Music Trade Review

Issue: 1901 Vol. 32 N. 5

PUBLIC LIBRARY
Music Trade Review -- © mbsi.org, arcade-museum.com
-- digitized with support from namm.org
58 Pages.
A8™«, LENOX MO
JHMIC:T^ADEB^^ wi \ l
VOL.
I w\
XXXII. N o . 5 . Published Every Saturday by Edward Lyman Bill at 3 East Fourteentn street, New YOPK, Feb. 2,1901.
nUSIC FOR THE PEOPLE.
value of music as a means of ele-
vating the tastes of the people—the
"common people" as Lincoln puts it—has
never been appreciated to the extent that
it should. It is true that music cannot
revolutionize the world or better the finan-
cial condition of the people, but it can
make life much more enjoyable and bring
pleasure to the homes of those heavily
laden. As Zelie de Lussan so aptly says:
Music penetrates to the innermost recesses
of our natures, and, if we will but listen
to its promptings, arouses into instant ac-
tivity the divinity that is there concealed.
I need hardly add that I do not mean by
this that I would replace our teachers and
tutors with musicians, I use the term "ed-
ucation" in the broader sense—the knowl-
edge to which our schools and colleges are
but introductory. In a word, it is to know
ourselves and our possibilities. Music
may be made the vehicle of these revela-
tions. It is, perhaps, true that the effects
of listening to a sonata by Beethoven, or a
nocturne by Chopin, are more or less tran-
sitory. Nevertheless, one cannot have
his higher self stirred into activity without
being the better for the process. Give
the masses good music—no, the very best
—and their lives, as a whole, will be
sweeter and cleaner for your work. Im-
purity of thought and action is impossible
in the presence of this "handmaiden of
God."
Some of these days I think that those
who are responsible for the well-being of
our citizens will realize what an ally they
have in music as a stimulus to decency and
harmonious life among the "common peo-
ple."
It is in this sense that I place our
musicians among the true educators. The
almost pathetic appreciation of working
men and women of that which takes them
out and above their daily life is in striking
evidence in our parks on "band nights."
To me these assemblages always seem like
a big school of tired children, to whom the
brasses and the reeds are teaching the les-
son that there is something more in exist-
ence than aching heads and scanty wages.
If you make a man begin to think, you are
educating him. Music, be it in park or
opera house, is nothing if not a breeder of
thought. This gives it its educational
value. Give the masses music, then free
music, music of the best, and the results
socially and otherwise, will amply repay
the cost of the experiment.
Speaking of music for the people we are
reminded that the third Peoples' Sym-
phony Concert, F. X. Arens conductor,
will take place at Cooper Union Hall on
Friday evening Feb. 8. Following in the
chronological order of these concerts, the
program will represent the classical period.
Miss Louise B. Voigt, soprano, will
sing an aria from Mozart's II Seraglio;
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*>.«> PER YKAR.
SINGLE COPIES 10 CEN1S
A NEW HACDOWELL SONATA.
C D W A R D MACDOWELL has sent to
*-^ his publishers the manuscript of a
sonata for pianoforte, in E minor. This
is his fourth composition in that form, the
first two being the sonata "Tragica" and
the sonata "Eroica." Neither the third,
nor, of course, the fourth, is yet familiar
in New York concert rooms, and it is pos-
sible that Mr. Mac Do well will give a reci-
tal before the winter is over, including
them in his program. It is worth noting
that MacDowell is the only American com-
poser whose works have received general
recognition in Germany. England, too,
is now paying attention to his composi-
tions. He has been invited to play a con-
certo and conduct an orchestral work of
his own at a Philharmonic concert in Lon-
don. He has also been asked if he would
be willing to write a choral work for one
of the English festivals, to fill up half a
program.
WHERE "DIE ME1STERS1NOER" WAS BORN.
