Music Trade Review

Issue: 1903 Vol. 36 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
TRHDE
oceanic tide of Strauss. With the exception ing part are Fraulein Ternina, Mme. Kirkby
THE LONDON PHILHARMONIC SOCIETY.
"""THE London Philharmonic Society will of some half-dozen of the juvenile writings, Lunn, Fraulein Fremstad, Fraulein Fiirster,
* open its season of seven concerts Feb. 26. there is nothing of Strauss that does not, in Herren van Dyck, Ernest Kraus, van Rooy,
M. Glazunow, the Russian composer, will go spite of a belated suggestion of this or that Reiss and Klopfer. New scenery has been
to London to conduct one of his symphonies predecessor, belong as completely to him as painted for this production. One of the fea-
and a new orchestral suite. Among the solo "Orfeo" does to Gliick or "Lohengrin" to tures of the season, which promises to be
performers will be Emil Sauer, who will play Wagner; while in the work of the last few exceptionally brilliant, in that there is a pos-
his own pianoforte concerto; Kubelik, Raoul years, the years of attained maturity and full sibility of a "command" performance, will
Pugno, Fritz Kreisler, Josef Hofmann, Clara self-consciousness, he stands proudly, loftily be an elaborate revival of "Don Giovanni,"
Butt and Susan Strong. A result of the per- alone, unique among musicians long before with new scenery and costumes. A week be-
sistent agitation that is going on in London he had reached his fortieth year. Yet the tra- fore the season commences there will be an-
for the greater recognition there of British dition that he is merely an artificial blend of other cycle of the Ring.. These representa-
composers will be seen in the fact that nearly Wagner and Liszt will probably hold the field tions will be given with the same artists and
all the leading ones will be represented on the for a long time to come.
scenery as those on the following week.
Philharmonic programs this season. The
Jt
Strauss is certainly not a great melodist,
English composers represented are Cliffe, taking that word with the meaning it has ac-
BUYS THE "CONCERT GOER."
Cowen, Cox, Elgar, Hervey, Somerville; Mac- quired in the music of the past. But the very JV/l RS. FLORENCE FRENCH, who has
kenzie stands for Scotland, and Stanford for qualities of alertness, of quick interest in life, *" * built up such a successful following
which have gone to make Strauss, in his later since she founded "The Musical Leader" in
Ireland.
music, the symbol of a new era of aesthetics, ""Chicago, consummated arrangements t on
3
have prevented him from falling often into Saturday last whereby she secures control of
DUDLEY BUCK QUITS PLYMOUTH.
p v U D L E Y BUCK, the composer, is to re- that ecstatic, clairvoyant swoon from which "The Concert-Goer" of this city, which she
*-"^ tire from his place as organist and choir- the music of the great dreamers has been will incorporate with "The Musical Leader"
with headquarters in New York and Chi-
master in Plymouth church, Brooklyn, on born.
May 1. He took charge last May, after he
Undoubtedly our palate for harmony has cago.
&
had severed his tweny-five year's connection been cloyed by too much of the saccharine;
MME. ROGER-MICLOS.
the tonic, astringent quality of the discord has
with Holy Trinity Church.
It is denied that his coming retirement from not yet been sufficiently appreciated by any T ^ H E debut of Mme. Roger-Miclos, the
*
French pianist, who has been so much
Plymouth Church is due to any friction be- musician but Strauss. To end a big orches-
in
the
public eye since her arrival in this
tween him and the church authorities. Mr. tral work with reiterated successions of the
country,
occurred in the ballroom of the
chord of B-natural followed by the tonic of
Buck said:
Waldorf-Astoria
on Tuesday night. There
"I have decided to give up church work C-natural seems like a device of Colney
was
a
great
audience
and she scored
and get out of the harness. That is all. Hatch; but it is strangely suggestive and
heavily.
Extended
reference
is made to
When a man is a church organist for fifty hugely impressive in "Also Sprach Zarathus-
the
concert
in
another
part
of
The
Review.
years, and twenty-five of them in one church, tra."
