Music Trade Review

Issue: 1904 Vol. 39 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
VOL. XXXIX. No. 14.
RLVILW
Published Every Saturday by Edward Lyman Bill at 1 Madison Ave., New York, Oct. U 1904.
DE PACHMANN'S TOURNEE
CONRIED'S PLANS FOR OPERA.
Says That Company Selected for New Season
Is the Strongest Ever Assembled Here—A
New Soprano and Tenor for Wagnerian Roles
—Maria De Macchi for Italian Operas—
Many Old Operas to Be Revived.
Heinrich Conried has made full announcement
of the list of artists he has engaged for the com-
ing season of opera at the Metropolitan. Among
the singers who have not heen heard here before
is Maria de Macchi, an Italian dramatic soprano,
who has frequently sung in Italy and Russia un-
der the direction of Signor Vigna. Here she is
to take part in the revival of some of the dra-
matic Italian operas contemplated by Mr. Con-
ried. She will appear with Signor Caruso in
"Lucrezia Borgia," "Manon Lescaut," "Norma,"
and may sing in "II Trovatore."
One of the most interesting of the engagements
is that of Kathi Saenger-Bittaque, who has been
for several years the leading Wagnerian soprano
in Munich, where she succeeded Milka Ternina.
She has sung in all the festival performances at
the Prinz Regent's Theatre in Munich, and is
regarded in Germany as one of the leading Wag-
nerian sopranos. Here she will alternate with
Mme. Nordica as Isolde and Briinhilde and will
also sing in "Fidelio." She will be the Senta in
the revival of "Der Fliegende Hollander," and if
"Der Freischiitz" is given she will appear as
Agathe.
Bella Alten, Alma Webster Powell, Taurino
Parvis, Frank Pollock, a young American bari-
tone, who has been studying in Paris, and Hein-
rich Knote are singers recently added to the com-
pany. With the exception of Herr Knote, they
are to appear in small roles. He has been espe-
cially engaged to appear as Walther in "Die
Meistersinger." He comes from Munich and is
highly esteemed as a Wagnerian declaimer in his
own country. He is to sing Tristan and the prin-
cipal Wagnerian roles here.
"I Puritani," which has not been heard here
in years, is to be revived for Signor Caruso and
Mme. Sembrich, who made her debut in Bellini's
opera. Mozart's "Don Giovanni," which was not
heard at all last season, will be revived, and "La
Favorite" will be sung for the first time in five
seasons, with Louise Homer and Signor Caruso.
"Martha" will be sung after four years of disuse,
with Mme. Sembrich and Signor Caruso in the
leading roles. The same artists will appear in a
revival of "La Somnambula," which has not been
sung at the Metropolitan in a decade. Massenet's
"Manon Lescaut" may be performed, with Mme.
Sembrich and M. Salgza in the leading roles.
Mme. Saenger-Bittaque is not unknown here.
She was a light soprano at the Metropolitan un-
der the conductership of Anton Seidl. After her
return to Germany she devoted herself to the
Wagnerian repertoire. Alma Powell is an Ameri-
can soprano who sang in opera in Germany and
has since appeared here in concert. She is TO
sing Astrifiammente in the revivals of "II Flauto
Magico." Miss Fremstad is to appear as Carmen
in the performances of Bizet's opera. Manager
Conried has outlined an interesting programme
which in diversity should please lovers of all
schools.
SINGLE COPIES. 10 CENTS.
$2.00 PER YEAR.
One of the Most Extended on Record—Com-
mence This Month and Runs Into April or
May of Next Year.
Vladimir de Pachmann, the great Russian pian-
ist, is just announced for an American tournee
this coming season which will commence early
in October, continue until April or May, and com-
prise between 80 and 100 concerts. Mr. de Pach-
mann has not oeen heard in this country since
the season 1899-1900, for the ocean voyage is a
very serious ordeal to him. But he has been
touring Europe continuously, and last year he
gave many concerts in England. The success of
his latest London recitals indicate that he has
never been in finer form, and American audiences
will know what that means. His tour on this
side will open with orchestral appearances and
recitals in all the large cities, which will keep
him in the East and middle West until January
1st, when he will proceed to the Pacific coast, and
the tour will include the Texas cities, either go-
ing or returning. Mr. de Pachmann will give
three New York recitals in Mendelssohn Hall on
the afternoons of Tuesday, November 8, Monday,
November 14, and Saturday, November 19, com-
mencing at 3 o'clock. He plays in Boston with
the Symphony Orchestra, October 28 and 29, and
plays in New York, Philadelphia and Brooklyn,
with the same organization, November 2, 3 and 4.
