Music Trade Review

Issue: 1904 Vol. 38 N. 19

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
46
TALKING MACHINE INTERESTS
Grow in Importance and Every Live Dealer Must
Recognize the Possibilities.
Talking machine interests are becoming so im-
portant that they will soon require special treat-
ment. Not but that The Review has always
given this really engrossing part of the business
careful attention, but now every live dealer
must recognize the merchantable possibilities of
this line of goods, otherwise it will go elsewhere.
It rightfully belongs to every one who handles
small goods, and with the energy and drive
shown by the manufacturers of this line, the
trade would do well to get in touch. As a mat-
ter of fact, the growth of the talking machine
business, even during this past year, has been
phenomenal, and the opportunity to attach and
develop a paying branch should not be neg-
lected.
NEW SMALL GOODS HOUSE IN SEATTLE.
The Holm Music Co. have opened a store at
3515 Aurora avenue, Seattle, Wash., where they
will handle a full line of musical merchandise
and music. This concern, which has been incor-
porated with a capital stock of $25,000 virtually
succeeds the business founded some time since by
G. R. Holm, who is also manager of the new
company. The other members of the firm, C. S.
Johnson and August Lovegreen are prominent
capitalists.
THE INCENSE FIDDLE.
Cateb is a high caste Oriental called a Levan-
tine. He has recently opened a studio in Twenty-
first street to teach barbaric Americans about
Damascene antiques and the lore of incense and
Oriental things generally.
"It is no small thing," said the disciple of
Damascus, "but I've touched the heart with my
incense fiddle, and the rest will be easy. The
incense fiddle is a heart-shaped instrument
played in the lap or on the shoulder. The foun-
dation is a sweet-smelling wood inlaid with
COLUMBIA
RECORDS
MUSIC TRADE
REVIEW
mother of pearl and gems. When it is laid flat
the little fish-skin surface makes a bowl and re-
ceives a thin brass plaque. Incense is burned in
the plaque, and as the fumes rise to the nostrils
of the player the spirit moves him, he draws his
arrow-shaped bow and improvises the queer melo-
dies of the Orient. We have incense lamps, tab-
ourettes, rugs and even vases, but the fiddle
seems to be the object around which the Ameri-
can fancy lingers."
POLLMANN MAKES PRECEDENT
Through Gut-String Ruling by the Officials of the
Treasury Department.
It is probable the first protest against gut
strings being admitted other than as provided
for in that section of the tariff law relating to
musical instruments, was made by August Poll-
mann, in order to establish a precedent as
against the importers of relatively the same class
of goods for surgical purposes. On April 19 the
United States Board of Appraisers overruled
his protest per forma, but the question will be
carried to the final court decision.
REGINA CO.'S NEW YORK OFFICES.
The Regina Music Box Co.'s New York office
and warerooms, on the third floor of the Regina
building, 11 East Twenty-second street, are now
fully occupied, and the business of the Regina
Library Exchange Club is in full swing. Many
New York patrons of the firm are taking advan-
tage of the club offer recently made public.
There is a complete exhibit of Regina styles at
the new warerooms.
DECLARE DIVIDEND.
A dividend of 1 per cent. (No. 25) on the
common stock of the American Graphophone Co.
will be paid on June 15 to stockholders of record
June 1, 1904.
In music boxes one of the latest is the Pian-
nette. It plays thirty-nine notes, and is of star-
wheel movement. It has twelve metal records.
THE GRAPHOPHONE IN POLITICS.
Judging from indications, the coming presi-
dential campaign will be unique in more ways
than one. From Iowa there comes a suggestion
which ought to prove helpful to many aspirants
for political honors.
Congressman Hull, of Des Moines, was waging
a fight for renomination in his district. His op-
ponent was Judge Prouty, who found himself un-
able to keep all his appointments to speak.