&
he begins naturally to feel that he wants a
In another half century the majority of the
ON RUSSIAN COMPOSERS.
rest—not a rest through stopping work, you new harmonies and new resolutions of Strauss
A
N
interesting
article appears from the pen
understand, but a rest through a change.. I will probably be part of the common vocabu-
*
*
of
Mrs.
Rosa
Newmarch in the January
will now devote myself to other branches of lar of every musical penny-a-liner.
number
of
the
Zeitschrift
der Internationalen
music."
Strauss is an epoch-making man, not only
Musik
Gesellenschaft
on
Serov,
the Russian
Scott Wheeler, who studied with Mr. Buck, in virtue of his expression and technique, but
composer,
which
treats
of
his
operas,
"Ju-
and who is now organist in the Clinton Av- in virtue of the range and quality of his sub-
dith,"
"Rogneda,"
and
"The
Power
of
Evil,"
enue Congregational Church, will be his suc- jects. He is the first true realist in music.
also with his opinions as musical critic..
Jt
cessor at Plymouth Church.
Mrs. Newmarch is considered an authority
MME. BLOOMFIELD-ZEISLER.
PROFITS IN WAGNER'S OPERAS.
on
Russian music. She has written some
C ANNIE
BLOOMFIELD - ZEISLER,
YJL7 AGNER'S heirs received $115,000 in * who has been winning new triumphs in highly interesting matter regarding modern
royalties in 1902 from his operas, ex- the West, will be heard here on Feb. 19, with musical progress in that country and has come
clusive of the Bayreuth profits. "Lohen- the Boston Symphony Orchestra. In the last into personal contact with the most of the
grin," the most popular, yielded $68,000. It week in February she will give her annual re- composers of note.
was given 312 times in America and Great cital in Mendelssohn Hall, and there is a pos- TH H E waltz is commonly supposed to be of
Britain, 997 times in Germany and 420 times sibility of her playing with the Kaltenborn
* Austrian origin. The Paris La Journee
in Holland, France and Italy. The American Quartet at their last chamber concert here. declares, however, that it is of French origin,
managers paid, it is estimated, $23,000 for Mrs. Zeisler remains East until March 17, that it was danced in Paris for the first time
"Lohengrin" alone.
when she returns to the West for an extended on Nov. 9, 1178, and that it was known in
The next most popular opera was "Tann- tour lasting until the end of May.
Provence before that date as "volta."
hauser," which netted $32,750.
The appearance of Lillian Blauvelt in
GODOWSKY SCORES IN GERMANY.
THE COMPOSER. OF THE DAY.
I T seems that Leopold Godowsky, the pian- opera at Covent Garden next June will be
'"THOUGH Richard Strauss has been as- * ist, has made a real success in Germany. awaited with much interest by her many ad-
* tonishing the musical world of Europe In this city he was always regarded as a mirers in this country. As a concert singer
and America for some ten years at least, Lon- player who had a stronger affection for the Miss Blauvelt has made her way to the apex
don does not even yet seem to have realized technics of his art than for its aesthetics, but of her
a
r
t
.
i
^
!
5
the mighty soar and sweep of his genius, says who nevertheless commanded respect for the
RS. ETTA EDWARDS, Vocal Instruction, Steinert Hall
Ernest Newman. One courageous group of solidity of his attainments. His success in M Boston, Mass.
critics dares to say that here is a composer Germany is natural, for sound accomplish-
likely to be the next big figure in musical his- ments are highly valued in the home of mu-
tory after Wagner; another group, equally sic study.
courageous, is steadily laying up material for
GRAND OPERA IN LONDON.
the laughter of future generations. Some of
these latter gentlemen have already firmly se- I T is announced in London that the "royal
cured their place in history by their oppo- * opera season'.' at Covent Garden will open
All oar instruments contain the full iron frame and
sition, two or three decades ago, to Wagner. on May 4, with probably a performance of patent tuning pin. The greatest invention in the history
Now, with undiminished zeal and energy, "Carmen." During the first week there will of piano making. Any radical changes in the climate beat
or dampness, cannot affect the standing in tons of oar in*
anxious to achieve a plural immortality, they be a cycle of the Nibelungen Ring, conducted •truments, and therefor* challenge the world that
industriously apply their mops against the by Dr. Richter, and among the vocalists tak- Vill excel any otheiu
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
EMPEROR WILLIAM JEALOUS.
