Music Trade Review

Issue: 1901 Vol. 33 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE LONDON TRIO.
A MONG the noted organizations sched-
uled to visit us next season is the Lon-
don Trio. The artists making up this trio
occupy a very high standing in the mu-
sical world by virtue of their individual abil-
ities. They have long been organized on a
permanent basis like such established trios
as "The Berlin Trio," "The Frankfort Trio,"
"The Parisian Trio," etc., etc. The object of
able precision and finish. It is, therefore,
on these lines (of equal importance in a
trio) that the members of the London Trio
are desirous of presenting to music-lovers
a well-chosen repertoire in this particular
branch, drawn from both the classical and
the romantic schools. The repertoire of the
London Trio comprises all of the standard
works written for instrumental trios, and
new compositions of importance will be pro-
duced as they are published.
A vocalist may be selected and engaged
in conjunction with the London Trio, and
as each member of the trio is a distinguished
soloist on his respective instrument, an ad-
mirable program may be drawn up by en-
gaging the London Trio (with or without
a vocalist) exclusive of any other artists,
if desired.
The personnel of the London Trio include:
MME. AMINA GOODWIN,
Solo pianist of the Crystal Palace Sat-
urday Orchestral Concerts, Henschel's Lon-
don Symphony Concerts, London Musical
Society, St. James' Hall Concerts, Promen-
ade Concerts (Covent Garden), London
Queen's Hall Concerts, Manchester Gentle-
\
MME. AMINA GOODWIN.
the London Trio is to present the highest
class of music written in the trio form in
the artistic manner that might be expected
from a trio whose members are in frequent
association and practice; thus they gain the
musical sympathy, balance of tone and unity
of expression which are almost impossible'
to achieve when a trio consists of different
artists who come together on occasion, with
only few rehearsals before a performance.
This is, fortunately, not the case with sev-
eral fine string quartets which we often
listen to with true pleasure and repose, as
the members are constantly working to-
gether, and consequently play with remark-
MR. W. E. WHITEHOUSE, VIOLONCELLIST.
Mr. William Edward Whitehouse's talent
has long found recognition at the hands of
our music-loving public. He is third son
of the late H. Whitehouse, Esq., Gentle-
man of Her Majesty's Chapel Royal, and
late lay Vicar of Westminster Abbey. He
was born in London, May 20th, 1859, and in
his boyhood studied the violin under Adol-
phus Griesbach. When thirteen years of age
his preference for the violioncello became
so apparent that he was placed under Walter
Pettit, whose pupil he was for nearly four
years. In 1877 Mr. Whitehouse entered the
Royal Academy of Music as a student vio-
loncellist, and Signor Piatti and Signor
Pezze became his masters, while for har-
mony he was placed under Mr. H. C. Ban-
nister. In 1878, Mr. Whitehouse gained
the Bonamy Dobree prize for violoncello;
in 1879 he obtained the bronze medal; and
in 1880 the silver medal. In 1882 he was
appointed assistant professor at the Royal
Academy of Music, and in the following year
he was made professor, which appointment
he holds at the present time. Further hon-
ors, however, were in store for him, for in
1883 he was elected Associate R. A. M., and
member of the Royal Society of Musicians
in 1884, Professor of the Cambridge Uni-
versity in 1886, Professor of the Royal Col-
lege of Music in 1891, King's College, Lon-
don in 1892, Manchester New College of
Music (under Sir Charles Halle) in 1892,
Fellow of the Royal Academy of Music in
1895, and member of the Court of Assist-
ants, Royal Society of Musicians in 1897.
Mr. Whitehouse is a quartet and solo player
par excellence, with a splendid record as
a teacher.
Ji
M'DOWELL'S FOURTH SONATA.
C D W A R D MACDOWELL'S fourth so-
*-^ nata for pianoforte* which recently
made its appearance, is named "Keltic." It
is a remarkable work, fully up to the high
standard which might be expected from a
composer whose compositions to-day take
Iflusical glub $ jjtmjsement flirectory
(Copvrighted IQOI.)
Trie most complete and reliable
book of information ever pub-
lished in reference to first clasi
entertainments and allied inter-
ests.
A Necessity to Every
Manager, Artist, Conser-
vatory, College of Music,
Private Teacher and
Musical Club.
EDITION,5,000. 1,000 pages
614 x \0 l 4>
Cloth covered. Illustrated,
Price, $3.00.
THE CHARLES
LYOUNG
AMUSEMENT
CO.
man's Concerts, Westminster Orchestral So-
ciety, Kissingen Kurhaus Concerts, Dr.
General Information Kostlin's Historical Recitals (Frankfort A.
Bureau and Ad-
vertising Agency. M., Germany), Leipsig Prefung Concerts
(Gewandhaus), Ley den (Holland) Sym-
No Registration phony Concerts, etc., etc.
Fee=
SIGNOR A. SIMONETTI, VIOLINIST.
Artist* booked and '
This distinguished artist was born in Turin,
Eng a g e m e n t s
in 1861, and showed early signs of pre-
secured.
Artists arc requested to send in their names and permanent
address, or change of address, at once.
