Music Trade Review

Issue: 1904 Vol. 38 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
REWIW
•nan.
MUJIC TRADE
V O L . x x x v i i i . No. 14. miMei Erery Sat. ly Edward Lyman Bill at 1 Maiisen Aw.. Hew Tort, April 2,1904.
SINGING PICTURES THE LATEST.
Mrs.
Beatrice Meho Has Captivated Berlin in a
Unique Combination of Art and Music.
Mrs. Beatrice Meho, an American, is the
sensation of the day in Berlin and her "Sing-
ing Pictures" are the talk in the musical and
artistic centers.
At a recent recital most of the intellectual
elect of Berlin were invited.
The first song was Schubert's "Young
Nun," Mrs. Meho appearing in nun's costume
in front of a scene representing the outside
surroundings of a convent, painted by one of
the best scene painters in Germany—Herr
Harder. The illumination of the stage was
in keeping with the words of the song.
In her next song Mrs. Meho had changed
her nun's attire for that of a Grecian poetess
to sing Brahms's "Sapphic Ode." The back-
ground was a sun-bathed Greek landscape.
A profound impression was made by the
singing of Schubert's "Litany," Mrs. Meho
appearing in dark robes before a dreary land-
scape in sombre twilight. The effect was as-
tonishing, the ladies present silently weeping.
In one of the most delightful singing pic-
tures Mrs. Meho represented an Egyptian
ghawaze, or street dancing girl. In this cos-
tume, with an appropriate Oriental landscape
behind her, she sang Felitz's "Silk Garments
Spangled with Gold," posing and dancing at
intervals. The audience applauded franti-
cally.
This was followed by "Come," Mrs. Meho
appearing as a modern woman in an autumn
garden scene. The enthusiasm of the select
audience knew no bounds.
Mrs. Meho herself, her scene painter and
her manager have conquered Berlin, and
many think this novel entertainment will sup-
plant the ordinary concert.
Her theory is: "Music, words and fitting
scenery must all be given to an audience
where possible. Wagner did this in the
higher regions of opera. I intend to do it for
the song."
SAINT-SAENS'S NEW OPERA.
Dr. Saint-Saens's new opera, "Helene,"
was successfully produced last month at
Monte Carlo, with Mme. Melba as "Helene,"
M. Alvarez as "Paris," Mile. Haglon as "Pal-
las," Mile. Blott as "Venus," and M. Gehin
as conductor.
It is stated that Ignace Paderewski has
composed a pianoforte concerto in honor of
Lord Curzon, and that, in the course of his
Eastern tour he will play it at Calcutta.
SINGLE COPIES, 10 CENTS.
$2.00 PER YEAR.
"MME. BUTTERFLY" WITHDRAWN.
CINCINNATI'S GREAT FESTIVAL.
Composer Puccini Will Rewrite the Opera, Which
Does Not Meet with His Approval After Pro-
duction.
A Splendid Programme Outlined and an Impres-
sive Array of Artists Engaged—The Thomas
Orchestra Engaged.
After three representations at La Scala,
Milan, Signof Puccini has withdrawn his
new opera, "Mme. Butterfly," and it will not
be given this season, as expected, at the
Teatro Costanzi, Rome. Much was expected
of this opera, but it did not come up to ex-
pectations—at least of the audiences who
heard it in Italy. Puccini manfully admits
that he considers the second act too long and
too dull, and that the opera throughout can
be greatly improved upon. He intends prac-
tically to rewrite it. It is worthy of note in
this connection that the first verdicts of Ital-
ian audiences have not always been safe ones,
inasmuch as "Norma," "II Barbierre," "Tra-
viata" and other operas met with a decidedly
jchilly and adverse response) on their first
hearing. Yet these operas afterwards became
universally popular.
The sixteenth biennial musical festival will
be given in Cincinnati on May n , 12, 13 and
14, under the direction of Theodore Thomas.
The programmes are models of what they
should be on such occasions, and while they
contain nothing absolutely novel, there is
much that is of importance, old and new. On
Wednesday evening, May n , Bach's B minor
Mass will be given, preceded by his B minor
suite for string orchestra and flute. On Fri-
day evening, May 12, Edward Elgar's "The
Dream of Gerontius," preceded by the inci-
dental music and funeral march from his
"Grania and Diarmid" and followed by
Strauss's "Death and Transfiguration" and
Berlioz's Hymn, Op. 26, is to be heard.
The last concert, on Saturday evening, May
14, will be devoted to Beethoven's Missa
Solemnis, in D major, and his Ninth Sym-
phony.
The orchestral concerts on the afternoons
of the 12th and 14th offer many interesting
things. Elgar's "Variations," Op. 36, and
march, "Pomp and Circumstance," for or-
chestra, will be on the programme of the 12th.
