Music Trade Review

Issue: 1903 Vol. 36 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
T H E 7VYUSIO TRHDE
Eddie Foy is singing "Hamlet Was a Mel-
ancholy Dane" to nine and ten encores night-
ly, and their new song, "I'm a Poor, Un-
lucky Maid" to six and seven encores at
every performance. Another very pretty
number in this production by the same wri-
ters is "Julie," a beautiful ensemble number,
which is sung by Herbert Cawthorne and the
entire chorus.
COLORED SLIDES FOR SONGS.
Colored slides for illustrated songs are a
specialty with certain music publishers, who
have had a varied experience therewith in
furnishing them to the trade. The general
practice of loaning slides to dealers, on the
payment of a deposit to insure their safe-
keeping and ultimate return, appears to be
of doubtful expediency. Of course, the judi-
cious placing of the slides in the smaller cities
and leading towns of the country has been
calculated to stimulate the sale of the
songs, but several firms who employ an ef-
fective "follow up" system have come to the
conclusion that the results are not commen-
surate with the expenditure.
One of the leading publishers, who was
importuned by a dealer this week for a set
of slides, illustrating a reigning success, on
the deposit basis, was firmly but emphatically
refused by the manager. In declining to
make a deal of this kind he said: "We have
tried the loaning-out plan for a longer time
than we should, considering the returns.
Now we have adopted a rule, to which we
will rigidly adhere, and that is, selling the
slides outright, and free from all restrictions.
A set of slides cost us $i I to $12, and we will
sell a duplicate to anyone for $5, in that way
dividing the expense, and the buyer can do
as he pleases with them.
"Our stock of slides approximates 50,000,
representing a capital of $30,000 at least,
and our past experience in allowing them to
be circulated in the trade on the deposit plan
demonstrated one thing only, and that was
we must be in business for our health. As
a matter of fact, we are not, and having
woke up at last, we do business on a clean
sale basis. We have selected, at various times
49
REVIEW
in the past, what we considered good live
towns and placed the slides with progressive
dealers, believing our sales of the songs
would be assisted greatly. But we fell down
every time, and the stock came back crip-
pled besides. At least one hundred copies of
a song should be sold in a town in which
the slides are displayed, but seldom more
than twenty-five was the record.
"Now we make a straight sale, giving the
trade and the profession the fifty per cent,
discount, all others paying the top price. If
other houses believe the deposit requirement
a sufficient guarantee for their outlay they
are welcome to the business, and we will
cheerfully recommend them to applicants of
this kind. None of it in ours, however, no
matter what the representations may be. We
propose having returns for our invested cap-
ital, and the circulation of illustrated song
slides on the deposit system is a back num-
ber with us, as it means a loss, and that we
won't stand for."
young man, has already done some notable
work, particularly in his compositions for
the Boston Cadet's musical performances.
The new comedy overflows with origin-
ality and is full of a truly American atmos-
phere, as may be surmised from the titles
of the songs which are expected to be the
popular numbers: "My Alamo Love," "A
Cow Boy is a Fascinating Devil,' "The Sol-
diers," a Chinese "Washing Song," "I'm a
Peaceable Party," "The Texas Rangers,"
"The Gibson Girls," "I'm a Gay Lothario"
NOTES FROM PEERLESS PUB. CO.
"Beneath the Stars and Stripes," the new
soldier march song published by Peerless
Publishing Co., was a cyclonic success in his
news act, says J. Aldrich Libbey.
Three and four encores for "You Are Not
the Girl I Loved Long Ago" is nothing un-
usual, writes Morris Haswell to the Peerless
Publishing Co. He is also singing "My Bes-
sie's Wedding Day" with equal results in the
Laura Davis Stock Company.
"Dance Grotesque," by A. H. Mangold is
such a dainty, catchy little instrumental num-
ber that it calls forth a spontaneous recogni-
tion by the audience, and request for a re-
peat is the result.
RICHARD CARLE.
and "The Tenderfoot Dance." There are
also a number of love songs and ballads
which possess to a remarkable degree that
element denominated "catchy;" among these
are "Love is Elusive," "Adois," "Sweet-
hearts and Wives." "The Tenderfoot" is
one of the six big musical comedy produc-
tions scheduled for a run in Chicago this
summer, all of which are published by the
house of M. Witmark & Sons.
AN EXPENSIVE CAB RIDE.
Gustave Luders after seeing his "Prince
RICHARD CARLE.
of Pilsen" started on a long and prosperous
Herewith is the first photograph of Richard
run at the Broadway Theatre, set sail for
Carle in the title role of "The Tenderfoot,"
Europe last week in order to recuperate from
a musical comedy which will be produced in
the work and nervous excitement incidental
Chicago this month. This new piece is the
to the success of a great musical production.
result of the joint efforts of Mr. Carle and
Isidore Witmark, the publisher, and Henry
H. L. Heartz, and we may confidently ex-
W. Savage, the producer of the opera, both
pect great results from the collaboration of
being remarkably busy men, started from
these talented men. Mr. Heartz, although a
their offices at the very last moment to go to
the steamer to bid the composer good-bye.
