Music Trade Review

Issue: 1901 Vol. 33 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Emma Nevada is, after Mme. Lehmann,
to be the most notable of women concert
singers. She is to reach Boston and begin
a tour of the principal cities in November
accompanied by Signor Pablo, an Italian
'cellist. Mme. Lehmann will arrive here
early in November and begin her season of
recitals at Carnegie Hall on Nov. 8th. She
will sing in recital in all the principal cities
before returning to Germany in April. She
will also be heard in Wagner recitals with
Reinhold Hermann. Mme. Lehmann may
go to San Francisco in the spring. Mme.
Seygard-Fischer, soprano, and her husband,
Emil Fischer, basso—an old favorite, by the
way—will be heard and welcomed during
the season. Mr. Fischer, who for many
years was identified with the German opera
at the Metropolitan Opera House, went
abroad three years ago to manage the Opera
in Hamburg. He will be heard this coming
season in concerts. Fischer will also give
much of his time to preparing singers for
the operatic stage and will give instruction
in Lieder singing. Miss Estelle Liebling,
the young prima donna of the Dresden Royal
Opera, will also make a short tour commenc-
ing in October.
A NEW PRIMA DONNA ARRIVES.
JV/I ISS ESTELLE LIEBLING, the young
*" * prima donna soprano, who enjoyed
remarkable success in the opera at Dresden
and later was heard in a number of operatic
concerts in Berlin arrived last week from
Hamburg on the steamer "Columbia." She
comes to this country to sing under the man-
agement of Mr. Henry Wolfsohn, who is
MUSIC AT THE "PAN."
JV/l USIC at the Pan-American Exposition
is now proving apparently a greater
source of attraction to visitors than in the
opening months. It is the regular occur-
rence these days to have the Temple of
Music crowded at the organ recitals in the
afternoon, and the people do not empty out
after each number as formerly, while in the
evening the orchestral concerts are also well
attended, and the same appreciation is shown
the work of the performers. This is a
straw which shows how the wind blows,
and it must be gratifying to all interested
in musical matters at the "Pan."
These recitals and concerts are doing
splendid missionary work in inculcating a
greater love for good music, and the thou-
sands who visit the Exposition will return
to their homes not only pleased with the
sights seen, but with the fine programs en-
joyed in the Temple of Music. The authori-
ties at the "Pan" are to be congratulated
on the good work accomplished in getting
such a roster of eminent organists to take
part in these recitals. The success which is
now being achieved must be some reward
for the efforts made in this connection.
THE PHILHARMONIC'S DATES.
'T 1 HE dates selected for the New York
Philharmonic Society's concerts dur-
ing the coming season are Nov. 15 and 16,
Dec. 6, 7, 20 and 21, Jan. 10, 11 and 31,
Feb. 1, 14 and 15, March 14 and 15 and
April 14 and 15. They will be given a^
usual at Carnegie Hall. These dates include
the concerts and the public rehearsals. Josef
Hofmann is to be the soloist at the first
concert.
MISS ESTELLE LIEBLIiNG.
now arranging a tour for her in the United
States and Canada. Negotiations are also
pending for her to appear with the Maurice
Grau Opera Company in the beginning of
the season, as well as in a series of concerts
with both Kubelik and Josef Hofmann.
THAT
PECULIAR
ARTISTIC
TEMPERAMENT.
A RTISTS, it is said, possess a tempera-
^ ^ ment of a peculiar kind, without which
they could never reach the Parnassus of their
profession. Webster defines temperament
as "the peculiar physical and mental char-
acter of an individual." Webster also de-
fines artist as "one who professes and prac-
tices one of the liberal arts in which science
and taste preside over the manual execu-
tion."
Men and women possessing this so-called
"artistic temperament" are excused for many
short-comings; every sort of idiosyncrasy
is charitably overlooked. The world is ac-
customed to regard a person following any
of the liberal arts as a crank or a half-idiot.
If an artist be a slave to drink, tobacco, mor-
phine or opium, the artistic temperament is
blamed.
In our enlightened age we ought to find
more artists than we do, who are physically,
mentally and morally equally developed. If
it is an absolute necessity for men and wo-
men artists to be cranky or crazy, it were
better that we stop cultivating art for a
century. It can not be denied that an artis-
tic temperament is indispensable to those
who follow the liberal arts, but it must be
the result of inspiration and enthusiasm.