Note: THIS COHPANY is NOT controlled by any NEWS-
PAPER, and is under the personal management of
C .
VAtttlA
jVHHM,
i l 2 3
SIGNOR A. SIMONETTI.
B r o a d w a y , N. Y. C i t y .
(Suite m o , Townsend Bid?.
All oar Instruments contain the full iron frame and
patent tuning pin. The greatest invention in the history
of piano making. Any radical changes in the climate, heat
or dampness, cannot affect the standing in tone of our in*
ttruments, and therefor* challenge the world tfaat
trill excel any otbtt.
inclination and talent for the violin. He
had his first lessons with Professor Gamba,
and later on he went to Genoa and placed
himself in the hands of Signor Sivori, who
took great interest in the promising youth.
Signor Simonetti also took early lessons in
composition under Maestro Pedrotti, late
principal of Rossini's Conservatoire in Pe-
saro, and after some successful appearances
in Marseilles and Lyons, he went to Paris,
where he studied counterpoint under Mas-
senet, receiving at the same time valuable
instruction on the violin from M. Charles
Dancla.
MR. W. E. WHITEHOUSE.
rank with the few "elect." As the name
implies, the music breathes of forest life,
and has a delightful Gaelic coloring and
virility that stamps it as individual and
great.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
(I
THE MUSIC TRADE REVIEW
A VOTE as to popular pieces, taken in
connection with a series of concerts in
Glasgow, shows the highest number of votes
for Tchaikowsky's "'Pathetique" symphony
as the favorite; next comes Schubert's "Un-
finished" ; then Beethoven's "Pastoral,"
Grieg's "Peer Gynt" suite, and Beethoven's
"C-minor Symphony." Among overtures,
the greatest two favorites are "Tannhauser"
and Beethoven's "Leonora III."
OUNTING the several musical come-
dies, which the public for the sake of
convenience classify as comic operas, there
were eleven new works of the kind pro-
duced during the season of 1900-1901.
Their titles are: "The Monks of Malabar,"
"Foxy Ouiller," "A Royal Rogue," "Vienna
Life," "Rose of Persia," "Sweet Anne Page,"
"The Burgomaster," "Florodora," "San
Toy," "Relle of Bohemia" and "The Prima
Donna."
There were some lively numbers, full of
the spirit of humor, in "The Monks of Mal-
abar," much well-written and refined music
in "Foxy Quiller," a mass of labored and
hackneyed matter in "The Rose of Persia,"
a clever mosaic of Strauss waltzes in "Vi-
enna Life," a pretty ballad and a very catchy
sextet in "Florodora" and a flow of melody
in "San Toy." Otherwise the music was
not of much importance, and there is no
call to associate these works with their re-
spective composers. One thing to be noted
is that Victor Herbert did not figure among
them. His absence was a great loss to the
art of light music.
"P HE Petrie collection of Irish melodies
edited by Dr. Villiers Stanford will
soon make its appearance. It will comprise
about 2,000 airs of songs, jigs, marches and
keens. Dr. Stanford has informed the com-
mittee of the Irish Literary Society that the
first part will be published in the first half
of next year, and the fact was announced
at the annual meeting. The tunes will be
published exactly as Petrie left them, with
the titles, and (where mentioned by him)
the source—that is to say, the country in
which the tune was heard, or the person
from whose dictation it was taken down.
TTHE season of French opera in New Or-
leans next year will be under the di-
rection of a committee of five citizens and
stockholders, who have sent a representa-
tive to Europe to engage artists. The last
local season was prosperous, but, as usual,
the manager came to grief on his travels.
The Lombardi troup, which has been play-
ing in the West and South, recently closed
prematurely its season in Havana, that has
been visited by four Italian companies this
season.
Professional Cards in this
department, including
subscription, $5.00.
CONSERVATORIES
I^LINGENFELD COLLEGE OF MUSIC, 108 E u -
1^ cook St., Brooklyn, N. Y.
T^HE opinions of eminent musicians anent
what they consider the greatest of mu-
sical competition, is interesting. Jean de
Reszke's favorite composition is Wagner's
prelude to "Parsifal." Sir Alexander Mac-
Kenzie, now regarded as the foremost of
living English composers, says that Wagner
and Beethoven appeal to him with equal
A J. BALFOUR, the great conservative force, Beethoven's Ninth Symphony and
^^'
leader in the House of Commons, is Wagner's "Meistersinger" holding the first
passionately fond of music. In fact, it is place in his estimation. Sir Walter Parratt,
his chief hobby indoors. He plays the piano organist of St. George's chapel, Windsor,
extremely well and displays a partiality for admits that his opinion varies according to
classical music and grand opera. It is im- his moods and is divided between Beetho-
possible to attend a good concert in London ven's C minor symphony, Bach's B minor
and not find Mr. Balfour present, no mat- mass and a masterpiece of Palestrina. Ma-
ter how busy things are in the House. He dame Albani and many other musical artists
is a regular member of the Handel Society, regard the aria, "I Know that my Redeemer
and rarely ever misses a meeting.
