Music Trade Review

Issue: 1903 Vol. 36 N. 19

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THE 7VUJSIC TRKDE
truck painted a light pea green. The
"wagon" is primarily intended as an adver-
tisement although it can also, be used for the
delivery of pianos. The entire equipage—
horse and all—cost $1,000 and is seen and
marveled at by thousands of people daily on
Boston's principal thoroughfares. The driver
is L. C. Gray, whose name belies his color,
which is a much more sombre shade. Driver
Gray is seen along the streets of Boston and
its environs with "Ward's Wagon" from 8
a. m. to 4 p. m. each day, and, whenever he
stops, he is besieged with questions regard-
ing his strange chariot and its enterprising
owner, C. C. Ward, dealer, of No. 249 Co-
lumbus avenue.
Mr. Ward is the retail agent here of the
Needham & Bailey pianos, manufactured by
that concern in this city, and he hit upon this
novel method of advertising them. The mon-
ster "dummy" Needham & Bailey piano on
the truck is 9 feet 10 inches long, 7 feet 2
inches high and 4 feet 7 inches wide. Its
proportions are exactly the same as those of
a "really truly" Needham & Bailey instru-
ment, as it is furnished with a set of the Nor-
ris Patent Noiseless Piano Pedals—also pro-
portionately large—which were cast from a
pattern made expressly for the purpose by
the manufacturer, Albert F. Norris, of this
city. Through the door in one side of the
giant piano a real piano can easily be thrust
inside and still room would be left for a man
to creep in and take a comfortable snooze
in the keybed. This door closes with a lock
and key.
THE HARDMAN IN BROOKLYN.
The illustration represents the interior of
the new Hardman warerooms, 522-524 Ful-
ton street, Brooklyn, on the main floor. It
is a magnificently equipped and decorated
apartment, quite in keeping with the prestige
of the Hardman firm. As noted in The
ing. The fittings and furniture equipment
are in antique style, unique and very becom-
ing. The exhibit of pianos includes special
art designs in Hardman grands and uprights,
in white mahogany, marquetry and figured
woods. One splendid example of the Hard-
On the music desk of the piano appears the Review of recent date, the new Hardman
legend "Ward, 249 Columbus Ave." in large establishment was, after weeks of preparation,
gold letters. The words "Needham & Bailey opened for business on April 25, the event
Pianos" appear on detached arches at either being marked by a reception during the day
side of the truck. On both sides of the driv- and evening.
er's seat one reads: "Ward's Piano Ware-
The Hardman building, six stories in
rooms, 249 Columbus Ave." and the magic
height,
is the full width of two city lots, oc-
words "Ward, 249 Columbus Ave." are seen
cupid
entirely
by the firm except on the main
on the back of the piano which is shellacked
floor,
the
whole
width of which floor will be
in the most approved style and equally as
made
available
very
shortly. The show win-
well finished as the front. All the lettering
dow
is
one
of
the
finest
in the city. At an
is gold shaded with red.
A. description of "Ward's Wagon" would early date will be inserted, in place of two
be incomplete without one of the horses smaller panes of plate glass, one large sheet,
which draws it. Thisjiandsome animal is 16
hands high and weighs 1,500 pounds. He measuring 13^ by 133^ feet. It will be the
wears a red plume, a set of chime bells and biggest single sheet of plate glass in Brook-
an air of conscious superiority which, collec- lyn. Everything possible has been done to
tively, attract universal attention and ad- make the exterior and interior attractive and
miration. Mr. Ward has been highly com-
plimented by piano men on his really note- becoming,. An artistic canopy of glass, with
worthy advertising device which he has electric light attachments, reaches from the
found to be a paying investment.
curb to the doorway. The window is also
fitted with electric bulbs, so arranged as to
B. F. WOOD OFF FOR LONDON.
give the maximum of advantage for exhibi-
[Special to The Review.]
tion
of the Hardman instruments each even-
Boston, Mass., May 5, 1903.
