Music Trade Review

Issue: 1903 Vol. 36 N. 16

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12
THE 7VTUSIO TRKDE
REVIEW
Four Score Years of Chickering.
He became associated later scale by giving the hammer a lateral increase
with James Stewart, who was of space, permitting the greatest possible
reputed at that time fo be the freedom to the working of the hammers, and
best expert piano maker in rendering overstnnging an easy matter.
America.
Most interesting are Mr. Chickering's re-
It was in 1829 when he be- marks in his official specifications and claims
came associated with Captain in regard to his plate for grands, which led
John Mackay, who had pre- directly to the overstrung grands of the pres-
viously carried on the business ent day. He says: "Patent No. 3,238 hav-
of piano making with Alpheus ing thus set forth my improvement, I wish
Babcock, a noted piano mak- it understood that I am aware that the strings
er of those days. An illustra- of a pianoforte, in their passage from the
tion showing the old factory hitch-pins to the straining screws, have been
of Chickering & Mackay ap- passed through holes made through a pin
pears in connection with this screwed in a block, and from said pin bent
article.
or inclined upward to the straining screw-,
The reputation of the Chick- and therefore I do not claim such an arrange-
ering product grew rapidly ment as mine. But, what I do claim consists
apace, and in 1830 the factory in this improvement, viz., that of supporting
produced over seven hundred the strings by passing them through a solid
pianos, an astonishing output ledge cast directly upon the lower part of the
inclined front plate, through apertures of
for those early days.
Jonas Chickering has been which ledge the strings are to be passed in
called "the father of the piano the manner set forth ; the tone being, there-
industry," and he was uncon- fore, in the treble, greatly augmented and
trovertibly the first to cut aloof improved. I also clairn my particular method
from the old traditions in not of constructing the metallic frame of the
only methods of case building, grand pianoforte." Mr. Chickering here re-
but in the association of metal ferred to the agraffes, which were introduced
JONAS CHICKERING.
with piano building, which by the French piano-maker Erard about the
was the means of securing a year 1808. The original principle was im-
TP H E eightieth anniversary of the found-
greater volume of tone without the loss of proved upon by Mr. Chickering, who cast
ing of the distinguished house of Chick-
quality.
the agraffes in the plate.
ering & Sons was celebrated in a dignified
Jonas Chickering's fame as an inventor
Notwithstanding the vast scope and ex-
way last Tuesday evening in Chickering rests upon his inventions of the square metal
tent
of his labors, Mr. Chickering found time
Hall in Boston.
plate, with improved damper attachment, pat- to interest himself in the progress of mu-
Eighty years of Chickering!
ented 1840; the plate for grands, made in
What a world of meaning in that sentence, one solid casting, patented 1843; the up- sical art in Boston. In 1834 he was elected
and what wondrous changes have occurred right piano with full iron frame and over- vice-president of the Handel & Haydn Soci-
in the industry since Jonas Chickering flung strung bass, made in 1850, and the circular ety of that city, and afterwards occupied the
his business banner to the breezes in April, scale, produced in 1853. Previously, in 1837, presidential chair of that organization, and
was in many ways especially identified with
1823!
he had produced the first iron frame of a
Like many other men who have won prom- square piano. This first iron frame, as all its success.
What this house has done for music can
inence in the world, Jonas Chickering came the musical world is aware, marked, with the
not
be lightly estimated. Jonas Chickering
from the country, from a little New Hamp- introduction of the circular scale, the com-
and
his three sons were all in turn closely
shire village, and was apprenticed in his sev- mencement of the most important epoch in
identified
with the best musical interests of
enteenth year to a cabinet maker. The fol- the history of piano manufacture. All the
that
city.
lowing story will show how one episode had marvelous developments which have taken
For a house to have endured for four score
its effect upon his entire career:
place in the construction of pianos during
years
makes it certainly worthy of admir-
During the war of 1812 a gentleman named the past forty or fifty years were made possi-
ation
on
account of its longevity, but in the
Barrett had temporarily quit Boston for fear ble by these inventions.
case
of
the
Chickering house it dates back-
of a bombardment by the British.