T H E municipal authorities of Nurem-
* berg received an offer from the
Roman Catholics in the city to purchase
the old church of St. Katherine, which is
the scene of the first act of that most
humorous of all operas, Wagner's "Die
Meistersinger." It was very properly
declined, for although it is no longer used
for "Gottes Dienst" (Divine service), the
church is an interesting relic of the times
when the worthy burghers did their best,
though in a blundering fashion, to pre-
serve the arts of poetry and music. St.
Katherine's is to be restored and converted
into a museum, with a statue of the his-
torical cobbler-poet in the centre.
MISS CLARA CLEMENS.
R. Byron Overstreet, basso, will sing
Rocco's "Gold" aria from Beethoven's
Fidelio, and Heinrich Gebhard, a pianist
well-known in Boston, will play Mozart's
D minor concerto on a Steinertone grand.
CLEnENS' SUCCESS.
A CLEVER daughter of a clever father
**• is Miss Clara Clemens, mezzo soprano,
who made her debut recently in Washing-
ton, under distinguished patronage. Her
voice, like her presence, is most pleasing.
In quality it is rich, in range, satisfactory.
Her repertoire is extensive, and she pos-
sesses all the qualifications essential to a
successful career. The friends of her
popular father, "Mark Twain," and they
are legion, will watch her progress in her
chosen domain of effort with interest.
BOSTON NOTES.
LL the great pianists have received a
generous welcome this season. Bauer
seems to lead in popularity and with justice
it must be admitted. He is sui generis.
Mrs. Etta Edwards, gave a song recital
in Steinert Hall, Friday evening, Jan. 25,
which was worthy of especial praise. This
talented artist is steadily augmenting her
popularity.
Mme. Fannie Bloomfield Zeisler will
give her first pianoforte recital in Boston
on Feb, 9, in Steinert Hall, under the
management of Macauley Smith.
Mme. Juliette Corden sang with much
success at the Symphony concert in San-
ders Theatre last Thursday evening.
Felix Fox, the pianist, will give a con-
cert in Brookline this coming week.
A
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
KEVIP
ARTISTS'
\
DEPARTMENT.
EM1LIE FRANCES BAUER, Editor.
TELEPHONE
NUMBER.
1745—EIQHTEENTH
STREET
The Artists' Department of The Review is
published on the first Saturday of each month.
MECCA, MUSIC AND MORALS.
A QUESTION heard daily, and not with-
out cause, is, why do so many musi-
cians congregate in New York, where there
is actually starvation to be expected, when
there are so many smaller places which
are not by any means small cities where
thorough musicians are so very much
needed? This question is not difficult to
answer and, indeed, most of these musi-
cians come from interior cities of different
styles and sizes.
The first cause is that most of those cities
do not know how to treat a musician or
rather his art, and secondly, the lack of
true art is so degenerating that a sincere
musician feels that he cannot hold his own
and never hear aught that can give him
inspiration or help. It is a pitiful con-
dition in the smaller cities that preju-
dices, social conditions, and innumerable
other things bear upon musical life to the
extent of assisting to the front certain
people who have no right to patronage and
withholding it from others who by every
reason should be entitled to all that can
be accorded them.
This is not the only hard feature, but
the proper patronage is not accorded visit-
ing artists from whom there is so very
much to be learned and the musical con-
ditions become unbearable to a true, art-
loving musician and he emigrates to that
great Mecca, New York, or he goes to that
more intimate field, Boston, because as he
says, "I am willing to starve six days in
the week, if I can scratch up enough to go
to the Boston Symphony."
Even if one be ready to give up all ex-
cept teaching in such a place, teaching is
fraught with a thousand more difficulties
than it is in New York or Boston. It is a
constant fight, a constant worry, a con-
stant source of disappointment, a never-
ending struggle with ignorance, bigot-
ry and prejudice.
Yet it were a
great thing for the morals of the musi-
cal world if young men and women were
not sent away from home for study, if
while in comfortable well-ordered homes
they might enjoy the benefits of good in-
struction and the possibility of hearing
good music.
