Music Trade Review

Issue: 1901 Vol. 32 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
11
A VOLUME OF ESSAYS.
M
* EANS" is the title of a volume of es-
says by Ernst Wagner which has just
made its appearance. The subjects in detail
are:
"Means in General," "Flowers,"
"Light," "Physical Beauty," "Age," "Mu-
sic," "Ideals." Each and all of them abound
with spiritual and intellectual suggestion and
are fraught with thoughts of an uplifting
tendency interesting and strengthening to
those who endeavor to catch the soul of the
writer. His essay on "Music" is delightful
in spirit. He pays just tribute to the influ-
ence of music as a factor in life's better-
ment. To quote any part would be an in-
justice to the writer, so perfect is the struct-
OPERA PLANS.
D EFORE sailing away for his summer
vacation in Europe—his first vacation
in many years—Mr. Maurice Grau gave out
some information about next winter's sea-
son of opera. This information was posi-
tive as regards the dates and the duration
of the season, but rather vague so far as the
constitution of the company is concerned.
The entire season is to consist of twenty-
six weeks, divided into three periods. The
first, covering eleven weeks, will begin at
Montreal, Canada, Oct. 7th, and will take
the company across the continent to San
Francisco. The second, also of eleven
weeks, will be the New York season at
the Metropolitan Opera House, commencing
on Dec. 23d. The third, of four weeks'
duration, will take in Boston, Chicago, and
two other cities.
The company—in all probability—will be
made up about as follows: Sopranos:
Mmes. Calve, Eames, Gadski, Sembrich,
either Ternina or Nordica, Susan Strong
and Fritzi Scheff; contraltos: Schumann-
Heink, Olitzka and Carrie Bridewell; tenors:
Van Dyck, Tamagno, Dippel, Salignac and
Saleza; baritones: Scotti, Campanari, Bisp-
ham, Gilbert and a Wagnerian singer—
Van Rooy in all likelihood; bassos: Plangon,
Edouard de Reszke, Blass and Journet.
Operas that may be expected in addition
to those that are fixtures in the repertoire
include Verdi's "Otello," Rossini's "W T illiam
Tell," Mozart's "Magic Flute," Meyerbeer's
"Prophet," some works in which Calve has
not appeared here heretofore, and one or
two of the older Italian school, with Sem-
brich as the prima donna.
THE PAN-AMERICAN ORCHESTRA.
ERNST WAGxNER.
ure. We cannot refrain, however, from one
word picture:
"Listen to the music falling from the keys
of an organ, played by a spiritually-minded
master; gossamer-like light steals through
the deeply stained windows; perfume of the
lily fills the air; the congregation sits in ec-
stacy. The cathedral is buried in the shade
of oaks, but still they have a clearer vision of
heaven than if they were in the presence of
the full orbed splendor of the sun."
This little volume, very neatly produced
by the publishers, the F. Tennyson Neely Co.,
is overflowing with such delightful metaphor,
and as J. B. Basland, one of our leading edu-
cational authorities says: "It causes the read-
er to wonder whether Emerson has found a
worthy disciple in this Western writer."
Mr. Wagner is a native of Delaware, O.,
and graduated from the Ohio Wesleyan Uni-
versity in 1899, receiving very high honors.
As his writings demonstrate, he is a lover of
books, art and nature. The volume under
discussion, which was written shortly after
his graduation, should meet with a large
measure of appreciation and praise.
I O11N LUND, conductor of the Pan-Am-
^
erican Orchestra, is a well-known musi-
cian, who came to New York from Germany
fifteen years ago to assist at the Metropolitan
Opera House, and went to Buffalo in 1887,
to conduct the Orpheus Club of that city.
Mr. Lund for a time kept alive a series of
symphony concerts in Buffalo, but interest
finally died out. The Pan-American Or-
chestra comprises fifty players, recruited
partly from local musicians and partly, it is
reported from the New York Philharmonic
and Boston Symphony orchestras. The con-
cert-master is Eugene Boeger, who was at
one time first violin under Theodore Thomas.
