Music Trade Review

Issue: 1904 Vol. 39 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
42
THE
MUSIC TRADE REVIEW
all respects to the gut strings covered by G. A. WHY CONN INSTRUMENTS ARE USED.
5207, in which case the board found that the
strings then under consideration were made from Bandmaster Innes, Whose Band Delighted
the sinews—specifically, the hamstrings—of cat-
Visitors to the World's Fair, Tells the Story
tle and not from the intestines of sheep or other
—A True Type of the 20th Century.
animals, and in the absence of testimony relative
to the commercial designation of the merchan-
The growing popularity of Bandmaster Innes
dise, held it was dutiable as a manufacture of and his organization makes of unusual interest
gut under paragraph 448.
his opinion of the Conn instruments. There is
"Formerly, catgut was made of the intestines no mistaking his sincerity and earnestness in
of sheep and sometimes of the horse, the ass, or these snappy paragraphs:
the mule. We do not think, however, that the
"Why do all your men use the Conn band in-
origin of the material is sufficient to remove it struments?" was asked me by a well-known band
from classification as catgut, provided it be leader here the other day. I replied "For the
known as such universally and generally in the reason that they consider the instruments made
trade. In the present case one of the witnesses, by Conn as the best in the world. Certainly I
a domestic manufacturer of gut strings, who had personally think so or I shouldn't have played
been selling similar merchandise in the East and on one of them for twenty years. The Conn in-
West for over sixteen years, testified that it was struments represent money, brains and progress.
known commercially as gut, catgut, etc. This wit- They are in fact a true type of the twentieth
ness, when asked if the gut in question was century. All other makes are back in the begin-
manufactured or unmanufactured, replied that in ning of the last century. Any practical player
its natural state it is manufactured, but still, in will tell you this. The improvements brought
a sense it might be termed unmanufactured, and, forward by the Conn people have simply revolu-
again, when asked if he had ever seen a cruder tionized the playing of American bandmen.
form (of catgut, than the exhibit in the case, These improvements have made possible to the
replied that he had not.
ordinary performer the playing of high and low
"This was the only competent witness who tes- tones, a facility of technic, brilliancy of execu-
tified regarding the commercial designation of the tion and an ability to 'last'—as applied to both
merchandise, but we think, in the absence of con- player and instrument—which were unknown in
flicting testimony, it is sufficient to differentiate my youthful days. Look at all these bands com-
the merchandise in the present case from that ing here to this Exposition. You must see for
passed upon by the board in G. A. 5207, and to yourself that seven out of every ten of the play-
bring it within the ruling of the court in the case ers use the Conn instruments. There can only
of Davies, Turner & Co. vs. United States. On be one reason for this, for while you may fool
the authority of the court's decision in that case, the whole people part of the time or part of the
we find the merchandise to be catgut unmanufac- people the whole of the time, you can't fool all
tured, and sustain the protests claiming free of them all the time, to use Lincoln's trite aphor-
entry therefor. The decision of the collector is ism."
reversed in each case."
TRADE WITH IMPORTING HOUSES.
A fire was discovered in the basement of the
Columbia Phonograph Co.'s establishment, at 117-
Importing houses speak of trade for the past
119 West 4th street, Cincinnati, O., on Thursday, week as slow. They expect a different state of
which was extinguished with but small loss.
affairs in a couple of weeks.
COLUMBIA
FLEMISH 1905 ZON-O-PHONE
The Latest Specialty of the Universal Talking
Machine Co., Which Is Destined to Prove a
Favorite in the Trade.
What is spoken of as their latest and best ma-
chine is the "Flemish 1905 Zon-o-phone," here-
with illustrated,, manufactured by the Universal
Talking Machine Mfg. Co., 28 Warren street, New
York. The cabinet is solid oak, Flemish finish,
with an extra large horn, brass bell, the body of
the horn finished to match the cabinet. All bright
parts of the machine are nickeled. The large
spring Zon-o-phone motor is used. Altogether
the company claim it is the most attractive ma-
chine on the market, and this week marks its
first appearance.
D. P. Mitchell, manager of the traveling and
export departments, made his first selling trip,
going as far as Kansas City. He has been away
three weeks, returning Thursday, and has
eclipsed the maiden record on sales.
GRAPHOPHONES
The Best Talking Machines Made.
$5 to $100.
The Graphophone is the univer-
sal entertainer* It will Talk t Sing,
Laugh and Play. It combines all
instruments in one*
Send lor complete list ot records.
25c*
THE WORLD-FAMOUS COLUMBIA
GOLD MOULDED CYLINDER RECORDS.
