Music Trade Review

Issue: 1900 Vol. 31 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
8
THE MUSIC TRADE REVIEW
cure legislation hostile to them is a highly ization has largely dissipated. Why? Be-
profitable business. Out of collections cause manufacturers realized that other
obtained from small storekeepers who de- papers could not be built up unless they re-
sired to fight the department stores, esti- ceived at least more than a starvation
mated at from $12,000 to $15,000, less patronage. They began to consider that a
than $6,000 was expended for printing, fifty or a hundred dollars thrown to a com-
stationery and postage, the circulation of petent trade publication while they per-
petition, office rent, clerk hire, etc., the mitted the sandbagger to extort thousands
balance presumably going into the hands from them, was not the way to augment
of one man, who was the head and front of the right kind of a paper business. They
found that a fair patronage given to such
the plan.
papers as demonstrated ability and enter-
SCALPING OUT OF DATE.
prise enabled them to match the smooth
"PICKET scalping is now receiving some one in point of influence. As the repu-
regular Fitzsimmons blows from judi- table, clean and healthy papers began to
cial authorities in different states, and it build up the bloodsucking sheet began to
would seem as if the elimination of ticket decline, until it is to-day a derided, atten-
scalping would occur in the near future. uated sheet.
Judge Porter of the Superior Court of
Now, if the manufacturers propose to
Pennsylvania, was very emphatic in sus-
keep the man who has prostituted the fair
taining the judgment of lower courts
name of the industry in a position of innoc-
against the ticket scalper. He upheld the
cuousness, they can best do it by giving
constitutionality of the State statute against
a decent patronage to such papers as have
ticket scalping, which, in his opinion, does
demonstrated the possession of ability,
not violate the constitutional provision re-
honor and independence in the conduct of
specting interstate commerce. He furth-
their affairs.
ermore stigmatizes ticket scalping as a
business at which the act of Assembly
Bates Appeals.
[Special to The Review].
directly strikes and which the Legislature
Worcester,
Mass., Aug. 13, 1900.
has said is prolific of fraudulent results.
The case of the Bates Piano Company vs.
It is believed that this position of Judge the Worcester Protective Department will
Porter will put an end to ticket scalping be appealed to the Supreme Court. A ver-
in Pennsylvania, and a strong impetus will dict was given for the defendant in the
doubtless be imparted to the efforts now Superior Court after several days' trial.
being made to have the business rendered The plantiff claimed at the time of the fire
in the Day building, that a number of
illegal throughout the country. There are pianos were lost through the negligence of
many people inclined to criticise the at- the Protective Department. The plaintiff
tacks upon the business of ticket scalping. claimed that he was unable to get at his
They feel that the railroad has been paid pianos, being restrained by members of the
once for a fare and that it is immaterial to department. W. A. Gile was counsel for
the road whomsoever is returned on that the plaintiff, and Herbert Parker for the de-
fendant.
ticket, and that the business should not be
Praise the Peerless.
interfered with. However the railroad
combination is steadily gaining ground in
The "Peerless" Piano Player is receiv-
the legal prohibition against ticket scalping ing a large share of attention and the
peculiar merits of the attachments have
gained for it a vogue that promises to last
POINTS TO CONSIDER,
I T is gratifying to record the fact that for a long time. Piano dealers are inter-
during the past few months music esting themselves in the Peerless Co.'s
products to good advantage. Their testi-
trade journalism has been comparatively mony is to the effect that the "Peerless"
free from filth and abuse. 'Tis true there does all that is claimed for it, and does it
have been feeble and futile attempts to hold well. The following testimony, recently
up the Fischer and Hardman concerns, but received at the firm's headquarters, is
the attacks show such a deterioration of strong and convincing:
St. Louis, Mo., June 15, 1900.
mental vigor—they are so pitifully weak—
Gentlemen:—We have sold enough of
that they hardly arouse even contempt. the Peerless Piano-players, and have tested
Now, why have these changes been brought them so thoroughly that we believe they
are the most complete in musical results
about? Is the erring one truly repentant, and wearing quality of any piano-player
or has he been forced to change his tactics? on the market, in which no physical effort
required to operate them. We congratu-
We are inclined to believe that as the is
late you, and feel that the Peerless Piano-
leopard's spots are unchangeable so are the player will be a winner. Every customer
sandbagging habits with him. Years ago we have so far sold to is very enthusiastic,
and they are bringing their friends in
he swayed the industry with almost auto- large numbers to our warerooms. We
cratic power. One reason, he had behind have sold a large number of Peerless
Piano-players, as your books will show,
him an organization which was believed to and
expect to do a much larger business in
be powerful. The strength of that organ- the future, for it is only a question of time
when their merits will remove the pre-
judice created against this class of instru-
ment by the unmusical and defective
monstrosities so long foisted on a suffer-
ing public. Had it not been for the great
street railway strike we have had here since
May 8, we have no doubt but that our
orders would have been very heavy, even
during the so-called "dull summer months."