The concert programmes will make a feature
of music by American composers.
&
BRUNEAU'S NEW OPERA.
A LFRED BRUNEAU and Emile Zola
**• have added another opera to their list
of collaborations which included "Le Reve,"
"L'Attaque du Moulin" and "Messidor."
Their latest work was sung at the Opera
Comique in Paris several days ago and is
"The Hurricane," or, as it is called in French,
"L'Ouragan."
The new work met with
some success and seems likely to hold its
place for a while in the repertoire of the
second French lyric theater. None of their
During the current season of opera in Lon- preceding works had this good fortune. The
don three works unknown to the New York music is said to convey well the atmosphere
public are to be sung. One is a novelty,
. Villiers Stanford's "Much Ado About Noth- intended by the composer, while the story
ing." The other two are De Lara's "Messa- moves directly and its dramatic effect is un-
deniable.
lina," and Lalo's "Le Roi d'Ys."
Ijooks of
iHAT every dealer should
carry in Stock - - - - -
BOOKS OF SONGS
$1.00 BOOKS
Classic Vocal (Jems for Soprano
Classic Vocal Qems for Alto
Classic Vocal Qems for Tenor
Classic Vocal Qems for Baritone or Bass
Classic Tenor Songs
Classic Baritone and Bass Songs
Song: Classics, Vol. I, for High Voices
Song Classics. Vol. II, for High Voices
Song Classics^for Low Voices
Choice Collection of Songs and Refrains
Choice and Popular Alto Songs
Choice Collection of Ballads
Qood Old Songs, Vol. I
Qood Old Songs, Vol II
Lyric Qems for Soprano
Lyric Qems for Alto
Lyric Qems for Tenor
Lyric Qems for Bass
Minstrel Songs, Old and Mew
Comic and fllnstrel Songs
Qood Old Songs, Vol. I
Qood Old Songs, Vol. II
floore's Irish Jlelodies
50-CENT BOOKS
Song Polio, Vol. I
" Vol. II
" Vol. Ill
'• Vol. IV
" Vol. V
Folio of Sacred Songs
Sacred Song Folio for High Voices
Sacred Song Folio for Low Voices
Royal Collection of Ballads
Royal Collection of Songs and Choruses
F0R
SONGS
CHILDREN
Action fong from over the Sea
$ .30
Character and Action Song
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Children's Song Serial
.15
Dozen and Two Kindergarten Songs .35
Exercise Song Book
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Qolden Boat (Action Songs)
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Kindergarten Plays
.30
Kindergarten Chimes
1.00
Little Songs for Little Singers
.as
Motion Songs
.25
Posies from a Child's Qarden of Vs. 1.00
Rounds. Carols and Songs
1.00
Song Echoes from Child-Land
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Songs and Qames for Little Ones
3.00
Songs for K'garten and Prim. Sch.
.30
Songs of the Nature
.60
Songs of Sunshine
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Stories in Song
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Mother Qoose's Jubilee
1.00
PIANO SOLOS
$1.00 PER VOL.
Classical Pianist
Piano Classics, Vol. I
Piano Classics, Vol. II
Piano Classics. Vol. Ill
Selected Classics
Student's Classics
Young People's Classics, Vol. I
Young People's Classics, Vol. II
Choice Collection of Piano Music
Fairy Fingers
Operatic Piano Collection
Popular Piano Collection, Vol I
Popular Piano Collection, Vol. II
Sabbath Day ftuslc
Young Players' Popular Collection
50 CENTS PER VOL.
American Piano Collection
Favorite Collection of Piano flusic
Folio of Music, No. I
Folio of Music, No. 2
Ne Plus Ultra Piano Collection
Royal Collection of Piano Music
DANCE MUSIC
American Dance Huslc
Choice Collection of Hardies
Choice Collection of Dance Music
Fatorlte Collection of Dance Huslc
Favorite Coll of /larches and Qalops
Old Familiar Dances
Royal Collection of Dance fluslc
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OLIVER DITSON COMPANY, Boston
CHAS. H. DITSON & CO., New York
J. E. DITSON & CO., Philadelphia
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
KEMEW
ARTISTS'
TELEPHONE
NUMBER.
