Music Trade Review

Issue: 1901 Vol. 32 N. 8

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
A Letter From Mr. Whitney.
Norwalk, O., Feb. 20, 1901.
Editor Music Trade Review:—
We enclose clipping from late advertise-
ment of Gimbel Bros.,of Philadelphia. For
a house of any character, or decency, to
put out such a misleading" advertisement,
is contemptible. Please notice the slick,
insinuating way in which they convey to
the public the impression that the A. B.
Chase piano is an off-shoot of the Chase
Piano Co., of Richmond, Ind. We quote
three or four paragraphs in their advertise-
ment which show on their face the con-
temptible meanness of the thing. They
say:—
"The Chase is made by a company char-
tered by the State of Indiana in 1879. The
founding company split, and as an off-
shoot there came the very excellent piano
of a similar name. These are not A. B.
Chase pianos. We have chosen the instru-
ments made in the original way by the
original company."
The writer of the advertisement well
knew that there was not a word of truth in
the insinuations contained in the second
and third sentences of this quotation.
It
is well known to the trade everywhere that
we are not an off-shoot of the Chase Piano
Co., of Richmond, or any other Chase
Piano Co. There is only one original A.
B. Chase Company, and it was chartered
in 1875, at Norwalk, Ohio, and we never
did business at any other place, or in con-
nection with any other Chase Company.
Again, referring to the last paragraph
quoted, it is well known that the Chase Piano
Co., of Richmond, Ind., failed, and was
closed out by James M. Starr, and that the
Chase Brothers went to Grand Rapids and
associated capital with them and continued
business, afterwards moving to Muskegon,
where they are now doing business in an
honorable way under their own name, so
that the statement Gimbel Brothers make
that "they have chosen instruments made
in the original way by the original com-
pany" is not true.
We were a good deal surprised that the
men whom we, and the trade generally,
have regarded as honorable men, and men
of character, that make up the Starr Piano
Co., should get the consent of their minds
to make a piano under this name. It
seems to us that they must have known
that a piano made under this name would
create confusion, and give an opportunity
for dealers all over the country to misrep-
resent it.
We see by the trade journals that the
charter of this company was only revived
week before last.
They seem to have
turned out pianos very rapidly, getting a
shipment of them to Philadelphia last
week. We suggest that the lumber that
went into these pianos could not have been
kiln-dried more than twenty-four hours, that
the varnish work must have been done by
something that would double discount Vic-
tor Victorson's process. Instead of putting
it into a bake oven at 120 degrees, they
must have put it up to 220 degrees. And
then, the bellying, and action finishing, fly
finishing, action regulating and tone regu-
ating all must have been done at lightning
speed. Then think of the transportation.
It must be somewhere near the end of the
Twentieth Century when freight time from
Richmond to Philadelphia is cut down to
about one hour and forty-five minutes. It
is more likely, however, that they were at-
tached to a flying-machine, and made the
journey through the air, seasoning the lum-
ber as they went.
But, to be serious about the matter, it is
a disreputable piece of business from be-
ginning to end for both the manufacturers
and the dealers that handle them. Is it
done for the purpose of deceiving the dear
people, hoping to again prove P. T. Bar-
num's assertion that the American people
are never satisfied unless they are being
humbugged?
Yours for honesty in the piano business.
The A. B. Chase Co.
Calvin Whitney, Pres.
The following is an excerpt from the ad.
to which Mr. Whitney refers. It appears
under the caption "Gimbel Piano Club: "
But as every one does not care for a race-horse, so the aver-
age musician—the great majority ot people who sing and play
—need not despair or worry, of their choice of piano is to be
from any one of a dozen good makes. The piano chosen for
The Qlmbel Club is the Chase—or, as we might put it, the orig-
inal Chase piano. It is a n made
by a company chartered by the
State of Indiana in 1879; c ' ' s made in the factory at Kichmond,
Indiana, that stands on the foundations of the original building
(which was burned). The founding company split and as an off-
shoot there came the very excellent piano of a similar name.
These are not the A. B. Chase pianos. We have chosen the in-
itruments made in the original way by the original company.
