Music Trade Review

Issue: 1901 Vol. 33 N. 19

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE m\JS\G TRRDE
TWENTY-THIRD
YEAR.
REVIEW
EDWARD LYMAN BILL,
EBITOR AND PROPRIETOR.
J . B. S P I L L A N E , MANAGING EDITOR.
THOS. OAMPRKLL-OOPELAND
EMILIE FRANCIS BAUER
WALDO E. LADI)
Executive Staff:
GEO. W. QUER1PEL,
A. J. NICKLIN
PnDMal
EYCTT
Satnrday at 3 East 14th Street, New Yon
SUBSCRIPTION (including postage^, United States,
Mexico and Canada, $2.00 per year; all other countries,
$4.00.
ADVERTISEriENTS, $2.00 per inch, single column, per
insertion. On quarterly or year.iy contracts a special dis-
count is allowed. Advertising Pages $50.00; opposite
reading matter, $75.00.
REniTTANCES, in other than currency form, should be
made payable to Edward Lyman Bill.
Entered at the Netv York Post Office as Second Class Matter.
NEW YORK,
~ T ^
TELEPHONE NUMBER, 1745^E1QHTEENTH STREET.
On the first Saturday of each month
THE
The Review contains in its "Artists' De-
ARTISTS
partment" all the current musical news.
DEPARTMENT This U effected without In any way tres-
passing on the size or service of the trade
section of the paper. I t has a special circulation, and
therefore augments materially the value of The Review
to advertisers.
DIRECTORY OF
The directory of piano manufac-
PIANO
turing firms and corporations found
MANUFACTURERS on page 26 will be of great value as
a reference for dealers and others.
EDITORIAL
A WORD AS TO
PREPARATION.
HE month of Octo-
ber just closed will
stand in the history of
pianodom as a h i g h
peak in the volume of
business*—a regular Mt. Hood—not only in
point of orders received and shipped during
the month, but on account of satisfactory
sales in the retail department of the business.
Entering the month of November, it might
be said in a general way that manufacturers
are now facing the liveliest kind of business
conditions, and we know of a great many,
particularly the high-grade makers, who are
parceling out their instruments in order to
temporarily satisfy the demands, hoping a
little later to fill more promptly the orders
which are pouring in upon them.
One high-grade piano maker of the West
wrote to The Review this week, stating that
he.was more than three hundred orders be-
hind, and he was trying his best to keep his
customers in good humor, but he really could
not accept another order before Jan. ist.
Such conditions would seem to emphasize
the fact that we will have perhaps the most
prosperous fall and holiday season ever ex-
perienced in this trade.
In such times as these it pays to keep the
quality standard well in the foreground.
Dealers are not only getting in shape for
holiday trade, but the people themselves are
already planning to buy presents, of course
including pianos—good pianos—for their
kith and kin. They will plan for weeks
Satisfying c o n d i -
tions in manufactur-
ing and retail depart-
ments—Getting ready
for holiday trade—
The necessity of hav-
ing attractive estab-
lishments.
T
ahead and save every penny. It is, therefore,
up to the piano merchant to make his stock
as attractive as possible and have his rooms
arranged in the most approved manner, not
forgetting to talk quality rather than price.
It is characteristic of the American peo-
ple to make much of the great festal period.
The spirit of buying and giving pervades
the land. It is also true that this observa-
tion is turning more and more to sensible
gift-giving, rather than to the light and use-
less things that used to be features of the
occasion. Pianos, organs, music boxes and
musical instruments of all kinds make the
most acceptable holiday gifts, and that buy-
ing spirit should be encouraged, so far as
music trade influence can be extended. There
should be a greater tendency on the part of
music trade men to get their holiday lines
into shape earlier. It is going to be a lively
season, and the wise business men will pre-
pare for it. They should not make the mis-
take of figuring, either, that the holiday trade
will come without any advertising whatever.
It is all very well to suppose that people will
buy pianos during the holidays, but they will
buy very many more if their attention is per-
sistently drawn to the advantage of making
musical gifts.
The music trade merchant will find that
his advertising expenditures will be well
made if he begins his educational work right
now. There is no use of putting this matter
off for a week or a month. Good, bright
business times are with us and should be
improved to the utmost.
THE PRIZE CONTEST.
•y O-DAY closes the
last of The Re-
view prize contests, as
no manuscript can be re-
ceived hereafter which
will be considered in this contest. Next week
we shall announce the name of the person
who has contributed the best original article
upon "What Would Be the Effect of the
Piano Trust upon the Industry?"
This series, which has included a number
of important and interesting topics, has ex-
cited widespread attention, so much so that
we shall continue this feature, and in a
near issue shall anounce a number of other
topics which will be discussed in the columns
of The Review in a competitive way. Cash
prizes will be offered.
