Music Trade Review

Issue: 1901 Vol. 33 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
LILU LEHMANN.
' ' T H I S remarkable singer, who has given
all the lovers of Wagner on both con-
tinents something to remember through life,
is engaging in song recitals this season. It
is not often that a singer can step from opera
into concert and make a success, but the
finesse of Lehmann's singing is as great in
song as in opera, and her art is supreme.
Her voice, too, this season is fresh and reso-
nant. That she has been an unqualified suc-
MM". LILU LEHMANN.
cess has been proven by the vast audiences
and the enthusiasm that she has elicited upon
every appearance. All who love artistic
singing rejoice over the great opportunity
to hear Lilli Lehmann in recital.
Carl Ambruster, the distinguished lecturer,
was scheduled to introduce himself to New
Yorkers last evening at Mendelssohn Hall,
his subject being the life and works of Rich-
ard Wagner, which was interspersed with
vocal excerpts from the "Flying Dutchman,"
"Tannhauser," "Rienzi," "Lohengrin" and
"Tristan and Isolde," sung by Miss Pauline
Cramer.
Henry K. Hadley's symphony, "The Four
Seasons," which won the Paderewski prize
of $1,000, will be soon placed on one of the
programs of the Philharmonic Society's con-
certs.
•*
Edgar S. Kelley recently presided for the
first time as conductor of the New Haven
Symphony Orchestra and won the praise of
the most critical. He appears to be a born
conductor.
7VIUSIC TRADE
REFLECTIONS ON COL MAPLESON'S DEATH.
" T H E death recently of Col. J. H. Maple-
son in London brings to the minds of
old opera-goers ihe bvilhar.t days of Italian
opera at the Academy of Music, where the
Colonel held forth eight seasons. Some of the
salaries he paid his leading artists in 1879
are worth recalling in view of the sums said
to have been given last season in New York.
Jean de Reszke, he said, he brought over
with him before he became a tenor, at $50
a week, while Patti got
only $200 a night. To
Mme. Gerster he paid
$600 a week, to Mile.
Hauk $200. S i g n o r
Campanini received $3,-
000 a month; Mme. Sin-
ico 7,ooof. a month, with
expenses; Frapolli and
Mme. Pisani, $900 a
month, S i g n o r D e l
Puente $150 a week.
The average . cost of
raising the, curtain was
$2,000, and the average
nightly receipts were
estimated at $4,500.
WHY NOT A CENSOR ?
M EWS comes from Berlin, Ger., of the ap-
pointment by the president of the police
board of that city of the eminent conductor,
Joseph Sucher, to the peculiar position of
passing upon special music used in perform-
ances on certain religious days, like Good
Friday and other holidays. It seems that,
according to a law passed in 1856, music of
a serious and religious character can only
be used on these days and it will be Mr.
Sucher's function, in disputed cases, to de-
cide whether certain pieces come under that
head or not.
This suggests a line of thought: Why
should not Mayor Low and his new police
head appoint an eminent composer to have
jurisdiction over the inane and heartbreaking
music which is played in many of our thea-
tres by so-called orchestras, not only on holi-
days, but nightly? True, this is a more lib-
eral application of the Berlin law than pre-
vails in that country, but really a censor
is badly needed in New York.
.a
NEW ARTISTS APPEAR.
7 E L D E N R U S T , who made his debut in
Cincinnati with Van der Stiicken and
For American singers orchestra, scored a tremendous success in
he had a great predilec- Grieg's great concerto for piano. Zeldenrust
tion. He believed that was recalled time after time and the enthu-
American s o p r a n o s siasm of the people found an echo with the
"lead the world," and press of Cincinnati, which states without re-
always will, for the rea- serve that he is one of the greatest artists
son that they possess a that has ever been heard in that city.
quality of voice to be Kubelik played his first concert in New
found nowhere else and York Dec. 2d. He is conceded to have tech-
unite a m b i t i o n and nic without much else.
pluck. He found, how-
Augusta Cottlow made her first appearance
ever, in America a pre- in New York with Paur and his orchestra
judice hard to overcome at a concert given for St. Mark's Hospital.
against the reception of She has distinct individuality, a mastery of
American singers unless the keyboard and a modest manner which
they had come with reputations gained would captivate any audience.
abroad. But he brought out as many as
thirty-two prime donna, among them being / j U R Teutonic friends are always discov-
ering something odd in the matter of
Kellogg, Cary, Emma Juch, Nordica, Zelie ^
de Lussan, Marie van Zandt, Minnie Hauk music and its concomitants. The latest is
that the odors in an opera house or concert
and Marie Engle.
room are affected by the music played. If
the orchestra plays Mozart, there is a clear,
MRS. SMOCK-BOICE AND HER PUPILS.