On the 14th Bruckner's ninth symphony,
Brahms's Rhapsody, Op. 53, for male chorus,
alto solo and orchestra; Elgar's "Sea Pic-
tures," (songs with orchestra). Strauss's
"Till Eulenspiegel," are among the pieces to
be performed.
The soloists include Miss
Muriel Foster, Mme. Schumann-Heink, Miss
Agnes Nichols, Mr. William Green and Mr.
Watkin Mills.
HOFMANN TO PLAY HERE NEXT WINTER.
Josef Hofmann cabled Mr. Henry Wolf-
sohn this week that he would accept his offer
for a five months' tour in the United States
and Canada next winter, beginning in No-
vember. Hofmann, who is now touring
through Holland, goes next week to Russia
for ten concerts, and late in April and part
of May is to give twenty concerts in Great
Britain, returning to London for the season
there, when he is to play at the Richter con-
certs and in recitals. After his London sea-
son Hofmann will not be heard again in pub-
lic until he revisits this country. When Hof-
mann was here two years ago he played one
hundred and thirty-five concerts under Mr.
Wolfsohn's management during the season
of five and a half months.
MRS. ANKIE GREEN PARKER IN THE SOUTH
Mrs. Ankie Green Parker, who made such
a position for herself in New York City dur-
ing the short time that she was in the Metrop-
olis, is in Florida, where she is rusticating for
a time. Mrs. Parker will return to New
York in time for the new season, as she left a
class that in size and enthusiasm is a trib-
ute to her remarkable ability, which is not
less attractive than her very exceptional per-
sonality. Perhaps in this as much as in any-
thing else lies Mrs. Parker's success in teach-
ing, as no one can know her without under-
standing that her influence is as valuable as
her instruction.
REISENAUER'S LAST RECITAL.
Alfred Reisenauer, the pianist, is now
touring the West and will return here for
the last concert of the season, given by the
Arion Society, on Sunday evening, April 10.
During the same week he is to play two re-
citals in Philadelphia and one in Washington,
returning to this city for his farewell in Car-
negie Hall on Sunday afternoon, April 17, at
3 o'clock.
CAMPANARI TO TOUR.
Giuseppe Campanari, baritone, of the
Metropolitan Opera Company, is to make a
concert tour with the Theodore Thomas Or-
chestra. Early in June he will go to Italy,
where a number of operatic performances
rnve been arranged for him. In October he
is " make a trans-continental concert tour
at
.;d of his own company.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
EARLY CELTIC MUSIC.
"KING OLAF" AT CARNEGIE HALL.
HAROLD BAUER'S SUCCESS.
Interesting Analogy Between the Chinese and the
Gaelic Music—Bunting's Valuable Volume.
The Brooklyn Oratorio Society Will Give Its Next
Concert in New York With Waltqr Henry
Hall Directing—Secretary Connelly's Valued
Aid.
To Sail for South America—Will Come to Us
Again Next Season.
Researches being made within the last few
years in the matter of Celtic music are not
without their significance. One of the chief
characteristics of Celtic music, the penta-
tonic scale, arises from the limitations of the
instrument used, the harp. Examples of the
pentatonic scale are not common to-day either
in Scotch or Irish niusic, although one finds
instances in a few well known Irish airs, such
as "The Groves of Blarney." The latter,
with certain additions and interpolations,
came to be known in the early part of the last
century as "The Last Rose of Summer."
It is interesting to know that until noo
B. C, the Chinese had only the five notes of
our ordinary pentatonic scale, C, D, E, F, G,
but in that year F sharp and B natural were
added. This scale was used for several cen-
turies until at the time of the Mongolian in-
vasion there was introduced another scale,
having the F natural instead of F sharp. The
result of this was something so very like con-
fusion, or so it appeared to the Chinese, that
we are told an imperial edict went forth that
no subject of the emperor should, after that
time, use the interval of a semi-tone; and so
the scale was reduced to C, D, F, G, A. There
is an interesting analogy here, but whether
there is any immediate connection between
the musical system of the two countries is not
yet determined.
While dwelling upon the matter of Irish
music we may say that we had the privilege
this week of examining that very valuable
and authoritative work of Edward Bunting's,
which contains some important and valuable
data on the music of Ireland, as well as its
national instrument, the harp. This volume
of seventy pages was published by Clementi,
of London, in 1809, and is in a splendid state
of preservation. It contains all the ancient
music arranged for the piano the titles being
in Gaelic. The autograph of Professor
Crouch, composer of "Kathleen Mavourn-
een," adorn an inside page. This valuable
book is now the property of W. Murdoch
Lind, of this city.
On account of the destruction of the
Brooklyn Academy of Music by fire the mu-
sic-lovers of New York are to have a treat in
the way of an appearance of the Brooklyn
Oratorio Society at Carnegie Hall. It is but
natural that Walter Henry Hall should bring
over to New York his body of singers as he
has even a larger following on this side of the
bridge than in Brooklyn, where he has been
director of the Oratorio Society for many
years. Mr. Hall is identified with the great-
"PARSIFAL" PUBLICITY
Inures to the Benefit of Cosima Wagner—The
Performances at Beyreuth Sold Out a Month
Ago—Some Deductions.
