Music Trade Review

Issue: 1901 Vol. 33 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
AN HONOR TO THE PROFESSION.
THE TWO HYMNS OF THE HOUR.
"THE spontaneity of popular feeling shown THHE Amaranth Society of Brooklyn is the
alma mater of many distinguished mem-
* on Sept. 19th, the day of President Mc-
Kinley's burial, in the famous five-minute bers of the theatrical profession, but few
pause when large crowds of people in this are destined to bring it more honor than Miss
and other cities all over the land stood in the Carolyn James, who, a few weeks ago, made
streets and sang "Nearer, My God, to Thee," her debut in Boston in the farce-comedy,
was a remarkable exhibit of human emotion. "The Brixton Burglary," essaying the role
The vast multitudes who did the singing of Mrs. Pontifex.
must have been composed of men and wo- Although this marked Miss James' first
men of various creeds and of none. Yet, as professional engagement, so capably did she
The World so aptly pointed out, they all interpret the character part allotted to her,
readily joined in singing the words that lin- that she commanded flattering notices from
gered on the President's dying lips. This the leading critics of Boston an shows that the words and the music of that
hymn are alike familiar to the plain people.
"Lead, Kindly Light," the other favorite
hymn of Mr. McKinley, was heard in nearly
all the church services—but not on the streets.
Neither the words nor the music is as easily
remembered by the masses. Especially is
this true of the music, which belongs to a
higher and more classical order of composi-
tion.
These two hymns of the hour have strik-
ing features in common. Both are of Eng-
lish origin and both were written by authors
not of Mr. McKinley's own denomination.
John Henry Newman wrote "Lead, Kindly
Light," while sailing on an orange boat from
Palermo to Marseilles on June 16th, 1833.
He entitled it "The Pillar of the Cloud" and
wrote it as a poem, with no idea of its be-
coming a hymn. He was then a clergyman
of the Church of England. It was not until
twelve years later that he was received into
the Roman Catholic Church, of which later
he became a distinguished Cardinal.
MISS CAROLYN JAMES.
Sarah Flower Adams, who wrote "Nearer,
was an
mates
of
her
ability have been duplicated
My God, to Thee," about 1845,
Eng-
in
the
other
leading
cities which she has vis-
lish Unitarian. She wrote it for the hymnal
ited,
including
her
home city, where she
used by the South Place Chapel, London,
played
the
past
week.
where it was sung for many years before it
Miss James has been carefully schooled
gained any large circulation. Its world-wide
for
her present position. For a number of
vogue was not acquired until about i860,
years
she took an active interest in the dra-
when Dr. Lowell Mason, of Boston, set it
matic
work of the Amaranth Society, and it
to the tune with which millions of people are
was
here
the histrionic bud developed into
now familiar. In this respect the two hymns
flower.
She
is devoted to her art, and pur-
are sharply in contrast. Newman's poem has
poses
to
reach
in time an enviable altitude
become a popular hymn, notwithstanding the
in
the
world
of
drama by hard and faithful
noble but not "catchy" music to which it
work.
Miss
James
has much in her favor.
was set, while Sarah Flower Adams' lines
She
is
splendidly
educated,
possesses rare in-
owe at least half their popularity to the eas-
dividuality,
a
winsome
disposition,
with a
ily remembered strains with which they are
beautiful stage presence. Add to this equip-
identified and which seem their natural ex-
ment, earnestness and enthusiasm, and it is
pression, so perfectly is the melody wedded
little wonder her friends look forward to her
to the words.
Both hymns were first introduced in this progress with confidence. In addition to her
country in the famous Unitarian hymn-book other talents, Miss James is an athlete of no
compiled by Samuel Longfellow and Sam- mean attainments. As a long distance swim-
mer she has quite a record, while as a golf
uel Johnson.
player she can give many of the old-timers
A. J. Goodrich, the well-known teacher
and writer, who has been summering near a pretty hard battle.
Lake George, has returned to town and has
London enjoys a club with the musical
taken up quarters in Carvel Court, 114th cognomen of the "You Be Quiet Club."
street.
Can this be a woman's club?
NEW
PUBLICATIONS
ETHELBERT NEVIN—An African L»ve Song;
nighty lak' a rose
To Anne
At Rest
C. B, HAWLEY—Your lips have laid you lov e me
A Song of Life .
Love and 1
HORATIO PARKER-Love in Hay
June Night
A Spinning Song
At Twilight
CINCINNATI
. $ .50
.30
.30
.30
.50
.40
.50
.40
.40
.60
.50
OCTOBER MUSIC.
Voices, everywhere voices, pulsing the Autumn
airs,
Singing of fields ripe-fruited, of brightly-branched
bowers;
Singing also the radiant souls of departed flowers
Fain to revisit the world, of late so richly theirs.