Al\ RS. H E N R Y SMOCK-BOICE, the dis- cool atmosphere like that of the seashore,
' * *• tinguished vocal teacher, has this sea- while Gounod or Wagner causes a marked
son an unusually large and successful class musty and heavy odor in the air.
j*
at her studio, 127 McDonough street, Brook-
The last of the three chamber concerts
lyn. Many of her artist pupils are quite
prominent in concert work this season. Mrs, given by Edward and Carl Hermann will
Lucie Boice-Woods has been singing in Pat- occur on Dec. 28th in the Masonic Temple,
erson, Newark, Elizabeth and Brooklyn. Twenty-third street and Sixth avenue.
This artist's voice has grown wonderfully These delightful affairs have been supported,
and she has been enthusiastically received as they deserve, in a very generous way by
wherever she has appeared. Miss Camp, the musically cultured.
another pupil of Mrs. Boice, who will sing
The program at the Philharmonic Society's
in Plainfield, N. J., this week, has a number concert this afternoon contains another nov-
of important engagements on hand. Mrs, elty—a symphonic prologue to "(Edipus the
Boice has now many promising pupils in King," by Max Schillings, a clever young
her class who are destined to be heard from ' composer who gives promise of a great fu-
in a most emphatic way in the near future.
ture.
HANNAH L KEENE
SO P R A N O
Exclusive Management of
CHARLES L. YOUNG
1123 BROADWAY,
NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
8
THE MUSIC TRKDE
show how little drawing capacity this or- Bernard Listemann, Franz Listemann, Heath
chestra has, and for the thousand and one Gregory, Marie Kieckhoffer,'William Rieger,
things that people who have not some axe Hans Kronold, and hosts of others equally
to grind could never think of nor understand. important are engaged constantly. This en-
Is not Mr. Paur more courteous than is good gagement does not detract from their stand-
for him, to keep quiet in this matter ? Come ing as artists. Wanamaker's have given
out with it. Nobody really cares what hap- entertainments in their music rooms, where
pened, but we would like to have Mr. Paur's Katherine Hilke and Hildegarde Hoffmann
denial of the box office story. Mr. Paur is have been engaged. These artists have been
the respected conductor of the New York equally successful since, because of their suc-
Philharmonic Society. He was one of the cess and reputation they were engaged.
*
*
*
*
*
*
* *
greatest directors that the Boston Symphony
A master stroke of genius in the advertis-
ever had. Europe as well as America ac-
A GREAT question of ethics lies before knowledges his talent and his standing; why ing line was made by Abraham & Strauss,
** us. When an untruth is told because should he keep silent when no one but him- who announce that from now until after the
it is not politic to come out with the truth, self is in any possible danger?
holidays they will run refined vaudeville for
should an orchestra and a noted conductor
Whether one more or one less soloist ex- children, while their parents attend to the
be sacrificed to be polite to a young woman ists upon the concert stage or not is small Christmas shopping. After this it would
who over-estimated her ability ? This strange in comparison to his importance to the music not be surprising to learn that some of the
desire to be polite all of a sudden is remark- of New York, and this is a rare morsel to enormous houses with their enterprise would
able indeed, especially in New York, where roll under the tongues of those who—well, establish a permanent children's theatre as
attraction to their stores, tickets to be issued
the fair sex is permitted to tear herself to those who have reasons to roll the morsel.
