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50
THE
SHARPS AND FLATS.
A novelty in vaudeville is the rendition of
a march song through five megaphones, by
Jos. Maxwell and his inimitable quartet.
The song rendered in this fashion is "The
Spirit of '76."
The newest number introduced in Quin-
lan & Wall's Minstrel Co. is Heelan & Helf's
latest comic coon effort entitled "What a
Nasty Disposition For A Lady Like You."
Other artists are making a great hit with
the same song.
The dainty vocalist, Winona Winter, is
finding in Heelan & Helf's waltz song,
"Since Sally Left Our Alley" a sure winner.
The artistic way in which this artiste renders
this song, finds immense favor everywhere.
The newest song in the repertoire of the
clever entertainer, Lydia Yeaman Titus, is
Heelan and Helf's popular waltz number,
"Since Sally Left Our Alley." It seems to
please everywhere.
Senator Frank Bell is singing the whimsi-
cal song "All Bound Round With a Woolen
String," and invariably makes a big hit with
it.
Charlotte Delmar, in her thrilling cycle
act, is using Billee Taylor's novelty "Creepy
Creeps" as an accompaniment.
John Rogers has recently added to his re-
pertoire "In Our Home, Sweet Home," the
charming song by John T. Kelly.
The Berlin Sisters are singing that beau-
tiful Southern song "Along the Mobile
Shore."
Rodie Furman, the entertaining comedi-
enne, is singing the funny darky song
"Trouble," by David & Meakin.
Igna Orner is receiving many encores on
her rendering of Anna Held's popular song
"Pretty Mollie Shannon." She is also us-
ing with great effect "Good Night, Beloved,
Good Night."
Roy Alton is singing Chauncey Olcott's
serenade success in "Garret O'Magh" en-
titled "Come, My Sweet Queen."
Amy Bernard is scoring an unprecedented
success with the popular song "When the
Springtime Comes Around."
Selvia Cook is singing the pathetic story
song "Nobody Ever Brings Presents To
Me,"
Miss Lydia Yeamans Titus and Zelma
Rawlston are introducing Heelan and Helf's
beautiful waltz song, "Since Sally Left Our
Alley," with great success.
William H. Sloan, the comedian, is con-
vulsing his audiences with the funny song,
"Stung, Stung, Stung!"
The Swickards are using that tropical idyl
entitled "Dream Days of Seville," by Ford
& Bratton.
In all her well-chosen numbers, Florine
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finds no number more heartily appreciated
than Heelan & Helf's stirring march number,
"Ev'ry Man Is A Volunteer," and in res-
ponse to the invariable encores this dainty
vocalist always introduces "Since Sally Left
Our Alley," by the same writers.
Ely Dawson, the rising young coon delin-
eator, is pleasing every audience with Heel-
an & Helf's new coon creation, "What a Nas-
ty Disposition For A Lady Like You." His
encore is invariably the song, which is mak-
ing such a tremendous hit everywhere, "If
You Can't Be A Bell Cow Fall In Behind."
Miss Violet Dale is singing the dainty
Japanese song "My Little Belle Of Japan"
by Robb & Bratton.
Lewis Ward is another well-known com-
edian who is singing the "In Dahomey" hit,
"I'm A Jonah Man."
T. P. Cahill, of the Tourist Trio, receives
many encores nightly on his singing of Fay
& Oliver's beautiful serenade "Good Night,
Beloved, Good Night."
Lillian De Roy Murtha is singing the
clever topical song "She Reads The New
York Papers Every Day."
Robert Harrington is continuing his great
success with "I've Got To Go Now 'Cause
I Think It's Goin' To Rain," and "While
The Moon Shines Bright."
Anna Wilkes, the charming comedienne,
is singing "Pretty Mollie Shannon" and
"Every Little Dog Has His Day" with big
success.
Mr. Whitfield, of the Ward & Vokes Com-
pany, is pleasing large audiences with the
charming ballad "Just a Chain of Daisies."
James Bradley, of Primrose & Dockstad-
ter's Minstrels, is singing "Two Little, Blue
Little, True Little Eyes," the waltz ballad
by Geo. A. Norton and John W. Bratton.
Burns & Scott, the clever entertainers, are
singing David & Meakin's' funny song
"Trouble," and the touching ballad, "In Our
Home, Sweet Home."