Bearers and breathers of joy, angels of song, de-
lay!
Stay, as with vespers of spring, the gray autum-
nal day!
Call back the bloom of June, echo the music of
May!
So doth the ancient earth renew her beauty for
aye.
—Fanny H. R. Poole.
KUBELIK AN IMPRESSIVE FIGURE.
^VfOUNG Jan Kubelik," said a New
1
Yorker who heard him play in Lon-
don, "will, in my opinion, make much more
of a isuceess when he comes to this country
in the cities outside of New York than he
will here. He is a player of great technical
brilliancy, but he seems to be lacking in ap-
preciation and intellectuality. He is only
twenty years • old and has a very pale face,
surmounted by a shock of black hair. He is
said to resemble the great Paganini in his
youth and he plays much of the famous
violinist's music. On the concert platform
he is a very impressive figure and outside of
New York, where this is a more important
factor in a performer's success than it is here.
I think that the dash and brilliancy of his
playing will make him a success. Managers
rely very much on the physical appearance
of musical celebrities since the success of Jg-
nace Paderewski here, as if his personal ap-
pearance were responsible for his triumphs.
One artist here several years ago admirably
satisfied his manager's ideas in this particu-
lar. M don't know how he plays the piano,'
he said, 'but I do know that his hair is red
and that he is as pale as a ghost. He's the
palest man I ever saw, and if he doesn't
make a hit, why I don't know my business.' "
MUSIC A S A POLITICAL FACTOR.
A PART from its ethical and aesthetic sig-
nificance, music oftentimes acquires a
political value. It was the enthusiasm for
Wagner's operas that led the Parisians to
assume a more friendly attitude toward the
Germans. At Munich, as well as at Bay-
reuth, French enthusiasts now outnumber
those of any other country. Several Ger-
man orchestras have in recent seasons visited
Paris, where they were received with accla-
mation. And now comes the news that, for
the first time, a first-class Parisian orchestra
will, this autumn, visit the leading German
cities. Edouard. Golonne, the famous con-
ductor, recently stopped at Berlin on his way
from St. Petersburg to complete the arrange-
ments for this concert tour. This emphasizes
what some of our greatest writers have long
maintained that music influences in an in-
finitude of ways our manners and characters.
BY EMINENT COMPOSERS
REOINALD De KOVEN-Not by the Sun will I Vow Hy Love .
The Sandman's Song
.
.
.
D a i n t y D o r o t h e a
A Fairy Dance
C u p i d ' s K i s s
R o s a l i e
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.50
.50
.
.
.
.
.
.
.
.
. .
.
6
.
Opera Songs, $1.80 per vol., Soprano, Alto, Tenor, Bass.
Oratorio Songs, $1.50 vol., Soprano, Alto, Tenor, Bass.
JAriES H. ROOERS— A book of Organ Husic
.
.
.
.
2.00
Containing Voluntaries by the best authors.
ANTON ANDREE-Pedal Studies for the Organ
.
.
.
.1.50
C a t a l o a u e s w i l l be s e n t on a p p l i c a t i o n
T H E
J O H N
C H U R C H
CO.
NEW YORK
7
5
.50
.
CHICAGO
0
6
0
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC ) TRADE REVIEW
ITALY'S GREAT LOSS.
HP H I S year may be said to have been fatal
to Italy, as she has lost, besides men
of lesser importance, Verdi, Crispi, and Mo-
relli, her veteran composer, her most prom-
inent statesman, and her greatest painter.
Verdi and Morelli were bound by the most
tender friendship since their youth, and had
a reciprocal admiration for each other's tal-
ent, Verdi saying: "I would give all my
operas to have produced one of the Christs
of Morelli" ; while the latter, with equal sin-
cerity, said: "I would give all my pictures
to have composed 'II Trovatore.' "
GIRARDY THE GREAT.
\ 1 7 E present herewith the latest portrait
of Gerardy, the phenomenal 'cellist,
who will visit us this season, after a success-
ful tour of the world. To-day Gerardy is
beyond question one of the masters of his
instrument—more matured, more skilled,
more finished than ever. His technical equip-
ment is complete, while his tone is of uncom-
mon richness.

ARCHER'S CRITICISM.
A I M L L I A M ARCHER, the noted London
critic, has come out with a vigorous
attack on recent American musical comedy
productions. He says: "There is a decided
slump in the American extravaganza market
in London, which is likely to last until the
librettists can hit upon some fresher and more
inspiring theme than the epileptic glorifica-
tion of loose living and deep drinking."
There is some justification for Mr. Archer's
criticism. So-called musical comedy has de-
scended to a basis of buffoonery that is sim-
ply painful. Handsome women, expensive
dresses, stage lights and scenery, will not
make up for vacuous plots and silly wit.
