Music Trade Review

Issue: 1903 Vol. 37 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
those of Wagner, his illustrious precursor.
But we are all too near the man to be able
to judge him as he should be judged, for
\ A / H E N the festivals of' Worcester and short of dishonorable, no matter how you he needs perspective and plenty of it.
* * *
Maine are over, we may settle down look at it. To this fact is due much of the
T
H
E
English
opera
which opened last
to the fact that the season is about open, hardship of new people in the field. Out of
week
at
the
Academy
of Music in
although New York makes no move yet in town managers have learned the ropes, and
Brooklyn,
is
another
milestone
which
the direction of concerts. The artists who press notices mean about as much to them
marks
progress
in
the
music
of
this
coun-
participate in the festivals are therefore as do flies on a summer day. The benefit
try.
It
is
one
of
the
best
English-speaking
compelled to be in the country earlier than that might be derived from favorable press
they would be otherwise and it is always notices is killed for everybody, because of companies that Savage has ever brought to-
attempted to hurry things as their man- the constant abuse of the truth in what we gether. When such companies can be made
agers naturally want to make good every see published. "Miss So-and-So has very up it assuredly should be encouragement to
moment of time that they are in the coun- good press notices—don't you think so?" the young singers who feel that there is
was asked of one who is interested in some of no future in opera. There is future in Eng-
try.
Every season the first thing we hear is the largest musical affairs given out of New lish opera in this country, that is one sure
the eternal discussion of foreigner versus York. She looked very much astonished, thing, as the growing interest shows. This
American, and perhaps it would be interest- and she answered: "Do you mean that desire to have English opera is the outcome
ing to note the personnel of the festivals there is anyone left who does not know the of first-class representations. And they are
which are closing to-day. At Worcester, press notice business? No, press notices only made possible by the people them-
with the exception of Harold Bauer, there have no interest for me, I should have to selves. The patronage accorded this com-
were no foreigners at all, the singers hav- see them signed before a notary with the pany in Brooklyn is very satisfactory, in
ing been full-fledged Americans, and Am- signature of the writer that they had not point of the fact that they are there for four
been distorted in any way. No, the prebS weeks. The audiences are growing nightly
ericans of whom we can be proud.
Shanna Cumming has placed herself fore- notice of to-day is hardly worth the paper because the company is so very good that
most among resident sopranos, and she has it is written on." And this opinion is the it is worth while going. That all seems
done it by legitimate hard work. She has same with most of the people who engage logical enough.
Among the newcomers of passing excel-
been able to fill the requirements every talent.
lence
are Mme. Jennie Norelli, of Covent
*


time she was engaged and that is one of the
Garden,
and Miss Regina Newman, of San
\
A
/
E
are
entering
a
remarkable
season
;
in-
secrets which many people forget. Herbert
Francisco,
who spent eight years in study
deed,
people
are
looking
at
one
another
Witherspoon occupies the foremost envia-
and
in
opera
in Germany. Both artists are
in
surprise
at
the
conditions.
This
promises
ble position of any resident American bas-
of
exceptional
merit. Other newcomers are
to
be
an
orchestral
season,
and
in
itself
so, and that hard work and his ability to
Miss
Brooks,
of
Colorado; Miss Nelma, an
make good the claims that are made for this is an evidence of the growth of music
Australian
singer,
and several male singers
him have put him into this position, cannot in this country. The orchestra is the great-
of
whom
I
have
only
heard Mr. Gherardi,
be questioned by anyone who knows the est education that a country can have, and
the
tenor.
The
orchestra,
the conductors
situation. The same is true of Ellison van the more orchestral concerts a country is
and
the
staging
are
all
at
a
high degree of
Hoose, who is the leading tenor of the good for the higher it has advanced upon
country, and whether his tone is always the ladder of culture and intelligence. The excellence.
* * *
what it should be or not, on the whole he Philharmonic Society with its remarkable
HERE is so much talk upon the subject
is an admirable and painstaking artist who engagement of seven conductors means
of "Parsifal" that it is almost tire-
is keenly alive to his duty to the public, and more than the desire to have a novelty of
some.
Parsifal has been given outside of
who always discharges it in such a man- this sort. There is little doubt that it was
Beyreuth
already and on that score we may
ner that his manager can come back for an- the intention of the orchestra to engage a
rest
content
and assured that we will not
conductor permanently but they took this
other engagement.
be
the
first
country
to give the opera, even
Mrs. Bertha Cushing Child and Mrs. means of finding out exactly whom they should Conried succeed in his enterprise.
Louise Homer are also Americans who want.
It has been given eight times in Munich,
It will be interesting to note that this is the dates being May 3, 5, 7, and November
were fit companions for the aforemention-
ed, and besides work in the concert field, Mrs. not the first visit of Colonne to this coun- 5, 7, of 1884, and April 26, 27, 29, of 1885.
Homer has made a very creditable position try. He was in the rank of violinists at the It should be added, however, that these
for herself in the Metropolitan Opera Grand Opera House in the days of Jim were privately given for the benefit of King
Fisk, and it was in that opera company that Ludwig II, of Bavaria. The singers were:
House.
*


