Music Trade Review

Issue: 1903 Vol. 36 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRKDE
ence of such inspiration, in Dr. Damrosch's
opinion, would be most refining and stimu-
lating.
"Another subject," he adds, "which has a
direct influence upon our work is the char-
acter of the speaking voice of the teachers.
This is often very loud, harsh, and of poor
quality, and, as children are apt to imitate
unconsciously, it produces a similar quality
of tone in the pupils' speaking and singing
voice. Principals should give much more
attention to this matter, as it is of the utmost
importance."
PATH'S FIRST APPEARANCE.
CURIOSITIES OF SOUND.
O OUND of all kinds becomes musical if
^
the vibrations of the air are uniform
and rapid enough. It is said that the puffs
of an engine would make a tremendous or-
gan peal of music if they could be made 10
attain the rapidity of fifty or sixty a second.
Everything in nature has its keynote, as
it were, and attuned to one particular musi-
cal sound. This fact can be very easily ver-
ified in every-day life. Stand near an open
piano and speak in an ordinary tone; while
speaking you will suddenly hear a string
•within reverberate to your voice. The tick
ANOTHER STAR IN THE VIOLIN WORLD.
of a watch, the sound of every human voice,
JV/l ISS MARIE HALL, the young Eng-
the bark of a dog, the mew of a cat, the noise
* * * lish violinist, whose appearances in
of a wagon, the roll of thunder, the fall of
NEW YORK TEACHERS' PLANS.
London are now attracting considerable at-
rain, the running of water; in fact every-
tention, has had a remarkable career. Com- TP H E fifteenth annual convention of the thing about us can easily be placed by an at-
* New York State Music Teachers' Asso- tentive ear on its proper musical note—one
paratively a few years ago she was playing
in the streets of Newcastle, Eng., for enough ciation will be held in Troy,N.Y.June 22,23, of the sounds of the scale. This is a most
of money to buy bread. Efforts were made 24 and 25, and will bring together a large interesting experiment and easily verified.
by her father, a poor harper, to send her to number of men and women prominent in this
It is said that the ear can distinguish eleven
London so that she might enter for the Wese- line of work. Committees directed by octaves of sound, but as a rule those made
ley scholarship. She won it, but as there Thomas Impett, of Troy, are actively at by quick, short vibration are most easily con-
was no money to enable her to stay in Lon- work planning for the entertainment of the veyed. For instance, the whir of a locust
don she had to relinquish it, and went back delegations, members and friends who will makes more distinct impression than the
to street fiddling. The family later moved assemble on the occasion.
sighing of the wind through the trees. A
The program committee, headed by Louis whirlwind in its approach is noiseless; it
to Bristol, and while playing in the street
one night Canon Fellowes heard her, and Arthur Russell, of New York-, are busy is only when it strikes some obstacle that the
was so struck with the girl's ability that he laying out places on the program for es- volume of sound becomes terrific to us. Then
sent her to Birmingham, where she studied sayists, pianists, violinists, organists, de- we receive the secondary shorter waves from
for three years. She later w T as sent to Kreu- baters, vocalists and the other participants, the destruction of this obstacle.
ser and then to Sevcik in Prague, who is many of whom will be musicians of inter-
Tyndall says all friction is rhythmic.
most enthusiastic over her genius. She has national reputation.
Flames are notoriously sensitive to sound.
undoubtedly captured London, and this
They will bend and flicker, and even respond
BRUCKNER'S NINTH SYMPHONY.
means that she will be heard at no distant "T 1 H E posthumous ninth symphony of An- with a leap of quivering light to a high,
date in this country. Besides her music she
*
ton Bruckner, the Viennese composer shrill sound. This is another interesting
has only one great interest—her little broth- whose name is much better known than his experiment. If we use a glass tube with a
er, a child of nine. "You should hear him music in this country, was performed for small jet of gas, by lowering or raising it to
play," she .cries. "I can do nothing in com- the first time recently in Vienna, seven years certain points we can cause it to shriek out
parison." And she hopes to do for her broth- after the composer's death. It is unfinished, shrilly or to answer sympathetically to its
er what others have done for her.
consisting only of three movements. It ap- own keynote when sung or spoken by the
pears to have made a profound impression, voice.
PLAYING BY MEMORY.
and was played by the Concertverein Or-
WILL GIVE AIDA IN CONCERT FORM.