The Original Comedy Four are using a
beautiful quartet arrangement of "Just Be-
cause You Were An Old Sweetheart Of
Mine," by Maurice Jacobs and Harry I. Rob-
inson.
Cole and Johnson enjoyed a delightful
stay of two weeks in the "Windy City" on
the Lakes. They were the headliners at the
Chicago Opera House and sang "Mandy,
Won't You Let Me Be Your Beau?" "No-
body's Lookin' But the Owl and the Moon,"
"My Castle on the Nile," and "When the
Moon Comes Peepin' O'er the Hill," all of
which are their own compositions,.
A frequent number programed by Alex-
ander Ulbricht, musical director of the Stand-
ard Theatre, Philadelphia, Pa., is the "Belles
and Beaux" waltzes by George Rosey. This
is invariably encored by the audience.
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William Le Roy, the male Melba, is add-
ing to his laurels by the choice selection of
his repertoire, which includes Max Witt's
"Perchance," Horwitz and Bowers' "No One
But You" and George Rosey's "Maybe."
Ed.. P. Moran and Seymour Furth have
furnished Jas. T. Powers with a splendi:l
number in their last composition, entitled "I
Pound a Way; or, I Lost Another Chance to
Be a Hero."
The Elinore Sisters, who are to star un-
der the management of James Hyde in a
farce comedy written for them especially,
write under date of April 15th that it is their
intention to sing Eugene Ellsworth's "Cloud
Faces in the Sky."
Max Hirschfeld is engaged on the compo-
sition of a comic opera to be produced in the
fall.
Frederick Ranken is busy on a new opera
that Jos. W. Stern & Co. will publish dur-
ing the summer.
"Sweet Nellie Wood," which is interpo-
lated in "Nancy Brown" at the Bijou, New
York, with triple encore effects and published
by the American Advance Music Co., came
off the press this week. It is commanding a
big sale.
Harry B. Smith has written a book, "The
Gibson Girl," that lives up to every tradi-
tion that has given him fame; and Gustave
Kerker has composed some musical num-
bers that will soon be whistled everywhere.
One of these, "The Model of the Man," is
looked forward to with delight; a charming
serenade will soon find a response among its
auditors, and a fine quartet will be among
the musical innovations to be expected..
AN UNIQUE PERFORMANCE.
At the home performance of the Lambs'
Club Gambol which was given prior to its
public presentation at Daly's Theatre, the
feature was a real American minstrel show
performed entirely by Englishmen. The odd-
ity of the affair gave unlimited opportunity
for both prepared and impromptu fun-mak-
ing.
The Americans present "rubbed it in"
rather hard to their British confreres. Law-
rence D'Orsay, the dignified, was made to
sing "I'm a Jonah Man." Other typical
American songs, such as "Along the Mobile
Shore," etc., were sung, and, needless to say,
were enhanced with the most incongruous
English accent. The most amusing thing
was when the stalwart Englishmen arose and
joined with a hearty good will, in singing the
new national song "My Own United States,"
which, by the way, was Briticized into "Me
Own Unoited States."
Wilton Lackaye and George Spink com-
posed a song for the occasion in which one
of the minstrels was made to give a graphic
description of the Buffaloes he saw in New
Jersey, and of the beautiful farms in the dear
old Rocky Mountains. The ultra-English
side of the affair was emphasized, even so
far as to have printed on the program "Mu-
sic furnished by M. Witmark & Sons, Lon-
don," instead of the main house in New York.
Altogether, this affair was the most ori-
ginal and enjoyable gambol that the Lambs
have enjoyed for some time.
Separate Numbers and Scores
of the followirg
C o m i c O p e r a and Musical
: : : Comody Successes : : :
"THE JEWEL OF ASIA"-By Frederic Ranken, Harry
B. Smith and Ludwig Englander.
"NANCY BROWN"—By Frederic Ranken and Henry
K. Hadley.
"THE nOCKINd BIRD"—By Sidney Rosenfeld and A.
Baldwin Sloane.
"SALLY IN OUR ALLEY"—By Geo. V. Hobart and
Ludwig Englander.
"THE WILD ROSE"—By Harry B. Smith and Ludwig
Englander.
p-bn.h.dby JOS. W . STERN & CO.
34 East 21st Street
N E W YORK
CHICAGO
LOHDON
S I N FRANCISCO