Music Trade Review

Issue: 1901 Vol. 33 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC ) TRADE REVIEW
ITALY'S GREAT LOSS.
HP H I S year may be said to have been fatal
to Italy, as she has lost, besides men
of lesser importance, Verdi, Crispi, and Mo-
relli, her veteran composer, her most prom-
inent statesman, and her greatest painter.
Verdi and Morelli were bound by the most
tender friendship since their youth, and had
a reciprocal admiration for each other's tal-
ent, Verdi saying: "I would give all my
operas to have produced one of the Christs
of Morelli" ; while the latter, with equal sin-
cerity, said: "I would give all my pictures
to have composed 'II Trovatore.' "
GIRARDY THE GREAT.
\ 1 7 E present herewith the latest portrait
of Gerardy, the phenomenal 'cellist,
who will visit us this season, after a success-
ful tour of the world. To-day Gerardy is
beyond question one of the masters of his
instrument—more matured, more skilled,
more finished than ever. His technical equip-
ment is complete, while his tone is of uncom-
mon richness.

ARCHER'S CRITICISM.
A I M L L I A M ARCHER, the noted London
critic, has come out with a vigorous
attack on recent American musical comedy
productions. He says: "There is a decided
slump in the American extravaganza market
in London, which is likely to last until the
librettists can hit upon some fresher and more
inspiring theme than the epileptic glorifica-
tion of loose living and deep drinking."
There is some justification for Mr. Archer's
criticism. So-called musical comedy has de-
scended to a basis of buffoonery that is sim-
ply painful. Handsome women, expensive
dresses, stage lights and scenery, will not
make up for vacuous plots and silly wit.
We seem to import nowadays our best musi-
cal comedies, judging from recent successes*
in New York.
JOSEF HOFMANN.
A MONG the most prominent of the piano
^ - virtuosi who are to be heard in this
country during the coming season is Josef
Hofmann. This will be his fourth American
tour, but it will be the first time that he will
journey clear through the country. His first
appearance will be with the Philharmonic
Society in New York city, on Nov. 15th and
16th, and on the 23d and 27th of the same
month he will give two recitals in New York.
On the 28th and 29th of November he will
be the soloist with the Boston Symphony
Orchestra in Boston, and on Dec. n t h , 13th
and 14th, he will again play with the Boston
Symphony Orchestra in Philadelphia, Brook-
lyn and New York. Following these en-
gagements he will begin a recital tour, visit-
ing the larger cities in the South, Mexico,
California and Canada. Hofmann will give
100 recitals and will remain here until late
in April.
RECITALS THIS SEASON.
I T is evident that the musical season now
* opening will be as notable for song re-
citals as that of last year, when the appear-
ance of many eminent artists, including some
distinguished operatic stars, was attended by
remarkable pecuniary (success. To those mu-
sically inclined, as well as students of sing-
ing, there is no more delightful means of es-
timating the great talents possessed by some
of our great vocalists than by hearing them
in recital.
JEAN GERARDY.
THE MUSIC FESTIVAL SEASON.
'"THE Maine musical festivals, which were
*
successfully inaugurated in Bangor on
last Thursday, concluding to-day, will be
duplicated in Portland on Oct. 7th, 8th and
9th, the programs being identical. "The Re-
demption," with a chorus of one thousand
voices under Director Chapman, will form
the principal choral work, the usual small-
er numbers, both vocal and instrumental,
being of course embodied in a very interest-
ing program. The New Hampshire musi-
cal festival, which will be held on Oct. 10th,
n t h and 12th, and the Vermont festival, which
occurs on Oct. 14th, 15th and 16th, will be
also under the direction of William R. Chap-
man. In these States there will be a chorus
of six hundred voices with the same orches-
tra as assisted at the Maine festivals. The
soloists in New Hampshire and Vermont will
be the same as appeared at the Maine fes-
tival last week, and are headed by Mme.
Schumann-Heink and Miss Suzanne Adams;
Campanari and Gwilym Miles, baritones;
Willis E. Bacheller, tenor; Mme. Maconda,
soprano; Mme. Isabelle Bouton and Mrs.
Jennie King Morrison, contraltos; Miss
Carrie Hirschmann, pianist, and Miss Anna
E. Otten, violinist.
These festivals are looked forward to with
the greatest interest by the musical people
of the respective States in which they are
given, and the fact that they are growing
in popularity each year
emphasizes to no mean
extent the musical prog-
ress of the people of
these old but progressive
New England States.
A WAGNER STORY.
C LS1E POLKO, a
*-"* G e r m a n writer,
tells a touching story in
connection with "Der
Wanderer" and "Ach,
Wie Ist's M 6 g 1 i c h"
("How Can I Leave
Thee") two Thuringian
songs known all the
world over. "Der Wan-
derer" was composed in
1837
by
Friedrich
Bruckner, father of Os-
kar Bruckner, the 'cell-
ist, and "Ach, Wie Ist's
Moglich" was the com-
position of Bruckner's
friend, Kantor Johann
Ludwig Bohner, both of
Erfurt.