H E R E seem to be two sides, after all, to chestra under the direction of Ferdinand
the question of playing by memory. Lowe, who was a pupil and intimate friend '"THE thirteenth annual May festival of
the Connecticut Music Teachers' As-
Dr. Hanchett says in the, Philadelphia Mu- of Bruckner's. Bruckner is said to have had
sician for March: "No one doubts that pu- no intention of emulating Beethoven in his sociation will be held in New Haven on
pils should memorize their music, and a ninth symphony, and was much irritated over May 4, 5 and 6 Verdi's grand opera "Aida"
piece can hardly be said to be perfectly the characteristic remark of Hans von Bil- in concert form will be given by the Gounod
learned till it is memorized. But studying low : "If Bruckner writes a ninth, it will Society under Mr. Agramonte's direction.
a piece and playing it for a teacher is one be in D minor, too, and will have a final Several men from the New York Symphony
thing, and the work of a public artist is quite choral movement." He replied: "I can't Society will assist and the following well-
another. An accomplished musician mak- help it that the chief theme came to me in known soloists will make up the cast: Mrs.
ing a tour with two or three programs in D minor. I would iike now to knock it out Marie Zimmerman, Miss Gertrude May
readiness and not having any other business if I had not grown to love it so, and if D Stein, Dr. Ion Jackson, Dr. Carl Dufft, Perry
on hand, may naturally be expected to have minor were not my favorite key." The last Averill, Edwin Lockhart.
his music thoroughly memorized, and if he movement is the one that is lacking, but
The Paris Opera is said to have in prep-
places notes on the desk before him it is not Bruckner is said to have had no intention aration a new opera, "Fils de l'Etoile," text
by any means proof that the music is not of writing it with a chorus.
by Catulle Mendes, music by Camille Er-
memorized. Few, even those accustomed to
langer. The action takes place in Jerusalem
ALICE NEILSON IN ITALY.
the work, realize how great is the nervous
A LICE NEILSON, of light opera fame, at the time of the destruction of the Temple.
strain of public playing. While many a pian-
>
ETTA EDWARDS, Vocal Instruction, Steinen Hall
is the subject of many favorable no- 1 IV/IRS.
ist may waste little by relying upon his un- ^*
'* Boston, Mass.
aided memory, many others thus drain their tices in Rigoletto and II Mattino of Naples.
resources to no purpose except to conform Speaking of her appearance as Violetta in
"La Traviata," at the Teatro Bellini in that
to a fashion."
city, Miss Neilson—who figures variously
Miss Lucille Wasself, a pretty young wo- as "Alis Milsen" and "Aliss Nielsen"—is
man of Harlem, who went to Paris two years called the idol of the public, and in "La Tra-
ago to study music under Mme. Delilia, viata" is considered to be "semplicemente
AU oar Instruments contain the fait iron frame and
Calve's instructor, has made a hit in the grande e deliziosa." She seems undoubtedly
patent tuning pin. The greatest invention la the history
Parisian musical world, and it is not at all to have made a deep impression on the Nea- of piano making. Any radical changes in the climate, heat
unlikely that she may appear at the Metro- politan public, if these organs of Neapolitan or dampness, cannot affect the standing in tono of our io«
•truments, and therefor* challenge the world that
opinion are to be trusted.
politan Opera House next season.
%ill excel any otbefc
I T is not generally known, but it is never-
theless a fact, that the first public appear-
ance of Adelina Patti occurred when she was
thirteen years old at an entertainment on June
19,1858, for the benefit of the Catholic Church
in Mt. Vernon, N. Y.. Mt. Vernon then
was a sparsely settled suburban village, while
it is now a city. The Patti family lived in
the environs and attended the district school
in Mt. Vernon more than a half mile dis-
tant from their home. Many of Patti's for-
mer classmates are still living in or near
New York, and often speak with enthusiasm
of the clever "little Italian girl" who was the
pet of Prof. Agassiz, the musical instructor.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
7VYUSIC TRKDE
CHICAGO'S PROJECTED MUSIC HALL.
r^ ONCERNING the new music hall which
is to be built in Chicago for the Theo-
dore Thomas orchestra, if the requisite $750,-
000 can be raised, D. H. Burnham says:
"The hall is to serve as the premanent home
of the Chicago Orchestra, and at the same
time supply that much-needed convenience,
a place available for public gatherings of
moderate size, which has not existed in this
great city since the destruction of Central
Music Hall. Their intention is to build the
most perfect hall for these purposes in this
country, if not in the world, and to make it
a music hall pure and simple, monumental
in character, without proscenium or scen-
ery, and also without stores or business ad-
juncts of any kind."
Its site will be ideal, central to all parts
of the city, facing the lake, the park, and
the Art Institute, and convenient to all trans-
portation lines. Its architecture will be of
the best period of the Italian Renaissance.
The stage is specially arranged for orchestra,
bringing the players well forward into the
house so as to obtain perfection of tone de-
livery. Behind and slightly above the or-
chestra are permanent seats for chorus sing-
ers, and above the latter on each side will
be a large organ. All constructive and equip-
ment features will conform to the best ob-
tainable expert advice upon acoustics. Under
the stage will be the "tuning" room and stor-
age rooms for musical library and instru-
ments.
THE OUTCRY AGAINST SUNDAY*MUSIC.
C O M E of the ministers who have opposed
^
the giving of concerts in the public
schools of New York on Sundays must be
living in the atmosphere of a century or so
ago, judging from the peculiar objections
which they have made. In the dark ages
of this country it was customary to believe
that music was a dangerous element—some-
thing allied to the devil. But we have grown
out of this, and to-day intelligent men—even
some ministers—admit that music exercises
a great educational and refining influence.
Why the schools, which are primarily de-
signed for educational purposes, should not
be utilized on Sunday for that which is ab-
solutely educational—the music for which
people are hungry—is something beyond us.
