Music Trade Review

Issue: 1902 Vol. 34 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MME. ETTA EDWARDS' RECITALS.
A S is a well established fact, the recitals of
* * song by the pupils of Mme. Etta Ed-
wards are among the most important musi-
cales given in Boston. Far from a tinge of
the amateur, the singers are delightful exam-
ples of vocal art with individual traits, tem-
peraments and styles, similar but in one thing,
and that is in the admirable tone placing or
rather the vocal technic as taught by Mme.
Edwards, who easily stands among the
greatest teachers in America. To hear her
pupils establishes this fact. For this reason
her musicales are most elaborate, and that
of last Thursday night at Steinert Hall was
a triumph to the energetic teacher and to her
art. With the assistance of Emil Mollenhauer
and orchestra the following very difficult and
imposing program was given :
MUSIC TRKDE REVIEW
more has a rich, ringing, dramatic soprano,
and her work shows an artistic finish that
many singers who have been years before the
public might envy. The large audience was
representative of Boston's most cultured and
most critical set, and the reception accorded
the singers must have been significant to
Mme. Edwards that her ambition is not in
vain.
Owing to the size of Mme. Edwards' class
she always gives two recitals, the second of
which occurs to-day at Steinert Hall. The
program will be one of American and Eng-
lish songs, which as a matter of repertory is
well worth publication:
"WERE I THE ROSE"
.
"THE
SWEETEST FLOWER
(Orfeo)
.
.
.
.
Gluck
Miss MATTHEWS
" L ' A M E R O " (II re pastore)
.
.
.
Mozart
M i s s ELLSBREE ( w i t h violin o b l i g a t o )
" C A R O MIO B E N "
Giordan:
Miss ATKINSON
"ROMANZA" (Cavalleria)
.
.
. Mascagni
Miss WET MORE
SONG, "Ungdom Skjonhed"
.
.
. Sinding
Miss OLSEN (with piano)
ROSE
.
.
Schubert
Miss ELLSBREE (with clarinet obligato)
"PRINTEMPS" (Samson et Delilah)
Saint-Sacns
Miss WILSON
"L'ILE DE JOIE" (L'Ouragah)
.
.
Bruneau
Miss OLSEN
"DEPUIS LE JOUR" (Louise)
.
. Charpentier
Miss WETMORE
(Rozenn et Margared, Act II., "Roi d'Ys") Lain
Duo,
Miss
WETMORE,
.
.
.
MISS
.
DANZA"
FROM
STEPHEN
.

.
Gaynor
Clongh-Lcigliter
Chadwick
Miss OSGOOD
CRANE'S
"BLACKRIDERS"
"Good-bye"
1
"Darkness"
> .
"March of t h e Mountains" )
"Star of Morning"
.
.
.
MRS.
"HILLS O'SKYE"
.
.
Schuyler
.
Holmes
PHILLIPS
.
Margaret Ruthven Lang
MRS. CORLEW
"SWEETHEART, SIGH NO MORE" * )
"AH!
LOVE!"
" T H E
YEARS
.
« • Mrs. II. Beach
A T T H E S P R I N G "
)
Miss
SNOW
"BECAUSE OF T H E E "
. . . /
Miss HAYES
"A
DREAM
"SHE
SO FAIR"
W A S SO FAIR"
BEAMING
"AWAKE,
DEAR
.
/
.
.
EYES"
Miss
WILSON
.
Tours
SONGS
"THE
" T H Y
ORCHESTRA
.
MRS.
SMITH
"I DRINK THE FRAGRANCE OF THE ROSE"
SONGS,
"DER HIRT AUF DEM FELSEM"
Stewart
Lieber
.
"If I K n e w "
i
"Because S h e Kissed I t " '
"In M y Garden"
\
"The Red, Red Rose"
'
FARO,"
a "Wer nur die Schnsucht konnt" Tschaikowski
b "Standchen"
.
.