The Chase Pianos are splendid full-size 7 1-3 ociave Upright
Pianos, cased in mahogany, burl walnut or English oak, as you
prefer. Length, 5 ft. 3 in.; height, 4 ft. 8 in. The makers em-
ploy the highest order of mechanical skill. The sounding'
boards, the cases and even to the forming of the ivory keys, the
work is done in this one great factory. There is an average
stock of two miUion feet of selected lumber always seasoning in
the company's yards, and every assurance is yours that not only
are the pianos elegant in tone and looks now, but they are built
for great endurance and long life.
An Artistic Production.
A really artistic production is the new
catalogue issued by the American Piano
Mfg. Co., devoted to illustrations and de-
scriptions of the latest styles of Boothe
Bros, pianos. It is printed in two colors,
with special designs of marginal captions,
on heavy coated paper. From a literary
standpoint, the catalogue possesses con-
siderable merit, and some strong and con-
vincing arguments are adduced why in-
tending purchasers should give considera-
tion to the Boothe Bros, pianos. The
illustrations include style E, style F, style
G, orchestral grand uprights and baby
grands style i and style 2.
These instruments are not only hand-
some in design, but are distinctly original
in case structure, owing to the fact that
the American Piano Mfg. Co. make and
design all their own cases. Dealers inter-
ested in pianos that are bound to augment
their trade should write for this new cata-
logue and become acquainted with the
latest offerings of this enterprising institu-
tion.
Assets Now $700.
The estate of B. W. Hitchcock, the fa-
mous old music dealer of Park Row who
assigned some four years ago and whose
assets were estimated at $836,563.76, has
dwindled down to $700 now in receivers'
hands. Meanwhile, not a penny has been
paid the creditors. These facts came out
this week in the Supreme Court, and they
afford an illustration of what happens to
an estate when it goes into court.
Jacob Doll has leased the old Wilson &
White warerooms at 146 Fifth avenue,
next door to his present location. The
move will be made shortly.
Brown Bros., who recently opened up on
a large scale in the Perley Block, Salem,
Mass., are handling the Merrill piano as their
leader. Musicians who have visited this
establishment speak very highly of this in-
strument.
J. W. Van Zandt, of the Cable Piano
Co., Salt Lake City, Utah, was a visitor to
The Review sanctum this week. He spolce
cheeringly of trade conditions in his sec-
tion and looks for a record-breaking year.
Mr. Van Zandt has been visiting friends in
Meriden.
The Shoninger warerooms are being re-
decorated and, when completed the interior
will present a handsome appearance.
A. M. Wright, of the Everett Co., made
a trip to Cincinnati this week. He re-
turned on Wednesday.
Henry Eilers, of the Eilers Piano House,
Portland, Ore., Weber representatives in
that city, is in town. He has selected
stock.
L. W. P. Norris, of the Lindeman Co.,
now traveling in the firm interests, is
making an excellent record.
P. J. Gildemeester, Knabe ambassador,
is expected home to-morrow from his
Western trip.
The Minneapolis Music House, Minne-
apolis, Minn., report some large sales of
Henry F. Miller pianos. Those made last
week included two Henry F. Miller con-
cert grands, one to a prominent railway
official and the other to a wealthy business
man in that city.
David Evans, who formerly was con-
nected with the Estey branch in Spring-
field, Mass., is now traveling for Cluett &
Co., of Troy.
The Review received a satisfactory bus-
iness report at the Kelso factory on Thurs-
day. There is a steady demand. Three
new styles are in course of preparation.
Carter & Durough, have moved from
Tifton, Ga., to Valdosta, where they have
a broader field of operations.
The piano tuners of Steger & Sons are
arranging to give another dance in Steger
on March 2.
Louis P. Bach, of Kranich & Bach, re-
turned on Wednesday from a tour of Kra-
nich & Bach agencies and special busi-
ness.
The firm of Vanderbeck & Sattles, piano
dealers, in Plainfield, N. J., was dissolved
Wednesday by mutual consent.
The trial of David Schrank, who killed
George Schaeffer, a fellow workman in the
Sohmer factory on Dec. 13, was begun this
week in Long Island City. Insanity is
the defense.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
H. L. Mason's Lecture
Will Use the Knabe.
IN HARLEH.
BEFORE THE NEW CENTURY CLUB AT UTICA.