The evolution of the iron frame merits
to
tl\e
founding
of the great industry, and
He had with him a piano manufactured by special mention. It appears that previous to
has
stood
during
all the intervening years
Christifor (ianer, an instrument which, it is 1825, a kind of iron compensating frame had
not
only
for
mechanical
advance, but for art
said, at that time had been in the possession been invented by a Russian, whose name
advance,
for
the
name
of
Chickering is in-
of Princess Amelia, daughter of George III. does not transpire. Alpheus Babcock, then in
delibly
associated
with
all
that
is highest and
The piano needed repair, and the young business in Philadelphia, got hold of the idea
best
in
musico-industrial
affairs.
cabinet maker, Chickering, was called in, and and patented, in 1825, the cast iron metal
The early industrial germ planted by Jonas
ring.
completed its restoration.
This invention however, served no more
He remarked at the time: "I think I could
make a piano," and when he went back to his useful purpose than to set Jonas Chickering
work of cabinet making it was with his mind thinking and experimenting, with the result
that, as we have said, in 1837 he made the
filled as to possibilities in piano making.
It seems a trivial point, but it was that one first successful application of an entire iron
point and the compliments that he received frame to a square piano. Subsequently he
for his work that undoubtedly caused Jonas improved and added to the invention, in 1849
Chickering to concentrate his energies upon patenting the addition of a cast-iron bridge,
and damper socket-rail—all cast in one piece
piano making.
Young Chickering absorbed knowledge with the frame.
rapidly and in 1822 began experimenting on
Jonas Chickering's invention of the circu-
his own account, offering his first piano for lar scale, i.e., a scale drawn on the arc of a
I'llIST UUCKERJNC J'JANO.
circle or ellipse, superseded the old straight
sale in 1823.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE 7Vf\JSIC TRKDE
was also a skilled machinist. He came to
Boston in 1822 and entered the employ of
Osborne, where for a year he aided in the
construction of pianos. In 1823, he started
in business for himself in an humble little
shop on Orange street and in that little shop
the great firm of Chickering & Sons, as it
stands to-day, was born. Then and there he
achieved a reputation that has always stood
in the high place he put it.
The doctor then told several interesting
little anecdotes of Chickering that served to
show the homely character of the man. He
told how, to-day, the making of pianos has
become one of America's largest enterprises
and stated that the present annual output
of American piano houses is 200,000, or one
piano for every thirty-five homes in America.
"What brings this to pass?" the doctor
asked. "It is the majesty of 'Each for all
COMMEMORATION CEREMONIES.
and all for each.' And when we look for-
An event of more than passing interest to
ward for the coming of the kingdom of God
the musical world in general took place in
on earth, it is because we are looking for-
Boston on Tuesday evening last when the
ward for such community of interest as one
widely known pianoforte manufacturers,
is glad to believe exists in the happy family
Chickering & Sons, celebrated the eightieth
I speak to this evening."
anniversary of the founding of the house by
In comparing the gathering to the per-
Jonas Chickering in 1823.
sonnel of a man-of-war he said : "The dif-
Very properly the "birthday" of this fa-
ference is that each one of you is an artist
mous house occupies a prominent niche in
to a certain extent. You have been actuated
the musical history of the country, and, from
by a love of beauty, by a love of music."
CHICKERING FACTORY OF EARLY DAYS.
far and near, the managers have been in re-
He recalled the fact that the year 1822 was
ceipt, for weeks, of numerous congratulatory to than the co-operation of a great corpor- the year of the birth of Grant, of Henry Kid-
epistles from people well-known in musical ation where everybody is proud of the work der, the philanthropist and financier and of
he does, proud because he works where he his own birth, and-he counted as more im-
circles.
The celebration proper was, however, does? Really, I should think there isn't a portant than any of these, the achievement
more in the nature of a family gathering, boy who carries newspapers upstairs to pack of Jonas Chickering in beginning the work
the bonds of relationship encompassing all round pianos to be sent to King Mumbo of carrying through the world the motto,
the employees in the offices and factories of Jumbo in Darkest Africa who isn't proud of "Each for all and all for each."
the firm. And by reason of its lack of for- his position. The boy's feeling is, T belong
B. J. Lang, the eminent pianist and con-
mality and of the community of interest in to Chickering's and I send these pianos to ductor, then played on the early product of
which each of the Chickering employees is Mumbo Jumbo.'
