Music Trade Review

Issue: 1901 Vol. 33 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
has been set for nine o'clock on the morning self opposed to church music as now gener-
of Monday, September 9th, would indicate ally conducted. He is especially severe on
a more than ordinarily successful six weeks' the quartet. In the first place there is not
enough of them, and they are either too
season of opera in English.
Mr. Savage plans to produce two grand fine or too poor. If the former, they keep
operas each week; presenting one on Mon- down those in the audience who know any-
ARTISTS' DEPARTMENT.
day, Thursday and Saturday nights and at thing about singing, and if the latter, the
TELEPHONE NUMBER. 1745.--EIGHTEENTH STREET
the
Wednesday matinee, the other at the re- listeners are criticising them instead of
The Artists' Department of The Review is
Common sense thinking about the messages they are giv-
published on the first Saturday of each month. maining performances.
prices and all seats reserved will prevail dur- ing. His own idea is that all the people
FROM PLAY TO WORK!
should sing at a church service, the old, the
' T H E first week of September marks the ing the entire six weeks.
New York's only .season of grand opera young, and the children. The best realiza-
*
return to town of the thousands, some
of whom have been spending brief, and others in English promises to be a conspicuous tion of his ideal that we can think of is to
extended periods of rest and recreation dur- success. This is evidenced by the number be found at the colored camp-meetings in
ing the summer months. Preparations are of requests for seats received from former the South. Without doubt this idea is a
well under way by the different managers subscribers of the Castle Square Opera Com- good one for promiscuous evangelistic work,
and societies for the forthcoming musical pany's seasons, who are awaiting with keen says the Boston Evening Transcript. But
season. Many teachers have already opened interest the reappearance of this favorite or- it is nevertheless the sign of primitiveness
studios, and the usual routine of work is ganization.
in worship and would not appeal to the high-
being resumed all along the line.
"Aida" and "La Boheme" will be followed class congregations, because their educated
From the present outlook the season by melodic masterpieces selected from the tastes have taken them beyond it. Church
promises to be a brilliant one in almost every following list: "La Gioconda," "Faust," music should be adapted to the audience.
"Tannhauser,"
"Carmen," Only a captious person would quarrel with
department of effort. Every year New "Lohengrin,"
York seems to be increasing its army of "Romeo and Juliet," "Cavalleria Rusticana," the gospel songs of the evangelists. They
music lovers, and this is attested by the at- "I Pagliacci," and several other novelties, are undoubtedly well adapted to the service.
tendance at the opera, the concert and the for which negotiations are now in progress. But, on the other hand, it is hardly tolerant
thousand and one recitals which occur be- Mr. Savage has secured the American rights or charitable to insist that they are the only
tween October and April.
of Puccini's new opera, "Mme. Butterfly," church music that should be used, or dictate
As usual, we will have with us a strong and expects to make the first production of the manner in which hymns should be sung.
representation of foreign artists. Indeed, in the work in this country one of the features These are questions which every church has
a right to settle for itself.
the artistic, as in the commercial field, of the Broadway Theatre season.
this country to-day seems to be fast win-
BUSINESSLIKE MASCAGNI.
ARTISTS WHO WILL VISIT US.
ning its way as a dominating factor. Its
ASCAGNI is becoming widely known \ \ l E are on the threshold of what prom-
wealth, and we hasten to add its augment-
abroad as "the Italian Yankee." He
ises to be an unusually lively musi-
ing culture, are attracting the very cream of
has as great a love for keeping his name cal season. The preliminary announcements
the world's famous artists. The influence
before the public as had the late revered of the different managers indicate this. The
of these great vocalists and instrumental-
P. T. Barnum, and his estimate of the dear list of artists is a formidable one. William
ists is most inspiring and helpful toward
public differs little from the circus impre- Worth Bailey, the blind American violinist,
a keener appreciation of and the prevalence
of a higher standard of music. They make sario's. At brief intervals recently schemes who is to be heard next winter, has
the critical senses less satisfied with the com- have been unfolded by the author of the never played in public here before, although
monplace, and while the wide chasm between popular "Cavalleria," which displays his he has won high praise abroad. He is now
mediocrity and perfection is made plainer, keen business instinct. His latest pronun- twenty-one and he was born in Fort Smith,
so much so that it disheartens oftentimes ciamento from Pesaro is that he intends to Ark. He showed a talent for the violin at
the ambitious pupil, yet it has a decided in- establish, in association with a capitalist and an early age, and when he had learned all
fluence on the nation's progress musically a number of Italian composers, a co-opera- that the teachers in his part of the country
considered. The people of this country can tive society for the publication of operas, could teach him his parents sent him to Eu-
not continue to hear the very greatest of with a view to securing to their authors the rope. He studied with Cesar Thompson at
the world's musicians without becoming in full material advantages to be derived there- Liege and was soon recognized as a player
from. It may be that there are Italian com- of talent by Ysaye, Musin and other Bel-
time greater lovers of the best.
