Music Trade Review

Issue: 1901 Vol. 33 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
8
THE MUSIC TRKDE
show how little drawing capacity this or- Bernard Listemann, Franz Listemann, Heath
chestra has, and for the thousand and one Gregory, Marie Kieckhoffer,'William Rieger,
things that people who have not some axe Hans Kronold, and hosts of others equally
to grind could never think of nor understand. important are engaged constantly. This en-
Is not Mr. Paur more courteous than is good gagement does not detract from their stand-
for him, to keep quiet in this matter ? Come ing as artists. Wanamaker's have given
out with it. Nobody really cares what hap- entertainments in their music rooms, where
pened, but we would like to have Mr. Paur's Katherine Hilke and Hildegarde Hoffmann
denial of the box office story. Mr. Paur is have been engaged. These artists have been
the respected conductor of the New York equally successful since, because of their suc-
Philharmonic Society. He was one of the cess and reputation they were engaged.
*
*
*
*
*
*
* *
greatest directors that the Boston Symphony
A master stroke of genius in the advertis-
ever had. Europe as well as America ac-
A GREAT question of ethics lies before knowledges his talent and his standing; why ing line was made by Abraham & Strauss,
** us. When an untruth is told because should he keep silent when no one but him- who announce that from now until after the
it is not politic to come out with the truth, self is in any possible danger?
holidays they will run refined vaudeville for
should an orchestra and a noted conductor
Whether one more or one less soloist ex- children, while their parents attend to the
be sacrificed to be polite to a young woman ists upon the concert stage or not is small Christmas shopping. After this it would
who over-estimated her ability ? This strange in comparison to his importance to the music not be surprising to learn that some of the
desire to be polite all of a sudden is remark- of New York, and this is a rare morsel to enormous houses with their enterprise would
able indeed, especially in New York, where roll under the tongues of those who—well, establish a permanent children's theatre as
attraction to their stores, tickets to be issued
the fair sex is permitted to tear herself to those who have reasons to roll the morsel.
according to the amount of purchase. All
*
*
*


*

*
pieces while the gentlemen sit and ogle her
The tremendous enterprise of the Wana- this is significant that the classes are inter-
as she does it. We are so tired of hearing
about the late shoppers and the poor tired maker establishment in presenting a concert ested in art, and the educational value en-
men (another politic untruth) because every- of the very highest type, and the success of hances its attractiveness, as people are prone
one who knows any thing about life in New this undertaking, gives rise to a great deal to take advantage of art and education when
York knows that the women are from the of comment and furnishes no end of mate- it is possible for them to do so. It is not
offices and stores, just as the men are—but rial for thought. The artists who gave the possible to see a degradation of art in all
this is a long way from the late scandal in concert were the Kneisel Quartet, Richard this; it is only possible to realize that the
musical circles. These are the facts in the Hoffmann and the Madrigal Singers, a club business man appreciates the value of art,
composed of the very best soloists in New the people give preference to art, the trend
case:
For months an orchestral concert had been York under direction of Frank Taft, an or- of the times is towards art, as the advertis-
advertised at which a violinist was to have ganist of pronounced importance. Every ing is but a reflection of the people.
*
*
*
*
*
*
*
*
made her debut in New York after the usual point about the entire affair carries signifi-
Slivinski,
the
Polish
pianist
who
is now
cance,
beginning
with
the
nature
of
the
en-
number of European successes that we hear
making
a
tour
of
America,
made
his
first
tertainment
and
concluding
with
the
class
of
about in all cases, at least in so many that
the entire Eastern Hemisphere would not people and musicians who attended it, in appearance in Boston with the Symphony
Orchestra and in recitals. His success was
be vast enough to hold them. Well, time number, over sixteen hundred.
