Music Trade Review

Issue: 1901 Vol. 32 N. 20

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
The Association Banquet at Delmonico's.
After an elaborate menu had been dis-
cussed at length, Adolpho H. Fischer, at the
request of the toast-master, Handel Pond,
read letters of regret from E. P. Hawkins,
president of Canadian Association; E. H.
Droop, William Bolderwick, Louis Dede-
rick, H. E. Krehbiel and Henry Howland.
Then the retiring president, Mr. Pond, said:
REMARKS OF HANDEL FOND.
This banquet, the fourth in the history of the
National. Piano Manufacturers' Association,
is, from every point of view, the most im-
portant gathering that has ever taken place
in our industry, and it makes a new record
in our trade annals. As it is, our first gath-
ering in the new century, there is a peculiar
fitness in celebrating it here, in the metrop-
olis of the new world—the place of its
birth.
The Association felicitates itself upon the
honor and privilege of entering as its
guests the piano dealers of the United States.
That you have so generally accepted the
invitation of our Association to meet us
in conference, to discuss matters of mutual
interest, responding to such a cordial spirit
.to help make this the most successful con-
vention we have ever held, is a source of
gratification to every member of our Asso-
ciation. From this moment till the end of
our festivities, let us forget every care, every
"abuse," every "evil," (if piano men can
have any such) and may happiness and joy
reign supreme!
It is running no risk to give thanks in
advance to the New York Association and
others of the piano trade in this city for
their hospitality in so generously providing
for our entertainment on the morrow. While
the fund provided for this purpose is some-
what less than the capitalization of the
United States Steel Trust, I understand it
was largely over-subscribed, and like the
new English loan, allotment is to be made
pro rata.
Gentlemen of the New York Piano Man-
ufacturers' Association, and all who have so
liberally contributed of their time and money
to entertain our Association and our guests,
we thank you most heartily.
The trade press, who have so generously
placed their columns at the disposal of our
Association, are also entitled to our thanks.
We fully appreciate their efforts to make
this convention and banquet successful. Our
coadjutors, for such the trade press may be
called, have almost, without exception,
worked in harmony with us, and we recog-
nize the advantage of their assistance so
cheerfully rendered.
The beginning of the twentieth century
finds our country more generously prosper-
ous than it has been at any previous time
in its history. Labor of all kinds is well
employed and probably is receiving better
pay than in any other country in the world.
We have been favored with abundant crops
which have netted the farmers good prices,
enabling them to pay off their different
forms of indebtedness and leaving them a
surplus with which to purchase luxuries or
lay by for a rainy clay. With industries in
full activity and our farmers selling their
products to advantage, it is natural that
business along commercial and mercantile
lines should be of record-breaking propor-
tions. These favorable conditions have been
existent for several years, and are largely
responsible for the satisfactory condition
which the United States is now in, from an
industrial and financial point of view.
If any industry is dependent upon the
national prosperity, it surely is that of mak-
ing and selling pianos, as our product is
largely in the line of luxury. There is,
probably, no problem which more deeply con-
cerns those of cautious turn of mind than
that of forecasting the future prosperity of
our country. We must all make plans for
the transaction of business in the future,
and it is desirable to plan broadly, for living
from day to day is uneconomical and unwise
from any standpoint, except that of neces-
sity in cases of unusual emergency. The
most profitable employment for highly de-
veloped judgment is to discern future events
with the largest degree of accuracy. As
our education for successful forecasting
must, of necessity, come from familiarity
with the past, let us consider as to the pos-
sibilities of a continuance of our present
most favorable conditions, in which the piano
trade has been more highly prosperous than
ever before.
W T e shall, of course, as in the past, see
ups and downs, have seasons of good and
bad crops. We are not justified by experience
in expecting continuously such highly fav-
orable agricultural conditions as have existed
during the past few years; that is to say,
such bountiful crops and such high prices
together. But the world is depending on
us more largely every year for its sup-
plies of grains, meats, cotton, and other
physical necessities of life; and, as we have
in the past been able to produce these com-
modities to better advantage than others,
undoubtedly, an increasing home consump-
tion together with export demands, will con-
tinue for the future to further develop our
agricultural industries.
Our fertility in invention, our proficiency
as manufacturers, is making us increasing-
ly serious competitors for our foreign rivals,
and we are unceasingly enlarging our in-
fluence abroad. The rapidity of the increase
in our exports of manufactured goods,
while a source of gratification to us, is strik-
ing terror to the hearts of competitors across
the sea, who find their calculations badly up-
set and interfered with.