The pianist who lacks these qualities finds
his superior in the new invention called the
'self-playing piano." The organist without
these qualities might change place with the
organ grinder on the street without harm
to the hand organ. Let the young men and
women attend to the mental and physical
development foremost, and the "artistic tem-
perament" will take care of itself. Proper
physical exercises will aid a healthy growth
of mentality or thinking power. Of course,
the instrumentalist has to avoid such exer-
cises as would interfere with the flexibility
of wrists and fingers. There are many ex-
cellent physical exercises, other than dumb-
bells, horizontal bars, punching-bags, etc.,
which develop the muscles.
It is often asked: Why are artists almost
without exception, cranks? Does the pur-
suance of art cause men and women to be
such ? Does the pursuance of the liberal arts
make men and women immoral? Is it pos-
sible for any sane man to believe that God
endows his creatures with the highest gifts
known to humanity, and at the same time
inflicts upon them sin and sorrow-bringing
vices? No orthodox or advanced thinker
will dare to affirm this. Without dipping too
deeply in the philosophic side of this ques-
tion, it can be asserted that the early train-
ing of an artist is in a great degree respon-
sible for his future. Parents who detect an
artistic tendency in their child, begin by
fondling, caressing, and spoiling it, before
it can take the first rudimental steps toward
the temple of art.
The prodigy, or wonder-child, must not
conform to conventionalities in dress or
style. If a boy, the hair must be long; if
a girl, it must be short; the boy must look
like a girl, and the girl like a boy; feminin-
ity is encouraged in the boy, masculinity in
the girl. The wonder-child can have no
companions, physical culture is not tolerated,
because if, perchance, the boy is a violinist
and became an artist, it would hardly do to
see a finely shaped and well-developed man
on the platform; people might not believe
him to be an artist.
The assertion that parents are directly re-
sponsible for the future of the child with the
artistic temperament may sound very harsh,
but nevertheless it is true. When parents
and educators realize the importance of their
mission and duty toward the new genera-
HANNAH L. KEENE
SOP
RAN
O
Exclusive Management of
CHARLES L. YOUNG
[123 BROADWAY,
NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
a
THE MUSIC TRADE REVIEW
tion, the question of how to bring up artists
who will be every inch whole and hearty
will easily be solved.
THE CHARLES L YOUNG SCHOOL OF MUSIC.
- T H E Charles L. Young School of Music
*
opens on Oct. ist, and most elaborate
preparations are beng made at 305 Fifth
avenue. The school will occupy the entire
floor of that building, and will begin with
quite a number of pupils who have already
signed and completed arrangements. Mr.
Young seems to be able to offer inducements
to pupils that make it worth their while
to consider this school. It is his intention
to promote the interests of deserving pupils,
and assist them to become known, as they
advance in their studies. Usually students
have had to spend a great deal of time and
money to secure their education, and after-
wards have had to spend a great deal more
money and time to become known; conse-
quently, Mr. Young's plan will be of great
assistance to those who study in this school.
Arrangements for the piano department are
to be completed this week, which will make
it possible for Mr. Young to announce one
of the best known piano teachers for this de-
partment, in addition to those already en-
gaged. The vocal department will also be
completed and announcement made of the
principal teachers in another week. The
assistants have all been secured.
j*
THE PRODIGY AGAIN.
IV/I AJOR POND, who arrived from Eu-
' * rope last week, announces that Flori-
zel Reuter, an American boy violinist of
nine years, who has studied for several years
with Henri Marteau in Geneva, will tour
America the coming season under his direc-
tion. Some time ago Marteau predicted
that the boy would become a great violinist.
Some extravagant statements are made re-
garding his repertoire.
THE SOHMER HARMONY CHART.
O O H M E R & CO., the well-known piano
^
manufacturers of this city, are issuing
a harmony chart which should prove of as-
sistance to teachers desiring to utilize a most
effective but simple method of impressing
a knowledge of harmony on the minds of
pupils. The chart is ingeniously constructed,
and by means of perforations beneath which
a colored card, containing the various let-
ters corresponding to the tones of the scales,
in placed, one may, at a glance, learn the
relative minor of a given major key, the
sharps or flats of the respective scales, the
fundamental tones, the tonic, subdominant,
dominant and diminished triads both in ma-
jor keys and their relative minors; the dom-
inant and minor chord of the seventh in
major and dominant chords of the seventh,
the chord of the diminished seventh and the
augmented triad in the minor, together with
the perfect, major, minor, augmented and
diminished intervals. The chart is in every
respect a practical manual of major and
minor scales, intervals and principal chords,
and contains much detailed information
which can be used advantageously by pupil
or instructor.
We have rarely come across anything so
worthy of praise as this Sohmer harmony
chart. It simplifies an abstruse study and
on this account a widespread popularity
should follow its introduction.
j*
MAY PRODUCE PADEREWSKI'S OPERA.