Wishing you every success, and assur-
ing you that our advertising department is
taking good care of the Peerless Piano-
player, we remain,
Respectfully,
Kieselhorst Piano Co.
Cleveland, O., June 9, 1900.
Gentlemen:—We have sold a number of
Peerless Players during the last twelve
months, and have seen them subjected to
the hardest usage. This experience war-
rants the assertion that the Peerless Player
executes classical, as well as popular mu-
sic, with wonderful expression and exacti-
tude, and gives perfect satisfaction where
directions for its manipulation are ob-
served, and they require no physical effort
to operate them.
Yours truly,
The B. Dreher's Sons Co.
Burdett Progress.
[Special to The Review. 1
Freeport, 111., Aug. 13, 1900.
Business here in the piano and organ
factory of the Burdett Co. has been stead-
ily developing and Mr. Brockmeier and
his associates have determined to enlarge
their plant. For a long time they have
felt the need of more room and have now
commenced the erection of a fifty foot
addition to their factory to be three stories
and basement, which will give to the com-
pany facilities so that they will be able to
keep in sight of their orders.
flercantile Disasters.
According to the mercantile agencies,
commercial failures during July amounted
to 793, with liabilities of $9,771,755. These
were divided into 183 failures of manu-
facturing concerns, with liabilities of $5,-
177,682; 550 failures of traders, with lia-
bilities of $3,324,366, and 60 failures of
brokers and transporters, with liabilities of
$1,269,729. Comparison of the failures of
July with those of the corresponding month
a year ago gives a very discouraging re-
sult, the number of failures in July, 1899,
being 91, with total liabilities of $4,872,197.
It should be remembered, however, that
failures in that month were the smallest
with one exception in any one out of the
last 82 months. The failures for last July
were less in number and in liabilities than
those in the corresponding month of 1898,
when they were 882 in number, with lia-
bilities of $10,101,455. The mercantile
disasters of last July were largely confined
to the East, and among trading concerns
were heaviest in dry goods and carpets,
while among manufacturing concerns those
producing machinery and tools, together
with manufacturers of lumber, carpenters
and coopers, took the lead.
S. Q. Mingle, formerly a dealer in pianos
at Williamsport, Ind., is in financial diffi-
culties in this city, where he has been for
a year or two engaged in the real estate
business. Judge Giegerich, of the Supreme
Court, has appointed F. J. Nealis in sup-
plementary proceedings.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
The Paris Exposition through Review Eyes.
A. S. CAPEHART, DIRECTOR OF THE LIBERAL ARTS AND CHEMICAL INDUSTRIES DEPARTMENT,
THE REVIEW TALKS WITH THE CHIEF OF THE DEPARTMENT WHEREIN THE MUSICAL
INSTRUMENTS ARE DISPLAYED — A COMPARISON WITH THE CHICAGO FAIR.
[Special to The Review. |
Paris, France, Aug. 9, 1900.
Mr. Alexander Capehart, director of the
Liberal Arts and Chemical Industries, is
one of the busiest amongst the many busy
heads of the different sections belonging
to the United States at the Paris Exposi-
tion, for he has the entire responsibility of
two most important classes: i. e., the Lib-
eral Arts section, where the pianos are
shown; also the Chemical Industries, and
the amount of work that, as director of
these important divisions, is entailed upon
the man who occupies the post, can only
be understood by those who have seen
something of the magnitude of these un-
dertakings.
Mr. Capehart's office was until last week
at 20 Avenue Rapp, where the American
Commissioner General has a handsome
suite of rooms turned into offices for the
use of the many different interests there
represented; but now Mr. Capehart has
transferred his office to the Exposition itself.
Thus he is always on the spot, should his
advice as director be required or his assist-
ance as the most experienced head be asked
for. This experience has not only been
gained at the Paris Exposition, but dates
back to the World's Fair at Chicago, where
Mr. Capehart took an important position
among those who were the mainspring of
the exhibition.
This office of the director of the Liberal
Arts is to be found in the United States
section bearing that name, and is contained
in a well situated gallery just above, and
at the back of the Musical Instrument sec-
tion; the gallery is reached by a flight of
stairs just opposite the Ludwig piano ex-
hibit ; and it is here that your correspond-
ent was received by Mr. Capehart one day
recently, when the thermometer stood at
some exceptionally high figure "in the
shade;" but as this section is rather a
favored one as to position and coolness, the
effects of the' heat were not too apparent.
