Music Trade Review

Issue: 1903 Vol. 36 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
VOL.
«®»I\LT1L""
XXXV1. No. 14.
P H i M Erery Sat. by Eivart Lyman Bill at 1 Madison Are., New Tort April 4.1903.
A FAMOUS BOSTON TEACHER.
A MONG other rare and valuable treas-
**• ures in an educational way Boston has
within its walls a vocal teacher in the person
of Mme. Etta Edwards, whose results are felt
not only in that city of culture, but through
those sections from where she has been at-
tracting pupils, and it is safe to say that this
is from all over the country. It is not sur-
prising that Mme. Edwards is a strong at-
traction to those who are hungering for the
sort of instruction that will enable them to
sing, for with exquisite voices by nature and
a strong musical sense besides, most stu-
dents never accomplish what they hope for.
Part of this is due to defective teaching,
but as much is caused by the attitude that
pupils take because they cannot see things
from the point of view of the teacher.
Perhaps as much success has come to
Mme. Edwards through her relation with
the pupil's mind as in any other way, for
her personality is one of her most power-
ful attributes. She is untiring in her ef-
forts for her pupils and she has not been un-
rewarded, for she has in her class those who
having trusted blindly and implicitly to her
have achieved what was expected of them.
Mme. Edwards' latest enterprise for her
pupils was the establishment of a school of
opera with Signor Vianesi of New York,
who visits Boston weekly. The results have
been far beyond expectation. At the first
recital the enthusiasm was intense and well
deserved. The next public manifestations
will be held shortly and it will be noted that
Mme. Edwards never relinquishes her own
hold upon the work of her pupils, but, in
addition to that of the operatic master, her
influence and control are obvious.
Mme. Edwards combines powers which
are rarely all found in one person. She is,
above all, able to place the voice correctly,
and this is the base of her success, for this
alone was her aim until she brought pupils
to such a point that she was not afraid to
let them sing. Besides this she is a thorough
musician and the interpretative side is exqui-
site to a degree which is not possible to one
who is not.
In this way she herself is able to carry her
pupils to a height far beyond the power of
those teachers who must stop when the vocal
training is at an end and the coaching must
begin. The diction, style and finish which
she is able to impart are to be seen in some
of the pupils who have studied with Mme.
Edwards for several years. Among these
are Miss Helene Wetmore, a superb dramatic
soprano with much talent for the opera, Mrs.
Louise Ainsworth-Drew, who is one of the
most charming contraltos of Boston, Miss
Edith Ellsbree, whose soprano leggiero and
dainty style have made her desirable on all
concert platforms, Mrs. Frederic Martin,
whose steady growth is noticeable at every
public appearance, and many others need
only to be heard to show that Mme. Edwards
has charge of them, and owing to the size
of her classes, they are fortunate, indeed,
who are able to enroll themselves as her pu-
pils. An excellent portrait of Mme. Ed-
wards appears on the cover page of this issue.
Jt
P1TTSBURG ORCHESTRA'S GOOD SEASON.
T"* HE Pittsburg Orchestra, under the direc-
tion of Victor Herbert, closed its
eighth .season the Qther day with a record of
thirty-six concerts given in the home series
and twenty-nine out of town. There has been
a reduction in the amount of deficit, as com-
pared with last year. In fact, such a rare
thing as a surplus may result. The course
of the management in putting a uniform low
price upon all the open matinee seats has re-
sulted, it is said, in greatly increased public
interest in the concerts. The list of compo-
sitions performed is a long and interesting
one, including many novelties.
PARRY'S NEW CANTATA.
T"" 1 HE new cantata specially written for the
Royal Choral Society of London by
Sir Hubert Parry, is scheduled for produc-
tion at the last performance of the season
at Albert Hall. The work is entitled "War
and Peace," and there are three massive
choruses including a very fine dirge. As
may be judged from the title, the work is
written around the Boer-British War. Those
who were privileged to attend rehearsals of
the work speak in the most flattering terms
of Mr. Parry's labors.
THE THIRD BIENNIAL FESTIVAL
'T'HE third biennial festival and conven-
* tion of the National Feredation of Mu-
sical Clubs will be held in Rochester on
May 19-22. There will be about 130 clubs
represented, the delegates coming from all
parts of the country, including every State
in the United States. Besides the business
meetings and discussions, there will be con-
certs on the first three days, two by repre-
sentatives of the Federated Clubs, one by
the Tuesday Musical Chorus, and one by the
American Symphony Orchestra of New York.
European critics have come to the con-
clusion that Fritz Kreisler is the first of con-
temporary interpreters of the violin music
of Bach.
SINGLE COPIES, to CENTS.
$2.00 PER YEAR.
SIX NEW WORKS IN FIVE YEARS.
RING the five years which Maurice
Grau has held sway over the Metro-
politan Opera House, the following new op-
eras were performed for the first time in
America under his direction: Mancinelli'?