THE FAMOUS LEIPSIC PHILHARMONIC ORCHES-
TRA UNDER WINDERSTEIN WITH SLIVINSKI
AND TOSELLI, MAKE THE STRONGEST MUSI-
CAL OFFERING OF THE SEASON.
Jackson, Tenn., Feb. 19, 1901.
This city was visited last night by the
most disastrous fire in its history. The
Pythian Opera House, J. R. Lyons' Music
House, besides numerous business offices,
were burned out. The total loss will reach
about $100,000. No lives were lost, as at
first reported. The loss is fairly well
covered by insurance.
Inquiries by The Review on Tuesday,
during a visit to Harlem, as to trade con-
ditions among the piano factories in that
district, brought forth the following re-
plies:
JOHN D. EVANS, with Newby & Evans:—
"We are not experiencing a rush of busi-
ness, but there is a healthy demand for
our latest styles."
JOHN LUDWIG, of Ludwig & Co. :—"Our
list of visiting dealers this week includes
Mr. J. Jenkins, of J. W. Jenkins Sons
Music Co,, Kansas City, Mo. He left an
order for two carloads. We are develop-
ing an export trade and have made several
important foreign shipments recently.
Domestic trade is excellent."
JACOB DOLL: — "Everything is lovely
and the goose hangs high!"
LUIGI RICCA, of the Ricca Piano Co.: —
"The 'Ricca' and 'Cambridge' are both
selling well. Our traveling man, W. R.
Gillett, is securing a lot of orders. We
are kept busy on current work."
CHRIS. GARRITSON, of the Kroeger Co:—
"Business is moving along in good shape.
The 'Kroeger' is forging its way ahead,
and will continue to do so. We don't mind
competition at all—that is, decent, straight-
forward, above-board competition."
HENRY SPIES, of the Majestic Piano
Co. :—"We are just preparing a shipment
of forty 'Majesties' to fill an urgent order.
This is going to be a big year for the
'Majestic' "
PETER DUFFY, of the Schubert Piano
Co. :—"The Schubert is holding its own."
AUGUSTUS BEHNING, of the Behning
Piano Co. :—"Mr. Charles Spanier is back.
He secured a good number of orders dur-
ing his tour. The latest Behning styles
are quick sellers, and orders are freely
given."
EDWIN MILTON BOOTHE, of the Milton
Piano Co. :—"I have just returned from a
visit to numerous big cities in the West
and East. The 'Milton' has become £a
strong favorite, because it finds ready pur-
chasers. I am convinced that our products
have a great future."
JULIUS KRAKAUER, of Krakauer Bros.
"This week is the same as last. We are
always busy and have customers waiting
to purchase just as fast as we can complete
each instrument. But we believe in qual-
ity rather than quantity and prefer not to
hurry our work."
Henry Behning, Jr., of the Behning Pi-
ano Co., made a good business record, as
usual, on his recent Eastern trip.
The new factory floor and offices of Henry
and S. G. Lindeman, on 128th street, are
now being prepared for occupancy. They
will be ready in about two weeks.
The additional floors of the Staib-Abend-
schein factory have been completed. Strich
& Zeidler are now busy preparing to
occupy much needed space.
The business of the Calenberg Piano
Co., including the scales, name, good will
and all other assets have been purchased
by Jacob Bros. They will continue the
manufacture of the Calenberg piano as
well as the retail warerooms at 23 East
Fourteenth street.
The store occupied by the Calix Pi-
ano Co., at 508 Washington street, Ho-
boken, N. J., was damaged by fire last
Saturday night to the extent of $1500.
The loss was caused principally by water.
Henry L. Mason, of the Mason & Ham-
lin Co., delivered an interesting address to
a large and appreciative audience at the
afternoon session of the New Century
Club, Utica, N. Y., on Wednesday last.
His subject, "The Modern Artistic Piano,"
was clear and accurate without being too
technical. He used several models and a
Mason & Hamlin grand piano to illustrate
his paper. The following extracts from
Mr. Mason's address are interesting:
The artistic pianoforte is an evolution,
an outcome of years of scientific investi-
gation and labor, supplemented by touches
of that rare and abiding attribute, genius;
and the differences between the artistic and
the cheap piano are just as distinct and
real as those between a Stradivarius violin
and a $20 fiddle.
