Music Trade Review

Issue: 1904 Vol. 39 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
42
THE MUSIC TRADE REVIEW
are shown. Three bass drums surmount the case.
Cases at right angles backed by French plate
mirrors and carpeted with purple plush velvet
dazzle one's eyes with their display of helicon
shaped altos, tenors, basses, as well as upright
double bell and single bell euphoniums. All are
of silver and gold. The feature is the Wonder
sousaphone, the largest band instrument in the
world, which was introduced by Sousa's band.
This is quadruple plated silver and engraved.
Then, too, in these cases are heavily engraved
fluegel horns, a mammoth contra-bass saxophone
and fancy gold rimmed single head snare drums.
Violins ranging in price from $25 to $1,000 each
also occupy a conspicuous place.
The group of cornets displayed is unrivaled.
This instrument represents one of the most popu-
lar of the horn family and the specimens to be
seen represent the highest degree of expert work-
manship and artist's skill. One of the most beau-
tiful cornets ever exhibited is the cause of great
admiration. Of solid gold with engravings which
are exceedingly striking and which cover the en-
tire instrument and studded with precious stones
its value is $2,500. Diamonds set in pearl form
the finger tips, while the mouthpiece blazes with
diamonds, emeralds and rubies. An elk's head in
gold surrounded by a heart outlined in emeralds
adorns the bell and signifies tho word Elkhart.
The interior of the bell bears a wreath of golden
flowers studded with jewels, while the tips and
water keys also bear gems.
Another almost as handsome a cornet has for
its chief decoration on the bell a star of emeralds.
Other cornets in silver and gold, while not as
costly, are handsome.
Gold and silver flutes splendidly engraved with
clarionets and saxophones make the principal por-
tion of this display. Two saxophones marked with
exquisite carving and decorated with emeralds,
diamonds and rubies are a uninue feature. The
octave key takes the form of a gold snake. The
saxophones are valued at $2,000 each.
The baby saxophone and baby cornet appeal to
the children's eyes. The former instrument is
the smallest saxophone in the world, and though
of exceedingly diminutive size it has a sweet tone
and is perfect as to its mechanism and construc-
tion.
To sell organs by the pound is somewhat of an
innovation, but that is what is done in selling
the Wonder portable folding read organ. As the
weight of this novel instrument is 28 pounds and
the selling price $28 it makes the price a dollar
per pound. When folded the organ makes an easy
package to handle and is absolutely secure from
damage from weather or dust. When opened the
manual of the organ is the proper height, the
pedals easily operated and the whole appearance
is neat and graceful. The compass is four and
three-quarter octaves and it possesses as much
volume as a parlor organ and is as easy to oper-
ate. The organ is substantial and made for ser-
vice, yet is neat in appearance. It appeals espe-
cially to missionaries, evangelists, musicians and
all parties where it is desirable to have a portable
organ.
The exhibit in the main is almost dazzling in
its glitter of silver and gold and precious jewels
and outranks any similar display made. The
South Bend Tribune says the complete line of
attachments adds to the force of the general dis-
play ,and in the composite presents one of the
handsomest exhibits of band instruments ever
made.
James P. Boyer, of New York, is in charge, and
he is assisted by Hobart A. Davis, of Elkhart.
These gentlemen welcome all visitors cordially
and that the booth is a popular place with all in-
terested in musical instruments is evidenced by
the heavy register made.
this kind to combine sentiment with utility, as
the vibrations can be made by any clear voice,
and a man's watch may tell him the time in the
tones of wife or children.
THE QUAKER CITY TRADE.
K re tsch mar's Improving Business—A Chat
With
Albert
Weymann—An
Excellent
Report.
Philadelphia, Pa., Sept. 7, 1904.