B. F. Wood, of the B. F. Wood Music Co., ing.
publishers, this 4f city, sails for Liverpool,
The ground floor, used as a reception room,
England, on Saturday morning in the steam-
ship "Devonian," of the Leyland Line. From forms a picture worth traveling many miles
Liverpool Mr. Wood will go to London, to see. Along the walls, on an appropriate
where he will make his headquarters and background of green, are many burnt-wood
whence he will visit various important cities panels, rectangular in shape, presenting in
on the European Continent. He is expected
back in Boston by July 1. Mr. C. C. Dur- perfect proportions and with great clearness,
gin, of this concern, recently returned to a series of scenes from the lives of great mas-
Boston from a business trip to California.
ters of music. Other decorations are in keep-
man grand, Louis XV. art finish, gold trim-
mings, is on exhibition in the window.. The
electric light and general color effects are
decidedly pleasing and effective.
The second floor, decorated in red, con-
tains a large and very choice showing of
Hardman pianos. Harrington and Madelon
pianos occupy the third floor, completed in
light green and yellow. The fourth, fifth
and sixth floors are set apart for exchange
and other instruments. Each floor, contain-
ing 3,200 square feet of available space
formed a distinct and original artistic study.
Neither pains nor expense have been spared
to make the Hardman emporium in Brook-
lyn really an "art centre." The Brooklyn
opening was the outcome of a growing Hard-
man business in Kings and Queens coun-
ties, and a desire on the part of the firm to
recognize in a substantial way the just claims
of the City of Churches for consideration
as a seat of musical culture and refinement.
Under the careful supervision of Alfred Peck,
of the firm, and managed by J. C, Franke, a
thoroughly competent and faithful Hardman
enthusiast from the headquarters of the firm
in New York City, supported by an able staff
of experienced salesmen, the future of the
Hardman Brooklyn headquarters is assured.
LESTER PIANOS
Upright and Grand.
High Grade, Great Durability, Fine Tonal Quality,
The Price is Right
In consequence of some changes in the
Crown retail warerooms, a special sale has
been going on.
Factories: LESTER, PA.
Offices: J3O8 Chestnut St., PHILADELPHIA, PA.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE 7VSVSIC TRKDE
Arthur Lang, New York, N. Y. gene De Kleist, North Tonawanda, N. Y.
Patent No. 726,706.
Patent No. 726,701..
[Specially Prepared for The Review.]
This invention relates to improvements in
This invention relates to automatic pianos
Washington, D. C, May 4, 1903.
stringed musical instruments, and particu- and similar musical instruments in which
MACHINE FOR RECORDING MUSIC. G. E. larly to the mechanism employed for ad- the sound-producing parts are controlled by
Prince, North wood, Eng.. Patent No. 726,- justing the tension of the strings of such a pneumatic action, the improvements being
instruments.
applicable to so-called "piano players," which
754-
The
object
of
this
invention
is
to
provide
operate upon the keys of an ordinary piano,
This invention relates to a machine for
the
mechanism
of
the
character
indicated
as well as to self-playing pianos, in which
recording music, consisting of a novel com-
bination of coacting groups of mechanism, which shall be simple and inexpensive as re- the pneumatic actuating devices are com-
the end to be attained being to obtain a print- gards construction, which shall be durable, bined with the usual piano action.
The principal object of the invention is
ed record of the notes produced or a trans- efficient, and reliable in practical service,
position of the notes produced by play- which shall embody features of construction to simplify the construction and improve the
musical instruments having keyboards; and whereby marked permanency in the conjunc- arrangement of the parts of the pneumatic-
this invention particularly relates to the pro- ture of the operative parts thereof shall be actuating devices with a view of reducing
duction of records in which the proper dis- insured, which shall be attractive in ap- their cost, rendering the same more compact
tinctive characters are directly printed ac- pearance, and which shall possess certain and direct in action, and facilitating access
cording to the duration of the notes played well-defined advantages over prior analogous to the parts for repairing and renewing the
instead of, as has been common, registering mechanisms.
same.
the notes by perforations or more or less
PIANO ATTACHMENT, Wm. W. Saunders,
Another object of the invention is to pro-
prolonged horizontal markings. In mech- Washington, D. C, assignor of one-half to vide the pneumatic action with a simple
anism of this character it has been hereto- Wm. R. Granger, same place. Patent No. tracker or controlling mechanism which may
be operated by a rotary pin-barrel.