.
.
Strauss
Miss MATTHEWS (with piano)
.
.
BLOWS"
Miss
THAYER
N E W KINGDOM"
.
.
Miss LESLIE
"THE
ORCHESTRA
"CHE
.
THAT
.
.
.
.
.
.
F.
.
Storcr
Metcalfe
Clayton
Johns
.
Mac
Do-well
.
.
Stewart
ATKINSON
HEART"
.
.
German capital. His engagement will include
the following Verdi operas, "Rigoletto,"
"Aida," "Traviata," "Ernani," "Othello,"
and "Trovatore."
THE ENGLISH NATIONAL ANTHEM COMPOSER.
JV/W. CUMMINGS, a well known English
* * musician, has just issued a volume
which is devoted to tracing the origin of
the British national anthem, "God Save the
King." He claims that Dr. John Bull, who
was born in 1583, and not Lully, is
the composer of the air. This is proved
by the fact that Lully was not born until
five years after the death of Dr. Bull. He
moreover shows that the continental versions
of the air have been stolen from England,
and that the tune belongs without any ques-
tion to that country. The claims of Carey,
Messaus, Anthony Young and Oswald are
also disproved.
ROSSINI'S WIT.
p H I L I P MAQUET gives an instance ot
* Rossini's caustic wit in the Monde Illus-
tre. A few days after Meyerbeer's death a
young musician called on Rossini with a
manuscript and said: "I have composed a
funeral march in honor of Meyerbeer, and
beg of you to give me your sincere opinion
of it." He then played it on the piano and
looked up inquiringly. "Do you really wish
my frank opinion?" asked Rossini; and when
the young man nodded, he said: "Very well,
you shall have it. The result would have
been better if you had died and Meyerbeer
had composed the march."
FRANZ AND HIS SONGS.
T N a previously unpublished letter of Robert
"A MEMORY"
.
.
.
. Rosalind
Park
.
.
.
.
Foote
Miss Ellsbree, who has been with Mme. " L C A E M E . , I F I L I V E "
* Franz, dated 1872, and recently published
"SPRING"
Tosti
Edwards for several years, has a voice ot
in
a Berlin journal, that great lyric master
MRS. MARTIN
.
.
.
.
C o l e r i d g e - T a y l o r
exquisite quality, her high notes are like sil- " C O R N S O N G "
remarks:
"My songs owe their success not
"NORSEMAN'S
SONG"
.
.
.
.
Allitsen
ver bells, and she preserves an even tone
to
the
agency
of musicians, but to the initia-
LOUISE
A I N S W O R T H - D R E W
. ' .
.Accompanist
throughout. Miss Ellsbree is really charm- Miss Adeline Raxmond
tive of the general public. With the excep-
tion of Liszt I could name no prominent artist
ing
DE MARCHl'S BERLIN SUCCESS.
-
who has considered it worth while to seri-
Miss Olsen also is a pupil whose voice is C M I L I O DE MARCHI, the tenor, who
ously
examine my collections of songs." The
^
has been re-engaged by Maurice Grau
completely under control of her teacher, and
musical
critic of the Evening Post says:
she brings a stirring temperament and deep for next season, appeared on May 4, the
"This
was
not strictly true, for Schubert had
musical feeling in addition to the musical opening of the Verdi Cycle (Verdi Fest-
written
as
early as 1843: 'Were I to dwell
Spiele) at the New Royal Opera House, Ber-
quality of her voice.
on
all
the
exquisite details, I should never
Miss Wetmore, who has developed into a lin, as Ricardo in "Ballo in Maschera." He
come
to
an
end.' Richard Wagner also
singer of rare ability, is a fine type of the achieved a great success and received twenty
proved
what
a
great admirer of these songs
work of Mme. Edwards, for with her she curtain calls. The Berlin press unite in pro-
he was when he took Franz to his musical
nouncing
him
one
of
the
best
Italian
tenors
began, and with her for several years she has
library in Zurich and showed him that it con-
worked faithfully and steadily. Miss Wet- who have been heard for many years in the
LIGHT-HEARTED PIANO MUSIC FOR SUMMER
POPULAR WALTZES
Campus Dreams
Castles in the Air
Countess Potocka
Elysium Waltz .