7 inch, 5 0 c ea.;
$5 per doz.
{
COLUMBIA
)
1 DISC RECORDS. J
JO inch, $1 ea.
$10 per doz.
Grand Opera Records (10 inch discs only), $2 each.
THE LATEST TYPE—Solid Mahogany Cabinet—Beautiful in design; and an ornament
wherever placed.
The Best Talking Machine Ever Placed Before the Public at this Price.
Absolute perfection of sound reproduction. All the sweetness, volume and beauty of the
original rendition.
The word COL UMBIA on a Talking Mach ine or Record is always a guarantee of merit and
quality.
r
Columbia Records Fit Any MaJce of Talking Machine
FOR SALE BY DEALERS EVERYWHERE AND BY THE
COLUMBIA
PHONOGRAPH
Type AY, $50.
COMPANY
PIONEERS AND LEADERS IN THE TALKING MACHINE ART.
GRAND PRIZE, PARIS, 1900.
NEW YORK, Wholesale, Retail and Export, S53 Broadway.
UPTOWN, RETAIL ONLY, 872 Broadway.
LOS ANGELES, 823 South Main St.
TORONTO, ONTARIO. 107 Yonge St. MEMPHIS. 302 Mam St
CHICAGO. 88.Wabash Ave.
SAN FRANCISCO, 125 Geary St.
PHILADELPHIA, 1019-1021 Market St. CINCINNATI, 117-119 West Fourth St. MINNEAPOLIS, 13 Fourth St., South. PORTLAND, ORE., 128 Seventh St.
INDIANAPOLIS, 48 N. Pennsylvania St. OAKLAND, CAL., 512 13th St.
ST. LOUIS, 908 Olive St. (Frisco Bldg.) PITTSBURG, 615 Penn Ave.
TERRE HAUTE. 23 S. Seventh St.
BOSTON, 164 Tremont St.
NEW ORLEANS, 628-630 Canal St.
KANSAS CITY, 1016 Walnut St.
DUBUQUE, 623 Main St.
BALTIMORE, 231 N. Howard S t
DETROIT, 272 Woodward Ave.
ST. PAUL, 386 Wabasha St.
ST. JOSEPH, MO., 718 Edmond St.
CLEVELAND, Cor. Euclid Ave. & Erie St MILWAUKEE, 891 East Water St.
DENVER, 605-507 Sixteenth St.
SPRINGFIELD, MASS., 266 Main St.
BUFFALO, 645 Main St.
WASHINGTON. 1212 F St., N. W.
OMAHA, 1621 Farnam St.
LONDON, Wholesale, Retail. 89 Great Eastern St., E. C.
RETAIL BRANCH STORE, 200 Oxford St., W.
BERLIN, 71 Ritterstrasse.
PARIS. I l l and 118 Rue Montmartre.
ST. PETERSBURG. 68 Nevski Protpect
VIENNA. Seilergasse No. 14.
HAMBURG. Adolphsplatz No. 4.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
zsoooooooooooc:
In tKe World of Music Publishing
A pessimistic critic remarks: "Comic opera has
deteriorated into a contrast of blondes and brun-
Trade Uneven but Satisfactory—All Are Work-
ettes, into inane smiles, stately posing and sin-
ing Hard for Success—-Credits Are Being
uous dancing; into the simple worship of pretty
Carefully Watched—What a Leading Pub-
The next production said to be slated for the faces and trim figures."
lisher Says.
La Salle Theatre, Chicago, is a new musical com-
The demand for songs that are of true merit,
With the publishers business is of the kind edy by Jos. E. Howard, author of "Good-Bye, My
that is quite satisfactory to some and to others Lady Love," entitled "His Highness the Bey," catchiness and originality was never greater than
is comparatively slow. To be sure this is to be which will be published by Chas. K. Harris. It at the present time, for with the opening of the
season of 1904-1905 the profession, both in vaude-
taken in a comparative sense, for no high records will go on in about a fortnight.