fore proposed to employ a member having 726,354.
a continuous reciprocating motion at a rate
This invention relates to an automatic
BEHR PROSPECTS EtRIGHT.
equal to the unit time value of the notes to playing attachment for pianos or other mu-
Horace F. Brown, of Behr Bros., reached
be played, and such a reciprocating member sical instruments of similar character.
home
this week after a very successful four
has been the medium by which the notes
Piano attachments of the class to which
weeks'
trip in the Behr interests. Mr. Lud-
played have been recorded in units of time this invention belongs are characterized by
wig,
a
Behr traveler, is now on the road.
value. Such a proceeding has been disad- a series of hammers arranged to operate the
Work on the Behr player is progressing
vantageous, because it has been necessary keys of the instrument and controlled by a
rapidly. The Behr agents are anxiously
to translate such a record of units and to perforated music sheet- The openings in awaiting its appearance, and at least sixty
convert them into collective time values and the sheet are brought into coincidence with of them have already signified their intention
arrange them in proper musical notation.
projections on the hammers by the move- of making a special feature of it on arrival.
Prof. W. E. Burnett has this to say in a
According to the present invention a re- ment of the sheet, and thus permit the de-
ciprocating member or carriage is employed pression of the hammers in the order deter- recent letter to the Hobbie Co., of Roanoke,
Va., concerning the Behr piano: "Having
reciprocating at a rate equal to the units of mined by the location of the perforations. had several years' experience tuning the Behr
time value of the notes being played—that Those attachments of this general class in- Bros.' pianos, it gives me pleasure to testify
is, for instance, if in common time the short- volve comparatively complicated construc- to their superior workmanship throughout.
est time value of a note was a sixteenth tions, rendering them expensive and more or They possess an evenly balanced scale, rich,
full tone—surpassing in brilliancy, power,
then the carriage would perform sixteen less liable to derangement.
and musical quality—and beautifully de-
reciprocations for each bar. Such a carriage
The primary object of the invention, there- signed cases. Only first-class material and
is employed in combination with the mech- fore, is to produce an automatic piano at- patented devices of real worth are used in
anism or groups of mechanism in such man- tachment of exceedingly simple and inex- their construction. Unlike many other man-
ufacturers of high-grade pianos, they have
ner that the collective time values of the pensive construction which may be operated never
sacrificed their well-deserved reputation
notes played are first resolved into uniform by a person entirely unskilled in music, or, for money-getting, but have added many
component fractions, (or what are called in fact, by a mechanical motor, if desired, costly improvements, and to-day the Behr is
"units of musical time value,") the mechan- and which in the event of derangement may one of the best upright pianos on the mar-
ism then effecting a subsequent contraction be quickly repaired without skilled assist- ket."
of the units into their original collective time ance.
Mr. Van Sant, of Van Sant & Chamber-
values and the expression of the resultants
A further object of the invention is to lain, Salt Lake City, Utah, will sail for Eu-
by the usual distinctive symbols represent- provide means for regulating the touch upon rope May 14, accompanied by Anthony M.
ing synchronously a note and a time value the keys to obtain the desired expression in Nelson,
—that is, into the ordinary musical nota- imitation of the expression secured by a Ten dollars down and ten dollars a month
is the minimum instalment rates which are
tion in common use.
skilled musician.
quoted by the Wiley B. Allen Co., of San
TUNING MECHANISM FOR STRINGED I N -
AUTOMATIC MUSICAL INSTRUMENT. Eu- Francisco, on all sales which they make.
LATE PATENTS OF TRADE INTER-
EST.
STRUMENTS.
W O O D CARVINGS - N AJVARIETV; OFJEAUTIFUL
W222
C2.
WALL STREET
NEW YORK.
DESIGNS
or ARTISTIC PIANO PANELS.
the most beautiful Wood Carvings, by a patented process which
W E make
enables us to reproduce the most artistic designs, entirely ii\ Wood,
at a price far below the cheapest hand-carving. Any design reproduced.
No composition. No embossing. No applique work. Write for catalogue.

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