Music Trade Review

Issue: 1903 Vol. 36 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
age of the teachers not only fail to teach
anything, but often spoil talent."
Not long ago, to cite another example
showing American simplicity in such mat-
ters, a well-known German singing profes-
sor told two of his American students, Chi-
cago young women, to shove small steel
rods down their throats three or four times
a day to enable them to procure a desirable
tone quality. The result is that throat spe-
cialists now find their vocal chords lacerated,
and all hopes of an artistic career ruined.
In Italy much of the vocal instruction is
as foolish, if not so surgical. Music study
in Europe is like mining in the West. Where
one is successful the ruined hopes of hun-
dreds weight the other side of the balance.
Paris is regarded as the center of vocal
art nowadays, and yet many an American
voice goes there to be ruined. And this pro-
cess is not confined to third-rate teachers.
A recent writer says in Paris and the prov-
inces of France there is a tacit understanding
among managers that there is no use giv-
ing an audition to pupils of three different
teachers, whose names are, perhaps, the most
familiar in America. Medical throat special-
ists in Paris have named a certain throat
trouble "the
throat," thus honoring one
of these teachers because this teacher's meth-
od produces that trouble in numerous cases.
TRKDE.REVIEW
ONE OF BROOKLYN'S CLEVER MUSICIANS.
A MONG the many prominent musicians
^*- who have done so much to make Brook-
lyn the musical center it is may be counted
Prof. Charles A. Brown, organist and choir-
master of the Union Baptist Church in that
borough. Mr. Brown is a graduate of the
Pennsylvania University and has a large fol-
lowing in Brooklyn as a teacher of piano,
organ and harmony. His studio is at i n
Kent street, and he is widely known for his
conscientious, thorough work.
An interesting event at the church of
j*
DEPARTMENT STORE CONCERTS.
HP H E department store concerts are a god-
send to many of the smaller musicians.
CHAS. ANDREW BROWN.
With almost daily concerts in the large stores
there is a much larger demand for singers which Mr. Brown is organist occurred on
than there ever was before. So, many a mu- Sunday evening, Dec.. 21, when the sacred
sician who struggled hard for engagements cantata, "Shiloh," was sung by a chorus of
before the new departure in these stores twenty voices. The soprano soloist was
now finds his talents in demand at a fair Mrs. Marie Boyce Mooney, whose solos,
"Lullaby" and "The Old Story" were most
compensation.
In this field, at least, the concert singer delightfully rendered. Mrs. Mooney im-
finds that he is free from the competition bued her numbers with rare feeling and
of the foreign artists brought here to sing much individual charm and helped to make
in the opera. None of them is likely to be the affair the great success it was. Agree-
heard in the department stores, says the able to many requests Mr. Brown has con-
writer on musical topics in The Sun. Soon sented to repeat the cantata some evening
after Maurice Grau's return to this country this month.
last fall the demand for the opera singers
GOOD NEWS FROM WORCESTER.
began.. First Mme. Sembrich was asked to
T" H E lack of interest in the last Worcester
sing in one of these concerts, then Mme.
festival was such and the resulting de-
Schumann-Heink and later MM. Campa-
ficit so large that the discontinuance of these
nari and Bispham.
time-honored functions was seriously consid-
Mr. Grau settled the matter by ruling
ered. Some of the public-spirited citizens
that none of the singers in his company should
of the town have now come together, how-
take part in free concerts. Virtually, Mr.
ever, to put the festival on an assured basis
Grau is willing for them to appear wher-
by means of a guarantee fund. The most
ever their services are desired so long as a
pleasing feature of the meeting at which
sufficient sum is paid and the opera com-
this step was taken, according to The Wor-
pany receives its commission. But he
cester Spy, was the fact that it was decided
thought the opportunity to hear his singers
not in any way to change the nature of the
gratuitously in a department store might
selections or alter the quality of the music
have its effect even on the audiences at the
performed with any idea of "popularizing"
Metropolitan.
the festivals..
j*
A NEW VIOLINIST STAR.
JOACHIM and all other great musicians
^
of Berlin promise this week a new vio-
linist star of the Kubelik order, named Karl
Klinger. He will appear under the same
auspices as Kubelik did when he went forth
to astonish the world. Klinger is Kubelik's
£qual in technique and his superior in spirit,
WILL IT BE ANOTHER FAREWELL TOUR?
I N view of the oft-repeated talk "going
the rounds" about Patti, it was not en*
tirely out of place for Daniel Frohman to
deny that he has any idea of bringing Ade-
lina Patti to this country next year for a
farewell tour. As a matter of fact his mu-
sical energies will next year be occupied
with the tour of Jan Kubelik, who is to
fiddle his way as far as San Francisco. But
Mme. Patti would not be in the least averse
to making such a trip to this country,. Last
summer her youthful Swedish husband, who
is scarcely half her age, came in great haste
to the office of an American manager in
London. Baron Cedarstrom was plainly
laboring under great excitement until he was
a*ble to announce that he had thought of the
great scheme of having his wife return to
this country and sing for a season in con-
cert, "and we would announce this visit as
a 'farewell tour,' " he said, with evident de-
light at the originality of the idea.