Jonas Chickering's energy and skill, stating
an active participant, the affair was all the "I remember when I was a boy nine years that while it has been preserved as nearly as
old, when I was promoted from a little pri-
more a delightful success.
possible in its original form and the quality
vate
school and found myself sitting on a
The entertainment took place in Chicker-
of the tone is substantially the same as it
ing Hall on Huntington avenue, one of the little green bench of a Boston public school, was when it was made, it is impossible to at-
newest and most adequately equipped halls how proud I felt that I was counted in. I tune the instrument to a pitch nearer the ori-
in the city. On the stage rested an instru- was one of the concern, one of 'us,' one of ginal pitch than six semi-tones. He selected
ment which is, at the present day, an object 'we.' And from that moment to this I have measures from the different movements of
of the greatest interest to all musicians. It been proud that I was one of the concern "The Battle of Prague," a popular compo-
is the first pianoforte ever made by Jonas and not for myself alone. Nor could we sition in 1823.
Chickering and the bill of sale, a fac-simile have a better lesson on the growth of this
Then, turning to the new concert grand,
of which appeared in the souvenir program, great America than the life of Jonas Chick- the musician rendered one of Liszt's rhap-
sodies in a very impressive manner, which
was dated June 23, 1823. The instrument is ering."
Dr.
Hale
then
told
most
interestingly
of
the
brought
forth storms of applause. Mr. Lang
designated on the bill as "a square pianoforte,
early
life
of
Chickering.
He
was
born
in
the
concluded
the evening with an encore that
warranted, for Miss Thankful C. Hutchin-
delighted
the
audience, which was very ap-
smallest
of
New
Hampshire
country
towns
son" and the price paid was $275.
preciative.
and learned the trade of a cabinet-maker and
It is a small instrument, as pianofortes go
now, with legs so spare that they look as if
a full chord on one of Chickering's modern
creations would shatter them. Opposite on
the stage, in striking contrast, stood a mag-
nificent modern concert grand, the tonal of-
ferings of which were quite in keeping with
the imposing beauty of the case. In the rear,
the stage was tastefully decorated with potted
plants.
The program opened with a group of songs
by Miss Mary Ogilvie, one of Boston's tal-
ented sopranos. Miss Ogilvie selected her
songs from the works of Faure, Hahn, M.
R. Lang, Puccini, and also gave the old Irish
favorite, "The Little Red Lark." The com-
positions were varied enough in theme to
CHICKERING FACTORY OF TO-DAY.
suit the most diversified tastes and afforded
Chickering has thrived and prospered under
varying conditions until it has developed into
the majestic Chickering piano of to-day, whose
influence has been felt not only in every sec-
tion of this broad land of ours, but in art
circles of Europe as well.
All honor to the memory of Jonas Chick-
ering, whose achievements in the inventive
realm have been fittingly recognized by placing
his bust with other distinguished American in-
ventors in the colonnade of the Industries
Building at the St. Louis Exposition.
The fame of the product first made by
Jonas Chickering has been augmented with
the passing of years, and the Chickering piano
of 1903 stands as true a representation of
industrial art of our times as did the instru-
ment created by Jonas Chickering four score
years'ago.
,
13
full opportunity for the exhibition of Miss
Ogilvie's versatility. They were given in a
most hearty manner, and evoked hearty ap-
plause.
Following Miss Ogilvie, the Rev. Dr. Ed-
ward Everett Hale made a short address on
Boston as it was when Jonas Chickering made
his first piano, and incidentally told of the
traits of Chickering's character that resulted
in the famous house of Chickering & Sons as
it stands to-day. Dr. Hale, always one of the
most interesting speakers, has not for years
been in a happier mood and his quaint de-
scription of the "pretty country town" was
most enjoyable. He said in part:
" 'Each for all and all for each.'
"There is a prime Christian motto for the
newborn century. And is there anywhere a
better illustration for this great century mot-

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