according to the amount of purchase. All
*
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*

*
pieces while the gentlemen sit and ogle her
The tremendous enterprise of the Wana- this is significant that the classes are inter-
as she does it. We are so tired of hearing
about the late shoppers and the poor tired maker establishment in presenting a concert ested in art, and the educational value en-
men (another politic untruth) because every- of the very highest type, and the success of hances its attractiveness, as people are prone
one who knows any thing about life in New this undertaking, gives rise to a great deal to take advantage of art and education when
York knows that the women are from the of comment and furnishes no end of mate- it is possible for them to do so. It is not
offices and stores, just as the men are—but rial for thought. The artists who gave the possible to see a degradation of art in all
this is a long way from the late scandal in concert were the Kneisel Quartet, Richard this; it is only possible to realize that the
musical circles. These are the facts in the Hoffmann and the Madrigal Singers, a club business man appreciates the value of art,
composed of the very best soloists in New the people give preference to art, the trend
case:
For months an orchestral concert had been York under direction of Frank Taft, an or- of the times is towards art, as the advertis-
advertised at which a violinist was to have ganist of pronounced importance. Every ing is but a reflection of the people.
*
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*
*
*
*
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made her debut in New York after the usual point about the entire affair carries signifi-
Slivinski,
the
Polish
pianist
who
is now
cance,
beginning
with
the
nature
of
the
en-
number of European successes that we hear
making
a
tour
of
America,
made
his
first
tertainment
and
concluding
with
the
class
of
about in all cases, at least in so many that
the entire Eastern Hemisphere would not people and musicians who attended it, in appearance in Boston with the Symphony
Orchestra and in recitals. His success was
be vast enough to hold them. Well, time number, over sixteen hundred.
One thing is certain, and that is that the most emphatic, and it has been conceded
rolled on, and upon the day set for the per-
formance a placard was issued to the effect entertainment was not extended to cancel that a more poetic musician has not been
that the soloist having taken ill with pneu- social obligations, the only other raison dfetre heard in years than this picturesque looking
must have been that it was given as adver- artist. A visit to Slivinski revealed his mind
monia, the concert would not occur.
For those who believed this sort of thing, tisement. The first thought of the extremely to be equally picturesque, poetic, and yet so
it was just the sort of thing they might be- sensitive is to shrink from the fall of art to thoroughly, so absolutely sane, that he is
lieve ; but alas! we have all learned that if commercialism. The deep thinker, how- intellectually as delightful as he is at the
there is any possibility of telling an un- ever, will find cause for rejoicing at the ele- piano. Mr. Slivinski says that Americans
truth, nobody engaged in music or any other vation of the people to art. The business do not seem to realize their own importance
run of life, for that matter, would bother man who keeps abreast of the times finds the as a musical nation, "and how could it be
about telling the truth; so of course it was not necessity to harness to art, for to this the otherwise?" he added; "there is no possibil-
long before other rumors got themselves cir- people have grown and we have only to ex- ity of deceiving people who have heard what
culated. One of the rumors was that Mr. amine the methods of a few houses to learn the Americans have heard. Who are the
Paur went over the work with the piano that this is perfectly true. It is unnecessary great artists that you have not heard ? Not
and advised under no consideration to go to remind people that painting has served many, I assure you. And such orchestras!
on, as the soloist would be saved from public many advertisers, as the pages of any mag- Does any one believe that the world contains
azine wiirshow. The use of high art in a better orchestra than the Boston Sym-
disgrace if she cut all further negotiations.
Another rumor, and the more dangerous illustrated advertisements has developed phony? If so, let him be undeceived, and
for Mr. Paur, is that there were only fifteen more artists than a cursory glance could re- just imagine to what height people who are
dollars at the box office. It is most highly veal. Now music is serving in the same ca- accustomed to hear such music have grown!"
probable that this last statement is not true; pacity, and the time is not far distant when In discussing the characteristics of the au-
yet the enemies of Mr. Paur—and every various lines of business will enlist its aid. diences of different countries he showed a
man as great as he has enemies—are making In the recitals given as advertisement by the wonderful knowledge of human nature.
The American audience is more like the
great capital out of this. It is being used to J5olian Co. such soloists as Dr. Carl Dufft,
NEW
PUBLICATIONS^
OPERA SONGS, in 4 volumes.
VOL. I. Soprano.
VOL. II. riezzo Soprano and Contralto.
VOL. III. Tenor.
VOL. IV. Baritone and Bass.
THE
CINCINNATI
ORATORIO SONGS, in 4 volumes.
VOL. I. Soprano.
VOL. II. Alto.
Price $1.50 each volume.
JOHN
CHURCH
NEW YORK
VOL. III.
c o
Tenor.
VOL. IV
Bass.
CHICAGO

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