Robert C. Kretschmar, the biggest handler of
small goods in Philadeliihia, says that his
business is improving right along. They have
just received a number of cases of the Gess-
ner accordeons, which, together with the Sover-
eign, sell more than any other accordeons they
handle. They are also importing a big lot of
brass instruments, which they expect to get out
of the Custom House this week. Mr. Kretschmar
has been on his vacation to Atlantic City, and
spent several days in New York this week. John
Hafner, traveling representative of the house,
started West on August 20 and is sending in some
very nice orders. F. A. Winter, of F. A. Winter
& Co., of Altoona, was in Philadelphia this week
and bought a nice Christmas bill.
H. A. Weymann & Sons are also finding a prof-
itable business. They have a very large stock on
hand, in fact larger than any September before,
and have not closed their factory for a minute
throughout the entire summer. "It has been a
surprise to me," says Albert Weymann, "how
business kept up all summer. In August we did
as much business as we did last February. We
have recently made more than 200 mandolins,
No. 80, on a special order, and our banjo-mando-
WATCH THAT SPEAKS TIME.
lins have been going exceptionally well." Johan
A Swiss watchmaker has invented a watch C. Schmidt, in charge of the sheet music depart-
which speaks the time from a tiny photograph. ment, says that department has been growing
A very small hard rubber plate has the vibrations rapidly. Mr. Schmidt is just about publishing a
of the human voice imprinted on it, and is actu- new composition entitled "Dance of the Snow-
ated by clockwork, so that at a given time the ar- flakes." They have also had exceptional success
ticulation is made, indicating the hour. The ui with the compositions of Marie Ouka, the most
terance is sufficiently strong to be heard twenty recent of which is "The North American March."
feet away. It is possible by means of a device of They have many other good sellers.
COLUMBIA
GRAPHOPHONES
The Best Talking Machines Made.
$5 to $100.
The Graphophone is the univer-
sal entertainer• It will Talk, Sing,
Laugh and Play. It combines all
instruments in one*
Send for complete list of records.
25c.
THE WORLD-FAMOUS COLUMBIA
GOLD MOULDED CYLINDER RECORDS.
inch, 50c. ea.;
$5 per doz.
j
COLUMBIA
)
\ DISC RECORDS, j
10 inch, $1 ea
$10 per doz.
Grand Opera Records (10 inch discs only), $2 each.
THE LATEST TYPE—Solid Mahogany Cabinet- -Beautiful in design; and an ornament
wherever placed.
The Best Talking Machine Ever Placed Before the Public at this Price.
Absolute perfection of sound reproduction. All the sweetness, volume and beauty of the
original rendition.
The word COLUMBIA on a Talking Machine or Record is always a guarantee of merit and
quality.
Columbia Records Fit Any Make of TeJklrvg Msvchlne
FOR SALE BY DEALERS EVERYWHERE AND BY THE
COLUMBIA
PHONOGRAPH
Type AY, $50.
COMPANY
PIONEERS AND LEADERS IN THE TALKING MACHINE ART.
GRAND PRIZE, PARIS, 1900.
NEW YORK, Wholesale, Retail and Export, 853 Broadway.
UPTOWN, RETAIL ONLY, 872 Broadway.
LOS ANGELES, 323 South Main St.
CHICAGO, 88 Wabash Ave.
TORONTO, ONTARIO, 107 Yonge St. MEMPHIS, 302 Main St.
SAN FRANCISCO, 125 Geary St.
PORTLAND,
ORE., 128 Seventh St.
PHILADELPHIA, 1019-1021 Market St. CINCINNATI, 117-119 West Fourth St. MINNEAPOLIS, 13 Fourth St., South.
INDfANAPOUS, 7 S ¥."Pennsylvania*~St. OAKLAND CAL. 512 13»h St.
ST. LOUIS,
908 Olive St. (Frisco Bldg.) PITTSBURG, 615 Penn Ave.
O N
4 Tremont
§??£ ll A^?-
St.
NEW ORLEANS, 628-630 Canal St.
KANSAS CITY, 1016 Walnut St.
^ T ^ T ^ T ^ / ^ I F 1 ™ 3 - S " o S e v e n t h S t
BALTIMORE, 231 N. Howard St.
DETROIT, 272 Woodward Ave.