Heart-Throbs
Love's Melodies
My Lady Fair .
Oriana (Valse Gracieuse)
Sweet Caresses .
Sweet Innocence
Theta Delta Chi
University Girl .
Valse Bleue
Valse Extatique
Valse Rose
You and I .
Edmund M. Blake
. T. H. Rollinson
C. J. Wolcott
John Francis Gilder
Eduard Hoist
E. D. Smith
C. J. Wolcott
. J. C. Macy
Otto Langey
M. M. Doob
Giles Milton Hoyt
C. Harry Kain
Alfred Margis
John Francis Gilder
. Paul Wachs
Emil Otto
OLIVER DITSON COMPANY - BOSTON
POPULAR MARCHES
Brave Boy's March .
Championship March
College Days
Hail to the Crimson !
Hand in Hand .
Huskin' Bee
Hussar Drill
In Gay Paree
Knights of the Sword
Newsboys' March
Ole Virginia Days
Our Heroes
Pemberton March
Stein Song March
This Country of Ours
Yorktown March
C. H. DITSON & CO.
Emil Otto
. Robert G. Morse
C. Harry Kain
Arthur Mann
Harry S. Romaine
C. Harry Kain
Max Zach
. F. de Blon
Bernhard Stern
. L. E. Orth
. T. H. Rollinson
F. L. Trappe
. Wm. R. Spence
Frederic Field Bullard
W. F. Sudds
C. Harry Kain
NEW YORK
POPULAR SALON PIECES
Air de Ballet
Beaux and Belles Gavotte
Cajole rie
.
Carnival Dance .
Colonial Days .
Dance of the Marionettes
Danse Coquette
Dance Romantique .
Good Cheer
Jack-O'-Lantern
Jolly Mountaineer
Love's Caprice .
Serenata Italiana
Thoughts of Home .
Valse de Soiree
Whispers .
.
Alvah Glover Salmon
Harry S. Romaine
C. H. Collins
John Francis Gilder
. Paul Opper
M. S. Arnold
C. J. Wolcott
. J. C. Macy
Emil Otto
C. W. Krogmann
Emil Otto
. Max Heindl
Leo Oehmler
. G. Bonaldi
. L. E. Orth
Frederic M. Dean
J. E. DITSON & CO. - PHILADELPHIA
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
iained, besides the works of Bach and
Ueethoven, nothing but Franz's songs. Still,
the general neglect of Franz by the stupid
musicians justified him in writing as he did."
DINNER OF AM. ACADEMY OF DRAM. ARTS.
T* H E Society of the Alumni of the Ameri-
can Academy of Dramatic Arts held
their annual meeting at Carnegie Hall last
week and re-elected the following officers:
President, Anna Warren Story; First Vice-
President, Alice Fischer Harcourt; Second
Vice-President, George Irving; Secretary and
Treasurer, Wales Winter; Historian, Emma
Sheridan Fry ; Business Representative, E. P.
Stephenson. There was much enthusiasm at
the statement of the treasurer, and many ex-
pressions of appreciation were extended
Miss Story and Mr. Winters, who are respon-
sible for this plethoric condition. The third
annual dinner of this society, held at Hotel
Manhattan last Sunday evening, was largely
attended. The table was in the form of a
horseshoe and was enhanced with floral dec-
orations and colored lights. Among numer-
ous musical selections was a delightful alumni
dinner song written by Miss Laura Sedgwick"
Collins, who is one of the most talented and
attractive women of New York. After the
song a "toast" was presented entitled "The
Mummer," which was a really literary gem
by Miss Leontine Stanfield, also a talented
member of the alumni.