The manager looked at the youthful hus-
band, and then seemed lost for a minute in
computation. "I was going to say," he re-
plied, "that your wife must have made her
first farewell tour of the United States be-
fore you were born, but that would have
been an exaggeration. But it must have
been while you were learning your letters
in Sweden. So you see, the plan's not al-
together original."
TO GIVE AN EDUCATIONAL COUR5E.
T"" 1 H E Philadelphia Orchestra, with its sym-
phony concerts in Philadelphia and the
surrounding cities and a series of "popular
concerts" devoted to popular music, has de-
termined to give a "Young People's Edu-
cational Course" of five lectures and five
concerts, all in Philadelphia. This is one
of the many movements toward the estab-
lishment of a musical public which will give
the organization its patronage,.
The course which has been determined
upon consists of a series of five primary lec-
tures, illustrated by the orchestra playing
appropriate demonstrations. The first will
be by W. J. Henderson on the subject of
"The Orchestra and Its Instruments"; the
second by William F. Aptorp, on the sub-
ject of "Old and Modern Orchestration";
the third by Louis C. Elson on the subject of
"Wagner's Theories and Wagner's Music";
the fourth by Dr. Hugh A. Clark, professor
of music in the University of Pennsylvania,
on the subject of "Form," and the fifth and
concluding one by H. E. Krehbiel on the
subject of "Beethoven."
JI
MME. MELBA CONCERT.
T T is a long way to October, but that is the
time scheduled for the appearance of
Mme. Melba in a concert tour of this coun-
try. Melba has cancelled her engagement
PEOPLE'SSYMPHONYCONCERTS INCORPORATE. for Covent Garden in June and will remain
A RTICLES of incorporation of the Peo- with her father in Melbourne, her native city,
* * pie's Symphony Concerts of New York until s'he sails for this country.
City were filed on Monday with the Secre-
Jl
tary of State. The objects are to provide
Helen Henschel will sing the soprano part
musical entertainment and instruction to the in her father, Georg Henschel's "Requiem"
public and to encourage and develop the here in New York on the evening of Feb.
study of and taste for music.
26, its first performance in New York,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
s
THE
ONE OF OUR FOREMOST CONTRALTOS.
RS, [SABELLE BOUTON is slowly
but surely coming to the front as one
of our foremost contralto singers. She is
enjoying a most prosperous and successful
season, winning new successes with every
appearance. Her singing at the Arion Club
concert on Sunday evening, Dec. 14, was
one of her latest successful engagements.
She has been re-engaged for the next sea-
son's Maine, New Hampshire and Vermont
festivals. She is also to sing, later in the
7VTWSIC TRHDE
REVIEW
ly, and while his work often is tremendously
difficult and original, and daring in mode
and manner, yet he knows what he asks of
the player, and he never asks what is im-
possible or what will not sound."

POETRY AND POVERTY.
1 S there not something very melancholy in
* the connection which has existed so long
—almost from the creation of man—between
"the breath and finer spirit of all knowledge,"
poetry and poverty? asks Prof. Wm. Math-
ews. Is it not sad to think the practitioners
of this divine art which, as Bacon so finely
says, "doth rise and erect the mind by sub-
mitting the shows of things to the desires
of the mind"—which does more than wine
was ever said to do to brighten man's coun-
tenance and gladden his heart, which gives
him wings and lifts him out of the dust arid
noise" and fret of Earth—should be so gen-
erally steeped in penury? Is it not hard
enough that aside from this source of misery,
the bards who cheer our pilgrimage by their
songs are by their very natures more sensi-
tive than other men to the pricks and stings
which all mortals must encounter—that
"The
hearts that are soonest awake to the
flowers
Are always the first to be pierced by the
thorns?"
MRS.
ISABELLA BOUTON.
winter, at a performance of "Lohengrin" to
be given in concert form, at Providence,
under Jules Jordan, and at the first perform-
ance in this city of Hcnschel's "Requiem"
to be given here on Feb. 26.
je
THEODORE THOMAS ON ELGAR.
"THEODORE THOMAS is a great ad-
mirer of Edward Elgar, the English
composer. When asked recently what he
thought of this writer, he said:
"There is not a composer now prominent
who is so well equipped, so able as he! Not
one in all Europe!"
"Greater than Richard Strauss ?"
"Strauss is a specialist, and as such may
be regarded as standing by himself, but El-
gar has abilities that make him the superior
as an orchestral writer of any man the
world knows now, or ever has known, for
that matter.