Nothing daunted, the latter bought several
graphophones together with the necessary blanks,
and proceeded to make many records of his
various speeches. Then he placed the machines
on street corners, in hotel lobbies and cigar
stores. The plan proved to be so novel and at-
tractive, that hundreds stayed away from the
Hull mass-metings, and widely cheered the
speeches made through the graphophones.
Thus i t m a y be seen that the day of the profes-
sional spell-binder is passing. The graphophone
cannot be disconcerted or interrupted by the
jeers and questions of political opponents. It will
have its say regardless of anything short of the
actual wrecking of its mechanism, and it is not
to be supposed that the aforesaid opponents
would go so far as this to silence the grapho-
phone's persuasive eloquence. The advantages of
such a machine in political campaigning must ap-
peal to everyone, and is a pointer for the dealer.
MAKES SETTLEMENT WITH CREDITORS.
W. C. Dewey, who was formerly in the piano
business on Fourteenth street, and who more re-
cently branched out as a contractor, has made a
settlement with his creditors, and the creditors'
petition in bankruptcy, which was filed on March
20, has been dismissed by Judge Holt.
KLEBER RENOVATIONS.
The H. Kleber & Bro. Co., Ltd., the well-known
piano manufacturers and dealers, are making a
number of changes at their Fifth avenue ware-
rooms in Pittsburg, Pa., which will give them
more room and a more attractive environment.
A Word About Gold-Moulded Records
Columbia Moulded Cylinder Records were the first Moulded Records on the market by
about a year.
They always have been GOLD-moulded. A gold mould is the ONLY economical and efficient
mould known to the art.
Moulded records are superior to the old engraved records, because they may be made of
HARDER material. Hard records last longer and have a better quality of tone.
A gold-moulded record made of SOFT material would be no better in quality than an
ENGRAVED record in soft material.
The best Moulded Records are not only GOLD-MOULDED; they are SUPER-HARDENED.
Gold-moulded records are LESS expensive than engraved records. The PROCESS is simpler.
Formerly, BLANK cylinders were moulded, then SHAVED, then ENGRAVED from an original. The
originals soon wore out under the reproducing stylus.
Now, a gold-lined MOULD is made from the original, and the product of that mould is a
SMOOTHLY FINISHED cylinder, with the SOUND RECORD ALREADY ON IT. The life of the original is
increased ten times, a hundred times, a thousand times.
A record is not MORE expensive because it is gold-moulded.
It is LESS expensive.
Columbia Moulded Cylinder Records are NEW records, made by a NEW process. They are
not only gold-moulded. They are SUPER-HARDENED.
Irrespective of PRICE, they are superior in QUALITY to any other gold-moulded record on
the market.
FOR SALE BY DEALERS EVERYWHERE, AND BY THE
COLUMBIA PHONOGRAPH COMPANY
PIONEERS AND LEADERS IN THE TALKING MACHINE ART
GRAND PRIZE, PARIS, 1900
UPTOWN,
NEW YORK. Wholesale. Retail and Export, 93 Chambers St.
PITTSBURG, 615 Penn Ave.
CHICAGO, 88 Wabash Ave.
NEW ORLEANS, LA., 628-630 Canal St.
PHILADELPHIA. 1019-1021 Market St.
DETROIT. 37 Grand River Ave.
ST. LOUIS. 908 Olive St. (Frisco Building).
MILWAUKEE, 391 East Water St.
BOSTON. 164 Tremont St.
WASHINGTON. 1212 F St., N. W.
BALTIMORE. 231 N. Howard St.
TORONTO, ONTARIO, 107 Yonge St.
CLEVELAND. Cor. Euclid Ave. and Erie St.
MINNEAPOLIS. 18 Fourth St., South.
BUFFALO, C45 Main St.
INDIANAPOLIS, 48 N. Pennsylvania St.
SAN FRANCISCO, 125 Geary S t
RXTAIL ONLY, 872 Broadway.
LONDON. Wholesale, Retail, 89 Great Easterfe S t , E. C. RETAIL BRANCH STORE, 200 Oxford St., W.
PARIS, 111 and 118 Rue Montmartre.