ST PATH 38fi
Wahasha St
DUBUQUE, 628 Main St.
6
CLEVELAND, Cor. Euclid Ave. & Erie St MILWAUKEE, 391 East Water St.
DENVERr"5O5 5oY sfxte'enth St.
ST jdSEPH, MO.. 718 Edmond St
BUFFALO, 645 Main St.
WASHINGTON, 1212 F St., N. W.
OMAHA, 1621 Farnam St.
SPRINGFIELD, MASS., 265 Main St.
LONDON, Wholesale, Retail. 89 Great Eastern St., E. C.
RETAIL BRANCH STORE, 200 Oxford St., W.
BERLIN, 71 Ritterstrasse.
PARIS, 111 and 113 Rue Montmartre.
ST. PETERSBURG. 53 Nevski Prospect.
VIENNA. Seilergasse No. 14,
HAMBURG, Adolphsplatz No. 4.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
43
ooooooooooooog
In tne World of Music Publishing
MUCH LIFE TO BUSINESS
In the Publishing Trade—Every Week Shows
an Improvement—The Opening of the Musi-
cal and Theatrical Season of Much Help—
The Live Institutions Are Benefiting by
Their Progressiveness and Seem to Be Get-
ting All the Good Things That Are Going.
With the important and influential publishing
houses business is assuming a condition of brisk-
ness quite gratifying. Mails are heavy, and or-
ders are not only much in evidence, but the range
of sales is excellent and the extent of the pur-
chases in good volume. Each week now sees a
marked improvement, and the fall business, of
which there has been great expectations, is in
full swing and fully up to anticipations.
One thing in the business is becoming more
marked every day, and that is the gradual fading
into the background of those old time establish-
ments which rely on their ancient reputation
solely for present day prestige. In this class are
numerous publishers who seldom adopt modern
methods of securing business; in truth, appear to
look with disfavor on the system which the pro-
gressive houses are pursuing with satisfaction
and profit. The antiques are sufficient unto them-
selves, and in these busy days with the go ahead
firms they find ample time to scan their light
mail and the newspapers, and talk of "No busi-
ness to speak of, which we can't understand,"
and so on to the end of the gloomy chapter. Of
course, it follows they are disbelievers in public-
ity, such as is afforded through well conducted
enterprising trade mediums. The mere mention
of a suggestion in this line makes these fossilized
parties hold up their hands in holy horror and
shake as if afflicted with palsy.
What a contrast to the concerns alive to every
possible advantage of enlarging the scope of their
business! It is in these places where the atmos-
phere is charged as with electric currents, and
the matters under discussion are of trade move-
ments of import in connection with current busi-
ness and prospective sales. There is all the dif-
ference in the world between the haunts of the
somnolent and the up-to-the-minute activity of
the modern music publisher, of which the num-
ber is comparatively small, but is slowly receiv-
ing fresh additions as the antiques wake up or
have new blood injected.
Appended is a few new numbers from the P.
B. Haviland Publishing Co.: Vocal—"Make a
Fuss Over Me," and "A Rare Old Bird," by Theo.
F. Morse; "O'Reilly" (from "The Royal Chef"),
by Ben M. Jerome; "Tallahassee Tessie," by Geo.
IT. Bell.
posed for her, and predicts unqualified success
for the opera. Coming from a woman who has
According to unanimous reports of those who won international triumphs in the whole reper-
have been privileged to hear some of the musical toire of grand opera, this is high praise indeed.
rehearsals, Julian Edwards, composer of so many That it is not premature in evidenced by the fact
operatic sucesses, has scored again in "Love's that "Love's Lottery" is thoroughly rehearsed
Lottery," which he has written for Mme. Schu- and ready for production September 12 at the De-
mann-Heink, in collaboration with his favorite troit Opera House, which is Mr. Whitney's home
librettist, Stanislaus Stange. Indeed, Manager theatre, and the starting point of those other Ed-
Fred C. Whitney, who has produced more of Mr. wards' successes, "Dolly Varden" and "When
Edwards' operas than any other manager, and Johnny »Comes Marching Home."
is one of his greatest admirers, declares that the
composer of "Dolly Varden," "When Johnny
MUSIC PUBLISHERS' LIVE WIRES.