Liveth," from Handel's "Messiah," as the
most expressive, melodious and spiritual of
/~\WING to the unexpected number of musical compositions.
^•^ manuscripts handed in for the com-
jc
petition established through a prize fund of Y\T ITHIN the last few weeks dozens of
$10,000, established by Paderewski as an
librettos have been submitted to Pade-
encouragement of native composers, the rewski, but the Dresdener Zeitung says that
judges will not give their decision until the his next opera is to be one for which he
fall. Sixty-eight works have been received, himself will write the libretto. It will again
among which are thirty-one for orchestra, have a Polish subject. The vocal score of
nine for chorus, twenty-eight pieces of cham- "Manru" will be issued in a week or two by
ber music. There are seven symphonies, Bote & Bock, of Berlin.
four symphonic poems, and eight overtures.
j*
C
MIL
PAUR,
who
is at present in Eu-
jc
rope,
intends
to
make
a number of im-
T^HERE will be a strong representation
portant
changes
in
the
Philharmonic
Orches-
of European violinists bidding in com-
tra.
It
is
said
that
he
will
secure
a
number
petition with the piano virtuosi for Ameri-
of
competent
musicians
abroad
to
fill the
can patronage and dollars next season. Fritz
places
of
less
practiced
men
now
in
the
Or-
Kreisler, who has won a high place in the
chestra.
An
excellent
move.
esteem of the musical public of this coun-
try, will be with us, and probably Kubelik,
Banner, Brodsky, Wilhelmj, Marteau, Miss T H E compositions of Clara A. Korn, both
vocal and instrumental, are winning a
Maud Powell and Miss Leonora Jackson.
great
vogue
these days throughout the United
A goodly crowd.
States. We have noticed them programmed
T^HE Perosi bubble has burst! The com- at some of the most important public con-
pany which was formed to exploit the certs, particularly in the West. At recent
young priest-composer has issued its first concerts of the Tuesday Musical Club,
annual report. The figures are doleful. Re- Orange, N. J., a waltz song with violin obli-
ceipts, $5,720; expenses, $11,500; deficit, gato and piano soli—"Caprice," "Barca-
rolle" and "Etude"—by Mrs. Korn, won en-
$5,780. Good-bye, Perosi!
thusiastic applause.
I OUDON D. CHARLTON, the young
Mrs. Henry Smock Boice, the well-known
*-* New York i mpresario, will manage
Mme. Lillian Nordica's first recital tour next teacher, has secured new quarters at 127
season. He will also introduce to American McDonough street, Brooklyn, which are ad-
audiences Eduard Zeldenrust, the celebrated mirably suited for teaching purposes. The
Dutch pianist, and Gregory Hast, the emi- large parlors on the first floor have parquet
nent English tenor, as well as Mme. Char- floors and are admirable to sing in. Mrs.
lotte Maconda, Mme. Webb-Gardner, so- Boice will give a number of musicals
pranos; Mme. Katharine Fisk, contralto; at her studio, 136 Fifth avenue, New York,
Miss Lotta Mills, pianist; Leonora Jackson, (Mondays and Thursdays at the latter ad-
violinist; Flavie van den Hende, "cellist; dress) during the summer.
PROFESSIONAL DIRECTORY
LJ EKBEKT H. JOY, 116 Carnegie Hall, New York. PIANO INSTRUCTION AND PIANISTS
M
ME. HELENE MAIGILLE, 1211-1215 Carnegie
Hall, New York.
188
1 FLOBENCE E. H. MARVIN, Hardman Bldg,
VOCAL INSTRUCTION
138 Fifth Aye., N. Y. Tuesday. Thursday amd
Saturday.
______^______
BS. HENRY SMOCK BOICE, Hardmu Bldg.
LBERT GERABD-THIEBS, Vocal Studio, 649
138 Fifth AT*., N. Y. Monday and Thursday.
Lexington AT*., N. Y.
,
RS. ETTA EDWARDS, Steinert Hall, Bostoa,
IEE8I0A DE WOLF, 210 W. 85th street. New York.
Mm
M
Emil Hofmann, baritone; George Hamlin,
Albert Quesnel, tenors.
M
A
M
HENRY G. HANCHETT, Pianist, Teacher,
D R. Lecturer,
13* Fifth Are., N. Y.
ENRY HOLDEN HUSS, 318 East 150th St. and
H Carnegie Hall, N. Y.
DELHAZEWICKES, 2 West 95th St.,
M ME. New LIZA
York.
M
ABIE L. POTVIN, 122 West 45th St., New York.
This Professional Directory will
be extended to all branches
of art at the same rate-
H EINRfCH GEBHARD, 8 Mill St., Boston, Mass.
I EOPOLD WIflKLER, Steinway Hall, N. Y.
ALEXANDER RIHM, 100 tiodney St., Brooklyn,
A N. Y.
CTJGENE A. BERNSTEIN, 160 East 70th St.,
C N. Y.
T U L T E I U V E - K I N G , 52 East 21st street
R. SAMUEL BOWDEN MOYLE-EnpliBh Dio
tion a Specialty-136 Fifth Are., N. ?•

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