ST. PETERSBURG, 68 Nevski Prospect.
KANSAS CITY. 1016 Walnut S t
ST. PAUL, 386 Wabasha St.
DENVER, 505-607 Sixteenth St.
OMAHA, 1631 Farnam St.
LOS ANGELES. 323 South Main S t
MEMPHIS, 802 Main St.
PORTLAND, ORE., 128 Seventh S t
OAKLAND, CAL.. 468 18th S t
BERLIN, 71 Ritterstrasse.
HAMBURG, Adolphsplatz No. 4.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
47
In tKe World of Music PublisHing
TRADE CONTINUES FAIR.
Publishers Are Hopeful of the Future, Notwith-
standing That the Close of Theatrical Season
Necessarily Makes Trade Slower.
As a rule publishers are recording no special
hard kicks against business; in fact, are gen-
erally pleased with present conditions and hope-
ful of future developments. Trade is fair, if not
altogether good. The slowing-down period is at
hand with the close of the regular theatrical Eea-
son. Road companies are working toward New
York and some are already here, which means
much to the publisher.
The demand from all kinds of summer resorts
for entertainment features of a professional
character and standing, is becoming more ur-
gent. This year the call is more insistent than
ever, and writers and publishers are putting out
a special line of goods to meet this demand.
The summer song is the thing just now, with
even some of the leading houses springing titles
which bear a ludicrous resemblance to each
other. This means an exchange of the retort
courteous clear up, or down, if you please, to the
lie circumstantial, and then the war of words
cease. To be sure, this is diverting to some, but
is deprecated by every one at all interested or
concerned directly in the welfare of the business.
Just at the present good instrumental have
the call, and many really fine and meritorious
compositions bear the imprint of firms who al-
ways aim to offer the best obtainable. Ballads
follow closely, and several numbers now out,
with a few announced for early publication, will
doubtless hold the public fancy for a long time.
Standard music is selling well, and it is ex-
pected business will keep up in this branch later
this season than for the past two years.
FLASHES FROM A LIVE WIRE.
haunting refrain. Both of these have, in theat-
rical parlance, "made good."
The comic opera, "The Royal Chef," now play-
ing at the La Salle Theatre, Chicago, is so full
of kaleidoscopic changes, such continuous action
both of the principals and chorus, so filled with
mirth and music, that scenery of any kind be-
comes of secondary consideration. The strains
of one musical number are scarcely through
with before it is sounded by another even more
pleasing. A few of the hits are: "A Little Bit of
Green," "Love in a Mango Tree," "In the Morn-
ing," "As Befits My Rank and Station," "The
Mythical Isle of Oolong," "I'd Like to Break My
Way Into Society," "I'm a Literary Military
Man," "When Old Glory Floats from Every-
where." F. B. Haviland Publishing Co. are the
exclusive publishers.
When a song is making strong headway the
publisher tells the jobber to "go to," otherwise
his assistance as a distributor is eagerly sought.
Little effort is made to reach the dealer direct,
because it requires time and attention to ac-
complish this object; but as a paying proposition
every publisher concedes its correctness.
Alfred G. Robyn's latest ballad, which some
say surpasses his famous "Answer," is unique
in that it seems to appeal just as much to the
vaudeville and professional singer as it does to
the concert and drawing-room balladist. Among
the well-known people who are now featuring
this song, are Howard Sayres, Haydn Coffin, the
well-known English tenor, Florence McNeill.
Maud Beach, Maurice Hewlitt and, in fact a long
list of the very best people in the singing world.
They were talking of musical comedies when
the publisher was congratulated on the music
in a certain production. "That may be all
right," rejoined the publisher, "but the songs
don't sell, hang it! and I can't make it out."
"Well, the trouble is," answered the other fel-
low, "the singers are a poor lot, and this defeat
has damned more than one musical comedy this
season." And it is true. The wonder is why such
poor talent was selected, for many of these enter-
prises have been costly undertakings.