It is pleasurable to note the interest in this
institution, for it certainly deserves every re-
spect as an educational factor. The results
as shown by the performances of the students
at the Empire Theatre, are most creditable,
and one could only wish that singers who
have operatic aspirations would undertake a
course of study so thorough and so enlight-
ening as that taught under these auspices.
ROBERT THALLON MUSICALE.
T l I E last musicale of the seventeenth sea-
son p-iven by Robert Thallon occurred
Monday night at Pouch mansion, where the
large following of this prominent Brooklyn
musician enjoyed a well given program by
some of his pupils, assisted by several
artists. Those who gave the program were:
Mrs. Barclay Dunham, soprano; Miss Fay
Randall, contralto; Barclay Dunham, tenor;
Hugh Elmer Williams, baritone; William
King, violin ; Mrs. Joseph Taylor, Mrs. Wm.
M Thallon, Mrs. Charles McDermott, Mrs.
Gulian Ross, Miss Annie G. Hodgson,
pianos; Robert Thallon, organ.
THE KING'S PREFERENCE.
IX ING EDWARD of England through his
secretary has expressed his preference
for the words "God Save our Gracious King,"
as the first line of the national anthem in
preference to the older and recently adopted
words, "God Save Our Lord and King."
Professional Cards in this
department, including
subscription, $5.00.
CONSERVATORIES
f-LINGENFELD COLLEGE OF MUSIC, 108 Han-
IV cook St.. Brooklyn. N. Y.
VOCAL INSTRUCTION
7VYUSIO T R A D E
"A POET AMONG MUSICIANS."
NE\v PLAYERS IN PHILHARMONIC.
I AWRENCE GILMAN, in the course of
ALTER DAMROSCH spent Monday
*^ a contribution to Harper's Weekly,
in listening- to the new musicians who
characterizes Edward MacDowell as the most are to play in the Philharmonic Orchestra
vital creative force in American music, so next winter. Mr. Damrosch has found that
far, at least, as American music has pro- the directors of the orchestra are entirely in
gressed ; a poet among musicians, and an au- agreement with him as to the changes that
thentic genius." Discussing further,whether are needful, and next season there will he
Mr. MacDowell belongs to the realistic or ro- a number of new men in the second places.
mantic school, he says:
I'L was decided this week that the regul.ir
"We have ascribed romanticism rather than Philharmonic concerts should be held next
realism to Mr. MacDowell, for realism in season at Carnegie Hall on Nov. 14, Dec. 5
music, in our day almost inevitably connotes and 19, Jan. 9 and 30, Feb. 13, March 13
Richard Strauss, and Mr. MacDowell is as and April 3. The rehearsals will be given
utterly and irremediably antipodal, in his on the days preceding, as usual.
methods and achievements, to the musical
protagonist of Young Germany, as he is to
ALVAREZ'S IMPRESSIONS.
the academic ideal. And yet we are not alto-
A LVAREZ, the French tenor, was inter-
gether sure that, in the elemental sense in **• viewed in Paris a few days ago on his
which we are using the terms, he is any less return from a five months' stay in this coun-
the realist than the romantic, for his art is try. He had lots to say about New York,
directly and most intimately correlated with and some of his comments are characteris-
life, and invariably he composes 'with his tic of the European's point of view. Speak-
eye on the object.' We prefer, nevertheless, ing of the fact that Americans prefer "Faust,"'
to regard him—so far as our present pur- "Romeo and Juliet" and "Carmen," he adds
pose is concerned—as a romantic, for, true the following extraordinary observation:
to the deeper genius of his art, he concerns "This is all the more abnormal, as of the
himself, in his practice of it, with essences eighty millions of inhabitants in the United
rather than with details, with impressions States more than one-half are of German ori-
rather than with documents, with the imagin- gin, and as every one knows, Germans havo
ative expression of emotional substance rather no taste for any but Wagnerian music."
than with literal representation.