In May, 1849, Wag-
ner had to make his
escape from Dresden,
and he arrived at Er-
furt, on his way to
Paris, to be conducted
across the frontier by
Bruckner and Bohner.
As he was being accompanied through the
streets in the moonlight he stopped sudden-
ly to listen to some female voices singing
"Ach, Wie Ist's Moglich," and to the horror
of his friends, would not budge until he had
heard the last note. "I know the melody,"
he said. "It is sung everywhere. Let me hear
every line. What a beautiful parting song!
I wish I had composed it!"
As he took his seat in the closed vehicle
that was waiting impatiently to take him
further on his journey, a soft voice started
"The Wanderer":
Wenn ich den Wand'rer frage:
Wo willst du hin?
And all joined in the refrain
Nach Hause, nach Hause!
But at the last line:
Hab' Keine Heimat mehr!
A choking voice called out "Da Capo!" Then
the horses started, and as the party passed
out into the moonlight, and that lament "Hab'
Keine Heimat Mehr!" (as "I Have No Home
Now") became fainter and fainter, the lonely
fugitive buried his face in the cushions and
wept bitterly.
CORNELIAVANETTEN
PRIMA DONNA SOPRANO
AND TEACHER IN THE
CHARLES L. YOUNG
SCHOOL
OF MUSIC
305 FIFTH AVE., NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
WHERE WOMEN FIGURE.
A T Salzburg, the birthplace of Mozart,
great fetes have been given in honor
of the master. The city was richly decorated
and illuminated. "Don Juan" was given with
such singers as Lilli Lehmann, of Berlin;
Edith Walker, of Vienna, and Mme. Wede-
kind, of Dresden, in the cast.
Boston is the home of many of the best
known women in America's musical world,
including Mme. Helen Hopekirk, Mrs. H.
Ii. A. Beach, Margaret Ruthven Lang. Bos-
ton was the home of Emma Eames and Lil-
lian Nordica.
At St. Cuthbert's (Millwall) London,
there has been a change. The Rev. R. Tree,
who is his own choir master, having failed
to secure a sufficient number of boys, has
organized a ladies' choir, members of which
sit robed in the chancel. The dress consists
of black skirt, surplice, and black velvet cap.
MISS BERTHA PARKIN.
J\J\ ISS BERTHA PARKIN, soprano, who
is one of the pupils in the Charles L.
Young School of Music, 305 Fifth avenue,
is to appear in a concert at Bridgeport, Conn.,
on Oct. 19th. Mr. Young has arranged for
Miss Parkin to appear in several other con-
certs during the season. The Jacksonville
(111.) Journal speaks very highly of Miss
Parkin. Referring to a concert given in that
city last November, it says: "The first vocal
selection was by Miss Bertha Parkin, who
sang an aria from Verdi's 'Nabuco' most
acceptably. She has a rich dramatic soprano
voice, one of power and of wide range, and
she uses it to the very best advantage." The
.3*
Mrs. Franz Rummel, widow of the dis-
tinguished pianist, is a daughter of Professor
Morse, of telegraphic fame.
Lotta Mills, a well-known pianist of New
York, has married and gone to reside in
Italy.
Mme. Bonheur-Chais, a French contralto
to appear in America this year, is said to be
a relative of the noted Rosa Bonheur. They
cannot be said to resemble one another, for
Mme. Bonheur-Chais is extremely beautiful.
Fannie Bloomfield-Zeisler, the pianist, who
last spring was heard in Mendelssohn Hall,
for the first time in several years in this city,
is to give two more piano recitals here early
in November. During the month of Janu-
ary Mrs. Zeisler will also be heard at an
orchestral concert.
Mme. Labori, wife of the celebrated French
lawyer who defended Dreyfus, will visit
William Churchill Hurry, the well-known pi-
anist in Montclair, N. J., this fall. Mme.
Labori is herself a pianist of remarkable at-
tainments, and, it will be remembered, was
formerly the wife of Vladimir de Pachmann.
Marie Titiano, the remarkable high so-
prano, who is to return to this country in
November, will make her first appearance
at the Waldorf-Astoria in an orchestral con-
cert. Esther Fee, an American violinist, will
be heard at Carnegie Hall in November. She
has studied in Paris for the past three years.
A new work of Massenet's will be given
winter at Monte Carlo. It is called "The
Juggler of Notre Dame," upon a poem of
M. Lena. A strange fact is that it contains
no woman's role except in symbolic state.
A young pianist soon to dawn upon the
musical world is Teresita Carreno Taglia-
pietra, Carreno's eldest daughter.
Professional Cards in this
department, including
subscription, $5.00.
CONSERVATORIES
SOME NOTABLE ATTRACTIONS.
MIL PAUR, conductor and solo pianist,
with a symphony orchestra that bears
his name, is the star attraction in a list of
those that Anna Millar will manage this sea-
son. Another is Esther Fee, violinist, who
will make her debut on Nov. 18th, with the
Paur orchestra at Carnegie Hall. Miss Fee
is by birth an Illinois girl and before going
abroad, five years ago, had always lived in
the West. She will make a concert tour as
soloist with the famous Colonne Orchestra
through the Southern part of France this
month, and will then come directly to this
country. Arthur Hochmann, pianist, who
has been studying under Scharwenka, and
D'Albert, in Europe, is another soloist under
the same direction.