C MPEROR WILLIAM has evidently be-
*~* come jealous of the great fame enjoyed
at present by conductors, and has therefore
joined the guild. At Breslau, the other day,
after a dinner, he asked a military band to
play a composition, "Stordebeker," written in
1402, and arranged for cavalry band by Ma-
jor-Gen. Count Cuno von Moltke. It greatly
pleased the Emperor, who thereupon took the
baton and personally conducted somemarches.
Then he gave the baton to the Count, with the
words, "There, dear Moltke, now it's your
turn." The following day the Kaiser at-
tended a rehearsal of the band, remained a
whole hour, and .again conducted several
marches.
7Vf\/SIC TRHDE
WALTER H. LEWIS.
A MONG the many young composers who
** are now seeking fame in the realm of mu-
sic, one of the most promising is Walter H.
Lewis, who was born at Manchester, N, H.,
about thirty-five years ago. He is as yet little
known in the East, as most of his work has
been performed in Chicago, where his musi-
cal comedy, "The Explorers," had a very
successful run.
Mr. Lewis inherits his musical talents,
both parents being accomplished musicians.
When five years old Mr. Lewis received his
first lessons in music from his mother, and
a few years later was taken in hand by his
brother, Frederic H. Lewis, who was for
over fifteen years professor at the New Eng-

MASCAGNI'S NEXT OPERA.
C R Q M Rome comes the news that the lib-
*
retto of Mascagni's next opera is await-
ing his return home from America, and that
he is expected to begin work upon it as soon
as he reaches Italy. The subject is said to be
taken from the French Revolution, and the
opera will be entitled "Marie Antoinette,"
the unfortunate queen being the central figure
in the action.
\
J*
CALVE'S SUCCESSOR SCORES.
T"* HE story that Calve had to throw up her
part in Reynaldo Hahn's opera "La Car-
melite" and start for several weeks' rest in the
south of France is true. The famous singer
is far from well. Meanwhile her misfortune
was another's opportunity.
Mile Cesbron, a pupil of the Conservatoire,
and later a singer at the Opera Comique,
took Mme. Calve's part and achieved a tre-
mendous Parisian success in it. According to
the Journal and Figaro, she is simplv a genius.
As Mr. Henderson says, Parisian geniuses in
singing are not always suitable to this climate
but aspiring impresarios will do well to keep
a watch on this young lady.
je
FORTHCOMING PRODUCTIONS.
A MONG the forthcoming productions at
' * the Opera House are: Verdi's "Ballo in
Maschera," Mancinelli's "Hero and Leander"
with Gadski as hero; Ethel Smyth's "Der
Wald/' Mascagni's "Cavalleria Rusticana,"
with Gadski as Santuzza, and Donizetti's
"Don Pasquale," with Sembrich in her de-
lightful bit of comedy. "Die Meistersinger"
is to be sung on Feb. 16, and the "Ring" is to
be repeated on the off nights of Feb. 19, 21,
24 and 28.
A NOTABLE ARTISTIC SCHEME.
HT HE Philadelphia Orchestra has a notable
' artistic scheme in view. It will close its
season with a Beethoven cycle. Five con-
certs will be given on the evening of March
20, 21, 24, 25 and 26, respectively. At the
first four the symphonies from the first to the
eighth will be played, two in an evening. At
the last concert the ninth will be performed
with the proper chorus. Mr. Fritz Scheel, the
conductor, is determined that this event will
be one to be remembered by music lovers.
Preceding the cycle, Mr. H. E. Krehbiel will
deliver an explanatory lecture on the after-
noon of March 20,. It is expected that there
will be many musicians attracted to Philadel-
phia on this occasion.
conventional "chorus songs" or song and
chorus, so oft repeated that it is monotonous.