One thing is certain, and that is that the most emphatic, and it has been conceded
rolled on, and upon the day set for the per-
formance a placard was issued to the effect entertainment was not extended to cancel that a more poetic musician has not been
that the soloist having taken ill with pneu- social obligations, the only other raison dfetre heard in years than this picturesque looking
must have been that it was given as adver- artist. A visit to Slivinski revealed his mind
monia, the concert would not occur.
For those who believed this sort of thing, tisement. The first thought of the extremely to be equally picturesque, poetic, and yet so
it was just the sort of thing they might be- sensitive is to shrink from the fall of art to thoroughly, so absolutely sane, that he is
lieve ; but alas! we have all learned that if commercialism. The deep thinker, how- intellectually as delightful as he is at the
there is any possibility of telling an un- ever, will find cause for rejoicing at the ele- piano. Mr. Slivinski says that Americans
truth, nobody engaged in music or any other vation of the people to art. The business do not seem to realize their own importance
run of life, for that matter, would bother man who keeps abreast of the times finds the as a musical nation, "and how could it be
about telling the truth; so of course it was not necessity to harness to art, for to this the otherwise?" he added; "there is no possibil-
long before other rumors got themselves cir- people have grown and we have only to ex- ity of deceiving people who have heard what
culated. One of the rumors was that Mr. amine the methods of a few houses to learn the Americans have heard. Who are the
Paur went over the work with the piano that this is perfectly true. It is unnecessary great artists that you have not heard ? Not
and advised under no consideration to go to remind people that painting has served many, I assure you. And such orchestras!
on, as the soloist would be saved from public many advertisers, as the pages of any mag- Does any one believe that the world contains
azine wiirshow. The use of high art in a better orchestra than the Boston Sym-
disgrace if she cut all further negotiations.
Another rumor, and the more dangerous illustrated advertisements has developed phony? If so, let him be undeceived, and
for Mr. Paur, is that there were only fifteen more artists than a cursory glance could re- just imagine to what height people who are
dollars at the box office. It is most highly veal. Now music is serving in the same ca- accustomed to hear such music have grown!"
probable that this last statement is not true; pacity, and the time is not far distant when In discussing the characteristics of the au-
yet the enemies of Mr. Paur—and every various lines of business will enlist its aid. diences of different countries he showed a
man as great as he has enemies—are making In the recitals given as advertisement by the wonderful knowledge of human nature.
The American audience is more like the
great capital out of this. It is being used to J5olian Co. such soloists as Dr. Carl Dufft,
NEW
PUBLICATIONS^
OPERA SONGS, in 4 volumes.
VOL. I. Soprano.
VOL. II. riezzo Soprano and Contralto.
VOL. III. Tenor.
VOL. IV. Baritone and Bass.
THE
CINCINNATI
ORATORIO SONGS, in 4 volumes.
VOL. I. Soprano.
VOL. II. Alto.
Price $1.50 each volume.
JOHN
CHURCH
NEW YORK
VOL. III.
c o
Tenor.
VOL. IV
Bass.
CHICAGO
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRKDE
9
English audience; it knows the best, and it themselves to make a fund to pay for the a flood of tremendous events were massed
wants the best. It is appreciative and a shade education of such pupils than to give their into so short a period of time. The orches-
more demonstrative. The French audiences best energies, build their fondest hopes, and tral condition of New York is one that can
are demonstrative—no, not always emotion- then find that there is no tooth so keen as hardly be realized from a quick glance, as
the tendency would be to think that Boston,
al—it depends, however, on what you accept man's ingratitude.
with its weekly Symphony concerts, were
*
*
*
*
*
*
*
*
as emotion. To me, the height of emotion
Josef Hofmann is again in this country. ahead in number. But count shows more
is the dead silence that follows the close of
a number. This is true emotion and I take He is making a furore, and it would be inter- than fifty orchestral concerts exclusive of
this as the greatest tribute that can come to esting to know why his criticisms are so Sunday night "pops," or soloists who en-
any artist, for it shows not only that you remarkably good this year, when last year gage the orchestra to enhance their value.