C O R some time lovers of music here
have been thinking that there was
no chance of their hearing Paderewski's
new opera, "Manru" in New York for at
least two years. It is now said, however,
that the production of the piece will be made
during the coming winter, and that Maurice
Grau is now communicating with Walter
Damrosch about the venture. Mr. Damrosch
when spoken with on the subject said:
"Mr. Grau has not concluded his contract
with the composer's agent, but it will be
signed soon, I understand, and then arrange-
ments will be made to bring out the opera here
early in the coming season. Mr. Damrosch
now has the score. The cast can be easily
filled. Mme. Eames or Mme. Sembrich will
in all probability be the heroine, and there
are parts in the opera that will suit various
others of Mr. Grau's forces. The work will
be sung in German, although there is an
English translation."
Paderewski's opera is in three acts, and the
scenes are laid in the country where he has
his home, the mountains between Bulgaria
and Servia. Peasants, gypsies, a beautiful
girl and a dwarf are the principals in the
action, and the scenery requisite for the pro-
duction will not have to be very ornate.
Maurice Grau is reported to have engaged
a German tenor named Bandrowsky, who was
a member of the company at the opera house
in Frankfort and has broken his contract
to come here. He is said to have been en-
gaged to sing the title role in Paderewski's
"Manru." The incident has attracted atten-
tion because the singer will not be able to
appear again in any of the German theatres.
BLAUVELTS PLANS.
JVA ME. Lillian Blauvelt, the concert singer,
* * sails for Europe early this month.
Her concert tour abroad begins in Dussel-
dorf, Germany, October 16. She will sing
in Germany and Great Britain till December
31. January 1 she will sail for America and
remain here till the following April, when she
will again go to Europe. Speaking of a re-
turn to opera, Mme. Blauvelt says the temp-
tations to do so the past three years have
been many, but she has resisted them all, as
she prefers the freedom of the concert stage.
In opera an artiste is confined to a few cities
each year, while in concert one may travel the
world over. Beside this consideration, the
latter field is less fatiguing to the voice and
more remunerative. Mme. Blauvelt also an-
nounces that in future she will be her own
manager in America as she has been in Eu-
rope. She has nothing to complain of in
reference to American managers, but believes
that with concert engagements an artiste can
do better dealing directly with the singing so-
cieties.
j>
STUDYING INDIAN MUSIC.
D R O F . FREDERICK STARR, anthro-
pology savant at the University of
Chicago, is making a special study of Indian
music. He will spend several weeks at the
Iroquois Reservation, in New York State,
in October, endeavoring to work out a theory
which will render the Indians' scale of har-
monies comparable with those used by civ-
ilized people. Prof. Starr, who declares
that Indian music has never been correctly
reproduced, will use a phonograph in mak-
ing his investigations.
MISS HANNAH L KEENE.
T"* HE place of honor on the cover page of
this issue is occupied by a fine portrait
of Miss Hannah L. Keene, prima donna
soprano, who is under the exclusive manage-
ment of Charles L. Young. She is at pres-
ent filling very important concert engage-
ments in Newport, Narragansett and the
principal summer resorts in Maine. Miss
Keene has a beautiful soprano voice, easy
stage presence, and is said to be quite at
home with her audience from the moment
she makes her appearance. It is Mr. Young's
intention to give Miss Keene a New York
appearance early in the season, and it is very
possible she will be heard at the Waldorf-
Astoria. She is an accomplished singer and
a genuine artist, and the press is enthusi-
astic in praise of her work.
THE YALE BICENTENNIAL
A T the forthcoming celebration of Yale's
**• Bi-Centennial, music will play no un-
important part. The Gounod Society of
New Haven will sing Prof. Horatio Parker's
"Hora Novissima," and the composer will
return from Europe especially to conduct
this performance. The Boston Symphony
Orchestra and the New Haven Symphony
Orchestra will each give a concert and in the
evening there will be a right royal time,
singing college songs on the campus, as-
sisted by a first-class band. A number of
eminent soloists will be heard in the per-
formance of "Hora Novissima."
KREISLER'S TOUR.
Fritz Kreisler, the Austrian violinist, who
made such a remarkable success in this coun-
try last winter, is to return again in Jan-
uary next and will open his tour in Chicago
with the Thomas Orchestra on the- 10th of
the month, after which he will make a tour
of the principal cities of the country.
CORNELIA VAN ETTEN
PRIMA DONNA SOPRANO
AND TEACHER IN THE
CHARLES L. YOUNG
SCHOOL
OF MUSIC
305 FIFTH AVE., NEW YORK

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