Publisher of SMITH & K E R K E R ' S New Opera
The consequence was that when they ar-
" The Billionaire."
rived at the pier only a few moments before
" Pinky Panky Poo."
sailing time, they found that they could not
"
I'll
be
your
Ralnbeau."
Cor. Broadway & 37th St.
"Sammy" (the hit of "The Wizard of Oz. w )
go
through the gates without a pass. In
'•There's Nobody Just like You."
"The Spirit of '76."
New York
vain
they explained and exhorted and tried
"If you Can't be a Bell-Cow, fall In behind.'
to impress the official on guard with the fact
that they were important enough to make
A GREAT INSTRUMENTAL HIT
BRENTON-BAGLEY
the gates fall down of themselves. It was
MUSIC PUB. COMPANY
"no go," and they had about given up hope
129 PEMBROKE ST.
when Isidore Witmark suddenly achieved
By E. E. B AG L E Y
jt j * BOSTON jt j t
ARRANGED FOR FULL ORCHESTRA.
one of his luminous ideas.
Telephone 619-3 Tremont.
SEND FOR CATALOGUE
"A cab!" he exclaimed. Mr. Savage was
not long in grasping the idea. They hailed
SOL BLOOM
Dance ^ Bumblebees
Shapiro, Bernstein,
& Company,
MUSIC PUBLISHERS,
45 W. 28th ST.,
NEW YORK.
The Crown Music Co.
THEIR
NEW YORK.
PRODUCTIONS
"I'll Wed You in the Qolden Summer Time."
'There'* Mualc In The Air.'
"fir. Dooley."
"When the Sun Goes Down."
"1 Want to Be the Villain in The Show."
<' Remembrance.''
TO THE TRADE!!!
We can supply you with anything pub-
lished. Send for our monthly list of
Wholesale Music Dealers
12 East 17th Street,
LATEST
B
A R G A I N SM!
TERRIFIC SUCCESS
"JSffl&W
"While thefloon Shines Bright,"
By Howard Emerson and Stonehlll.
Originally restricted for the Chicago production,
" The Paraders;" also sung in the "Little Host,"
and by the leading singing artists of the profession.
DO NOT FAIL TO ORDER :
" WHILE THE SMOOSNL SHINES
BRIGHT,"
BY HOWARD EMERSON AND STONEHILL.
M. WITMARK * 5 0 N S ,
Now York
Wltmark Build In *«,
London
Chic***
San Francfoco
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
50
THE
7VTUSIC T R K D E
A song will live in proportion to the programs Paul Ruben's "Kunnin Kaffirs"
amount of undying sentiment it contains. two-step.
Jacques Lyons is in the extreme Northwest
"There'll Be One Vacant Chair" and "Then
You'll Remember Me" are still favorites, and is effectively using Roden and Witt's
while "In the Gloaming" and "Warrior "While the Convent Bells Were Ringing."
Bold" were long since buried because they
Cole and Johnson scored heavily at the
were not so close to the human heart. "Her Haymarket Theatre, Chicago, where they
Golden Hair Was Hanging Down Her Back" were the headliners. Their repertoire is made
and "Nancy Brown," another version of the up of their own compositions and included
same sentiment, are recognized as descrip- "Under the Bamboo Tree," "Nobody's Look-
tive lyrics of a type more or less well-known. in' But the Owl and the Moon" and "Mandy,
George Ade's "R-e-m-o-r-s-e" has caught the Won't You Let Me Be Your Beau?"
SOME STAGE SONG HITS.
fancy because it is a satire with a moral on
IDA MAY.
Another "batch" of "popular songs has the too free indulgence in an American drink
One
of
the
cleverest
juvenile singing and
come to town, and again is the question and may hold its place on the list of "p°P~
dancing
acts
now
on
the
stage is that of Lit-
raised as to what constitutes "popularity" in ular" songs as long as there are people who
tle
Ida
May,
whose
picture
appears herewith.
the song market. It is interesting to note understand what it is to get up "the morn-
Not
yet
in
her
"teens,"
Miss
May has played
the passing seasons of "popular" songs, if ing after" with an aching head and a regret
many
important
parts
in
dramatic
produc-
for no other reason than that the seasons do for a night's folly.
tions.