In 1875 we were the fourth in the list of
nations in the value of exports. England,
France and Germany leading us in the order
named. In that year England exported
goods to the value of over a billion dollars;
France, three-quarters as much; Germany,
considerably over half a billion, and the
United States slightly over that figure. In
1900 the United States led in the value of
its exports, the world buying of us nearly
a billion and a half; Great Britain selling
slightly less, with Germany and France far
in the rear. (Applause.) During the last'
twenty-five years the records of increase in
exports gives France five per cent., Great
Britain 34 per cent., Germany 73 per cent.,
and the United States 192 per cent. (Ap-
plause. As our exports are increasing at
a more rapid rate than ever before, it is
reasonable to expect that these favorable
conditions will continue, with occasional in-
terruptions, along the same ratio of increase.
So attractive have American "bargain coun-
ters" become to the rest of the world that
merchants and manufacturers in foreign
countries find their market fast slipping
away from them, and it has been seriously
proposed by European economists that, for
self-protection, they combine to hinder or
boycott the rapid progress of their youthful
competitor.
We shall, undoubtedly, have seasons of
comparative depression, but the present won-
derful prosperity is but a foretaste of what
is before us. "In the twinlding of an fve. 4 '
by what seems but a single leap, the United
States has passed from comparative obscur-
ity to the position of the leading commercial
nation of the world. Per capita, we are the
largest consumers, the greatest producers,
the most lavish spenders, and, either collec-
tively or individually, the richest people on
the face of the globe. (Applause.) And
New York rivals London as a financial cen-
ter of the world. But a few years ago we
were so deeply indebted to European cap-
italists as to cause apprehension in their
minds, as well as in the minds of our West-
ern farmers. To-day these debts have been
largely paid, our securities returned, and we
are lending England, Germany and Russia
millions of pounds sterling to pay for their
indulgence of the passion of war.
For a side issue and a little diversion, we
have indulged in a couple of wars ourselves,
winning victories over one of the oldest of
the European nations and over one of its
rebellious colonies, and yet, to-day, we have
the largest accumulation of gold in our na-
tional treasury ever held by us, or with one
exception, by any other nation in the world's
history. This record is an anti-toxine for
the bacillus of pessimism, and the pessimist
must curl up and quit. Gentlemen, what a
glorious privilege that our citizenship is cast
in a country so extravagantly prosperous,
and with opportunities unfolding almost
faster than the mind can grasp and under-
stand their immensity; in a land where ra-
tional freedom and tolerance are secured to
all, where the only worldly crowns of honor
are worn by those winning successes of in-
dustry, achievements of science or art;
where a man is esteemed for what he accom-
plishes rather than for his inheritance of
name, or the fact that a ticketed strain of
blood courses through his veins. (Applause.)
John A. Van Wormer, the President of the
N. Y. A : C , made a most interesting speech
upon the advantages of organization.
Mr. Van Wormer was followed by the
Hon. Frank J. Kilpatrick, of Alabama, who
spoke tp "A Voice from the South." He
made an entertaining speech and told a humor-
ous story which was heartily applauded.
CONSTANTIN VON STERNBERO'S SPEECH.
Mr. Von Sternberg: Gentlemen, I hope
you will not doubt the sincerity of my words
when I say to you that this is one of the
grandest and happiest moments of my life,
effusive as it may appear. Several who are
here present will no doubt appreciate the
fervency of my emotions when I confess to
you that as Mr. President has kindly revealed,
1 am a pianist. I have always suspected
myself to be one, and the kindness of New
York's critics has corroborated that suspicion.
Well, we pianists are very tender plants.
W r e have that in common with a good woman,
that as a good woman is supposed to have
speech with only one man, that is, at a time,
so we pianists are supposed to have speech
only with the one piano manufacturer and no
more (Laughter). And now imagine the
effect upon my soul to have you here all in
one room in a bunch, with the privilege of
taiking to you all at the same time. Why,
Gentlemen, this is glorious ! This is grand !
It is more—it is pie (Laughter and applause).
As you have heard people enumerate here
to-night, a great many things of which the
United States can be justly proud, I should
like to point out one article to which the
whole civilized world has bowed unanimously
in admiration—one- article of manufacture
which the whole civilized world has readily
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
u
and generously acknowledged to be the su-
preme and the superior of its kind, and that
is the American piano (Loud applause). I
almost dare say that I speak with authority
on this subject, for when I was very young
—and I was born very young—I made the
mistake to be born in Russia. I only came
here when I was at age of discretion. So
I know both sides of that question. I told you
that pianists had something akin to women,
and women are never asked for their age.