One of the largest and most respected
piano manufacturers of the West writes The
Review: "The writer is intensely interested
in any and all things that stimulate thought
and a free exchange of ideas. The world
is made better for it. Your plan is doing its
share in awakening interest in and drawing
out a variety of expressions on subjects of
The
prize-winner
announced next week
—An interesting topic
—A series which has
attracted wide-spread
interest—Another list
announced later.
such extremely vital interest to the trade."
It is now generally conceded by all think-
ing men of the trade that the prize subjects
taken up by The Review for consideration
have been of manifold interest to the dif-
ferent departments of the industry. The
prize article relating to the effect of a piano
trust upon the industry is of more than or-
dinary interest at the present time. It will
be presented in the next issue of The Review,
and should not be overlooked by any member
of the trade.
INDIVIDUALITY OF THE BUSINESS.
J T is generally conced-
ed that the piano
business possesses pe-
culiarities of its own,
and it is the pos-
session of those features totally dis-
tinct from any other industry, which will
cause it to always occupy an unique place.
There are some men who assert that it will
gravitate to the purely commercial plane
within the near future, but we say that such
a statement has no foundation in fact.
Compare the piano business with almost
any other calling, and we say without fear
of contradiction, that there is no industry
in America wherein so many firms have pre-
served a distinct individuality for their wares
as in the piano line.
For instance: Take any of the names
which have been known for half a century
in the piano trade. While they have under-
gone many vicissitudes, there has not been
any appreciable decline in their value. On
the contrary, has there not been, even under
varying managements, a steady increase in
their popularity ? A fact showing the vitality
of the business, a vitality which is so com-
pletely intertwined with individuality that
it is impossible to separate them.
While the piano industry, as compared
with the steel and iron trade, takes but slight
rank, yet if we study the history of almost
any other industry, we will find enterprises
established by great men in days agone that
have become but a memory.
There are many cases of decline of great
names in the iron trade and steel trade, and
like conditions exist in the dry goods trade.
For illustration:—A. T. Stewart, the great-
est merchant and manufacturer of his time.
He was a typical, hustling, energetic Ameri-
can. He built up a great business and accu-
mulated millions. He built his palace of
marble and filled it with pictures; then died.
The marble palace has vanished, and with
it vanished the last recollection of A. T.
Stewart. The firm name even would not
be known at all to-day save for the gener-
osity of John Wanamaker, who allows the
old name to appear in a small corner of his
advertisement. It was Stewart's ambition to
The remarkable vi-
tality of piano names
—Outlast those of
any other industry—
A comparison with
some notable names
in other lines.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE TA\JS\O TRADE
leave a great name, but he failed miserably.
If Stewart had manufactured pianos the
trade mark would be worth a fortune to-
day.
Take piano men who lived in the days of
Stewart, and who. were insignificant as com-
pared with the merchant prince; yet to-day
their names are household words throughout
the land; but nothing is heard of the name
of Stewart.
There is individuality about this trade that
cannot be removed, and no trust can absorb
if. The piano business is the one. enterprise,
the one industry that can never be success-
fully absorbed into a great combination, it
can never be run on the basis of sewing ma-
chines and roller skates. There is individu-
ality about a piano. There is, to a person of
musical temperament, a soul, and sentiment
that cannot be effectually removed, or even
temporarily suspended. It is all well enough
for scheming speculators and alleged ex-
music trade editors to work themselves into
a frenzy over the benefits of a trust, but the
piano industry will remain independent and
individualized. This fine plan of factories
working in a great combination and having
trust districts mapped out for certain deal-
ers, who should also be stockholders, is great
in theory, but it is impossible to resolve it to
an actuality. It can't be done, and all the
fine-spun theories amount to naught.
SOME ADVERTISING
S
OME
CRITICIZED.
of our recent
criticised—T h c Ke-
criticisms upon ad-
view asks that objec-
. .
1 1 1 .
tionable advertising vertismg methods adopt-
1 3 1 'good £ ! «' by certain firms have
by one dealer.
i e x c i t e d considerable
comment, and we have received a number of
lttters from dealers who have asked our
opinions regarding certain styles of adver-
tising pursued by them.
We may say of advertising, as the Kentuck-
ian remarked regarding the favorite product
of the Blue Grass region, that there is no poor
whiskey, but some brands are better than
others. Now, all advertising may result in
certain kinds of publicity, but some is a pow-
erful sight better than others in bringing
about desired ends, and we say unqualifiedly
that the piano merchant who is advertising
in such a way that he is lowering the busi-
ness in which he is engaged is treading on
very thin ice, and that his is the kind of ad-
vertising which is decidedly poor. It may
bring some results, but the results will not
repay him for the subsequent injury, amount-
ing to almost destruction, done his business.