ville and the musical combination shows, find
are being scored. Generally speaking, trade is
M. Witmark & Sons are to publish the music that their managers demand a higher grade
not up to calculations, and, of course, the polit-
ical disturbance is credited with the upsetting of of the production of the new Lew Fields Theatre, of melody and song. The rough and shout-
plans, which were laid with this consideration and considering the eminence of the composers ing coon song with its coarse question-
discounted in a measure. There is no mistaking engaged to write for this house, as well as the able "lyrics" (if such they may be called),
the industry displayed in pushing every publica- elaborate productions planned by Messrs. Ham- is a thing of the past. The public, it is
tion that has the slightest merit in its favor, anil lin, Mitchell & Fields, this is a very important claimed, are sick and weary of hearing "trash,"
it is held this indiscriminate recommendation is musical deal. The first production, composed by and a more legitimate style in music and song is
falling short of its object. No one pretends to Victor Herbert, is already in the hands of the in vogue. Proof of this is said to be shown by
indicate for a certainty the trend of the public publishers, although the name of the piece is not the class of publications now being offered by
desire, and each has a hope that "something will yet divulged. The Witmarks will also publish the foremost music publishers. One of the best
be doing" in their direction. Of course, in this the score of "The Enchanted Isle," Mr. Herbert's examples of the music that is now in demand by
spirit of speculation every one knows of the few new opera, scheduled for production at the Ma- both the profession and public, may be cited in
the excellent list of vocal and instrumental pub-
jestic Theatre, following "Bird Center."
being chosen and the rest of the story.
Collections are fair, but not anything to boast
of, and on this score a jobber of experience said
to The Review, Monday: "You have no idea how
we have to watch credits. It's the worry of the
business, and only this morning I was called
upon to cut off a score of people who have gradu-
ally been working beyond the limit by clever
subterfuges. Their orders have been so arranged
as to befog our credit clerk, but wo "are on" just
the same and they cannot fool us. The amount of
vigilance required in this business ip surprising,
and it must be exercised even with concerns
which are supposed to be in the whirl. To be
sure, the conservative buyers among our steady
- .50
"GOOD-BYE, LITTLE GIRL, GOOD-BYE," By Cobb a n d E d w a r d s ,
going dealers are to be placed in this class;
otherwise, however, it requires so much careful
"YOU'RE THE FLOWER OF MY HEART, SWEET ADELINE,"
watching that special knowledge of people is al-
.50
By Gerard a n d A r m s t r o n g ,
.
.
.
most required. Business will not be real good
until after election."
- .50
"THERE'S NOTHING NEW TO SAY," By Alfred G. Robyn,
A publisher far removed from the helter-
(The Latest Ballad by the Composer of " Answer ")
skelter class, said: "Orders are in receipt, but
"GOOD-NIGHT, BELOVED, GOOD-NIGHT," By Fay and Oliver,
.50
not up to the mark. My opinion is trade will be
fair up to and after the presidential election.
Then, not what it should be until after the first
of the year."
REVIEW OF PUBLISHING CONDITIONS.
management. Unless these informal methods are
officially arranged for, the eager applicants are
given the frozen face without much ceremony.
Just a Reminder
OF THE BIG SELLERS
MUSIC PUBLISHERS' LIVE WIRES.
Saturday last one of the department stores, a
competitor for the supremacy in this unholy
trade rivalry, announced a "bargain sale" of
three cents a copy "for everything." Thousands
were said to have stormed this particular sec-
tion of the emporium which is determined to
maintain its supremacy as the "cheapest place in
New York," irrespective. It is now proposed that
the buyers and publishers, with a penchant for
this special trade, arrange regular sales days, and
that the suicidal cutting cease. It is a "puzzle
picture," according to those on the inside, and
the solution has not yet been forthcoming.
One publisher argues this way: "Very few
people have any idea of the vast amount of
money there is to be made and lost in the music
publishing business. At times from $10,000 to
$20,000 will be lost by a single publisher in try-
ing to make a 'winner.' Then again a lucky pub-
lisher will make a fortune on his first effort."
Then his hit is presented as the "real thing."
It is no small undertaking, according to an au-
thority, to work in an interpolation with a run-
ning musical comedy. One concern appears on
the scene with a piano player to demonstrate the
effectiveness of his melody. Another song writer
of frequent public mention steps in on the stage
and strums off his offering on the piano with
the hope of catching the "musical" ear of the
IN A BIRCH CANOE," A Musical Indian Novelty for Piano,
By Accooe and McPherson,
.50
LACES AND GRACES," A Novelette for Piano, By S&lzer and Br&tton, .50
AL FRESCO," An Intermezzo for Piano, By Frank Roland,
- .50
The Latest Successful Musical Productions
LOVE'S LOTTERY," Comic Opera, By Stange and Edwards
"FANTANA," Musical Comedy, By R. B. Smith, Shubert and Hubbell
"FLO FLO," Musical Comedy, By Collin Davis and Howard Whitney
Complete List of MusiceJ Numbers on Application
SEND FOR. CATALOG, RATES, ETC.
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M. W I T M A R f t
144-146 WEST 37th STREET, NEW YORK CITY

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