Paul Dresser will be the interlocutor in the
minstrel show part of the program to be given
at the Broadway Theatre to-morrow night by the
managers and agents of the vaudeville perform-
ers for the annual benefit of the Actor's Fund.
Music publishers, with a few exceptions,
which point the case, seem especially blind to
the fact that imitation is the poorest sort of
policy, not only from the point of view of fair-
"The Wizard of Oz," that perennial success, is ness, but because, by rousing antagonism, it re-
going along its prosperous way with very little acts against their own best interests.
change in any of its features except that some
new and attractive songs have been interpolated
In these days of press booming, when every
into the clever score. Bessie Wynne has two show girl, who merits the name, has her advance
new good ones, "Mary Canary," by Furth and agent, it is rather surprising to note the methods
Moran, and "I Love You All the Time," by Will of "The Bostonians," who in "The Queen of
R. Anderson. The latter song is of a popular Laughter," have made one of the biggest suc-
nature of the alliterative lyric set to catchy and cesses of the year, and who yet go on their pros-
DOES NOT MEET WITH APPROVAL.
The Efforts of the Incorporated Society of Musi-
cians is Not Approved in England or Ger-
many.
Neither in England nor in Germany does
the plan of the Tonsetzer Genossenschaft, or In-
corporated Society of Composers, seem to meet
with much approval. The object of this so-
ciety is to levy tribute on concert givers, who
are asked to pay $1.25 for every song on their
programs. It is contended that if this plan could
be carried out it would result, so far as England
is concerned, in the banishment of German songs
from the programs, in much the same way as the
demands for petits droits have succeeded in al-
most excluding new French pieces from English
concert programs. In Germany about 140 im-
portant concert societies, with the famous Ge-
wandhaus of Leipsic at their head, have jointly
signed a document by which they decline to recog-
nize the "Genossenschaft," and declare their in-
tention either of seeking (by payment or other-
wise) for permission from the composers them-
selves to produce copyright works, or of striking
such works out of the programs altogether. Ac-
cordingly, the Tonsetzer Genossenschaft may find
itself rather in a tight place. The fact is, says
a London journalist, that composers obtain, or
at any rate should receive, a quite sufficient
remuneration for their work out of the royalties
which publishers pay them on every copy of the
music that may be sold. In England it is the
custom, even as to larger concert works, such as
symphonies or cantatas or oratorios, where the
right of performance is reserved, to gratuitously
grant licenses to perform, a purchase of the score
and parts automatically conferring such license.
Cobb & Edwards, the "songsmiths," are said to
be scoring with "The Bronco Buster," an instru-
mental by Leo Edwards; "No. 1 Cupid Street,"
"Pretty Kitty San," and "Good-bye, Little Girl."
it
THE WITMARK CORNER'
LOOK FOR BI-MONTHLY CHANGE I
KEEP "POSTED" ON OUR "GOOD THINGS"!
Successful Musical Productions Just Published!
" SHO-GUN,"
"MAN FROM CHINA/'
By George Ade and Gustav Luders.
By Paul West and J. W. Bratton.
"WOODLAND,"
"A CHINA DOLL/'
By Frank Pixley and Gustav Luders.
By H. B. & R. B. Smith and Alfred E. Aarons.
A FEW OF THE SEASON'S SUCCESSES:
"BABES IN TOYLAND,"
"THE TENDERFOOT/'
"BABETTE,"
" THE YANKEE CONSUL,"
" PRINCE OF PILSEN,"
" MAM'SELLE NAPOLEON/*
"WHEN JOHNNY COMES MARCHING HOME,**
"SULTAN OF SULU/'
"PEGGY FROM PARIS/' "MR. PICKWICK."
GET OUR 96-PAGE CATALOG -COMPLETE LIST OF PRODUCTIONS.
M. WITMARK AND SONS,
SCHILLER BUILDING, CHICAGO.
»•••*•!• N E W YORK CITY
-
-
WITMARK BUILDING, LONDON
FROM OCEAN TO OCEAN — AND ACROSS

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