The one is an art
product, the other an imitation—alike in
form, but in form only. The divine spark
is in the one, but not in the other. How
few of the Rembrandt, the Franz Hals or the
Holbein subjects would interest us to-day if
we had only ordinary photographs of the
persons in place of their portraits by these
great men! The photographs would prob-
ably seem to us in no way distin-
guished or more worthy of serious atten-
tion and study than a hundred or a thou-
sand others; but because those faces—
albeit commonplace enough in themselves
—have come to us from master brushes;
because in every fibre they are imbued
with that which stands for far more than
mere likenesses of persons; because they
have in them to a rare degree the human
quality. For these and other reasons they
thrill us and impress us as being the very
essence of freshness, brightness, vigor,
pathos, dignity, grace, or what not—in a
word because they are the result of genius
they are ultimate and real, and for this
reason are they superior to and different
from an ordinary painting.
It is the same with pianos; the tones of
one instrument go to the foundations of
our natures, arousing or soothing our
deepest and best emotions, touching our
hearts and stirring our very souls; while
another instrument, in which the hand
of the artist has had no part, merely
tickles our ear, if indeed it does so much
as that.
After these introductory remarks Mr.
Mason said that he had divided his lec-
ture into five parts: First, general con-
struction; 1 secondly, the case; third, the
sounding board; fourth, the action, and
fifth, the iron plate. He had at hand for
illustration a sound board, an action
model and a finished artistic pianoforte
(Mason & Hamlin), so that his remarks
were made clear by referring to these
various parts. The differences between
the construction of the artistic and this
inartistic or "commercial" piano were
brought out and it was shown why a truly
artistic piano costs more than a poorly
made one. Many facts were told as to the
construction of the sound board (the soul
of the instrument), the various details,
etc. For instance, Mr. Mason said that
the sounding board of a finely made piano
was thoroughly seasoned by remaining in
a dry room at a temperature of 150 degrees,
Fahrenheit, for five years; that it required
six or eight months to build such a piano;
that in the average piano the tension of the
strings is constantly over 40,000 pounds.
Interesting was the part about the "pol-
ishing" of a piano. After the lecture Mr.
Mason invited any of the mernbers to ask
questions, and many of them took advan-
tage of the occasion. A rising vote of
thanks was given to Mr. Mason at the close
of the afternoon.
On Tuesday next the Leipsic Philhar-
monic Orchestra, with its founder and con-
ductor, Hans Winderstein, will arrive from
Europe to give a series of concerts in this
country. The reputation of this band has
been of rapid growth and now extends to
various European countries. It is not only
an institution in the musical life of Leipsic,
but it has travelled around in Germany,
Austria, Russia and Scandinavia. This
year it undertakes its most ambitious
journey.
Winderstein is one of the younger Ger-
man conductors. He is a graduate of the
Leipsic Conservatory, and won success as
a violinist before he decided to become an
orchestral conductor. He is considered to
be at his best in his readings of Beethoven
and Wagner.
The programme of the first concert,
which will take place at Carnegie Hall on
March 1, consists of three Wagnerian
selections—the prelude to the third act of
"Die Meistersinger," the prelude and
"Liebestod" from "Tristan and Isolde,"
and the "Tannnhauser" overture, Bee-
thoven's fifth symphony and Chopin's
concerto (E minor) for pianoforte.
At the second concert on March 3, the
orchestral numbers will include Wagner's
"Rienzi" overture, Tschaikowsky's "Ital-
ian Caprice" and "Lohengrin" Prelude.
The soloist who will come with the or-
chestra is an artist who is no stranger—
Josef von Slivinski, the Polish pianist. He
played here in 1893. He was first a pupil
of Strobl at the Warsaw Conservatory.
Afterward he studied with Leschetizky
and Rubinstein. Enrico Toselli, the clever
young Italian pianist, will also play with
the organization. Both artists will use
the Knabe grand piano exclusively. The
appearance of the Leipsic orchestra and
these pianists promises to be the event of
a very busy musical season and the Knabe
piano will be brought into prominence in a
very effective way.
A woman is to manage this musical ven-
ture. She is Mrs. Norma Knupfel, Amer-
ican-born of German parentage. Her fa-
ther was an actor of great talent who was
long associated with the German stage in
America.
Big Fire in Jackson, Tenn.
[Special to The Review.]

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