DEPARTMENT.
1745.--EIQHTEENTH
STREET
The Artists' Department of The Review is
published on the first Saturday of each month.
George C. Hazelton who was responsible for
"Mistress Nell," and Edward E. Rose, who
sewed the remnant of novels into dramatic
garments to fit many stars. Of course mana-
gers of the best companies still look to the
English stage for their dramatic material,
but whenever opportunities have been given
to American authors they have acquitted
themselves with credit.
j*
cess. Some of the London papers have
been laying stress upon the fact that Eng-
lish and American singers only are to be
in the cast of Stanford's new opera. These
papers should remember what Bizet once
wrote: "The artist has no name, no na-
tionality. He is inspired or he is not.
He has genius or he has not. If he has" we
welcome him; if he has not, we can at most
respect him, if we do not pity and forget him."
'"THIS month music gravitates from the '"FHE expected has happened. Earl Gu-
lick, the boy soprano who delighted I F rumors which come from over the
monumental opera house and the con-
thousands
for the past few years, has com-
water are correct, Mr. Gilbert, of Gil-
cert halls, to the parks, pleasure crafts, pavil-
pletely
lost
his
singing
voice,
and
special-
bert and Sullivan fame, is to write some
ions, gardens, beaches, as well as mountain
ists
have
advised
his
parents
that
he
may
librettos which are to be dressed up mu-
and seaside resorts. The great composers
never again be able to sing. La Grippe is sically in comic opera form by Victor Her-
are to a large extent ignored, and the popular
blamed for the trouble, but the fact is, the bert. Perhaps "Gilbert and Herbert" in the
ballads and band masters fill the public mind.
boy was overworked. Nature once in a near future may be associated in the public
Instead of grand opera, symphony and orato-
while steps in and asserts itself. Gulick's mind as pleasingly as were "Gilbert and
rio the tunes which the masses entone, and
condition is the logical evolution of the prod- Sullivan" in the past.
the rhythms to which they dance, take their
igy business.
Ji
place.
IX ING VICTOR EMMANUEL III. is
One has only to visit Central Park or the '"THE Philharmonic Society, which recently
not quite satisfied with the music that
elected Andrew Carnegie as its presi- sets going the feet of his soldiers. Accord-
numerous other public breathing spots in the
city to realize what an important part music dent, can now inaugurate a bioad policy ing to a Rome corespondent, his majesty has
plays in the lives of those with whom rec- which will be productive of great results consulted Maestro Mascagni on the stirring
in a musical way in this city Of course, subject of the drum, of which he would
reation is an incident and not a habit.
It is a matter of regret, meanwhile, that the radical changes which are planned by hear more as his regiments march by.
the concerts in our city parks are not of a the progressive element among the members Italy's King is exercised by the fact that the
higher standard. We do not mean a higher will be opposed by the conservatives who, marches of to-day are mere operatic pot-
standard of program as much as we mean a for too long a time have dominated this pourris. His burning desire is to replace
higher standard in the character and make-up organization and kept it from occupying the these with the old war marches of the 17th
of the band. Some of our so-called military place which it should. The question of giving and 18th centuries, and, perhaps, with new
bands are far from satisfying. With the out-of-town concerts is to be discussed at and original ones similar in character. Mas-
exception of the 71st, 22nd and the 69th regi- v.11 early date and will probably be decided cagni, it is said, has warmly seconded the
ment bands there has been a steady deteriora- affirmatively. There is no reason in the King's suggestions, and has promised his co-
tion from the old days of Gilmore and Cappa. world why the Philharmonic Orchestra operation.
