Music Trade Review

Issue: 1904 Vol. 38 N. 18

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
8
REVIEW
EDWARD LYMAN DILL,
Editor and Proprietor.
J. B. SPILLANE, Manatfintf Editor.
EXECUTIVE STAFF:
THO». CAMPBELL-COPKLAND,
W. MURDOCH LIND,
Gso. B. KELLER,
A. J. NICKLIN,
BOSTON OFFICE:
R. W. KAUFFMAN.
GKO.
W. Q U U I P B X .
CHICAGO OFFICE:
ERNEST L. WAITT, 255 Washington St.
PHILADELPHIA OFFICE:
EMILIK FRANCES BAUER,
E. P. VAN HAELINGXN, 80 La Salle St.
MINNEAPOLIS AND ST. PAUL:
R. J. LEFEBVRE.
SAN FRANCISCO OFFICE:
ST. LOUIS OFFICE:
CHAS. N. VAN BUREN.
ALFRED MBTZGBK, 325 Davia St.
Published Every Saturday at 1 Madison Avenue, New York.
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION (including; postage), United States, Mexico and Canada, $2.00 per
year; all other countries, $4.00.
ADVERTISEMENTS, $2.00 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising Pages $50.00; opposite reading
matter, $75.00.
REMITTANCES, in other than currency form, should be made payable to Edward
Lyman Bill.
THE ARTISTS'
DEPARTMENT
On the first Saturday of each month The Review contains in its
"Artists' Department" all the current musical news. This is effected
without in any way trespassing on the size or service of the trade
section of the paper. It has a special circulation, and therefore aug-
ments materially the value of The Review to advertisers.
M v r r T n R Y «r PIANO
MTMIIC Ar-riZ r . e
MANUFACTURERS
The o directory
of piano manufacturing firms and corporations
n
P a ^ e 31 will be of great value as a reference for
dealers and others*
found
LONG DISTANCE TELEPHONE-NUMBER 1745 GRAMEECY.
NEW YOWl, APRIL 30. 19O*.
T
HERE is no denying the fact that everywhere excepting,
perhaps, certain sections of the South, trade at retail for
the year has been decidedly unsatisfactory. This condition has
been largely the result of the tardy arrival of spring. It would
seem, however, from the temperature of the past week that the
long delayed spring is with us, and we may expect summer
weather to come on with a rush. There is no good reason why
the piano business should not show material advance.
Special efforts will now be made by merchants in various
lines to offset the loss occasioned by delayed buying on the part
of consumers. Now, as a matter of fact, the delayed spring
should have really a beneficial effect upon the piano trade in this
way.
T
HE prolonged cold weather has been a period of lessened
expenditure on the part of the consumer, for the majority
of women have foregone the purchase of many articles of apparel
that during more normal weather conditions would have been
regarded as essential. With money saved on their spring outfit
they might, under proper inducements, be prepared to expend
a considerable number of dollars in pianos, at least the merchants
whose sales have been lost through the obstinacy with which
old winter has persisted in remaining with us, will have an ex-
cellent occasion to try their persuasive powers upon the public
with better chances of success than they have had for many
weeks. Work for the dollars. Piano quality and one price.
Don't help to retard business but hustle for it.
SUBSCRIBER in a communication to The Review asks:
"Do you believe that dealers are in dead earnest about
the adoption of the one price system? Do they really desire it?"
We shall reply by saying that whether they desire it or not,
or whether they are sincere in their advocacy of the one price
system it is gradually being forced upon them. One price has
come to be a synonym for business honesty.
There are, of course, plenty of men in the retail trade who
do not sincerely believe in it, or who feel that the time is not
A
ripe for its positive and unalterable adoption. There are many
of the leading institutions, however, who have put this system
into a practice which is rigidly adhered to in all cases, and we
have been present when they have permitted customers to leave
There is no denying the fact that everywhere excepting
their establishments rather than accept a price a trifle under that
marked in plain figures upon the instruments.
T
HERE should be not only one price, however, but that price
should be in accordance with the worth of the instrument,
it should be the right price. In other words, piano selling is be-
coming more and more a business proposition, and the time will
come when standard makes of pianos will be sold at practically
the same prices in all parts of the Union.
There are a number of houses now who are earnestly striving
to bring about this condition, and when there are many serious
minded, influential men interested in such a laudable task as this,
they are bound to accomplish far-reaching results. The time will
have gone by when a dealer can charge a customer a hundred
dollars more for the same make and style of an instrument than
his competitor a hundred miles away. Uniform prices will be
conceded, of course, in far away sections there will be some ad-
ditions on account of excessive freight rates, but it will be im-
possible in days to come to sell a piano of mediocre grade at a
price which should entitle the purchaser to own a first class in-
strument.
