Music Trade Review

Issue: 1903 Vol. 36 N. 23

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THE
T H E NEW YOKK
PUBLIC
A8TO*. LENOX ** lf ^
tlLDEN FOUNDATIONS.
ffUJIC TIRADE
V O L . x x x v i . No. 2 3 . pntiislei Every Sal, tiy Edward Lyman Bill at 1 Intison Aye, New Tort, Jnne 6,1903.
SINGLE COPIES, 10 CENTS.
$2.00 PER YEAR.
NEW YORK TEACHERS TO MEET.
A MANUSCRIPT SYMPHONY BY SCHUBERT.
DAMROSCH'S EUROPEAN TRIP.
HP H E New York State Music Teachers'
Association is preparing to hold its an-
nual meeting at Troy on June 23, 24 and
25. The President is Carl G. Schmidt, of
New York, and the Programme Committee
is made up of Louis Arthur Russell, New
York; Thomas Impett, Troy; and Frank
A. Shearer, Lockport. Frank H. Shep-
herd, of New York, is the secretary, and
T. Ellsworth Stille. of Gloversville, the
treasurer. These names will be recog-
nized as among the foremost musical edu-
cators in the State. Reports from nearly
two hundred vice-presidents indicate that
interest in the doing of the association is
rapidly growing at all points. At the com-
ing meeting the morning sessions will be
devoted to 'round table discussions on
voice, piano, organ, theory, public school
music and other educational topics. The
afternoons will be given over to essays and
recitals by specialists and artists of distinc-
tion. Three evening concerts will be held,
in which the Troy Vocal Society, seventy
male voices; the Troy Choral Club, seven-
ty-five mixed voices, and the Philharmonic
Orchestra will be assisted by renowned
soloists in programmes of great value.
T H E story comes from Vienna of the dis-
covery at Gratz of a manuscript sym-
phony by Schubert. The work is said to
be in B-minor and is known as the Unfin-
ished, and of which little more than two
movements have hitherto been available.
The symphony which is now being brought
to light was found in Schubert's handwrit-
ing complete.
What is known as the "Unfinished Sym-
phony" was discovered by Herbeck in
1865 in the possession of Schubert's friend,
Enselmo Huttenbrenner at Gratz, and in
1867 was produced in England for the first
time at the Crystal Palace by Mr. Manns.
It is generally considered odd that Hutten-
brenner should have given out a fragment
of the complete work as it existed. Mean-
while the present manuscript bears the in-
scription in Schubert's writing "Franz to
Enselmo."
It was found among some
worthless papers left by Huttenbrenner's
old cook recently deceased.
If the story can stand the light of care-
ful investigation the find is one of the
greatest importance. The work will be
produced shortly in both Gratz and Vienna,
and we shall await further news of its au-
thenticity.
\ A / A L T E R DAMROSCH, the late con-
ductor of the Philharmonic Orches-
tra, returned from Europe last week, and
during his stay abroad he called upon
Paderewski at the latter's home, overlook-
ing Lake Geneva, near Lausanne, and
heard him play a piano sonata which he has
just written. In Paris he visited Saint-
Saens, and from the composer's window
they saw a part of the reception to King
Edward. Richard Strauss, who Mr. Dam-
rosch says will come to America next sea-
son, was another of his musical friends he
saw. He heard the new Strauss opera,
"Die Feuersnoth," which he declares to be
a beautiful production.
Mr. Damrosch made arrangements to
go abroad next winter for a long tour as
conductor. He will begin at Berlin Feb.
TO before the Philharmonic Orchestra
there. Later he will go to Warsaw, St.
Petersburg, conduct the Colonne Orches-
tra in Paris in March, and then conduct at
various other places, going as far south as
Madrid.
While Mr. Damrosch is said to have in
mind the establishment of a permanent or-
chestra in New York, he refuses to discuss
the subject at present.
ELGAR'S NEW ORATORIO.
C DWARD ELGAR'S new oratorio, "The
Apostles," will be produced at the Bir-
mingham Festival in the middle of Octo-
ber. With the exception of one number,
the words of the oratorio are taken from
the Scriptures. The general plan embraces
the Saviour's choice and appointment of
the Twelve Apostles, the declaration that
the Gospel must be preached and the proof
that there is need of assistance in proclaim-
ing its mission. Between a significent pro-
logue and epilogue, come two parts, the
first dealing with the life of the Saviour,
and ending with the ascension, while the
second treats of the descent of the Holy
Ghost, and the work of the Apostles at An-
tioch. This outline sounds promising.
There is material here of the kind which
Mr. Elgar treats with skill and enthusiasm,
and the only question is whether he had
it in mind long enough to compose it spon-
taneously.
*
WILL CONDUCT CASTLE SQUARE CO.
C L L I O T SCHENCK. formerly assist-
ant conductor of the Damrosch Opera
Company, has been engaged by Col. Sav-
age as conductor of the Castle Square
Opera Company the coming season.