If we ever are to become a musical nation,
ADELE AUS DER OHE.
such as Germany, it must be through get-
A S exclusively announced in The Review
ting good music before the young people of
* * some time ago, Adele Aus der Ohe will
.this country. And it can be very effectively
come to the United States next season for a
done by such means as the public schools.
tour to be made under the management of
The popularizing of music in America may
Henry Wolfsohn. This is the first of the
be expected to have an effect beyond the im-
army of pianists to be positively announced.
mediate pleasure it gives. The development
J*
of the national audience must precede the
THE EVIL OF BAD TEACHERS.
development of the national music. We
NE reason why the supply of good sing- must become more or less musical through-
ers falls so far below the demand, out before we can develop a school of great
though thousands are trying to fill it, lies in musicians. Any movement toward first-class
the prevalence of incompetent teachers. In- concerts in the schools—concerts that will
credible as it may seem, there are teachers, educate a people to the beauties of the works
and not a few of them, who actually culti- of the great masters should be heartily en-
vate in their pupils' voices the tremolo, that couraged.
most detestable of vocal vices.. On this point
The intolerance of some churchmen in this
MATERNA'S DAUGHTER.
the Philadelphia Musician has some remarks connection is exceedingly regrettable. It dem-
C RAULEIN MATERNA, the daughter of which pupils and teacher should take to ' onstrates that if their judgment is at fault
the famous Wagnerian soprano, is evi- heart:
in this matter, they err in many other things,
dently progressing rapidly in her career, and
The vocal tremolo is not appropriate in and therefore are not the shepherds of souls
may soon be able to sing the roles which a church choir, and its frequent use any- which their mission entitles them to be.
made her mother famous. Recently she sang where is not an evidence of culture, but is
Aida at Mainz with success.
a serious defect in the rendition of good mu-
CONDITIONS IN WORCESTER.
sic. Yet it is an artificial device which young
TSCHAIKOVSKY, THE FASHION.
*~r H E Worcester Musical Festival, which
singers strive to accomplish at the outset in
"T SCHAIKOVSKY has at last become the
has become one of our standard insti-
their voice culture, as if they would make
fashion in Vienna, and observers are
tutions, so to speak, this year is facing a
the impression that they have attained a
noting at the same time a waning of the
rather serious condition of things financially.
proficiency beyond what they possess. The
Brahms cult. Speaking of Robert Fuchs
It appears that for a number of years the
vocal tremolo is an alternate wave above or
(one of the Brahms disciples), Robert
expenses of the festival have averaged over
below the true sustained tone and in effect
Hirschfeld says that since Brahms, the main
$18,000, while the average income was
is really out of tune. Instead of being a
stem, has fallen, the creepers that surrounded
$12,000. This has reduced the reserve fund
graceful accomplishment it is a serious and
him are gradually being ignored, and the
until the present available assets are but
painful defect, and an affected habit which,
paths of modern musical development leave
$1,162. The managers are making an ap-
when once acquired, is very hard to erad-
them behind.
peal to the general public for subscriptions
icate. With the vocal tremolo the true note
to guarantee a festival for this year.
is never sure in pitch and the singer is to
ZELDENRUST "AT HOME."
C DVARI) Z El/DEN RUST, who a year be pitied who is wedded to its use. It does
ORATORIO BANISHED.
or so ago was heard in piano recital not blend with other voices because it ren-
in this country, has been giving a series of ders the voice out of tune and is irritating,
A CCORDING to the London Daily News,
musicales on the invitation of the Queen of both to the other singers and listeners. A pure, **• oratorio now seems practically ban-
Holland at her castle. The programs were steady tone which can be uttered with the ished from central London, although in the
specially selected by the Queen and it is said least amount of breath in the softest pian- younger days of the present generation it
that Zeldenrust excited the intense admira- issimo, and then swelled without a break in flourished at Exeter Hall, St. Martin's Hail,
tion of his sovereign.
returning to pianissimo, is evidence of higher and elsewhere. Of late years, however, it
,•*
culture when this can be done with each tone, has been found that owing to the increasing
The Musical Culture Co., of New York than the artificial oscillation of the vocal fees of principal singers, and the demands
City, has been incorporated in this State with cartilages, which will become weakened by of the choir, who each expect a free seat
a capital of $100,000. The directors are: such constant shakings.
for every performance, oratorio has become
T, H. Barron, J. W. Abraham, of New York,
almost impossible at either St. James' or
and E. W. Proscher, of Brooklyn.
LEMARE TO AUSTRALIA.
Queen's Hall. Sunday oratorio is, of course,
Edwin H. Lemare, the organist now con- on a different footing, but, apart from eight
Suzanne Adams will have a prominent part
in the coming opera season at Covent Gar- nected with the Carnegie Institute, Pittsburg, performances a year at the Albert Hall, cho-
den. She is to sing Aida and the Countess is to give a series of recitals in Australia and ral music now flourishes chiefly in the sub-
New South Wales during July and August. urbs.
in "Nozze di Figaro."
O

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