he found his wife. They were married Reichmann, Gura, Gudehus, Vogl, Fuchs,
A T the Maine festival the condition is still shortly after returning to Paris, where they Kindermann and Siehr, Mesdames Malten
more pronounced as there is not one have lived ever since. Colonne will be the and Vogel.
foreigner to appear. The artists include first to conduct the Philharmonic concerts
* * *
David Bispham, Mrs. Ruby Shotwell-Piper, November 13-14, as usual, the public re-
T would be interesting, and more than
that—it would be glorious fun to get a
Felix Fox, Percy Hemus, Lillian Blauvelt, hearsal and the evening concert.
record of all the remarks that the singers
*
* •
Edward P. Johnson, Corinne Welsh and
I T is hardly possible to rehearse the name of to-day will have to make concerning
Francis Archambault.
Patti and her farewell. It is well for her
of every musical attraction that New that she will be unable to hear the impre-
All this should be significant of the fact
that if the artists can do what is required of York is to witness this season, but it is sat- cations and the comments; it might make
them, there is no reason to believe that they isfactory to note that when the season will her realize that she is regarded as an in-
into the field of vocal celebrities.
cannot get engagements because they are be in full whirl we will have become ac- truder
Her
programs
will not be like Mme. Sem-
quainted with some of the most noted fig-
Americans.
brich's nor like Schumann-Heink's, nor
ures
in
the
world.
Richard
Strauss
is
prob-
That Americans are not as attractive to
even like Melba's whose voice might be
their own people as strangers is only true ably the central figure, for he will be "in more similar to hers than that of any other
in a measure. Novelties are what the peo- our midst" not only as conductor, nor even singer, so there will be no reason for these
to think about whether she is in the
ple want. They want novelties more than as composer, but as one who has a new mu- artists
country or not. But the howl will come
sical
message
to
proclaim,
and
who
is
not
they do foreigners—and they want people
from other sources *ad every time a raw
to be able to do what their press notices afraid to let his clarion tones be heard. That young soprano does not get the engage-
is the man who will come in for the most ment she is after, poor Patti's ears will
claim for them.
varied criticism of them all. He will have burn as there will not be enough things in
* * *
dictionary to call her and to say of her:
C V E R Y now and then we hear a great those who will be able to appreciate his the
Art! oh, Art! what a number of funny
dimensions
and
there
will
be
many
others
hue and cry about "fixed-up" press
things are done under the cloak of thy
notices, and there is certainly every good who will not accept his new theories at all. name!
EMILIE FRANCES BAUER.
reason for the cry against it. It is nothing New theories they are, even newer than
TIMELY TALKS ON TIMELY TOPICS.
T
I
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
SYMPHONY CONCERTS AT METROPOLITAN.
RELATIONS OF PULSE AND RHYTHM.
I J E I N R I C H CONRIED'S plan of giving I S there a pulse temperament to com-
symphony concerts of a serious mu-
posers? In the September Popular Sci-
sical character every Sunday night at the ence Monthly, Mary Hallock, pianiste and
Metropolitan Opera House is, in the opin- writer on musical themes, advances a the-
ion of many persons, the only means of re- ory which has existed nebulously in the
viving interest in the Sunday night con- minds of musical people for centuries. As
certs. The public interest in these affairs long ago as the fourth century before
has declined steadily during the past few Christ, men sought to explain the rhythmic
years, and last season they were scantily at- repetition of sound both in insect and ani-
tended except when one or two of the mal life; and rhythm with the beat of the
great singers were announced. The ex- pulse.
pense of having the stars sing was always
Miss Hallock has found by endless study
so large that the management made little and research that all rhythmic repetitions
profit. The programmes were rather popu-
lar in character as a rule, and the manage-
ment made no attempt at a very high musi-
cal standard.
But the fifteen Sunday concerts to be
given this year will be of quite a different
nature. Felix Mottl has already made
programmes for half the season and sent
them to Mr. Conried. Some idea of the
general plan of the concerts may be gath-
ered from the programme for the opening
night.
That will include the overture to "Die
Meistersinger," Berlioz's "Roman Carni-
val," a soloist, and Beethoven's "Eroica"
symphony. That sounds more like the Phil-
harmonic or the Boston Symphony pro-
gramme than the kind played formerly
at the Metropolitan for a Sunday