MUSIC FOR THE ST. LOUIS EXPOSITION.
T H E general scheme of music for the
Louisana Purchase Exposition to be
held in St. Louis next year is tentatively
this:
An official orchestra of not less than
eighty-five players, to take part in all or-
chestral and choral concerts.
Two military bands of not less than
seventy-five players for the whole Exposi-
tion.
Mammoth concerts by consolidated
bands of from 150 to 300 performers.
Contests of singing societies, military
bands of the first, second and third class.
One great choral concert each month by
some visiting society, like the Handel and
Haydn, of Boston; the Apollo, of Chicago;
Festival Association choruses.
Daily organ concerts by the best organ-
ists of the world.
Without doubt the climax of the con-
vention will be reached when Gades's can-
tata, "The Crusaders," is sung by the Troy
Choral Club of eighty mixed voices, with
full orchestra and Mme. Gertrude M. Stein,
Evan Williams and Julian Walker as solo-
ists, with Allan Lindsav conducting. On
the second evening of the meeting the fa-
mous male choir, the Troy Vocal Society,
directed by C. A. Stein, will give a concert,
assisted by eminent soloists and full or-
chestra, Among other participants are Jes-
sie Shay and Carl Faelten, pianists; Rich-
ard Kay and Johannes Miersch, violinists;
Walter C. Gale, organist; Huntingdon
Woodman, Charles H. Farnsworth, Waldo
S. Pratt, E. M. Bowman, F. W. Woodell
and H. C. Macdougall, essavists.
MACDOWELL IN LONDON.
C D W A R D M A C D O W E L L , professor
^ of music at Columbia College and con-
sidered by some the head of American
composers, played for the first time in
England the other day at the fourth of the
London Philharmonic Society's concerts,
playing his second piano concerto. The
English papers differ considerably in their
estirnate of Mr. MacDowell's ability, but in
the main their comments were along fa-
vorable lines.
KELLEY TO CONDUCT IN BERLIN.
C D G A R S T I L L M A N K E L L E Y , the
American composer, now professor of
music at Yale, has been invited to conduct
his "Aladdin" suite at the international
concert which forms one of the features of
the programme for the Wagner celebra-
tion in Berlin next October.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
TIMELY TALKS ON TIMELY TOPICS.
VJOBODY talks or thinks about music
*^ except the very narrow circle to whom
music is a profession or a business. Among
these even there is nothing except specula-
tion going on as to how many tenors Mr.
Conried will engage, or whether Pierpont
Morgan will retain his box at the opera,
and matters of that momentous im-
portance.
This season will see very large assort-
ment of orchestral schemes in the market,
but none will be so interesting as the one
which will go on record with the multi-
conductori of New York.
The most astonishing thing that hap-
pened this season was the withdrawal of
the Kneisel quartet from the Boston Sym-
phony in order to be able to fill more en-
gagements in America and also in Europe,
as it may not be necessary to state again
that the Kneisel organization has no su-
perior and few equals. The only serious
rival in the world of music is the Bohe-
mian quartet. As a successor to the chair
of concert-master left vacant by Mr.
Kneisel's resignation many have believed
that Charles Martin Loeffler would be the
man. Perhaps it will be still more surpris-
ing to know that Mr. Loeffler resigned
from the Boston Symphony Orchestra be-
fore the Kneisels did. It is his desire to
work more assiduously at composition and
notwithstanding the fact that we will miss
him very much from his seat beside the
concertmasterwe must rejoice to know that
he will do more in the world of composi-
tion as it is not extravagant to say that
Mr. Loeffler is to-day one of the greatest
composers living. From him we may ex-
pect anything within reason and take
chances of not being disappointed. He will
remain in Boston where he has a very large
class of violin pupils.
Mr. Conried has given New York ma-
terial for thought as well as for discus-
sion in his announcements for the fall sea-
son of opera. The probability is that when
he gets down to the final arrangements
there will be nothing that corroborates
that what he intended to do from the
start, and the principal item of interest and
the most dependable one is that we will
have opera. He promises a school of opera
for America and we can do nothing but
wait and hope—also incidentally wait and
see.
To Parsifal or not to Parsifal—that is the ques-
tion :
Whether 'tis nobler for New York to suffer
The slings and arrows of i rate Cositna
Or to take on a sea of tro ubles
And by playing oppose them? To present; to pro-
duce;
To give; and by giving en d
The curiosity and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wished. To present; to produce
To produce—perchance the law; ay there's the
rub;
For in the toils of law what dreams may come
When Parsifal has shuffled off the boards.
Those who know say that the foregoing
is a photograph in words of the symptoms
of Mr. Conried on the subject.
Now is the heyday of festivals and con-
ventions in the world of music, indeed, the
number of festivals through the country
would hardly be possible to record. The
Confederation of Women's Musical Clubs
have just held forth in Rochester. They
had a successful session and are due every
respect for what influence they have wield-
ed upon the musical situation in America.