have touched the true feelings of your hear- they were so remarkably poor. Of course, Regular series present the New York Phil-
ers, but that your audience is composed of everyone knows he is a tremendous artist— harmonic, the Boston Symphony, the Pitts-
people who are with you in every shade of just as he was last year. When criticism burg Symphony, the Young People's Sym-
feeling." For Russian and Italian audiences shall mean something other than notion, this phony, the American Symphony and the Peo-
he claimed warmth that was mingled emo- question will be answered. Hofmann's del- ple's Symphony. Not only do we get these
tion and demonstration; but he said, " J u s t as icacy in pianissimo passages is the most orchestral concerts, but they are under differ-
in all countries, in all runs of life, you find wonderful thing about him. But what a ent conductors, which is another subject for
good people and bad people, so you find mu- blow to the theories that claim these charms study. It means much to a music student to
sical and unmusical people; they do not be- to be exclusive property of the Leschetitzky be able to observe the characteristics of each,
and especially such people as the list pre-
long to countries, nor to localities; they be- mysticisms.
*
*
*
*
*
*
*
*
sents. The conductors of aforesaid orchestras
long to the world, and I never can under-
Fannie Bloomfield-Zeisler played two re- are: Emil Paur, Wilhelm Gericke, Victor
stand why people attribute them to one coun-
citals in New York and added to her laurels Herbert, Frank Damrosch, Sam Franko and
try more than to another. I know less about
and her scrap-book. In the face of every- F. X. Arens. Soloists and the best avail-
your negro or your darkey, as you call him,
thing that has been said, there is nothing able in every case.
but I suppose that he, too, is musical in the
more to say—except, however extravagantly
There are choral performances announced
same sense that our gypsies are." In liter-
her praises were sung, she merited every-
by such societies as the Oratorio, the Musical
ature Mr. Slivinski is as thoroughly skilled
thing that was said. With her art, her tem-
Art, the Musurgia, the Mendelssohn Glee,
as many who give time to nothing else, not
perament, her snap and go, if she had half the
the Liederkranz and the Arion, with our
alone in the lore of Tolstoi, Sienkiewicz,
technic she has, she would still be unique in
friends across the bridge, the Brooklyn Ora-
Maxim Gorki, and other Russians, but in the
the roster of to-day's artists.
torio. The conductors presenting these are
literature of all countries—America as well.
*
*
*
*
*
*
*
*
He is a fine linguist, and above all, he is a
Paderewski enthusiasts are getting into Frank Damrosch, Walter Henry Hall, Ar-
trim. It pays to be a favorite in America. thur Mees, Paul Klengl and Julius Lorenz.
gentleman.
Paderewski has found this out, and it will Besides these there are innumerable clubs of
*
*
*
*
*
*
*
*
be
still further proven when "Manru" goes a more private nature. The chamber music
It is time that something definite were ar-
on
at the Metropolitan Opera House. With is estimated at about twenty-five concerts by.
rived at to supply education for the very
great number of musical talents who cannot the ironclad rules laid down by the artists the Kneisels, Bendix and Dannreuther. It
afford to pay for it. The way things have concerning rehearsals, it will be interesting would be impossible to estimate the recitals,
been treated in the past is anything but sat- to know what Paderewski's feelings will be vocal and instrumental, but they surely will
reach far beyond one hundred in number, so
isfactory. Many teachers have given ser- in the matter.
*
*
*
*
*
*
*
*
if anyone thinks New York is starving for
vices out of the kindness of their hearts,
I
had
the
pleasure
of
examining
the
latest
the want of music it is a mistaken idea.
out of a belief that the talent was great
work
of
Homer
A.
Norris,
of
Boston.
This,
Emilie Frances Bauer.
enough to pay for the trouble, or out of
if
courtesy to some one who was interested; it will be remembered, was the setting of
PLAYING IN LONDON.