MISS NEUENDORFFER IN NEW YORK.
NEW SONGS BY D'ALBERT.
Miss Marie B. Neuendorffer, who for the past
ten years has been abroad, has now returned to
New York, her native city. She has a mezzo-so-
prano voice of great range which abounds
in beautiful sympathetic quality. She is a pupil
of Prof. Julius Stockhausen, of Frankfort, and
has appeared during the past few seasons at some
of the most important musical affairs in Ger-
many, winning from the leading critics most
favorable notices. She has a splendid stage pres-
ence, perfect repose, and sings with dignity and
breadth. Her many friends in this country be-
speak for her the largest measure of success.
Two new songs, by Eugene D'Albert, entitled
respectively, "The Sleigh of Life," and "Slumber
Song," were sung in German by Mrs. H. J. Wood,
with orchestral accompaniment, at the Queen's
Hall Promenade Concerts, London, recently. The
first is declamatory, with a novel and expressive
accompaniment, in which use is made of sleigh
bells. The second has a really charming melody.
The orchestral parts are delicately scored, and
according to our English namesake, the whole is
very pleasant to listen to.
'PARSIFAL" IN ENGLISH.
NOVELTIES AT MUSICAL FESTIVAL.
Boston, after all, will see the English "Parsi-
fal," and see it first. Col. Savage announces that
positively the first production of "Parsifal" in
English will take place, as originally announced,
en October 17, at the Tremont Theatre in Boston.
The first English performance in New York will
take place on Nov. 7 at the Garden Theatre. All
of the artists engaged for the production of "Par-
sifal" are now in New York and full orchestra
rehearsals have been going on for the past week.
LIGHT OPERA FOR BISPHAM.
David Bispham is having a light opera written
for him by Liza Schumann, which will be called
"The Vicar of Wakefield." His plans for this
fall include a long concert tour of the United
States.
There will be hardly halls enough this season
for all the concerts promised.
"The Witch's Daughter," a cantata, by Sir A. C.
Mackenzie, and "Everyman," a cantata, adapted
from the old morality, set to music by Dr. Wal-
ford Davies, are the novelties scheduled for the
Leeds Musical Festival which, under Sir Chas.
Stanford's direction, takes place October 5th to
8th.
PROF. PARKER'S FIRST DRAMATIC SCORE.
The stage this year is to have the first dramatic
score to be written by Prof. Horatio W. Parker,
the composer and well-known head of the Yale
Music School. Prof. Parker is now at work on
twelve numbers and incidental music for "The
Eternal Feminine," the new work Margaret
Anglin is to appear in this year.
Adele Aus der Ohe is expected to return from
Europe this week and will begin her tour in Mil-
waukee on October 14. She will give two recitals
in this city early in the winter.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
TIMELY TALKS ON TIMELY TOPICS.
From the announcements already made it looks
as though Sunday were to be turned into the busi-
est day of the week in the season which before
another month rolls around will be fairly open.
Sunday concerts have a good deal in their favor,
at the same time it seems hard to realize that
even New York can furnish so many Sunday audi-
ences. Carnegie Hall is a musical center and will
be engaged during the entire season on Sundays,
morning and afternoon.
That Mr. Arens has decided to present his
series of Peoples' Symphony concerts on Sunday
afternoon, since he must give them at Carnegie
Hall, is wise on his part as this may, in a meas-
ure, hold the clientele which he drew to these
concerts down in the lower part of the city. How-
ever, it will be a new audience that will face the
Peoples' Symphony Orchestra when the series is
opened November 4, at Carnegie.
That Cooper dnion Hall has been condemned
for musical entertainments is not strange, hut
why for musical entertainments only when the
political meetings hold forth just the same and
the lectures and general usage of the building?
New York needs a hall in the lower part of the
city, about as much indeed, as Brooklyn needs a
hall.