"Ero e Leandro," Puccini's "Tosca," Reyer's
"Salammbo," De Lara's "Messaline," Pade-
rewski's "Manru" and Miss Smyth's "Der
Wald." The revivals were Donizetti's "Don
Pasquale" and "La Fille du Regiment,"
Verdi's "Otello" (which had not been heard
since the season of 1894-95), "Ernani" and
"Un Ballo in Maschera," "La Boheme,"
which was new to the Metropolitan, though
it had been heard previously in New York,
and Mozart's "II Flauto Magico."
Under Mr. Grau's sole management the
following singers have come to the Metro-
politan Opera House: Mmes. Sembrich,
Schuman-Heink, H o m e r , Kirkby-Lunn,
Scheff, Breval and Saville, Messrs. Alvarez,
Van Dyck, Saleza, Van Rooy, Albers, Dip-
pel, Scotti, Gilibert, Journet, Reiss, Pini-
Corsi, Bertram, Blass, De Marchi, Anthes
and Burgstaller. With the exception of Mme.
Sembrich, Mr. Dippel and Mr. de Marchi,
these artists were all new to the American
public.
IN TROUBLE AGAIN.
I T appears that the French grand opera
that has for years been one of the insti-
tutions of New Orleans has fallen into dif-
ficulties again, as it not infrequently has of
late years. The manager has abandoned ilie
enterprise before the time announced for the
close of the season, and arrangements had
to be made for paying the singers and or-
chestral players and providing for their re-
turn to France. Changing conditions of
New Orleans society, the gradual extinction
of the old French element that has supported
the only regular establishment for the per-
formance of grand opera outside of New
York, has left it without its former guaran-
tee of success. This is to be regretted as the
operatic seasons in New Orleans have been
very helpful in stimulating a greater love
for music and a greater desire to enjoy the
best.
BEN DAVIES HERE FOR A TOUR.
D E N DAVIES, a noted English vocalist,
*"^ arrived here Saturday on the "Cam-
pania." He comes to America for a six weeks'
tour. He will appear twice in Montreal,
twice in Toronto, and once in each Canadian
town in which the English Festival is held.
He will also be heard in some of the larger
cities of the United States.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
7UTVSIC TRKDE
REVIEW
Huss, MacDowell, Loeffler and Kelley, have
made
it impossible to ignore the power of
TIMELY TALKS ON TIMELY TOPICS.
the American pen.
One might well ask—is it worth the strug-
HP HE melancholy days have come—the sad- versary of the death of the great Wagnerian
gle?
Very little is worth a struggle, but
* dest of the year. Not autumn days, exponent. It was a presentation worth re-
these
men
have not struggled, they have writ-
indeed, but the farewell to the opera and its membering, and it was a good explanation
ten
because
music was as natural to them as
contingent of artists. And this has been without words of the cause of the tremendous
breath
is
to
most
people, and they have taken
a wonderful season for society. Tt has also popularity of Frank Damrosch, who is closer
their
pleasure
out
of the music itself. That
been a good season for those in the shoe to the people of New York than any other
other
people
have
taken pleasure out of
business, for there is nothing harder upon musician.
But to know Mr. Damrosch is to under- their achievements is proven by the fact that
shoes than standing, and that has been the
chief occupation of most of the students who stand this. His personality is more truly these names are no longer obscure; they are
felt that these days and nights were too pre- translated in his music than is that of any known wherever music is heard.
The songs of the day show the advance of
other musician before the public. His earn-
cious to be lost.
the
American perhaps more than any other
Opera in America has not yet reached its estness is of that sort that effaces all barriers,
side
of the art, as the average ballad is well
mission. Socially it is quite the most bril- that overcomes all obstacles because of the
written
and acceptable all over the English-
liant thing conceivable, and artistically as purity of his motives. There is a note in
speaking
countries. Indeed, the American
well; but educationally it is a failure. Those the music of Mr. Damrosch that is unique.
ballad
compares
favorably with the ballad
who need it cannot enjoy it, and those who This note is of more value than virtuosity
of
any
and
every
other country, and that
attend are for the most part more interested of any description, or brilliancy of any lus-
this
is
the
case
it
is
only necessary to real-
in the social end of it than they are in the tre. It is the note that reaches the people
ize
that
there
is
scarcely
a program where
because the sympathy is not one brought on
artistic.
there
is
not
at
least
one,
if not an entire
through love for music—it is deeper, it is
Thus ends the Grau regime. What the greater, it is the acme of nobility. It is the group of American songs. The American
future holds cannot even be surmised. Mr. reflection in his music of his contact with is no longer "coining on." He has come.
Conried has his views, and they are expen- the people, of his labors and his understand-
The slowness of some cities! This time
sive ones. His desire and even intention to ing of their joys and their sorrows, and of
it
is
not Philadelphia, but actually New York,
give "Parsifal" will be surrounded with in- all that which can only come with a life oi
and
Boston, and Chicago, and every place
terest. He shows at least the determination work in the interests of the people who ii
but
Philadelphia,
where Fritz Scheel—he who
to overcome all obstacles, even the will of a return for what he gives to them, stamp them-
recently
won
New
York into the appreciation
woman; as Mme. Cosima Liszt Von Biilow selves upon his life and bring out of it what
of
his
great
skill
as
conductor—resides and
Wagner will stand upon all her prerogatives is the noblest and the highest thought in man.
conducts
a
fine
orchestra.