Mr. Lewis believes the return of genuine
comic opera is close at hand,. He despises
conventionality, and his work is interspersed
with pretty ballads, melodious duets and
charming madrigals, which made Sir Arthur
Sullivan's fame. He is a master of the or-
chestra, and his scores, while precise and
correct, are dainty and full of coloring and
melody. His overtures show him to be a
composer far above the average. One of the
hits in "The Explorers" is the song, "Lady
Champagne," which has had a very large
sale. His music is published by M. Witmark
& Sons.
Mr. Lewis has completed two more operas,
which are now being revised by him. In the
future this promising young composer will
devote his time to the higher class of music,
and it would not surprise us were a grand
opera to come from his pen.
Aside from his musical and artistic ability,
Mr. Lewis has a reputation in the theatrical
and musical profession as an astrologer of
great note. While never making a business
of it, he has studied astrology for years, and
has become such an adept that he stands pre-
eminent as a reader of horoscopes, and is
envied for his knowledge of that divine sci-
ence by so-called professional astrologers.
Mr.. Lewis does not hesitate to say that his
knowledge of astrology has assisted him
greatly in making his life what it has so far
been.
j*
WALTER H. LEWIS.
land Conservatory of Music in Boston, from
which he subsequently graduated. His stud-
ies were composition, piano, voice, organ, or-
chestral instruments and conducting.
In the early part of his life Mr. Lewis
took a great liking for the stage, and from
his youth up he has been associated with
theatre orchestras, and has absorbed a prac-
tical and thorough knowledge of the stage,
both before and behind the footlights. When
but a mere boy, he played some of the prin-
cipal roles in Gilbert & Sullivan's operas.
His first composition of note was an oper-
etta, which was produced in 1889,. His sec-
ond work, "The Miller's Daughter," was a
more pretentious operetta and was performed
quite extensively. Mr. Lewis is also an art-
ist of no mean ability and he painted the
scenery and designed the costumes used in
this operetta. He has since written four
more, the most notable of which is "The
Explorers," produced in Chicago and the
West last season. This musical comedy has
been praised for its originality in melody
and orchestration. It made such an excellent
impression that lovers of music are await-
ing with interest the production of his other
works.
Mr. Lewis aims at something higher than
the conventional musical comedy. Sullivan
has passed away, Suppe is dead, and Strauss,
Offenbach and Millocker remain silent.
Comic operas have been generally super-
seded by musical comedies, consisting of
^
DR. .HENRY G. HANCHETT.
Dr. Hanchett has just been as far West as
Chicago on a lecture-recital tour. His sub-
jects have been wonderfully interesting as he
has the talent to select equal to that of exe-
cuting. Dr. Hanchett begins another series of
these recitals under the auspices of the Board
of Education which \\ has been giving in dif-
ferent sections of the city. A new course will
also be in order under the auspices of the
Brooklyn Institute, where Dr. Hanchett al-
ways gives splendid lectures, in short he is a
very busy man and the results of his labors
are diffused broadcast where they do the most
good. It is not in every one's power to be of
such service to his cause,

MASTERS IN MUSIC.
A NEW monthly magazine, published by
* * the Bates & Gould Co., Boston, is en-
titled "Masters in Music." The first num-
ber, which recently came to hand, pertains to
Mozart. It is intended that subsequent num-
bers shall be devoted to Chopin, Gounod,
Grieg, Mendelssohn and others, each num-
ber giving a portrait, estimates of the com-
poser's genius culled from the writings of the
leading critics, and selections from his best
piano pieces and songs. The first number is
a creditable production in every respect, and
merits much praise.
A N arrangement fortwo pianos by Brahms
** of Dr. Joachim's overture to "Henry
IV." has just been played in London. The
overture was written in 1855, and the ar-
rangement has only just been published by
Brahms' heirs; it is, says The London Times,
"as brilliant as if it had been originally de-
signed for the two pianos."

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