She
is
at
present
with
the
Daniel
R.
pass, thanks to the ever-changing American
The most "popular" coon song lives but
taste.
a few months. Like the "coon" pictures on
It is not always easy to explain why one
the funny page, it is only briefly diverting.
song becomes "popular" while others fail to
The reason for this perhaps is that they, like
do so, but it requires no great mental effort
their subjects, all look or rather sound alike.
to decide which songs are "popular" after
they have made a "hit." It would be too
WHAT THEY ARE SINGING.
much to say that the success of a song now-
The annual entertainment of the Journal-
adays is entirely dependent upon its music. ists' Club is at all times a most enjoyable oc-
If a number has a swinging tune, easily re- casion, this year particularly so, and the vo-
membered, its chances for success are in- cal program included "Call a Cab and Send
creased, to be sure, but many other things Me Home," sung by the composer, Jean
enter into the question. A new method of Havez; "When It's All Goin' Out and Noth-
singing the song, a bit of business on the in' Comin' In," by Williams and Walker,
part of the actor serving to emphasize the and "Mandy, Won't You Let Me Be Your
points of the words sung, or a novel dance Beau?" by Cole and Johnson Bros.
accompanying the music, are frequently fac-
Two well-known ballads are introduced in
tors that serve to win success for a number the Egyptian spectacle "A Prince of Egypt"
that in a musical way would probably not which is now being produced in the larger
have scored at all. The words of the aver- cities of Michigan; these are George Rosey's
age popular song "hit"—of course with some "Maybe" and Horwitz and Bowers' "No One
exceptions—are not such as to commend But You."
themselves to literature. Indeed, some of
Johnnie Carroll made a big hit last week
the great favorites of the past have been so at the Grand Opera House, Indianapolis,
lacking in anything that approached intelli- with Heelan and Helf's new waltz song en-
gent ideas that one could but wonder at their titled "Since Sally Left Our Alley." Mr.
acceptance by an over-indulgent public.
Carroll is at the Columbia Theatre, Cincin-
Recently at a session of the Aschenbroe- nati, this week.
del, the musicians' union, the subject of pop-
The Engstrom Sisters are making a big
ular songs came up for discussion, and after hit at Pastor's this week with J. Fred Helf's Ryan Co., where she introduces her specialty
going over the successes for the past thirty "I'll Be Your Rain Beau."
nightly to numerous encores. Her songs are
years it was agreed that modern song writers
The Bates Musical Trio have added to always of the highest standard, including
were no better than the old.
their beautiful musical act Heelan and Helf's Jerome and Schwartz's "The Gambling Man,"
What then, constitutes success? After all, waltz song, "Since Sally Left Our Alley."
"Susie Anna," "Why Don't You Go-Go-
it is not difficult to analyze. Those songs
Jerome Sykes has found a treasure in the Go?" and "Just Kiss Yourself Good-bye."
that have enduring worth are the ones that topical song by Ed. P. Moran and Seymour Published by Shapiro, Bernstein & Co.
come nearest the human heart. First in favor Furth called "In the Lives of Famous Men."
SINGING HELFS SUCCESS.
are the patriotic ballads. National hymns
Kelly and Violette are among the best that
Cooper
and Bailey, the clever sister team,
never die. "Marching Through Georgia," have come from the West and are enhancing
have
added
to their repertoire J. Fred Helf's
"Dixie Land" or "The Star Spangled Ban- their reputation wherever and whenever they
great
coon
song "If You Can't Be a Bell
ner" have never been more widely sung or sing Cole and Johnson Bros. "Nobody's
Cow
Fall
in
Behind" and Miss Clarice Vance
whistled than was "Shoo Flv," but the lat- Lookin' But the Owl and the Moon."
is
duplicating
her success with the same song
ter is forgotten these twenty years, while
Leon Fairbrother, chef d'orchestre of the
at
the
Bon
Ton
Theatre, Jersey City, this
its contemporaries still appeal.
Castle Square Theatre, Boston, frequently
week.
an intelligent looking cabby, explained the
matter to him, and entered the vehicle. The
cabby whipped up his horse and drove
around the block at a rattling rate in order
to get up steam, and then, shouting and ges-
ticulating, drove the two schemers aboard
the pier as though they were belated passen-
gers. It was "Two dollars, sir," but they
thought it was worth it as they grasped
Herr Luders' glad hand and wished him
bon voyage.
George m. Krty
WATCH 'KM
4 9 3 WASHINGTON STREET
BOSTON
1»2-19A E. MADISON 8T.
CHICAGO
•NEVER TO MEET AGAIN"
»MY MISSISSIPPI SUE"
••SHOW ME THE WAY TO OET HOME"
"THE BROKEN VOW"
1364
BROADWAY
NEW
YORK
ROBERT TELLER SONS & DORNER,
LITHOGRAPHERS, MUSIC ENGRAVERS AND PRINTERS.
Miulc TitlM by all P
224-232 W. 26th St., NEW YORK.
•Separate Numbers and Scores
of the following

C o m i c
O p e r a
and
Musical
: : : Comedy
S u c c e s s e s
: : :
"THE
JEWEL OF ASIA"—By Frederic Ranken, Harry
B. Smith and Ludwig Englander.
"NANCY BROWN"—By Frederic Ranken and" Henry
K. Hadley.
"THE nOCKINd BIRD"—By Sidney Rosenfeld and A.
Baldwin Sloane.
•SALLY IN OUR ALLEY"—By Geo. V. Hobart and
Ludwig Englander.
"THE WILD ROSE"—By Harry B. Smith and Ludwig
Englander.
p«MM»«Jb, J O S . W . STERN & CO.
34 East 21st Street
NEW YORK
CHICAGO
LOHDOS
SAN FRANCISCO

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