It behooves all parents who have talent-
ed sons and daughters to build up musical
CROTCHETS.
conditions in their own cities, so that this A MONG the latest series of articles to
continual cry and desire to leave home to
be presented is one wherein such sub-
acquire a musical education might be jects are to be discussed as:
How it feels to be the Wife of a great
stopped.
The American mother is too quick to say Pianist; How it feels to be the Wife of an
of her American daughter, "Oh, I can Opera Singer; How it feels to be the
trust my daughter anywhere; in America Wife of a Matinee Idol; etc. There are,
a girl can go anywhere and be perfectly strangely enough, no questions asked
safe, etc., etc." If these over-confident as to how it feels to be the wife of a club
mothers could realize their mistake, they man, or a banker, or a butcher, or a baker,
might be more careful beforehand, or more neither is there a question asked as to. the
difference between being the wife of a
forgiving afterwards.
A girl has no business away from the pianist who is a good respectable, respon-
side of her mother or watchful guar- sible man—for surely the most cynical will
dian to study music or anything admit that there are a few—and having the
else in a large city, unless, indeed, her misfortune to be tied to a worthless, errat-
mother be willing to pay the penalty. ic man, just as many doctors and lawyers
You who have talented children, make and army officers are. There are also men
your own cities bearable for first-class from a few other callings in life, were it
teachers and you will have them. En- necessary to enumerate, who are not model
courage the foreign artists who come husbands.
The private lives of artists shotild belong
to America by according them good
to
themselves, and the mere handling of
houses, and you will get them just
the same as New York does. No art- such subjects is an impertinence of im-
ist comes to America for the exclusive measurable dimension. If these articles
purpose of playing to New York; he are to be contributed by the wives them-
knows—his manager knows that the money selves, the wife of the exquisite artist, De
Pachmann, would be likely to give a differ-
comes from the outer cities.
It may be that you can not have Grand ent idea of life than would the wife of
Opera. Well you will find life is bearable Edward A. MacDowell, who, in addition
to being a scholarly artist, is an admirable
even without it, and the probability is that,
man. It is unfair and unjust to cover all
even being in New York, frequent visits
of a certain class of people with odium
to the opera would be impossible.
because of the misfortune or misdemeanor
If the smaller large cities would encour-
of a portion, however great or small
age orchestral music, the country's best
the portion may be. On the other
orchestras would visit them.
hand, if one woman should give a glow-
Every city in the Union can not have
ing account of how it feels to be the wife
the Boston Symphony weekly, even New
of a great pianist, there is no assurance
York cannot have that, but they could have
that this would be the experience of all
occasional, perhaps monthly, visits of a
great pianist's wives any more than one
first class orchestra.
happy woman's fate might be that of all
Cultivate chamber music in your homes.
others who marry.
When your young people congregate for
The whole thing is too silly to waste
amusement, try to keep the atmos-
paper
and ink upon. It would be more in-
phere purged from the music of the
teresting to know how it feels to be the
day.
president
of a club where such things are
When
your assistance is asked
to accomplish something helpful to music the brightest topics that the members can
in your community, do not refuse because evolve—and in the twentieth century too!
it is not your "set," or because you are not
the present outlook it seems very
at the head of it, or because it is not the
safe to state that "little" Paloma
teacher that you are trying to push, or be- Schramm is to join the same category as
cause you yourself may not enjoy it; but the boy drummer of the Rappahannock,
stand ready to help keep good teachers in the boy preacher, et al., for doubtless when
your midst, to encourage good artists to she will be a grandmother she will still be
visit your city so that your musical chil- featured as "Little" Paloma Schramm,
dren may not starve for the advantages of the prodigy pianist. Paloma's story
New York, until you feel that you owe would be funny if it were not so
them the duty of giving them that advan- pitiful, but it is a typical case of
tage, even though you know that it is a the child prodigy and it were well indeed
moral murder to permit a young girl or could all such cases be blotted out of ex-
boy alone in the maelstrom of student life istence.
In 1898 Paloma came to San
in New York or Boston,
Francisco from the land of sunshine, south-*

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