MISS BERTHA PARKIN.
Springfield (111.) State Register says: "Miss
Parkin has a fine dramatic soprano voice,
rich and vibrate, and sang with refined and
intelligent taste and perfect execution."
Many other exchanges give Miss Parkin
credit for her ability as a concert artist.
A LREADY the program for next year's
^
Wagner festival at Bayreuth has been
arranged. It is said that the "Ring" will not
be performed. "Parsifal" will be given as a
matter of course, and among the revivals
will be "The Flying Dutchman," "Tristan
und Isolde" and "Tannhauser," which will
be sung with unusually strong casts. Richter
will take the prominent part in the prepara-
tion of "Tristan." It has been resolved to
give opera at Bayreuth every autumn,
j*
New Orleans is again to have a season of
opera in French. The principal singers will
be MM. Henderson, Dupreyon, Zocchi, ten-
ors ; Ceste and Villette, baritones; Boux-
man and Karloni, basses; Mmes. Foedor,
Brietti and Chambellou are the sopranos.
Sir Alexander MacKenzie has been work-
ing all summer on a cantata entitled "Bal-
dur," which may be heard in one of the lead-
ing English festivals next year, and a light
opera on the subject of Dickens' "Cricket on
the Hearth."
DOROTHY HARVEY.
JVA ISS HARVEY, whose portrait occupies
• . * the place of honor on our cover page,
this issue, is one of the most successful so-
pranos heard in New York in recent years.
Her vocal attainments and charming person-
ality have won her a foremost place in the
affections of the public. She is a Canadian
by birth, and received her musical education
partly in Canada and in London, Paris and
Berlin. Last year was her first appearance
in this country, and through the efforts of
her manager, Henry Wolfsohn, she was
heard in many of the prominent musical
clubs. This season she is engaged to open
the regular concert season of the Pittsburg
Orchestra in their home city on Nov. 7th
and 8th. In addition, she is engaged for nu-
merous other concerts in various parts of
the country. Miss Harvey's versatility is
quite remarkable, and the young soprano
seems equally at ease in French, Italian or
English arias and songs.
j*
THE LATE EDMOND AUDRAN.
C D M O N D AUDRAN, whose death re-
^
cently occurred in France, was a victim
of theatrical managers. The enormous suc-
cess of his "Mascotte" caused the managers
of operetta theatres literally to fight for him.
Orders poured in from all sides, and the re-
sult was hasty, slovenly work. He made
money, but never wrote another "Mascotte."
During the last years of his life he lived in
retirement in Paris, sad, suffering, and pessi-
mistic; and a few weeks before his death
he left the city, a complete wreck. He was
fifty-nine years old.
The Philadelphia Orchestra, under the di-
rection of Fritz Scheel, is to give during the
present season fourteen concerts on Satur-
day evenings, preceded by the same number
of public rehearsals on the Friday afternoons
before. The new permanent orchestra is to
give its concerts at the Academy of Music.
PROFESSIONAL DIRECTORY
LIERBERT H. JOY, 116 Carnegie Hall, New York. PIANO INSTRUCTION AND PIANISTS
This Professional Directory •will
be extended to all branches
of art at the same rate-
UEINRICH GEBHARD, 8 Mill st., Boston, Mass.
EOPOLD WINKLKR, Steinway Hall, N. Y.
GOLLEGE OF MU8I0, 108 Han-
MAIGILLE, 1211-1215 Carnegie
HENRY G. HANCHETT. Pianist. Teacher,
K L1NGENFELD
cock St., Brooklyn, N. T.
M ME. Hall, HELENE
New York.
D R. Lecturer,
13* Fifth Are., N. Y.
RIHM, 100 Itoduey St., BrooklyD,
A LEXANDER
N. Y.
E. H. MARVIN, Hardman Bldg,
ENRY HOLDEN HUBS, 318 East 160th St. and
VOCAL INSTRUCTION
M ISS 138 FLORENCE
Fifth ATC, N. Y. Tuesday. Thursday and H Carnegie Hall. N. Y.
UGENE A. BERNSTEIN, 160 East 70th St.,
Saturday.
E UGENK
N. Y.
8MO0K BOICE, Hardmaa Bide
ME. LIZA DELHAZE WI0KE8. 2 West 95th St., JULIE RIVE-KING, 52 East 21st street
LBERT
GERARD-TH1ERS,
Vocal
Studio,
649
M BS. 138 HENRY
Fifth AT*., N. T. Monday and Thvnday. A
M
N.
Sew York.
Lexington Are., N. Y.
J
EESIQA p $ WOLF, 310 W, 88th street, N$w York.
M RS.
ETTA EPWA&P3, gttinert Sail, Boston,
POTVIN, 1M West 4«tt» St., New York.
UAHDEL BOWDEN MOKLE—tngliBh Dtc-
M R, ttO»
a SpeoUUy-i3fi Fifth Are., N, Y,

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