T
WO powerful factors to help along this move would be the
Manufacturers and Dealers' Associations, but then the
time is hardly ripe for such action and organizations cannot ac-
complish the impossible. There are too many fictitious claims
made for instruments, and too many reputations that would be
irretrievably damaged should a grade price be universally en-
forced at the present time. This will ultimately come, however.
Not because any special individual may desire it, but because it is
right, and no man or institution or industry can halt the tendency
toward right which is more apparent to-day than ever in the
commercial world.
L
AST fall the McPhail Piano Co wrote to us asking what
impression the word "Quarter" conveyed to our mind
when used in connection with grand pianos. Our reply to this
query was that Chickering & Sons, through the expenditure of
considerable money and continuous exploitation had associated
the name with their small grand product so that when the name
"Quarter" grand was heard it was immediately connected with
the Chickering piano.
x
T
HIS we believe to be universally conceded by the trade.
We do not, however, propose to discuss the "Quarter"
grand from a legal viewpoint, for there are many claims which
might be made, whereby the use of a descriptive word by any
firm has a restrictive effect upon others in the same line. We
simply wish to view this matter from purely a moral standpoint.
Chickering & Sons have created a value for a piano name
which to our minds belongs to them. They have acquired it
through continued publicity, and in conceding them this right,
we see no evidence of unfair or restrictive monopoly on their part.
Certainly in a mathematical sense, a quarter grand is not one--
fourth of a grand piano, so it is not in a mathematical or de-
scriptive manner that Chickering & Sons have used the word.
As we interpret it, it is a particular form of phraseology which
identifies and individualizes their small grand as an unique
creation.
HERE are a number of manufacturers who have adopted
certain descriptive words for their small grands. Steinway
& Sons term theirs the "Miniature Grand." J. & C. Fischer,
not knowing of this claim of Steinway and Sons placed a "Minia-
ture Grand" upon the market. A courteous communication from
the Steinway house informing them of the previous use of this
name caused the Fischer firm to immediately withdraw the word
"Miniature" from their advertisements.
That was fine business courtesy. The Knabe firm designate
their piano the Mignon Grand, the Pease is known as the "Petite"
T
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
TH
MUSIC TRADE REVIEW
and others have selected other terms by which they designate
their small grands.
what they term purely "moral grounds" the McPhail
concern affirm that "the monopoly of the word 'Quarter'
by Chickering & Sons may do us injury, because of the descrip-
tive quality of the word," and that if the Chickering house "were
to remain in undisturbed possession of the word 'quarter' as
applied to pianos for a number of years, they would derive a
special benefit at the expense of other manufacturers."
We cannot comprehend the logic of this, inasmuch as Chick-
ering & Sons first used the word "Quarter" and created for it
an acknowledged value in this trade—a value which did not exist
before they took it up, and we fail to understand how they were
or are trespassing upon the rights of anyone by so doing.
Geo. P. Bent has associated his name with the manufacture
of "Crown" pianos and organs. No one has disputed his right to
the name, and he has remained in undisturbed possession of it.
T was with regret that we first noted the use of the word
"Quarter" by the McPhail Piano Co. in the exploitation of
their small grand product. We have enjoyed most pleasing re-
lations with the members of this house who have always born
an excellent reputation and are generally liked. We felt that
they were pursuing a policy which would call down upon them
severe criticism, and even though clients of ours we could not
support them in their attitude in this particular.
While we are willing to concede that the advertiser has
defined rights which he may exercise in space purchased by him,
we do not feel that those rights reach the point where he may
dictate as to what shall be included in the reading portion of the
paper.
I
W
E emphatically declined to exploit in our editorial work
the McPhail small grand as a "Quarter" grand, and our
position was thoroughly understood at the time of the conclusion
of a business contract. Later on, however, the firm's insistence
reached a point where it was stated that our business relations
would be severed unless we acceded to the specific request.
Rather than yield to this dictation we preferred to discon-
tinue our business relations which have been continued through
a period of many years, and which have invariably been conducted
upon a friendly and cordial basis.
No paper can lay claim to independence when it permits the
advertiser to decide as to its editorial policy. Upon different
occasions we have objected to dictation, and have always pre-
ferred, as in the McPhail case, to cease business relations with
the advertiser rather than to yield, more particularly so when
the policy demanded is contrary to our belief as to what consti-
tutes business fairness.
