Music Trade Review

Issue: 1903 Vol. 36 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRACbE REVIEW
37
VALUABLE POINTERS ON COPYRIGHT.
quired in the notice of copyright. He says:
"The year date jn this notice should corre-
spond with the date of entry of title. Fre-
Contained in the Exhaustive Address Delivered Before the Music Publishers Association by Thorvald Sol-
quently
in cases where entry of title is made
berg, Registrar of Copyrights—One Consistent Statute Should Replace the Present Patched Law—
near the expiration of one year and publica-
Same Remarks on Titles, Entries and Dates—Who Is Entitled to Copyright.
tion does not occur until the succeeding year,
There are many interesting points in the the title, under the law in force, is to iden- the publishers are inclined, possibly for
address delivered by Thorvald Solberg on tify the article designated. Care, therefore, trade reasons, to print the year date of pub-
"Copyright Protection and Statutory Form- should be taken that the title filed should be lication in the statutory notice of copyright
alities" at the recent convention of the music such that when recorded it really does iden- instead of the year of entry."
publishers in this city. He emphasized that tify the published music. Moreover, the That this is not a safe proceeding is obvi-
the song writers, musical composers, and music entries require to be indexed, and by ous in view of numerous court decisions
musical publishers of the United States have law are included in the weekly Catalogue of noted by Mr. Solberg. On this subject he
obviously a large interest of a most practical Title Entries. Each year now adds to the said:
"It would seem so obvious that the name
nature in the re-codification of the copyright entries for musical compositions upwards of
twenty thousand titles and makes it propor- of the claimant of copyright printed in the
statutes.
"How best to secure the necessary careful tionally more necessary that each title is in notice, should be that of the person in whose
name as author or proprietor the title has
and adequate consideration, not only of the some way differentiated from others.
"Another matter apparently not under- been recorded, that it would appear unneces-
defects and limitations of the present stat-
utes, but of such changes as may be desir- stood is that it is only the title filed which sary to remark upon it, but the experience of
able—-is perhaps a question," said Mr. Sol- can go on record, and only that which is in- the Copyright Office shows that much greater
berg. "The time would seem to have ar- cluded in the title which can be recorded. caution should be exercised in regard to this
rived, however, for dealing with the subject Applications are constantly received con- matter. A not uncommon misunderstanding
as a whole, not attempting further piecemeal taining statements additional to the wording is that in the case of an assignment of copy-
alteration,,such as is commonly, though often of the title, apparently with the desire that right the name of the assignee can be sub-
questionably, called 'amendment' of the laws. they be recorded as part of the title. For stituted in the copy right..notice for that of
The end in view should be to insure, in place example, the application form transmitting the original claimant in whose name regis-
of the contradictory and inadequate acts the title will say 'For band' or 'For or- tration of title was made.- But the mere
now in force, the substitution of one consis- chestra' or 'For piano,' etc. It is to be sup- transference of the copyright secured by pre-
tent statute, simple in its phraseology, broad posed that the applicant attaches value to vious compliance with the statutory require-
and liberal in its principles. Of necessity, in such statement, presumably desiring the fact ments, neither justifies re-entry of the title
this complex age, many interests are affected stated brought out when recording the title. page, nor omission of the original copyright
by copyright legislation. The aim should be But if so, a title or title page should be sent notice. The assignee's title to the copyright
that all these diverse interests be fairly dealt for registration which contains exactly what property depends upon the validity of the or-
with, and that full justice be secured to the is desired to appear on the records. The iginal title, hence the notice justified by the
entire fraternity of literary and artistic pro- Copyright Office cannot—with due regard proceedings first .taken to secure copyright
ducers. In my official reports I have sug- for the copyright interests of the applicant— should be retained without change either in
gested that the delicate and difficult task of undertake to edit his title. That should be the name of the claimant or date of entry.
preparing a codified text of the copyright done before the title is sent to the office, and There is no special provision of the law as
laws should be intrusted to a commission if the printed title page is not worded ex- to notice in cases of assignment, but as there
representing all the interests concerned and actly as the applicant desires his title re- is nothing in the law to forbid it, it would
corded he should make up a title with the ex- seem permissible, if desired, to print, in ad-
competent to frame an adequate measure."
act
wording required either by eliminating or dition to the original notice, a statement of
Among the many important questions
which arise in relation to copyright in music, adding to the printed title, or by typewriting assignment.
WHO IS ENTITLED TO COPYRIGHT?
and about which misunderstandings exist, an entire title.
"It is provided in Section 4952 of the Re-
"It would seem that the question of suit-
such as to effect applications presented to
the copyright office, Mr. Solberg directed at- able title pages for musical compositions vised Statutes that the author or proprietor
tention to the following: The title to be would offer an interesting and not unimpor- of any book or other copyright article and the
filed; the date of registration; the form of tant matter for consideration and discussion executors, administrators, or assigns of any
copyright notice; who is entitled to copy- and furnish opportunity for good work by such persons shall have the sole liberty of
a committee of the Music Publishers' Asso- printing, etc. The use of the word proprietor
right.
in this section has led to the erroneous im-
ciation."
