustration showing
Verrecchio.
the new Tonk factory establishment and offices
Giovanni Verrecchio, of Newark, N. J., has in- in this city, occupying three full city lots. This
vented a keyboard by means of which, it is factory has already been described in The Re-
claimed, guitar playing is simplified. The device view. There are also pictures of the various fac-
has keys like those of a typewriter, and the tory branches in the musical merchandise depart-
keys can be marked with the names on the notes
for more rapid learning. As they are closely
banked, there is no necessity to acquire the long
reach of the fingers required when playing on
the strings themselves. The mechanism of this
keyboard consists of a series of dampers, which
depress the strings over the frets at the proper
point, just in advance of the striking of the note
by an auxiliary finger, and the player soon learns
to play the air and chord at the same time.
KEYBOARD FOR GUITAR.
MACHINERY GOES CHEAP.
When the plant and machinery of the defunct
Symphonium Mfg. Co., late of Asbury, N. J.
were disposed of at auction a few weeks back,
two music cutting machines, that originally cost
$14,000 to build, were sold as scrap, bringing
$30. The costly outfit, mostly special machinery,
is reported as having realized a very small sum.
MR. MacLEAN CAMPING.
Fred C. MacLean, of the Victor Distributing
& Export headquarters, leaves this week for
Pelham Bay, where he will form one of a "camp-
ing out" party. Later, he will join a camp in
the Adirondacks.
" H I S MASTER'S VOICE •
ReturnYourOldRecords
and Get New Ones.
On every order for Records we will
allow the return for full credit of
1-3 as many records as you order.
No matter how old or shopworn they
may be, provided they are " Victor
Records" and not broken. In order-
ing under this plan, always give a
second choice list, as we reserve the
right to substitute, if necessary, to
make up the full number.
The Largest and Most Complete Stock
in the United States.
THE VICTOR DISTRIBUTING i EXPORT GO.
77 Chambers St.. New York.
ment here and of the big Chicago warerooms at
29 Wabash avenue.
The index to the new Tonk catalogue is un-
usually complete. I t is printed in large type,
well spaced, and embraces everything in musical
products and merchandise from accordeons to
zobos. The list of articles in stock and available
under any heading represents a complete exhibit.
It is very evident that the Tonk firm are splen-
didly equipped, in their wide field, to meet
promptly every call from dealers who expect
quick, reliable, effective service. The enterprise
shown in the preparation of such a catalogue as
the one now being sent out is highly creditable.
> There are catalogues and catalogues. Some,
unfortunately, are prepared in a perfunctory way,
showing at every turn of a page a lack of inter-
est and good taste that is fatal to the book's use-
fulness as a business-getter. The new Tonk cata-
logue belongs to the other class—the class pre-
pared by men who are enthusiastic in their busi-
ness and careful, in every detail of it, to consider
the real wants of customers. Every live dealer
who does not receive a Tonk catalogue ought to
secure one. It is safe to say, judging from quali-
ties and prices shown, that it will bear close in-
vestigation.
NOVEL MUSICAL INSTRUMENT.
A Kansas man has invented a musical instru-
ment which has some of the features of the
guitar and banjo. It is mounted on a frame, has
a seat for the player, and, in addition to the
playing of the instrument with the fingers, as the
old stringed instruments are played, there are
pedals for changing the tone and introducing
variations, which the banjo, mandolin and guitar
are incapable of producing individually. Ed-
ward S. Stevenson, of Eldorado, Kan., is the de-
signer of this instrument.

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