crowd. It will be interesting to see the re-
sult of the experiment.
Other programmes will be devoted to
the works of certain composers. For the
Schubert evening, the soloists who will
sing the Lieder are Mme. Sembrich and
Anton van Rooy, and the Schumann pro-
gramme is to contain some choruses that
are rarely heard here. There will also be
a Berlioz programme in honor of the com-
poser's centenary.
Felix Mottl is to conduct all these Sun-
day concerts, in accordance with the pres-
ent plan.
The orchestra will consist of more than
one hundred men, and if possible will be
made a permanent body. If Mr. Conried
succeeds in arranging with the musical
CLEMENTINE Dli VERE.
union to engage his orchestra players for
five years, they will give concerts in other of sound do follow closely the best of the
cities when not occupied in the opera house. arterial life which produces them; and
high up in the scale of sounds, she has dis-
It
covered that metronomic markings of mu-
CLEMENTINE DE VERE COMING.
HP HIS well known soprano who has not sical compositions are set almost without
* been heard here in three years, may variations within the scope of the human
visit this country during the coming sea- heart beat.
"The average clock time rate in the num-
son. She is heavily booked to sing in Eng-
land until the early part of January, includ- bers of Handel's Messiah," says Miss Hal-
ing the "Messiah" performance which is to lock, "is y^y^ beats per minute, exactly the
be given in the Crystal Palace at Xmas rate of the average, normal, healthy pulse."
And further, "from the beginning of the
time.
first volume of the Beethoven Sonatas,
at
Fifty-two members of the German chorus nineteen are set to a rhythm of 72 to 76
and ballet sailed for New York on the Pa- beats to the minute, and all the rhythmic
tricia from Hamburg a week ago and fifty- markings lie between 60 and 80 beats to
six members of the Italian chorus and bal- the minute, exactly the normal pulse var-
let will soon leave Milan for America by ied by the time of day and meals."
It would seem from Miss Hallock's re-
way of Boulogne-sur-Mer on the Ryndam
searches
that a composer in an excited or
to join Mr. Conried's company.
nervous
condition
could not possibly write
At the Baireuth festival performances
anything
but
a
rapid,
brilliant work, and
next year the works to be produced will be
that
when
the
blood
is
sluggish and the
"Tannhauser," "Parsifal," and "The Ring
pulse
slow
his
work
must
necessarily
be of
of the Nibelung."
the sombre type, however he might desire
it to be otherwise. It is pointed out that
the lively jingles so popular in some musi-
cal comedies are the productions of men of
a nervous temperament. Indeed, the mu-
sic reflects the whole nature of the com-
poser. Sousa's fame as composer rests
upon his marches solely; his other compo-
sitions never having proved popular. To
observe the easy graceful movements of
the popular band leader is to note that his
every movement is unconsciously a repeti-
tion of the rhythm of his marches. As a
man's movements depend wholly upon
the condition of his
nervous
system,
which the heart con-
trols, it is easy to in-
fer that, unknown to
himself, the beat of
His pulse controls the
rhythm of his musical
works.
It is a fact that
when a composer
"forces" a composi-
tion, i.e., attempts to
write a dirge wlien in
a nervous state, or a
two-step when feeling
depressed, the result
is failure. And the
same laws apply to
writers as well. Such
are the facts proved
by the researches of
Miss Mary Hallock.
She is not yet done,
but out of an almost
limitless mass of data
she has gathered she
hopes to bring to
light much greater
developments in this
line and show that
sounds in all phases
of life have the same
rhythmic
affiliation,
and, indeed, frequent-
ly have their origin
in the heart move-
ment.
it
FRANCHISE WITHOUT COST.
T I ERE is a musical franchise for some-
body. The Civil Service Commission
announced that a government position
awaits the lucky individual who has a first-
class musical education and the ability to
conduct a band of Indian musicians. The
Indian school at Chamberlain, S. D., wants
him, and the salary is $45 per month. It
has been stated that the musician who suc-
ceeds in getting the place must also be a
good shoemaker and cobbler.
•t
MINNEAPOLIS IN LINE.
Minneapolis, not dismayed by the annual
crop of orchestral deficits all over the coun-
try, has made the orchestra projected last
Spring, as mentioned in this column, an ac-
tual fact. The conductor is Emil Ober-
hoffer, and rehearsals are to begin about
the middle of next month.
it
The Equitable Music Co., of Chicago,
has been incorporated with a capital of
$10,000 for the purpose of dealing in mu-
sic and musical instruments.

Download Page 4: PDF File | Image

Download Page 5 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.