New York can afford and should have in should not be to New York what the Sym-
Central Park the best band procurable. Last phony is to Boston—a representative body T H E man of music met the musical young
woman upon the street. He saw her
year the music was supplied by two different of clever musicians under an able director.
first
at
a distance, and at once his heart was
The
future
of
this
society
and
its
orchestra
organizations with anything but satisfactory
filled
with
misgivings. Could this be the
will
be
followed
with
some
interest.
results. To visitors who expected to hear in
airy,
fairy
musical
lady of his acquaintance,
a great city like New York a representative J\/l AY, June and July have become in the
whose
every
movement
was the poetry of
band in our greatest park, it must have been ' • musical world the great festival and
motion?
Stub
along,
stub
along, she was
a surprise to listen to an organization that convention months. During May a number
going,
with
no
more
grace
than is to be
might do credit to a "one horse town."
of notable festivals occurred each of them found in an old pegleg. With every step
T"" 1 HE story which comes across the water showing a marked advance musically.
one foot came down, peg, peg, peg. Some-
Among the important events of this month thing surely had happened, and the man of
that Mascagni is to tour the United
States next season .with an orchestra of will be the Convention of the New York music approached the young woman, his face
eighty players, receiving ten thousand dol- State Music Teachers at Glens Falls, while full of sympathy.
lars a week, would indicate that the com- the next in order will be the reunion of the
"My dear child, what is it?" he cried.
poser of "Cavalleria Rusticana" is of the Music Teachers' National Association at "Are you ill, have you had a fall?" The
opinion, like some others in Europe, that we Put-in-Bay, O. In connection with both young woman turned upon him a look of
are behind the age, musically, in this country there will be notable concerts and lectures. virtuous indignation.
and need enlightenment. The fate of other In the meantime a number of important mu-
"I am a pianist, sir, and I have been vac-
European orchestras—notably Winderstein's sical festivals are scheduled to occur in differ- cinated," she cried with asperity.
and Strauss'—which have crossed the ocean ent parts of the country.
A MONUMENT to Robert Schumann,
Music festivals are proving of the greatest
to find that their superiors existed here,
should have been a lesson worth taking to value to choruses throughout the country. ** which is to be unveiled at Zwickau on
heart, at least by the promoters and backers They afford a means annually of testing their June 8th, will be the cause of a great musi-
of such an enterprise. Meanwhile, cable re- worth. Every year witnesses a slow but cal festival, when Schumann's "Paradise and
ports have it that arrangements have been positive advance in musical comprehension of the Peri" and other of his compositions will
definitely consummated. We somehow doubt the masses, and no doubt our musical festi- be performed under the direction of two of
his famous friends, Joachim and Reinicke.
vals are to be thanked in part for this.
these reports.
The latter has written an overture to be
'T* HE American playwright has made a v T ONDON'S opera season seems to have performed on this occasion.
opened bravely, n spite of the court
very creditable showing during the
season now closing. Among those who have mourning. Mme. Eames returned to the J T is interesting to learn that "thousands
written successful plays are Clyde Fitch, au- stage after a year's rest, singing "Juliet" to * of musicians are Christian Scientists,
thor of "The Climbers," "Lovers' Lane" and the "Romeo" of Saleza. Dr. C. V. Stan- and their testimony, giving the result of ap-
"Captain Jinks;" Augustus Thomas, who ford's opera, "Much Ado About Nothing" plying its ideals to their profession, is most
signed his name to "Arizona," and "On The is the novelty of the season. This clever interesting!" Is it possible that we have to
Quiet;" Leo Ditrichstein, author of "All on young Irishman has been making rapid thank Christian Science for "rag-time?"
Account of Eliza," and adapter of "Are You headway in the musical world. He is pro- That has been the chief musical development
A Mason?" and "Unleavened Bread;" ducing some fine work and deserves his suc- since "science" came into being.

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