T seems more than passing strange that the credit, the honesty
and the integrity of this industry should be assailed in the
most flagrant manner by an editor of a trade publication who
draws an easy living through his amiability in social matters
rather than through his ability to build a trade newspaper.
But such is the case, and no more damaging document than
the utterances of this editor could be placed before men who are
at the head of financial institutions. There is one redeeming
feature, however, about this insult to an industry, and that is the
paper voicing such principles is not one which is widely read, or
even considered as a strong journalistic factor.
I
T becomes amazing, however, how men can insult the honesty
of their constituency in such a manner and turn around and
brazenly ask more patronage.
In any other trade than this they would be shown the door,
but piano manufacturers have exhibited great tolerance in their
treatment of various classes of trade editors. To say that the en-
tire piano fabric is reared on a rotten foundation is only explained
on the grounds of ignorance, and lack of mental capacity.
Consider the great factories reared within a few years, which are
scattered throughout the land, the enormous growth of the busi-
ness which has steadily advanced in point of dignity and magni-
tude, and then say that all of this represents a fictitious asset, a
bubble! It's worse than tommy rot. It's the acme of asininity.
I
9
I
T is evident that there has been a steady change going on dur-
ing the past two years in piano manufacturing and retailing.
It is coming to be more and more a science to win success in
both departments of trade. There is, of course, a gradual in-
crease in the cost of piano retailing. It seems to be inevitable,
for the same rules are operative in all retail lines of merchandis-
ing. It is an evidence of more scientific methods of merchandis-
ing that to-day the retailer instead of making price a sole induce-
ment, is bending his energies towards the perfection of better
service., a quality standard and increased convenience for his
If we study the entire mercantile field we will find that to
a large degree competition is evident along the lines of increased
service and quality, rather than the old-fashioned price wars and
cutting of values.
T
HE convenience of customers has never been regarded in
so important a light as at present, and while the field of
operation for the piano merchant in this line is extremely limited
as compared with the general merchant, yet the piano men are
showing great progress in store betterments throughout the land.
The remodeling or rebuilding of piano retail stores goes on apace
all over the country. Every effort is made to render the stores
attractive and expenses for such a purpose, which a few years
ago would have been regarded as preposterous, are now looked
upon as a highly necessary outlay.
TORE equipment and arrangement have become vital factors
in successful merchandising—a fact fully recognized by the
important houses in this trade.
The most progressive houses are casting about all the while
for something which will make their establishments more at-
tractive and increase their service to their customers.
While there is ample opportunity for trade reform in some
departments, yet as a whole the industry has been growing
steadily better. There are less of the "fake house sales" indulged
in, there is less of what .is colloquially termed the "stool pigeon
game," and there is a decrease in shady methods of all kinds, and
an obvious tendency to conform more strictly with the rules
which are operative in other lines of trade.
S
F course there are many pianos sold out of their class; there
are many instruments sold at prices which entitle the
purchasers to better instruments, but on the whole there has
been a steady elimination of reprehensible practices, and for a
trade newspaper, alleged to be published in the interests of a
particular industry, to assail the credit, the honor, and integrity
of the trade, when such improvements are apparent to the most
careless observer, seems to us to advance to the point where it
becomes at once a question of the sanity of the individual promul-
gating such a doctrine.
O
JT7 XPORTS of Amercan industrial, manufacturing and food
I y products promise to reach a degree of expansion during 1904
exceeding all previous records unless all indications are discounted.
Experts who have gone into the matter closely find that orders have
already been placed for delivery during the present year for varied
products which reach in value enormous figures. Almost every
industry save our own is included in the list. The piano industry
does not come in for a large share of increase in our export trade.
In shoes alone $8,000,000 worth will be sold abroad during this
year, while the number of pianos will be extremely limited, but
the activity in all other lines causing the steady employment of men
at home means that piano sales here should be good during the
present year.
UR exports to Europe last year amounted to $1,087,000,000,
while to South America our exports amounted to $46,000,-
000. With almost every country there was a substantial increase
over the preceding year. France is now fourth in magnitude of
its commerce with the United States. Our total exports to British
territory were $768,000,000.
Our talking machine business abroad has advanced by leaps
and bounds, and, as shown by The Review special reports weekly,
it amounts to more in dollars than pianos.
The home market still remains the best for pianos, and until
these conditions change we will not pay very serious attention to
the development of export trade.
O

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