He actually un-
•to prevent such a tragedy as an American
dertook
to
give
the
nine
immortal
symphon-
The presentation of Elgar's "Dream of
production of "Parsifal." But it can hardly
ies
of
the
immortal
Beethoven,
and
they met
be doubted that the Wagnerian operas will Gerontius" by Frank Damrosch with his
with
fullest
appreciation.
The
series
were
receive most tender and sympathetic treat- Oratorio Society, assisted by the Musical Art
ment at the hands of Mr. Conried, as he is Society, also of Mr. Damrosch's creation, preceded with an analytical program talked
a German and the German theatre is to him was one of the greatest musical triumphs instead of written by H. E. Krehbiel, who is
an open book and one that he has success- ever achieved in New York. The choral one of the most delightful lecturers upon
work was as near perfection as it is possible musical topics that I have ever heard. He
fully read to others.
to conceive anything in the way of music. present "Beethoven and His Symphonies,"
When German opera is the topic at this Not only did it serve to stamp Elgar as one and it was a literary and educational treat
particular time of the year, some of us never of the greatest men of the day, but it made that would not be easily surpassed.
fail to pay a mental tribute to one who will it apparent that Mr. Damrosch stands on a
The ninth, or rather choral symphony,
forever stand at the head of Wagnerian plane of dazzling height. Ellison van Hoose, was given on the seventy-seventh anniver-
opera in America. I have said before—and who sang the intensely difficult part of Geron- sary of the great composer's death. The
I must ever say—that it is not possible to tius, and later of his soul, deserves no end Mendelssohn Club assisted in the presenta-
estimate the power that was wielded by that of praise as it was a great achievement. Ada tion and the soloists were selected from the
great and dearly loved man—Anton Seidl.
Crossley has a beautiful voice but she seemec! Philadelphians. •
Whatever we have come to look upon as to be suffering from a severe cold, and Bisp-
A Beethoven festival will be given in Lon-
tradition we learned to know from him who ham—well, what is left to say of this great don beginning May 16 and ending May 25.
exuded it from his brain and from his heart artist except that he was in perfect condi- The symphonies will be done in chronologi-
as well. When Seidl died March 28, 1898, lie tion and sang as he always does—nobly.
cal order by one hundred musicians under
left behind him an understanding of the great
Weingartner, who will appear as pianist as
Now that the day of the foreign artist is also conductor. Besides the symphonies the
Wagner, who had been as a closed book to
closing
for the season, the American is com- Triple Concerto, Op. 56, the Septet and the
the people. It is not often within one man's
ing
into
his own, and with the material that song cycle "An die Entfernte" will be given.
power to be to a nation what Anton Seidl
is
to
be
found it will not be many decades
was to America. Teacher, as only one who
An artist should be immune from the
before
the
American may hope to be heard
knew and loved as he knew and loved the
ravages
of the grippe, but alas! he is not
from
early
and
late.
work, who could interpret and interest as
—at
least
Gabrilowitsch was not. He suc-
Henry
Hadley
takes
the
matter
very
sen-
he interpreted and interested; example, as
cumbed
to
its influences and it cost him a
sibly,
in
a
way;
he
is
able
to
write
sym-
only one who is a model of sincerity and self-
pretty
number
of engagements. Boston,
phonies
and
he
is
able
to
win
prizes
out
of
abnegation in service to his art; director,
Washington,
New
York, Chicago, Buffalo,
his
efforts,
but
at
best
symphonies
never
as only possible to one as close to the foun-
all
have
had
to
forego
the pleasure of hear-
made
fortunes
for
any
man,
and
light
opera
tain head as he was to Wagner—he stood
ing
this
charming
and
altogether
fascinating
has
brought
both
gold
and
fame,
vide
De
alone. It will always remain a privilege to
artist.
But
he
has
been
persuaded
to rest
have known such a character in the history Koven's "Robin Hood." And Henry Had-
long
enough
to
regain
his
strength
and
he
of America's music. It will always remain ley's "Nancy Brown" will assuredly add ma-
will
be
ready
to
play
in
Buffalo
April
9,
and
a grief to those who knew him closely, for terially to his bank account while it will not
Chicago April 12, after which he will play
not alone his personality is missing from the detract from his prestige.
in St. Paul and then back to us in the East,
routine of musical life, but they alone can
A rare delight it was to hear Arthur
who
are waiting patiently.
understand what influence has been removed Foote in his own quartet last week, and Park-
Emilie Frances Bauer.
from the musical life' of our country.
er, too, played his own music in New York.
Study music in order to beautify your own
A peculiar coincidence was the presenta- It is very certain that these musicians must
tion of the beautiful Wagnerian program by feel satisfaction in their achievements, for heart, and beautify your own heart in order
Frank Damrosch last Saturday—the anni- they with three or four others, incidentally to make this world more beautiful to others.

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