* * *
pression that it may mean that the purchaser
* * *
In reference to "The Title to be Filed" the
The subject of copyright entry it seems is of the book or other article thereby secures
exact provision of the law is that it shall be
a printed copy. While the Copyright Office more important than is generally understood. a right to obtain copyright even when the
has not refused to register typewritten titles Many complications arise from endeavors to author, himself, may not be entitled to copy-
in lieu of titles printed from type, Mr. Sol- fix certain dates for entry, but the law is right. Copyright protection in the United
berg shows that there has been some legal quite explicit, that the date of the receipt at States comes through authorship, and no
discussion over this matter, and in every case the Library of Congress is to be the actual protection can come except through the
author or originator. If the author himself
it would be preferable to file the printed title date of entry.
Mr. Solberg notes that many requests have is not entitled to the privilege of copyright
page, as it obviates any cause for future em-
been made, owing to the desire to obtain in-
barrassment.^
"Of more Serious import may be the form ternational protection, to have simultaneous
•Separate Numbers and Scores
and style of the title filed for record," said dates of registration in Washington and
of the following
Mr. Solberg. "In relation to no other class London. To this end the registrar of copy-
C o m i c
O p e r a a n d
M u s i o a l
: : : C o m•d y S u c c e s s e s : : :
of copyright subjects do so many questions rights has been asked to hold the publication
arise as to title, as in the case of music. for a certain date. He said further that
"THE JEWEL « F ASIA"-By Frederic Ranker, Harry
B. Smith and Ludwig Englander.
Music publishers seem to be only beginning while this has been acquiesced in by the office
"NANCY BROWN"—By Frederic Ranken and Henry
to favor the idea of a distinctive title page upon special request, yet experience has very
K. Hadley.
for each musical composition or each edition clearly demonstrated the undesirability of
"THE nOCKlNd BIRO"—By Sidney Rosenfeld and A.
Baldwin Sloane.
of it. The method is still very prevalent of this course. It puts upon the registrar of
"5ALLY IN OUR ALLEY"-By Geo. V. Hobart and
printing on the cover or front page in lieu copyrights a responsibility not contemplated,
Ludwig- Englander.
of a distinctive title a list of pieces—either moreover the practice has never been passed
"THE WILD R05E"—By Harry B. Smith and Ludwig
all by the same composer, or pieces of a sim- upon by a competent court. Mr. Solberg
Englander.
, ,
ilar class of music—a group of pieces, and recommends that the application and title be
"THB BLONDE IN BLACK"—By Harry H. Smith and
Gus
r
r
to identify the particular one within the forwarded to some agent of the applicant in
p«Mi.>^
hr jQS. W . STERN
N E &. W CO.
Y OK K
34 East
21st Street
CHICAGO
LOIDOB
BIN njHCISCO
cover by underscoring some descriptive indi- Washington other than the registrar who
cation. In other cases instead of a cover will file it on the exact day on which its de-
title distinctly indicating the composition, sired entry shall appear.
HOWARD WHITNEY'S
there is something devised more for the pur-
* * *
As good as "Mosquito Parade,"
pose of attracting attention than of furnish-
Mr. Solberg also calls attention to a gen-
ing information. But the purpose in filing eral misconception regarding the date re-
"A
LUCKY
DUCK,"
The Crown Music Co.
TO THE TRADE
We can supply you with anything pub-
lished. Send for our monthly list of
Wholesale Music Dealers
12 East 17th Street,
NEW YORK.
B
A R Q A I N SMI
With novelty "quack" effect.
One of the best two-steps written in years.
J*I. WITMARK & SONS,
PUBLISHERS,
Witmark Building, 8 West agth Street, New York.
After June ist, New Witmark Building, 37th Street,
just West of Broadway.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
38
THE
MUSIC TRADE
REVIEW
he cannot transfer such privilege to another.
"The Four Broadway Girls" (ladies nna.r- the enterprising house of Howley, Havi-
He cannot assign what he does not himself tette), are featuring "I'm Thinkin' of You land & Dresser.
possess. I will not here enter upon such nice All de While," "The Belle of Avenue A,"
questions as copyright proprietorship, by and "Marriage is Sublime."
virtue of the employment of an author. I
Barr & Evans say that "It's the Man in
only desire to make clear the distinction be- the Soldier Suit," is the best song they've
MANUFACTURED BY
tween the assignee of a qualified author, and had in their act in many moons.
H. S. PULLING
a person who may be the 'proprietor' of the
Wm. Redmond is singing "Dear Old
work of an author, not himself entitled to Girl," one of Theo. F. Morse's greatest
Successor to FRJiXK Ji. McLAUTHLIM
copyright, by reason of having purchased the winners. All these songs are published by
546 SOUTHERN BOULEVARD
NEW YOUK
author's book. In the first case the right of
the 'proprietor,' the assignee, to obtain copy-
right is entirely a matter of agreement be-
tween himself and the author. In the other
case no agreement between the two persons
Are noted for their elasticity, responsiveness and durability. They satisfy in all cases.
concerned can create a right to copyright.