posers who need such protection, though gian violinists whe heard him play. He has
GRAND OPERA IN ENGLISH.
their works are almost always ephemeral. for two seasons been appearing in concert
|\1 EW YORK'S only season of grand opera But as for Mascagni himself, the plain truth
in Europe. Fritz Kreisler and Charles
in English will be inaugurated by the is that he has already received for his operas
Gregorowitsch are to be the other violin
Castle Square Opera Company at the Broad- a thousand times as much as they are worth
virtuosi here. Tivador Nachez, the Hunga-
way Theatre on Saturday night, September —aesthetically, at any rate; and only one
rian player, may also be heard.
14th, when a splendid revival of Verdi's mas- of them has been a financial success. He is
The list of pianists is more numerous
terpiece "Aida" will be presented with a cast now said to be engaged on a one-act opera
of popular favorites, assisted by the famous which is to be a pendant to his "Cavalleria and includes Josef Hofmann, Harold Bauer,
Castle Square chorus, an augmented orches- Rusticana." Meanwhile, Mascagni needs no Ossip Gabrilowitsch, Eduard Zeldenrust,
tra, a military band and a force of supernu- press agent. He "knows the ropes," to use Rafael Joseffy and Fannie Bloomfield-Zeis-
meraries. The cast for the inaugural per- the old-time colloquialism, and his plan of ler. Plunkett Greene is to return here in
formance has been arranged as follows:—• campaign seems to win him notoriety and the spring for two months and will be pre-
Aida, Adelaide Norwood; Amneris, Marion what is better—dollars, or their equivalent ceded by two English singers who have
never been heard before. They are Whit-
Ivel; Rhadames, Joseph F. Sheehan ; Amon- in Italian currency.
ney
Tew, a basso, who comes in November,
asro, William Pruette; Ramfis, F. J. Boyle;
and
Gregory Hast, a tenor, who will be
CHURCH MUSIC AOAIN DISCUSSED.
The King, W. W. Hinshaw. Puccini's "La
Boheme" and Verdi's "Aida" will be the al- T ^ H E criticism of modern church music heard first in the same month. Plunkett
that used to be an almost invariable Greene has not sung here for several years.
ternating operas for the week of September
16th, and will introduce those members of feature of Mr. Moody's summer meetings at Clara Butt has postponed her return to this
the company who are new to New York. Northfield appears, to be perpetuated now country another year. Next season she will
The volume of inquiry received during the that Mr. Moody is no more. Professor be heard only in England. Jean Gerardy,
past few weeks at the Broadway Theater Towner, associated with evangelistic work the 'cellist, will return here after a success-
relative to the opening of the seat sale, which. there as a choral director, has declared him- ful season in Australia,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Emma Nevada is, after Mme. Lehmann,
to be the most notable of women concert
singers. She is to reach Boston and begin
a tour of the principal cities in November
accompanied by Signor Pablo, an Italian
'cellist. Mme. Lehmann will arrive here
early in November and begin her season of
recitals at Carnegie Hall on Nov. 8th. She
will sing in recital in all the principal cities
before returning to Germany in April. She
will also be heard in Wagner recitals with
Reinhold Hermann. Mme. Lehmann may
go to San Francisco in the spring. Mme.
Seygard-Fischer, soprano, and her husband,
Emil Fischer, basso—an old favorite, by the
way—will be heard and welcomed during
the season. Mr. Fischer, who for many
years was identified with the German opera
at the Metropolitan Opera House, went
abroad three years ago to manage the Opera
in Hamburg. He will be heard this coming
season in concerts. Fischer will also give
much of his time to preparing singers for
the operatic stage and will give instruction
in Lieder singing. Miss Estelle Liebling,
the young prima donna of the Dresden Royal
Opera, will also make a short tour commenc-
ing in October.
A NEW PRIMA DONNA ARRIVES.
JV/I ISS ESTELLE LIEBLING, the young
*" * prima donna soprano, who enjoyed
remarkable success in the opera at Dresden
and later was heard in a number of operatic
concerts in Berlin arrived last week from
Hamburg on the steamer "Columbia." She
comes to this country to sing under the man-
agement of Mr. Henry Wolfsohn, who is
MUSIC AT THE "PAN."
JV/l USIC at the Pan-American Exposition
is now proving apparently a greater
source of attraction to visitors than in the
opening months. It is the regular occur-
rence these days to have the Temple of
Music crowded at the organ recitals in the
afternoon, and the people do not empty out
after each number as formerly, while in the
evening the orchestral concerts are also well
attended, and the same appreciation is shown
the work of the performers. This is a
straw which shows how the wind blows,
and it must be gratifying to all interested
in musical matters at the "Pan."