Walter Damrosch made such a place for him-
self last season that it will not t be astonishing to
see very large audiences attend the series of sym-
phony concerts that he will give with the New
York Symphony Orchestra beginning November
6 and continuing every second Sunday until Janu-
ary '12. There will be the customary soloists and
the attractive orchestral works that we have ac-
customed to hear at the hands of Mr. Damrosch.
A new series and one which will interest a
large number of music lovers as well as personal
friends of that extremely popular conductor, Vic-
tor Herbert, will begin October 9, when weekly
orchestral concerts will be inaugurated at the Ma-
jestic Theatre presenting the same sort of pro-
grammes in the afternoon that the Metropolitan
opera concerts offer in the evening. There will
bo soloists of the best class and the best music
will prevail. The Metropolitan concerts will be
given as usual and there is little doubt that if
Henry W. Savage sees that he stands a ghost of a
chance he will give Sunday night concerts too.
But what a boon for the soloists! There should
be great activity among them this season as the
orchestral concerts will keep some of them busy.
There has never been such a vast number of or-
chestral concerts offered as present themselves
this season and that the season leaves little to
be desired can hardly be doubted since Pado-
rewski is added to the pianists in the field al-
ready. This was a great surprise to everybody,
as the great Pole had no intention of coming
here until next year, but the war between Russia
and Japan has wrought that for us and is it not
something to rejoice in? His concert tour around
the world was to have brought him from Aus-
tralia, where he is now, to Japan and other points
in the Orient, but even the quiet of New York
seems more inviting than Japan at the present
time and to that we shall owe his presence.
Speaking of the war in the Par East brings to
'mind the fact that when the Russian Symphony
Society opens its season at Carnegie Hall, No-
vember 19, there will be an orchestra of nearly
one hundred pieces, and an interesting feature of
this is that a large number of the musicians will
be Russians. It is needless to say more—the
series will be interesting. It was so already last
year under direction of Modest Altschuler, who is
in the work heart and soul. The opening pro-
gramme will celebrate the centennial of the birth
of Glinka, and several of that great Russian's
works will be presented for the first time in this
country. It is understood that when Wassili
Safonoff arrives he will be invited to conduct one
of the concerts of the Russian Symphony Society,
and having been deeply interested in this organi-
zation upon his last visit to this country he may
accept.
A peculiarly inartistic thing in the way of con-
cert companies seems to have fastened itself upon
the artists who are touring the country in con-
cert. It is the size of the companies that they
take with them, and one might well add the qual-
ity. Melba and Van Hoose with a pianist, Blau-
velt with a couple of assistants, Campanari and
the same number of assisting artists would be
infinitely more acceptable than these artists with
a string of five or six people, especially in point
of the fact that when such large companies are
traveling they must take cheap people to come out
ahead. Cheap people are bad enough by them-
selves, but in contrast to a Melba, a Blauvelt, a
Campanari, they are very much worse, and such
concerts instead of being artistic are as far from
it as is possible to conceive. Patti set the pace.
But our artists forget that she had to do it as
she could not possibly carry a programme alone,
but these other people do not need such assistance
and instead of being additional attraction they
are detrimental—but here is where the strange
part comes in—if they were attractive they would
not be engaged, as any honors that are coming
the stars themselves can take care of.
a large number of lectures and there is no doubt
that he will be received with enthusiasm as his
personality is one that is calculated to make him
popular with the fair sex, especially the musical
minded.
Thomas Whitney Surette is well known
in this line of musical study and there is probably
no one of more importance than Dr. Henry G.
Hanchett whose pianism is much enjoyed by the
large audiences who hear him in his several
series with the Board of Education, where he has
a large number of engagements annually. There
are many more, and doubtless the coming season
v/ill bring forth new ones, however, since the time
is ripe for that sort of music study, it is well for
those gifted in that direction to make the best
of it.
EMILE FRANCES BATJEK.
CHURCH MUSIC REGULATIONS.
Gregorian Chants to Be Restored—Women Ban-
ished From Choirs—No Music Adapted From
Secular Sources to Be Used—Service, Not
Music, Emphasized.
The commission appointed by Archbishop Far-
ley, in accordance with the views of Pope Pius X ,
to consider the abuses which have crept into the
musical part of the liturgical functions of the Ro-
man Catholic Church, has made a report. This
report has been approved by the Archbishop and
will hereafter be the law for the archdiocese of
New York as far as the music in the churches is
concerned.