"Elgar, you see, is, first of all, a violinist,
and everything that he has written is so
marked that there is absolutely no doubt left
as to how it should be bowed or phrased.
He understands all the other instruments of
the orchestra equally as well, and the result is
everything 'lies well' for the instrument and
is sure to sound as it should. Brahms left
everything to the executant, and even in
Wagner there is always room for difference of
opinion as to what the phrasing and bowing
should be, but Elgar always indicates exact-
It is true a few songsters—Pope, Tenny-
son, Whittier, and others—have won an in-
dependence by their lyres, but they are ex-
ceptions to an almost universal rule. To go
back to the earliest bards—Homer, the blind
old man of Scio, wandered, singing for his
bread, from place to place; Dante, driven
from his, had but few dainties; the author
of "The Faerie Queene" was burned out in
winter and lost his spencer; Dryden, though
he toadied to lords and burned incense to
Charles II., passed his last days in little bet-
ter than a dry den; Gay, involved in debt,
often lacked gayety; Goldsmith was often
on the watch for the means of subsistence,
and his jewels were in his writings only;
Burns was as impassioned and as poor as the
northern scalds; Scott earned piles of mon-
ey, yet could not pass his scot, at last; the
author of "The Excursion" never got his
words' worth; Hunt, coveting ease and
tranquility, was often tempest-tossed if not
wrecked on a lee shore; Moore, but for his
pension, might have been exiled to some des-
olate moor. Even Tom Hood, with all his
varied talents, failed to earn a comfortable
livelihood, though his friends urned a lively
Hood after his death. Even our own pop-
ular Longfellow was "short" in early life,
or he would not have accepted the paltry
sums paid him for some of his poetic gems.
The golden age of poets, in which they
are to be blessed with plenty of aurum pota-
bile—gold, that makes the pot boil—is still
in the far future. Yet it is well, many will
think, for the world, though not for the bard,
that is so. Genius must feel intensely be-
fore it can make others feel even superfi-
cially. The great bards are
Cradled into poetry by wrong;
They learn in suffering what they teach in
song."
The songs of those who have never suf-
fered are apt to be works of pure imagin-
ation, or rather of pure phantasy, not the
utterances of a deliriously overburdened soul
speaking to the souls. The goldfinch sings
the more sweetly, it is said, with the hot
needle in its eye; and the hearts of most men
of genius are like the maple tree, which must
' be pierced before it will yield its honeyed
treasures—like flowers that must be crushed
before they will give forth their sweetness..
Had Burns, Byron and Shelley been happy
men we should not to-day be banqueting on
their "nectared sweets"; for "the fullness of
content leaves no room for the sweet and
bitter fancies of an imagination that finds
its hippocrene in the fount of sorrow, whose
source is in the heart, and which can flow
only when touched by the wand of care."
PEOPLE'S SYMPHONY CONCERTS.
A RTHUR MEES will conduct the second
of the People's Symphony Concerts at
Cooper Union on Jan. 13. The orchestra
of fifty will play Weber's overture to "Eu-
ryanthe," Mozart's "Jupiter" symphony, the
waltz from Volkmann's "Serenade," the
march from Raff's "Lenore," and the pre-
lude to Act III. of Wagner's "Lohengrin."
Feilding Roselle, contralto, will sing an aria
from Gliick's "Alceste."
The first concert was given of the series
which have become so well known that they
need no remarks of enlightenment as to the
purpose of this organization. Everyone who
knows of it knows what has been done by
F. X,. Arens and those who made it possi-
ble to carry out his well-laid plans. As is
generally understood, Mr. Arens was com-
pelled to give up the work because of the
duties connected with his own business, and
the conductor of the opening concert was
Herman Hans Wetzler,whowas well received
in his work. W. J. Henderson gave the ex-
planatory notes and said some very interest-
ing things. The soloists were Mrs. Sally
Frothingham Akers and Max Bendix.
MENDELSSOHN AS ORGANIST.
HE Society of Music Lovers in Vienna
has come into possession of a circular
addressed by Mendelssohn, in July, 1840,
to the citizens of Leipsic, announcing an or-
gan recital, to be given by himself, in the
Church of St. Thomas, to raise funds for
a monument to Bach. In the list of sub-
scriptions appended appears the name of
Robert Schumann, who made himself re-
sponsible for about $9. This may not seem
a large sum, but Schumann was about to
get married, and his income was always
small. According to a distinguished author-
ity he probably did not earn as much money
all his life as Sousa gets for one of his
marches in royalties.
ETTA EDWARDS, Vocal
M RS. Boston,
Mass.
Instruction, Steinert Hall
Alt oar instruments contain the full iron frame and
patent tuning pin. The greatest invention in the history
of piano making. Any radical changes in the climate, beat
or dampness, cannot affect the standing in tone of oar ta-
•truments, and therefor* challenge tie world that
*ill excel any oth*&

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