These recitals and concerts are doing
splendid missionary work in inculcating a
greater love for good music, and the thou-
sands who visit the Exposition will return
to their homes not only pleased with the
sights seen, but with the fine programs en-
joyed in the Temple of Music. The authori-
ties at the "Pan" are to be congratulated
on the good work accomplished in getting
such a roster of eminent organists to take
part in these recitals. The success which is
now being achieved must be some reward
for the efforts made in this connection.
THE PHILHARMONIC'S DATES.
'T 1 HE dates selected for the New York
Philharmonic Society's concerts dur-
ing the coming season are Nov. 15 and 16,
Dec. 6, 7, 20 and 21, Jan. 10, 11 and 31,
Feb. 1, 14 and 15, March 14 and 15 and
April 14 and 15. They will be given a^
usual at Carnegie Hall. These dates include
the concerts and the public rehearsals. Josef
Hofmann is to be the soloist at the first
concert.
MISS ESTELLE LIEBLIiNG.
now arranging a tour for her in the United
States and Canada. Negotiations are also
pending for her to appear with the Maurice
Grau Opera Company in the beginning of
the season, as well as in a series of concerts
with both Kubelik and Josef Hofmann.
THAT
PECULIAR
ARTISTIC
TEMPERAMENT.
A RTISTS, it is said, possess a tempera-
^ ^ ment of a peculiar kind, without which
they could never reach the Parnassus of their
profession. Webster defines temperament
as "the peculiar physical and mental char-
acter of an individual." Webster also de-
fines artist as "one who professes and prac-
tices one of the liberal arts in which science
and taste preside over the manual execu-
tion."
Men and women possessing this so-called
"artistic temperament" are excused for many
short-comings; every sort of idiosyncrasy
is charitably overlooked. The world is ac-
customed to regard a person following any
of the liberal arts as a crank or a half-idiot.
If an artist be a slave to drink, tobacco, mor-
phine or opium, the artistic temperament is
blamed.
In our enlightened age we ought to find
more artists than we do, who are physically,
mentally and morally equally developed. If
it is an absolute necessity for men and wo-
men artists to be cranky or crazy, it were
better that we stop cultivating art for a
century. It can not be denied that an artis-
tic temperament is indispensable to those
who follow the liberal arts, but it must be
the result of inspiration and enthusiasm.
The pianist who lacks these qualities finds
his superior in the new invention called the
'self-playing piano." The organist without
these qualities might change place with the
organ grinder on the street without harm
to the hand organ. Let the young men and
women attend to the mental and physical
development foremost, and the "artistic tem-
perament" will take care of itself. Proper
physical exercises will aid a healthy growth
of mentality or thinking power. Of course,
the instrumentalist has to avoid such exer-
cises as would interfere with the flexibility
of wrists and fingers. There are many ex-
cellent physical exercises, other than dumb-
bells, horizontal bars, punching-bags, etc.,
which develop the muscles.
It is often asked: Why are artists almost
without exception, cranks? Does the pur-
suance of art cause men and women to be
such ? Does the pursuance of the liberal arts
make men and women immoral? Is it pos-
sible for any sane man to believe that God
endows his creatures with the highest gifts
known to humanity, and at the same time
inflicts upon them sin and sorrow-bringing
vices? No orthodox or advanced thinker
will dare to affirm this. Without dipping too
deeply in the philosophic side of this ques-
tion, it can be asserted that the early train-
ing of an artist is in a great degree respon-
sible for his future. Parents who detect an
artistic tendency in their child, begin by
fondling, caressing, and spoiling it, before
it can take the first rudimental steps toward
the temple of art.
The prodigy, or wonder-child, must not
conform to conventionalities in dress or
style. If a boy, the hair must be long; if
a girl, it must be short; the boy must look
like a girl, and the girl like a boy; feminin-
ity is encouraged in the boy, masculinity in
the girl. The wonder-child can have no
companions, physical culture is not tolerated,
because if, perchance, the boy is a violinist
and became an artist, it would hardly do to
see a finely shaped and well-developed man
on the platform; people might not believe
him to be an artist.
The assertion that parents are directly re-
sponsible for the future of the child with the
artistic temperament may sound very harsh,
but nevertheless it is true. When parents
and educators realize the importance of their
mission and duty toward the new genera-
HANNAH L. KEENE
SOP
RAN
O
Exclusive Management of
CHARLES L. YOUNG
[123 BROADWAY,
NEW YORK

Download Page 4: PDF File | Image

Download Page 5 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.