The need for a concert hall in Brooklyn seems
The commission says that it is evident from
more accentuated than ever in the face of such careful study of the instructions of the Holy
tremendous attractions as the Brooklyn Institute Father that he requires that Gregorian music be
offers. At the very best Association Hall is restored in every church to its high place of
dreary enough, but when it comes to accommodat- honor and that especially the proper of the mass
ing the audiences that will assemble to hear re- and the antiphons, etc., of the vespers be ren-
citals by such artists as Hofmann, D'Albert, dered according to the same. In the ordinary, or
Ysaye, Joseffy and Kreisler, it seems utterly im- common, of the mass, and for the Psalms of ves-
possible to understand what they will do with pers, while the Gregorian is to be preferred, the
them, and there is little doubt that many will Palestrinian or even the modern style of music
be turned away.
may be used, provided the latter be strictly reli-
The Baptist Temple, which must be used for gious and ecclesiastical in character and the mu-
the Boston Symphony concerts, throws a damper sic corresponds with the words of the liturgical
upon these great concerts, but it is not possible text without omissions, inversions or vain repeti-
to find another auditorium. Indeed, it seems as tions. Music adapted from secular sources must
though there were no city in the United States not be used at any service.
that needs a hall as badly as does Brooklyn.
The commission also finds it to be the wish of
Even if they had a town hall it might be used in-
the Pope that Catholic church music be such as
stead of a music hall when absolutely necessary
not to attract the attention of the hearers GO
as in the case in point. If only for the Brooklyn
much to itself as to become a source of distrac-
Institute alone, it would pay some one to build
tion from divine services and that boys take the
a concert hall. Where is the millionaire that
places of soprano and contralto singers in all
can see this?
Catholic church choirs.
The commission also recommends that sys-
Music of "Ye Antient Tyme" will be well repre- tematic teaching of music be required in all
sented in New York this season, as Sam Pranko Catholic schools and that if possible a conserva-
will again give his series of concerts which cer- tory of church music be organized under the con-
tainly rank among the most artistic concerts trol of diocesan authority, having professors for
given during the season. He will take them to the various branches of church music for the
Mendelssohn Hall this year, which cannot fail to training of organists and teachers.
work to the benefit of the concerts as Mendels-
The commission is composed of Fathers J. H.
sohn Hall is, after all, the only satisfactory con- McGean, J. F. Driscoll, Anthony Lammel, John
cert hall in New York for concerts of that size. A. Kellner, Joseph Bruneau, John J. Hughes and
Mr. Franko is a deep student, and the joys of J. B. Young, and organists James Ungerer, E.
his researches he takes pleasure in sharing with S. Hurley and B. E. Johnston. The Rev. Dr. John
others.
J. Kean is the secretary. This commission will
Mr. Dolmetsch, too, will be in the country with hereafter constitute a committee to prepare a
his quaint and all-but-forgotten instruments. catalogue of compositions for voice and organ in
These concerts have been highly instructive and accordance with the Pope's instructions.
instrumental in leading people into more inti-
The report of the committee was embodied in
mate study or the modern piano and its tremen-
a pastoral letter, issued by Archbishop Farley
dous possibilities. It has made a field for lec-
and read in all the Roman Catholic churches of
turers upon this topic and in general the last visit
the Archdiocese Sunday. In commenting on
of Mr. Dolmetsch was replete with interest.
the report the Archbishop said that the quality
of the music will not suffer by the exclusion of
The lecture-recital has become a very popular certain compositions so long in favor with many
institution and among those engaged in the work to the detriment of devotion.
are many people of note. Walter Damrosch is
the most important, as his understanding of his
KREISLER EXTENDED TOUR.
subjects is the understanding only possible to a
fine pianist, a good musician and a thoroughly
Fritz Kreisler will appear in an orchestral con-
grounded conductor. Mr. Damrosch is booked for cert when he returns to this country in January
a great number this season. Daniel Gregory next. He will also be heard in concerts with the
Mason who is well-known as the author of the New York Philharmonic, the Boston, Pittsburg,
very excellent piece of writing "From Grieg to Chicago, Philadelphia, and New York Symphony
Brahms" and many other essays that have ap- Orchestras. Kreisler's tour will extend to the Pa-
peared in the different magazines has booked for cific coast, and he will remain here until May.

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