Not only the rulers and the peoples of the
earth but also the artists of the civilized na-
tions have unanimously acknowledger! the
American piano to be the best in the world;
and, gentlemen, not only is the best piano in
the world made in America, but the average
piano of America is a far finer instrument
than the average piano of any other country.
(Cries of "good," and applause.)
And of all the piano manufacturers in the
world the American piano manufacturer can
say, "We are the people." But, gentlemen,
in making a better piano than any one else,
you have primarily served your own purposes.
If you had not done so we might be still im-
porting European pianos for our music
rooms, as we import French champagnes
and Spanish olives for our tables and English
youth for some of our young ladies. (Laugh-
ter.) But, gentlemen, you have done more.
The American piano manufacturer has from
the start seen to it that his fine piano is pro-
perly played. You have seen to it that your
piano should not be an instrument of
mere amusement, but of pleasure in a
higher sense. You have seen to. it that
it should become the carrier and dissem-
inator of higher music culture.
To this
end the American piano manufacturer
has from the start defended the artist; he has
assisted him in every way. He has placed
him properly before the public; he has as-
sisted him in his artistic plans; he has helped
him with his influence with—well, with his
pocket book ; and in this way the American
piano manufacturer has taken pretty directly
a hand in the very making of American music
history, and that, gentlemen, is a good deal
more than circumstances have permitted your
European confreres to do. It lies perhaps
in the character of the instrument that the pi-
anist should be the herald and pioneer among
the people for a higher type of musical
thought. You all know how extremely diffi-
cult it is for a mixed audience when listening
to a singer to distinguish clearly between the
physical beauty of his voice material and the
spiritual charm of the musical thought which
he is interpreting. The beauty of the voice
itself is very apt to deceive the auditor. In
lesser degree, far less still to some extent
that might have been said of the players of
stringed instruments. But, gentlemen, the
pianist art is the chastest, coyest art, because
the most reserved and the most select in its
utterances. The voice commands, not only
the largest, but also the finest literature of
any instrument save none, and from the
aspect of physical beauty, it is surely the
least sensual of all musical manifestations,
and therefore its influence on its audience
more directly engendered. Gentlemen, with-
out any improper pride in that branch of the
art which unfortunately to-night is repre-
sented by no other representative than myself.
I feel very much that the cause of good music
in America has been far more seriously
helped by one visit of Rubinstein than by all
the combined farewell performances of an
eminent prima donna.
Now. if this meed of praise was due to the
pianist how much more praise deserves the
piano manufacturer who brought the pianist
to America, and who brought him here be-
fore there was any demand—any public de-
mand—for the high class pianist?
He
brought him here as an educator. It was
his sense of enterprise, his far-seeing intelli-
THE MUSIC ITRADE REVIEW
season in this city. I have, since I have been
here to-night, found reason to praise the
powers that be that all the piano manufac-
turers in this country have not taken yet to
advertising their pianos by bringing over pi-
ists to play on them in our concerts. If
they had, there is not a musical critic in the
city of New York that would not jump off
the dock in the East River inside of a month.
(Laughter and applause.) 173 piano reci-
tals, 1 believe—there might have been a few-
got away—we had in the course of the past
season in Greater New York. I didn't hear
all of them. You know that, because I am
here. (Laughter and applause.) If I had
heard all of them 1 should not be in Man-
hattan; I would be over in Brooklyn in that
William J. Henderson, of the N. Y. Times, little place where the "green grass grows all
spoke upon "Music and its relation to the around." (Laughter and applause.)
But I was going to say that in listening to
piano industry."
the various pianos which we have to hear
WILLIAH J. HENDERSON'S SPEECH.
played upon by the various pianists in the
If I were to tell you that I had not prepared course ot the season, there is one thing that
carefully in advance a speech to deliver to strikes the average newspaper man very for-
you to-night you would all say in your cibly, and that is that the leaders who used
hearts that all newspaper men are liars, and to be are coming back towards the ranks.
I suppose you would come pretty near to There was a time when there were only two
telling the truth. I will confess that I did or three pianos played on the concert stage,
prepare two speeches, committed them care- and now there are a good many more than
fully to memory, and brought them with me two or three, and there are more a-coming.
with the intention of selecting one of the (Applause.) Now, this is one of the sub-
two after 1 had got here. They were both jects which is absolutely forbidden in a news-
good ones. One of them was made by the paper office, so I am glad to be able to say
first gentleman who spoke, and the second something about it here. This is not a news-
was delivered by the eloquent gentleman paper oihce, and the managing editor does
from the South. (Laughter.) Now arises
know I am here, and he won't discharge
the serious question: What am I going to not
me.