Jt
"We have said that Mr. MacDowell's point
MAY SEE BEETHOVEN MONUMENT.
of view is primarily that of the poet rather
If the efforts of Joseph Brucker, World'?
than of the musician. It is this in his work
Fair
Commissioner for Germany, are suc-
—its pervading poetic impulse—that sets it
cessful,
the statue of the great composer,
in a place apart among the productions of
Beethoven,
which Max Klinges has been at
native-born composers. There is little in its
work
on
for
the past fifteen years, will be
accent to remind one of the familiar voice
brought
to
St.
Louis for the Exposition in
of contemporary music, either American or
1904,
and
according
to some St. Louisan.-,
European, and in its purpose and effect it
will
find
a
home
in
that
portion of Forest
has few points in common with the work of
Park
where
the
Louisiana
Purchase Exposi-
Professor Paine, or Mr. Foote, or Mr. Chad-
tion
buildings
are
now
rising
in noble pro-
wick, or even Professor Parker and Mr.
portions.
Huss, who are nearer akin to MacDowell
than are their more academically minded
brethren. Both in. theory and in practice, Mr.
LIGHT OPERA IN FRENCH.
MacDowell is of the extreme right—that is
I T is not at all improbable if Charles Froh-
to say, he stands uncompromisingly for music
man really finds feas-ible the scheme of
that is, of intention, broadly picturesque and a French theatre that Maurice Gran will on
delineative in the finer sense. Thus his themes a certain number of nights every week give
are Lancelot and Elaine, Arthur, the Gaelic operetta in French with minor artists of his
Cuchullin, a deserted farm, a water-lily, opera company and others that he will bring
meadow brooks, and will-'o-the-wisps, star- over next year.
light, a haunted house, a wild rose; and he is
native to a remote, enchanted, extramundane.
NIKISCH'S GREAT RECORD.
region of dryads and gnomes, of elfin moon-
shine, and magical, haunted forests."
A RTHUR NIK I SCI I is indeed a prima
donna of the baton. In addition to con-
It is said that the seats for all the Bay- ducting the Berlin Philharmonic, the con-
reuth performances except "Der Fliegende certs at the Gewandhaus and a series of con-
Hollander" have been sold out. This rumor certs in Hamburg, he travels from city to citv
is usually found to have some foundation, as to conduct concerts. He left for St. Peters-
the speculators get most of the desirable burg immediately after the close of the sea-
seats.
son in Berlin.
PROFESSIONAL DIRECTORY
This Professional Directory will
be extended to a'l branches
of art at the same rate.
LJERBERT H. JOY, 116 Carnegie Hall, New York,
PIANO INSTRUCTION & PIANISTS
MAIQILLE, 1211-1215
M ME. Hall, HELENE
New York.
HENRY a. HANCHETT, Pianiet,
D R. Lecturer,
136 Filth Ave., N. Y.
Carnegie
J.JEINRICH QEBHARD, 8 Mill St., Boston, M*SB.
J^EOPOLD WINKLER, Steinwaj Hall.N. Y.
Teacher,
HOLDEN HU8S, 318 Ea B t 160th St., u d
oaruegie Hal), N. Y.
A. BERNSTEIN.
E UGENE
N. Y,
_ ^
160 East 70th
MBS. HEKRY SMOCK BOICE, 127 McDonongh
JULIE RIVE-KING, 42 EaBt 21st street.
and
St., Brooklyn.
MB8.
ETTA
EDWARD8,
Steinert
Hall.
Boston,
MME.
LIZA
DELHAZE-WICKE8.
2
West
96th
St.,
j
» . R . 8 A M U E L BOWDEN MOYLE-Euriuh die
1 ESSICA DE WOLF, 71 W. 55th street, W«w York.
MMS
N e w York
-
'
-
' m
tion a Specialty—136 Fifth Are.. N. Y.

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