There are some men who indulge in dig-
nified and conservative methods in advertis-
ing. It does not necessarily follow that all
men should do this. Advertising can be
breezy and up-to-date, but there is no use of
degrading or cheapening one's business in
this connection ; no use in encouraging busi-
ness destruction by contributing towards -the
annihilation of public faith and confidence^ in
the piano business.
We desire any of our readers to forward
to this office forms of questionable advertis-
ing appearing in local papers—we do not
care by whom issued, because the individ-
ual is only an incident in a campaign of this
kind. It is the principle we are supporting,
and we are going at this subject in no abu-
sive way, but by logical arguments we
propose to show precisely just where de-
grading advertising is leading the trade. It
is very much better, although not as easy,
to build up rather than to tear down, and
The Review is working for the best interests
of dealers as well as manufacturers.
In this connection it is a pleasure to refer
to the following advertisement which was
gotten out by H. A. Slick, of Charles City,
la. Mr. Slick asks our opinion regarding
this:
T Do not Offer a
$600 Piano for = $150
150 Organ for = 50
65 Sewing IttacWnc for 15
That's not the way I do business.
I have one price. Your money is
as good as yeur neighbor s. If
you do not know the difference
between high grades and cheap
stuff, get posted or buy of a man
that has one price and does not
misrepresent his goods.
H. A. SCHLICK.
There is a heartiness and sincerity about
his advertising which is at once convincing
and we commend this form to others.
Advertising is certainly a vital principle
in business nowadays, and the subject cannot
but b e one of growing interest to all inter-
ested in the welfare of the piano industry.
Some men are endeavoring to place the
trade in pawn. We are anxious to redeem it.
ADVANTAGE OF EARLY ORDERS.
L AST
summer upon
several occasions
we urged upon the deal-
ers the business advan-
tage which would ac-
crue to them by placing orders far pianos
early, in order that the manufacturers might
be enabled to place an approximate estimate
upon the demands which would be made
upon them during the early fall months.
We considered this matter of sufficient im-
portance to address communications to lead-
ing manufacturers asking for their expres-
sions regarding their ability to supply the
erirly demand for pianos. *
These opinions were presented in The Re-
Early suggestions
regarding the stock
question—Some deal-
ers find it difficult to
get stock and many
manufacturers are un-
able to fill orders.
Trade Journalism
was complimented by the jury of
awards at the PAN-AMERICAN
exposition, by the awarding of
a diploma to
THE REVIEW
view during the summer months, and readers
of the paper everywhere were urged to con-
chide their arrangements for stock as speed-
ily as possible, while some other trade papers
—notably the trust organ—were urging pre-
cisely the opposite, stating that the crop failure
throughout the central West would paralyze
business. We repeated in our summer issues
that, excepting in sections, happily small in
area, where crops had been pretty well de-
stroyed, dealers were anticipating a big trade,
and that extreme caution at such times was
not particularly desirable; that there was
nothing that savored of plunging by piano
merchants placing substantial orders for fu-
ture shipments, and it was up to the man-
ufacturers to use all means at their hands
to prepare for an unusual demand which
was sure to be made upon them.
We cover thousands of miles in travel an-
nually, visit hundreds of dealers as well as
manufacturers, and keep in pretty close touch
with trade conditions everywhere; and it is
most gratifying to Jearn of the growing
strength of this paper, as a guide as well as
a purveyor of information.
These lines are called for, from the fact
that during the past week we have received
from a number of manufacturers and dealers
letters containing the strongest endorsement
of The Review's position, and how a number
of men have profited by its advocacy months
ago of the advantage of early orders.
A PHILADELPHIA
SQUEEZE.
T"" HEY have a funny
The odd way of
doing things in Phila-
delphia - Piano fight-
ing—A twenty-five
dollar squeeze—Was
it a put-up game?
way of d o i n g
things down in Phila-
delphia. There the good
old Quaker blood reaches
a fever heat, and perhaps there are more
"piano scraps" indulged in along Chestnut
street* than in any four other cities in the
United States. There are more windows
placarded with debasing signs, and while
Philadelphia may still be a good piano town,
it would be a mighty sight better if some of
the dealers there would adopt more civilized
methods in the conduct of their affairs. But
Philadelphia is quaint and she can beat New
York on some things, particularly on squeez-
ing.
To illustrate: In a recent case before a
court in the good old Qmker city,- one Fred-
erick Farrow was fined $25 for squeezing
the hand of Edith Boone. Edith claimed that
Frederick squeezed her hand so hard that for
several months afterward she could not play
the piano. The name of the piano is not

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