We seem to import nowadays our best musi-
cal comedies, judging from recent successes*
in New York.
JOSEF HOFMANN.
A MONG the most prominent of the piano
^ - virtuosi who are to be heard in this
country during the coming season is Josef
Hofmann. This will be his fourth American
tour, but it will be the first time that he will
journey clear through the country. His first
appearance will be with the Philharmonic
Society in New York city, on Nov. 15th and
16th, and on the 23d and 27th of the same
month he will give two recitals in New York.
On the 28th and 29th of November he will
be the soloist with the Boston Symphony
Orchestra in Boston, and on Dec. n t h , 13th
and 14th, he will again play with the Boston
Symphony Orchestra in Philadelphia, Brook-
lyn and New York. Following these en-
gagements he will begin a recital tour, visit-
ing the larger cities in the South, Mexico,
California and Canada. Hofmann will give
100 recitals and will remain here until late
in April.
RECITALS THIS SEASON.
I T is evident that the musical season now
* opening will be as notable for song re-
citals as that of last year, when the appear-
ance of many eminent artists, including some
distinguished operatic stars, was attended by
remarkable pecuniary (success. To those mu-
sically inclined, as well as students of sing-
ing, there is no more delightful means of es-
timating the great talents possessed by some
of our great vocalists than by hearing them
in recital.
JEAN GERARDY.
THE MUSIC FESTIVAL SEASON.
'"THE Maine musical festivals, which were
*
successfully inaugurated in Bangor on
last Thursday, concluding to-day, will be
duplicated in Portland on Oct. 7th, 8th and
9th, the programs being identical. "The Re-
demption," with a chorus of one thousand
voices under Director Chapman, will form
the principal choral work, the usual small-
er numbers, both vocal and instrumental,
being of course embodied in a very interest-
ing program. The New Hampshire musi-
cal festival, which will be held on Oct. 10th,
n t h and 12th, and the Vermont festival, which
occurs on Oct. 14th, 15th and 16th, will be
also under the direction of William R. Chap-
man. In these States there will be a chorus
of six hundred voices with the same orches-
tra as assisted at the Maine festivals. The
soloists in New Hampshire and Vermont will
be the same as appeared at the Maine fes-
tival last week, and are headed by Mme.
Schumann-Heink and Miss Suzanne Adams;
Campanari and Gwilym Miles, baritones;
Willis E. Bacheller, tenor; Mme. Maconda,
soprano; Mme. Isabelle Bouton and Mrs.
Jennie King Morrison, contraltos; Miss
Carrie Hirschmann, pianist, and Miss Anna
E. Otten, violinist.
These festivals are looked forward to with
the greatest interest by the musical people
of the respective States in which they are
given, and the fact that they are growing
in popularity each year
emphasizes to no mean
extent the musical prog-
ress of the people of
these old but progressive
New England States.
A WAGNER STORY.
C LS1E POLKO, a
*-"* G e r m a n writer,
tells a touching story in
connection with "Der
Wanderer" and "Ach,
Wie Ist's M 6 g 1 i c h"
("How Can I Leave
Thee") two Thuringian
songs known all the
world over. "Der Wan-
derer" was composed in
1837
by
Friedrich
Bruckner, father of Os-
kar Bruckner, the 'cell-
ist, and "Ach, Wie Ist's
Moglich" was the com-
position of Bruckner's
friend, Kantor Johann
Ludwig Bohner, both of
Erfurt.
In May, 1849, Wag-
ner had to make his
escape from Dresden,
and he arrived at Er-
furt, on his way to
Paris, to be conducted
across the frontier by
Bruckner and Bohner.
As he was being accompanied through the
streets in the moonlight he stopped sudden-
ly to listen to some female voices singing
"Ach, Wie Ist's Moglich," and to the horror
of his friends, would not budge until he had
heard the last note. "I know the melody,"
he said. "It is sung everywhere. Let me hear
every line. What a beautiful parting song!
I wish I had composed it!"
As he took his seat in the closed vehicle
that was waiting impatiently to take him
further on his journey, a soft voice started
"The Wanderer":
Wenn ich den Wand'rer frage:
Wo willst du hin?
And all joined in the refrain
Nach Hause, nach Hause!
But at the last line:
Hab' Keine Heimat mehr!
A choking voice called out "Da Capo!" Then
the horses started, and as the party passed
out into the moonlight, and that lament "Hab'
Keine Heimat Mehr!" (as "I Have No Home
Now") became fainter and fainter, the lonely
fugitive buried his face in the cushions and
wept bitterly.
CORNELIAVANETTEN
PRIMA DONNA SOPRANO
AND TEACHER IN THE
CHARLES L. YOUNG
SCHOOL
OF MUSIC
305 FIFTH AVE., NEW YORK

Download Page 7: PDF File | Image

Download Page 8 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.