WALTER HENRY HALL.
est choral singing, being conductor of the
combined societies the Apollo and the Musur-
gia into which the two have been merged.
Mr. Hall is also organist and choir master at
St. James, where he has one of the most re-
markably trained boy choirs in this country.
Mr. Hall has made of the Brooklyn Oratorio
Society an organization which stands among
the foremost singing societies of this country
and it will not take long to realize that as di-
rector of this sort of work Mr. Hall has few
equals.
He has upheld not only the musical stan-
THE MONUMENT TO JOHANN STRAUSS.
dard but the enthusiasm and in this he has
had the invaluable assistance of Howard W.
Communications have been sent out by the
Connelly, who, as secretary of that organiza-
Princess Croy-Sternberg asking that those
tion has given his time, strength and financial
interested in the erection of a monument to
aid whenever it was needed and in whatever
the memory of Johann Strauss the "Waltz-
way it served the purposes of the upbuilding
King" should apply to her for membership
of the Oratorio Society. In this capacity Mr.
in the Monument Committee. Such a com-
Connelly has served for as many years as the
munication was sent to I. N. Fleischner of
society is old and through his faithfulness
Portland, Ore., and he was also asked to act
much has been gained that would otherwise
in the West. Mr. Fleischner wrote accept-
have been impossible. The work to be pre-
ing the position and enclosed $25 as his con-
sented April 29th is Edward Elgar's "King
tribution to the fund. Of this the Vienna pa-
Olaf" which will have its first presentation
pers were full as it happened that the first
in America. Shannah Cumming will sing the
money received was from Mr. Fleischner and
soprano and Herbert Witherspoon will have
' it created no small amount of astonishment
the baritone parts.
that it should come from the very farthest
corner of the Northwest.
DUSS AGAIN AT MADISON SQUARE.
Edward Elgar, whose "Apostles" was
given in New York last week by the Oratorio
Society, has just had a three days' festival of
his music in London. The King and Queen
attended the opening performance, at which
"The Dream of Gerontius" was presented.
Harold Bauer has just concluded a tour
through the West where he met with tremen-
dous success. It is conceded that a greater
artist than this modest and unassuming man
had never visited the Pacific coast—and they
have heard nearly all the pianists that have
come to America at one time or another. Mr.
Bauer is due in the East shortly, where he has
yet a number of engagements to fill. He
plans to sail from New York for South
America May 5th. It is good news to those
who love the highest type of piano playing
that Mr. Bauer has been engaged for next
season again and there is no doubt that he will
have one of the busiest seasons that any artist
has ever enjoyed, as the engagements on the
books already would be sufficient to satisfy
most artists.
According to the news from Beyreuth, it
appears that the vast amount of free advertis-
ing which "Parsifal" received in Europe
through its production in New York, has re-
dounded to the pecuniary advantage of Cos-
ima Wagner. The seats for the first series
of six performances to occur in Beyreuth,
commencing July 22, were entirely sold out a
month ago. This includes "Tannhauser,"
"Parsifal," and the Nibelungen Ring. This
will probably be followed by four successive
"performances" of "Parsifal"; the rest of the
festival programme is not yet decided upon.
Apparently Mme. Wagner, instead of find-
ing fault with Herr Conried, should have
paid him a commission as an advertising
agent. She must be certainly converted by
this time to the value of publicity.
An extremely interesting and important
confession in regard to "Parsifal" is made in
a letter addressed to the Munich Allgemeine
Zeitung by Dr. Strecker, representing the
publishers of that opera, B. Scott's Sohne, of
Mainz. In it the admission is made that the
publishers never for a moment believed that
the agreement which every purchaser of a
"Parsifal" score had to sign not to use it for
a public performance, had any legal validity.
WHY ARE MUSICAL PRODIGIES COMMON?
Why are genuine musical prodigies com-
paratively common, whereas in other branches
of art they are practically non-existent? We
say "genuine" because it is undoubtedly the
case that, while of course not every precocious
musician is heard of in maturer life, nearly
every great musician has in his time been a
prodigy. One need only instance Mozart,
Schubert, Haydn, Chopin, and among execu-
tants of to-day Joachim and Norman-Neruda,
to realize that this is so. Have psychologists
explained why the genius of music should
and does awake in the soul years before that
It is announced that the Madison Square of painting and the allied arts?
Garden management and Loudon G. Charlton
The last concert of the series of the Rus-
have contracts about to be signed which will
sian
Symphony Society occurred Thursday
result in the reinstallation of Venice and Duss
evening
at Cooper Union and was largely
and his orchestra as a spring attraction at the
attended.
Garden.

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