But, I suppose all your piano manu-
say? Your President has asked me to say facturers
know we never mention a piano in
something new. Well, gentlemen, is there
anything that anybody can think of that is a musical criticism. I have seen the times
new that a piano manufacturer hasn't thought when 1 would like to (laughter), and I have
of already? He has asked me to say some- seen the time when l would like to have
thing old in a new way. Well, bless my soul! emblazoned in good cold type the name of
I am in the presence of the men who com- the manufacturer that hired the pianist—but
mand all the new ways that ever were thought that does not count now; that goes without
of and lots that never have been thought of, comment.
I cannot help but go over some of the
but they are going to let them loose. What
can I do ? I have been frightened ever since ground that has been gone over already, be-
I came here. When I came up here to-night cause in my attendance upon these various
I was told that I was going to meet the Na- piano recitals and concerts there has been one
tional Piano Manufacturers Association of thing forced upon me with very great power,
America, and, like the innocent New Yorker and that is the magnificence ot the American
that 1 am, I walked around here into Forty- instrument. I have heard some of the tor-
fourth street and came into Delmonico's, tak- eign instruments and 1 have heard lots of
ing good care not to get into Canfield's by American instruments, and the status ot the
mistake (laughter), and came up here, and American instrument to-day is so high that
1 saw more piano makers than there are in when the Paris Exposition—the last one—
the whole world, and I said to myself: What was given, fifty per cent, of the American
am I going to do? What is the world going pianos represented at that exposition took
to do? Where are there going to be people the Grand Prix. There were only two pi-
enough to buy all the pianos that all these anos exhibited (Great laughter and contin-
But don't you gentlemen
men are going to make ? I tell you, gentle- ued applause.)
men, I trembled not only for myself, but for believe that it every one of you nad been
you (laughter). Well, I sat down here at there the result would have been the same
this table, and Mr. Dutton began to inject in- (more laughter). And what about the other
formation into my left ear—it is my poor ear fifty per cent. ? Well, 1 know what the other
by the way, I am glad it isn't the good one fifty per cent, of manufacturers would have
because I never could have got all that in- thought, and I know what they would have
formation into it—he began to inject infor- said when they got back here, but 1 am not
mation into my left ear, and my nervousness going to repeat it. (Laughter and applause.)
began gradually to pass away. He told me
I am employed by a newspaper whose motto
that there were seven hundred and fifty mil- is "All the news that is fit to print." (Laugh-
lions—no, seventy-five million; I am going ter.) You, gentlemen, do not want me to
to cut off a few million just to save Mr. Dut- tell you" the history of piano music. 1 am put
ton's reputation, because he is an honest man, down on your menu as a sort of salad. 1
being in the piano trade—he told me there don't know what it is, what 1 might call my-
were seventy-five millions of people in this self, but I am down there as Music and the
country, and that allowing about five for a Piano. Well, I believe there is a certain
family there were about sixteen million fami- relation between them. (Laughter). But
lies and only about half of them had got sometimes, like other relatives, they quar-
pianos. I drew a long breath of relief. I rel. But if I were going to talk to you
realized that there was something left for about the history of music to-night I would
all you gentlemen to do in this world in the rather talk to you about the history of the
way of spreading sweetness and light American piano. I am going to do nothing
through this country and a few other coun- of the kind. You do not want me to go
tries.
back and tell you about old Philadelphia
Well, in the discharge of my duties as a Hawkins, who built the first upright grand;
writer about music, it falls to my lot to hear you do not want me to tell you about old
a great many pianists in the course of every Boston Babcock, who took out the first pat-
gence that brought the pianist to America.
And now I am glad to say they are almost
all here. There are only a few left in Eu-
rope. They are almost all here; and when
those few come I believe we will all emigrate
to the wilds of New Jersey, under whose
laws it will be possible for us to form a bil-
lion dollar trust; and in order to have a trust
that is a trust, we shall have to form the
trust on trust, unless each one of us, one of
these pianists can talk to his particular manu-
facturer sweet and low.
Gentlemen, I am requested to prolong the
difficulty and to inflict upon you a few mu-
sical anecdotes and I will have to do it at the
other end of the room where my particular
piano stands.

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