The copyright is not a right attaching to the
W A S L E ®L C O . * s D o r ^e^So^feva rd d * N e w Y o r k
thing—the music for example—but is a right
vested in the creator of the music, hence
does not pass, necessarily, to a second per-
son by the transference of the material thing,
Knows No
the music; and evidence must be offered
Technical
showing that the transference of the music
Difficulties
carries with it the author's consent to a con-
veyance of the privilege of copyright.
"The same principle is embodied—even
more noticeably—in the provisions of law as
Perfect in Execution.
to renewal of the copyright. The law seems
Is Without a Peer.
to have intended the granting of the exten-
sion of the protection only to the author or
50th St. & 11th Avenue
his family. The second term of protection
NEW
Y O R K
CITY
must also start with the author, or, if he be
dead, with his natural heirs, his widow or
children. No mention is made in the section
W I S S N E R HALL,
relating to renewal of either assigns, or pro-
prietors. The right to the extension term is
538 and 540 Fulton Street,
in the author, if he be living at the period Grand and Upright
Brooklyn, N. Y.
during which registration for the second term
may take place;—namely within six months
Telephone, 876 Brooklyn
prior to the expiration of the first term of
BRANCHES!
FACTORIES i
twenty-eight years. If the author be dead,
the privilege of renewal rests with his widow
New York. Newark, Jersey City, Bridgeport, New Havao.
IMS Atlantic Ave* Brooklyn, N . Y.
or children. Whether the author may dis-
THE LATEST AND BEST. Cab-
inet in Form. Easiest Pumping
pose of his right of renewal so that the trans- HAVE
Player on the Market. Perfect in
ference may be effective for the second term,
Execution. Elegant in design. For
YOU
Terms
and Territory Address,
even though he should have died before the
SEEN
KEITH PIANO PLAYER CO.,
date of the beginning of that term, is a ques-
THE
44-46 Townsend St., CHIC AGO
tion upon which authorities differ. The lan-
guage of the statute would seem to give to
the author an inchoate right which reverts
•"•*
to his widow or children should he have mar-
IMC.
ried and have died before the expiration of
the first term of the copyright. This con-
tingent interest the author may undoubtedly
The largest piano value in the country.
J*
J* «**
assign. And if he is living during the six
Every dealer should investigate the merits of the Dane piano.
FaatarV. LJnionDort. Avanua A . 7th to 8 t h S t s .
NEW YORK CITY
months' term when action to secure the re-
newal right must be taken, the author pre-
Sole Manufacturers of
sumably is then under obligation to the as-
signee to take such steps to comply with the
statutory formalities as will make the right
good. But if the author is dead, the con-
tingent privilege vests in his widow or child 546 Southern Boulevard
New York
or children, who may or may not be bound by (E«t 133d St.)
the author's agreement as regards the second
term. Should neither author, widow nor chil-
dren be surviving at the expiration of the
first term, a nice question arises as between
the rights of the assignee and those of the
public. I know of no decisions of the courts
The Grand Piano in Upright Case* Built on the
touching upon or deciding this point."
principle of the Parlor grand, and its equal in musical
HARRY S. MARION'S LATEST.
results* This system of construction properly presented
gets other upright pianos out of competition*
Harry S. Marion, the professional repre-
Reasonable Inducements Offered Dealers.
sentative of Shapiro, Bernstein & Com-
pany, has just finished two catchy songs,
The SMITH & NIXON MFG. CO.,
entitled, "Two Little Eyes That Shine
JO & 12 East 4th Street, - - - Gncinnati, Ohio.
Like Stars," and "If I Only Knew the Rea-
son W h y ; " they have been accepted by
Shapiro, Bernstein & Co.
SPIELMANN PIANOS
WASLE PIANO ACTIONS
THE piANISTA
PIANO PLAYER
WISSNER
PIANOS « *
1
KEITH PI!, ,: ?
ANE PIANO CO.
Little Jewel Piano Co.
PiailOS.
n
— >MITH & IJIXON.
HOWLEY, HAVILAND & DRESSER, WINNERS.
Miss Rita Redmond and her eight Amer-
ican Beauties Co. are singing "My Zulu
Lu," a- new "jungle" song by Fitzpatrick
& Kohlman. Special scenery was de-
signed by G. Von Palm for this song,
which is a hit of the act.
Cook & Sylvia are singing with great
success Dave Reed's new coon song, "I'm
Thinkin' of You All de While."
H. S. 8t Co/s Leather SHears
Materials Positively CANNOT SLIP While Being Cut
NEVER ANY SHEAR T O EQJAL THESE for Cutting
Leather, Robber, Cloth, Felt or any similar thick material which
ordinarily slips while being cut with regular shears. INDISPENS-
ABLE AFTER ONCE USED.
No.
3 O 1 . 834 in. overall, 3 in. cut. Each, prepaid, $ 1 . 2 O
HIMMACHER, SCHLEMMER & CO., New York City,
Since 1848

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