Walt
Whitman's
"Leaves
of
Grass"
for
they have become interested in the pupils;
C RNEST SCHELLING, an American pi-
they have furnished not only the lessons, voices and piano. The first production of
^
anist and a pupil of Ignace Paderewski,
this
work
will
occur
Dec.
ioth,
and
it
will
but in many cases the necessaries of life;
has been playing in London. He has on his
be
awaited
with
keen
interest,
as
appreci-
they have given them additional educational
programs a fantasia on arias from "Manru."
advantages; they have often given them so- ation has been the lot of all work from this
Mark Hambourg has also appeared lately in
cial opportunities, and for all this care and talented pen. It is hardly fair to form an
London for the first time as an adult pian-
interest and affection, what is the usual opinion from the delightful hearing given
by the composer, but it is satisfactory to ist. Vladimir de Pachmann, who was re-
course of things?
cently there, announced that he was to play
A pupil is flattered, as every musician, say that there is more breadth, more true
next season in this country.
good, bad and indifferent, is flattered, and inspiration, more freedom from restraint and
it is not very long before the benefits are for- constraint than in anything I have heard D I E T R O MASCAGNI, who no longer
gotten and years of hard work are thrown from Mr. Norris. It has the elements of a A
talks of his great tour of this country,
off in a moment of exhilaration at his own great work and the music is in keeping with has been conducting performances in Rome
of his "William Radcliffe" and Saint-
achievements, and the pupil feels that he has the masterful poem. Can one say more?
*
*
*
*
*
*
*
*
Saens, "Samson and Delila," both of which
grown beyond the teacher—a change must
Every season is opened "under most bril- are new in the Italian capital.
be made. This, in return for all those years
JI
of work, to say nothing of money spent, or liant auspices." Without that remark the
A Grieg festival is to be held at Pyrmont
season
would
not
be
in
full
swing.
Never-
kindly affection lavished. The system is
next year. Selected works from his various
wrong. It were better for the teachers theless, it is difficult to remember when such forms of composition will be performed.
Professional Cards in this
department, including
subscription, $5,00.
CONSERVATORIES
PROFESSIONAL DIRECTORY
LJERBERT H. JOY, 116 Carnegie Hall, New York.
PIANO INSTRUCTION AND PIANISTS
I/LINGENFELD COLLEGE OF MUSIC, 108 Han- MME. HELENS MAIGILLE, 1311-1315 Carnegie f \ R . HENRY G. HANCHETT, Pianist, Teacher,
' " Hall, New York.
1^ cock St., Brooklyn, N. Y.
LJ Lecturer, 13« Fifth Are., N. Y.
MISS
FLOBENCE E. H. MARVIN, Hardman Bid*, LJ ENRY HOLD EN HUSS, 318 East 150th St. and
vl
VOCAL INSTRUCTION
'
138 Fifth Are., N. Y. Tuesday, Thursday and 1 1 Carnegie Hall, N. Y.
Saturday.
MRS HENRY SMOCK BOICE, 127 McDonongh ALBERT GERARD-THIERS, Vocal Studio, 649 MME. LIZA DELHAZE WICKES, 2 West 95th St.,
rt
' " New York.
" 1 St., Brooklyn.
Lexington Are., N. Y.
JESSICA DE WOU, 71 W. 65th street, New York. MRS. ETTA EDWARDS, Steinert Hall, Boitom, M &RLE L. POTVIN. 117 Weft 45th St., New York.
This Professional Directory will
be extended to all branches
of art at the same rate-
LJEINRIOH GEBHARD, 8 Mill at., Boston, Mass.
I EOPOLD WINKLER, Steinway Hall, N. Y.
A LKXANDER RIHM, 100 itoduey St., Brooklyn,
CUGENE A. BERNSTEIN, 160 East 70th St.
£ N. Y.
JULIE RIVE-KING, 42 East 21st street
MR. SAMUEL BOWDEN MOYLE English Die
" 1 tion » Specialty-136 Fifth Are., N. Y.

Download Page 8: PDF File | Image

Download Page 9 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.