But the work is not completed by any
means; in fact having accomplished so
much with the possibilities open, it is re-
markable that they do not accomplish
more. The best only is good enough for
the aim of the musical club. That they
have some appreciation of the best was evi-
denced by their selection of the great artist
Joseffy as pianist at the convention. This
was a master-stroke as he stands at the
head of the world's pianists and he is an
American citizen.
One of the Rochester papers designates
his playing as "illegitimate." Illegitimate!
Joseffy! Perhaps the learned scribe would
deign to enlighten us upon what he con-
siders legitimate playing—however, per-
haps he has done that by his comment. To
him "A Hot Time in the Old Town" must
stand for the Beyond-which-nothing in
music.
"Old King Cole was a merry old soul
and he called for his fiddlers three."
In this particular does King Edward dif-
fer from the merry old soul, because he
suspended animation of his fiddlers three
and the rest of the band. For three cen-
turies the "King's Band" discoursed music
at court. This band consisted of thirty
musicians now under direction of Sir Wal-
ter Parratt. It is true that their recom-
pense was more materially in the honor of
the situation than in the financial end of it,
but they were permitted to accept other
engagements, and it may be understood
that the prestige was one which carried
tremendous weight with those to whom
"the nobility" means everything. Now their
only visible means of sunoort has been
withdrawn by the decision of the king who
decrees that he would rather see the money
thus spent fall into the coffers of the au-
tomobile, and he will take his music in the
chu-chu of the instruments of torture as
they whizz over the King's Band, or any
other trash like musicians.
Let us be happy that we live under a cul-
tured ruler.
There will be an imposing Handel festi-
val in London, June 20-23-25-27. It will
be under the patronage of the King and
Queen of England. One cannot help won-
dering why—under the conditions as they
exist.
Summer music and sea bathing! What
a delightful combination to contemplate.
Manhattan Beach and Shannon versus
Madison Garden and Duss. But perhaps
there will be no swimming at the Garden
which is a startling example of American
inventive genius. "Venices manufactured
while you wait," and there is considerable
wetness visible. Nordica is tired. We can
well imagine this to be the case. The ques-
tion arises whether it would not have been
worth money to her (because money is her
only consideration), to have rested up for
her German appearances instead of going
on this very severe trip with Duss. But
there is nothing so hard to resist as temp^
tation.
Among those who will appear at these
concerts are Charlotte Maconda and Car-
rie Bridewell.
A new arrival is announced in the home
of musical journalism. The latest edition
comes from San Francisco in the form of
a monthly. La Bohemienne is its name,
and that very clever writer, Alfred Metz-
ger is the editor. He is- capable and the
field is good, ergo there is no reason why
the little one should not grow up.
Mr. Clopton's $30,000! ! ! If only he could
cash that $30,000 he could indulge himself
in several violins like the one that won Ko-
cian, and he could buy some one to play
them besides. The lad arrived with the
instrument and after all this advertising
we may expect to see at an early date the
violin up for sale, or it is as likely that
Kocian will be able to induce the owner to
sell him the coveted beauty. Kocian and
his retinue in the shape of his uncle and a
violin arrived on the Deutschland on
Thursday a week ago, and everybody is
happy including the newspapers that were
short on "copy."
The development anent conductor for
the Philharmonic is startling to say the
least, as it now appears that no one will
be the conductor of the Philharmonic So-
ciety. It will not be forgotten that every-
body's business is nobody's business, con-
sequently the Philharmonic Society will be
peculiarly situated. The statement is made
that it has been agreed to engage the con-
ductors that Mr. Conried will bring for
the opera. What an olla podrida! And how
enervatingly original!
Patti has written to her nephew, Alfred
Barilli, of Atlanta, that she will spend a
short time with him during her forthcom-
ing tour in America. Barilli is a vocal
teacher in that city and he is the favorite
nephew of the diva.
EMILE FRANCES BAUER.
ft
CARL GOLDMARK'S LATEST WORK.
/ ^ A R L GOLDMARK received a great
ovation in Budapest recently when he
conducted his latest work, a Hungarian
tone-poem, entitled "Zrinzi," which he es-
pecially composed in honor of the fiftieth
birthday of the Philharmonic Society of
that city. According to the European
papers it was a great occasion for the
music lovers of the Hungarian capital;
speeches were made by Count Apponyi
and others, and the programme also includ-
ed an Idyll and a Gavotte by Eugen Hu-
bay, part of a symphony by Edmund
Mihalovichs, and Liszt's Hungarian_ Fan-
tasia, which was played by Dohnanyi who
had to add an extra—Liszt's third
rhapsody. Among the musicians who
have heretofore taken part in these Phil-
harmonic concerts are Wagner, Liszt,
Nikisch, Mahler, Colonne, R. Strauss,
Muck, Schuch and Sucher.

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