A desk which would have been full to
overflowing, were it not for the methodical
accuracy which placed every letter and
paper, or jurors' report in the various
pigeon holes prepared for them; a couple
of type-writing machines with their opera-
tors, to one of whom an important paper
was being dictated by the director; such is
the present office of Mr. Capehart, who de-
clared upon receiving your correspondent's
card, asking could he spare five minutes to
the "Music Trade Review," that for the
" Review " he could even manage possibly
to spare ten, although he had yet so much
on hand, that no day, not even the dog
days of mid-summer, were half long enough
to enable him to accomplish all that
he would like to do each day. And this
was no matter of surprise when the direc-
tor added that at the time of speaking he
had the papers of thirteen juries on his
hands, all of which had to receive individ-
ual attention and the utmost care,to insure
perfect accuracy in every detail.
Asked whether there was any compari-
son between the arrangements made at the
World's Fair in '93 and the present Expo-
sition, Mr. Capehart expressed the senti-
ment that there was a certain amount of
difficulty in making a comparison, as every
arrangement was made so differently. For
Paris he had found his work much ham-
pered by the many unnecessary restrictions
placed upon every effort, and also by the
amount of "red-tape" formality with
which every act was surrounded. A faint
smile appeared upon the director's features
as he explained that upon his arrival he
ALEXANDER S. CAPEHART.
considered the facade of the Liberal Arts
section was some six inches too low. His
explanation of this to the French authori-
ties met with the reply that he would find
it very difficult to get the necessary author-
ization which would enable the facade of
the United States section to be raised these
necessary six inches. Unfortunately Mr.
Capehart found this reply was only too
correct, and after waiting and mak-
ing any number of applications for
this permit which never came, Mr. Cape-
hart acted as though he were at Chicago:
one evening he got together a good staff
of experienced workmen, and all the re-
quisite implements, and set men to work
under his own active personal supervision,
with the result that when the next sun rose
over the gardens of the exposition that
particular facade was higher by six inches:
the usual applications were still sent in,
and finally some weeks afterwards permis-
sion was given by the French authorities
to do a work which American enterprise
under an energetic head had accomplished
in the course of a night! When one thinks
of the disadvantage it would have been to
every exhibitor in this section, (especially
to exhibitors of musical instruments) if this
work had only been undertaken when the
permit arrived, when nearly every stand
was arranged and the section all in order,
an idea can be formed of the immense ser-
vice this promptitude on the part of Mr.
Capehart rendered to every one concerned.
Mr. Capehart explained that his idea
when arranging these two sections, was to
form from the materials under his hands,
not a series of disconnected exhibits, but a
sequence of ideas. Leaving his desk,
and asking your correspondent to step
to the other side of the gallery (from the
edge of which the whole of these two sec-
tions can be seen), Mr. Capehart pointed
out the different exhibits, and showed how
each exhibit lead up to the next. The musi-
cal instruments, for instance, were so
arranged that the visitor found first of all
the various sections of a piano, the action,
keys, strings, etc., before he came to the
exhibit of the perfected piano, organ or
stringed instrument. With the exhibits of
another department, a complete observatory
had been formed ; an observatory in which
no single article was missing, from the
most elementary to the most finished; still
another department, that of photography,
had this same principle applied to it, for it
commenced with the different parts of a
camera and its lens, and went through
every stage of photographic development
up to the finished portrait photographs,
than which no other nation sends a fine
collection.
The chemical and surgical exhibits in
the neighboring section are all carried out
on this same plan of continuity, and by
their very arrangement explain their uses
in a way quite impossible, had not this
thought and care been lavished upon their
disposal.
Returning to his desk Mr. Capehart men-
tioned the fact that the Exposition as an Ex-
position was as well managed by the French
authorities as anyone could desire, provided
that those dealing with them knew just how
to work themselves, but he considered that
in Chicago much more was done for the
comfort and amusement of the visitor than
is being done at this Exhibition, where even
the exhibitors do not study so much to
please or attract visitors, as they do to make
their exhibit attractive to the jury by whose
decision a medal of sorts may or may not
come their way.
This perhaps is the " cloue " of the pres-
ent Exposition; it is the jury whose visit is
eagerly looked forward to as holding great
possibilities in store, while the great tide
of visitors may remain or leave as pleases
their fancy. Certainly sufficient has been
done in every section to make a visit from
the general public a matter of that same
public gaining more information on every
subject than would be possible to gain in
any other way; and of no sections is this
last remark more true than of the two
under the supervision and direction of Mr.
Capehart, who considers that the music
trade of the States is worthily represented
by the firms who have sent some samples
of their manufactured goods to the present
Exposition.
Lilian King.

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