Comes Marching Home," "The Jolly Musketeer,"
"The Wedding Day," "Brian Boru," "The Magic
With the scattering of Howley, Dresser & Co.'s
Kiss," "Friend Fritz," and "King Rene's Daugh-
ter," has fairly outdone himself in this opera. effects much regret is expressed over the un-
timely misfortunes of the bankrupt firm. Their
catalogue, once regarded as one of the strongest
and most desirable in the business, and which
took years to build up and exploit, is now con-
trolled in part by liens, valid obligations that
must be liquidated before they again become as-
sets subject to the claims of creditors. As stated
in last week's REVIEW, 108 titles are covered by
the contingent bill of sale executed to the Charles
Francis Press, and which are to be handled ex-
clusively by Sol. Bloom the particulars of which
are detailed in his special announcement in con-
nection therewith elsewhere. Then James G.
Curtin, manager of the London Theatre, holds
about 35 titles under a like arrangement, but
as yet no disposition of this property has been
JULIAN EDWARDS.
made, so far as known. It will be remembered
Small wonder when he had the inspiration of
Mme. Schumann-Heink's magnificent voice to that the Enterprise Music Supply Co. are mar-
write for, since Mr. Edwards long ago proved that keting all the printed stock, which was consider-
all he needed was capable interpreters for his able.
operas.
"A Madcap Princess," a musical version of
When Manager Whitney succeeded in persuad-
ing Mme. Schumann-Heink to forsake grand Major's celebrated "When Knighthood Was in
opera to appear at the head of her own company Flower," had its first production at the Knicker-
she stipulated that her vehicle must be of the bocker Theatre Monday evening, and was ac-
highest class musically, although the plot might corded a rousing welcome. It was true comic
he of a light comedy vein. The selection of Mr, opera, the music being tuneful and harmonious.
Edwards as her composer was not only a de- Of the song hits may be mentioned: "Bluff King
served compliment, but a sort of poetic justice to Hal," which was received with much enthusi-
a man who has always steadfastly stood for the asm; "The Isle of the Sea," and "A Typical Cav-
highest standard of light opera. When the musi- alier," both rendered with telling effect by Lulu
cal comedy.wave swept over the country Mr. Ed- Glaser, the rollicking prima donna; and "Kings
wards, as an established and popular composer, of the Sea," which has a swinging chorus accom-
was offered numerous contracts to write the paniment. Other numbers were also encored.
music of song-and-dance farces, but he always re- The book and lyrics of "A Madcap Princess" are
fused. He would write good music or none. "But by Harry B. Smith, the music by Ludwig Englan-
where will you get the singers?" persisted the der and Joseph W. Stern & Co. have the publish-
managers, who maintained that the day of great ing rights.
prima donnas was gone. "Then I will wait," said
Mr. Edwards. His patience was rewarded when
The combination of dealers in Brooklyn and
Mme. Schumann-Heink took to light opera.
New York originated and fostered by the Crown
Moreover, Mme. Schumann-Heink is enthusi- Music Co., to offset the efforts of the department
astic over the score which Mr. Edwards has com- store sales, is said to have withered by the way-
JULIAN EDWARDS' NEW OPERA.
Notice of an Important Deal!
By arrangement with the CHARLES FRANCIS PRESS have acquired the sole and exclusive right to print, publish, and
sell One Thousand, One Hundred and Eight numbers of the
HOWLEY-DRESSER COMPANY CATALOGUE
which includes almost all of the most important publications that have enjoyed popular success. In case your jobber is unable to
supply you, send your orders direct to
Do not forget our popular successes:
LAUGHING WATER
THE GIRL YOU LOVE
NOBODY JUST LIKE YOU
A BIT OF BLARNEY
SAMMY
ST. LOUIS RAG
SOL. BLOOM
New Amsterdam Theatre Building
NEW YORK CITY

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