Music Trade Review

Issue: 1900 Vol. 31 N. 6

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THE MUSIC TRADE REVIEW
The Paris Exposition through Review Eyes.
THE RUSSIAN EXHIBIT—A SURPRISE TO MANY WHO WERE UNAWARE OF THE GREAT PROGRESS
MADE IN PIANO MAKING IN THE LAND OF CZAR—BECKER THE PREMIER MANU-
FACTURER OF RUSSIA A SPLENDID SHOWING OF GRAND PIANOS
IN A VARIETY OF CASES OTHER RUSSIAN EXHIBITS
DESCRIBED IN DETAIL THE SPANISH
MUSIC SECTION—WHAT
GREECE SHOWS.
[Special to The Review.l
Paris, France, July 26, 1900.
The country which runs a tie with Amer-
ica in the French estimation is Russia;
judging at least from Exposition facts
which may well be looked upon as the pro-
verbial straw, useful to show which way
the wind blows. This fact is apparent to
every visitor to Paris at the present mo-
ment. America and Russia both have the
next best place to France herself in all the
sections. This is one great way of show-
ing her favor. Then again the French
flag floats between those of America and
Russia on every occasion possible for
4
'flag-wagging" to be found, and these oc-
casions are not a few in the present year
of grace.
Then, again, Russia has of late years
made such enormous strides in all her
manufactured produce that the contents
of some of her sections can really bear
comparison with almost any country ex-
hibiting, and perhaps nowhere is this
more conspicuous than in Russia's section
devoted to musical exhibits. It is very
prettily arranged, showing the Russian
banner as a most successful arrangement
in black and yellow, while the double-
headed eagle is brought into great promi-
nence and gives a good finish to many a
center piece.
Amongst the piano manufacturers
exhibiting, is the firm of Messrs. E.
Becker, St. Petersburg, a photograph
of whose exhibit will give the reader
a good idea of its handsome appearance
with the six grand pianos in the fore-
ground just inside the barriers, while
the background is so harmonious and ap-
propriate that the visitor sees in the ar-
rangement the artistic hand of a master.
The marble bust beneath the velvet drap-
ery is that of the musician Rubinstein.
The musical notes on each side of this are
the score respectively of the Marseillaise
and the Russian national anthem. These
notes with their lines and bars were all
made at the factory of Mr. Becker, and are
composed of exactly the same metals as
those used for the different metal parts of
the interior of his pianos. The two large
cases shown, one on each side, near the back
of the stand, display in the one a complete
frame of a grand piano and in the other,
every different part of the action; these
are well worth a close inspection if it is only
for the perfect finish given to every thing;
for every part has been finished by hand,
and has a polish seldom rivalled.
The grand piano on the right hand side
is in white cherry wood overlaid with
carved maple; the photograph gives some
idea of the beauty of this combination of
woods and the workmanship lavished on
it. The frame of this piano is in metal
• made all in one piece: this frame is the
specialty of the firm, and it has a finish
of nickel and bronze. All the grands on
this stand have the same fine frames and
actions, the case being the only part
which causes them to differ one from
another. The grand on the opposite side
is the same shape, but with a case of
carved ebony, the carving here being light
and suitable. The piano immediately be-
side the latter is of interest, both to all
music lovers and to all who heard Rubin-
stein when he gave his concerts in New
York, for this piano he used when he
banjo, and the strings are , c truck with the
fingers, while in some a piece of bone is
used to produce the notes. This is a na-
tional exhibit sent to Paris at the cost of
and "by order of the Czar; " but the maker
is Mr. Andreeff, St. Petersburg.
Messrs. DiederichsBros., St. Petersburg,
are an old established firm, dating from
1810 and showing at the present Exposi-
tion several grand and upright pianos, all
of which have a good tone; also a great
deal of variety in the finishing of the
pianos. One extra small "baby" grand
has the frame of bronzed and nickeled iron
(as have all pianos on this stand), its case is
in ebony; a full sized grand is the fellow
to this in appearance, while a concert grand
quite plainly made is in mahogany. An-
other in the Renaissance style is in white
and gold with a little carving which is
rather heavily gilt. A narrow gilt beading
round the moulding finishes this piano.
EXHIBIT OF BECKER-- ST. PETERSBURG.
played before his New York audiences.
This piano was made for the great musi-
cian by the firm, and his family have al-
lowed the piano to return to the makers,
a souvenir of one of their most famous
customers. These pianos all possess a
very full tone.
A case of violins and bass viols is shown
by E. Geisser, St. Petersburg. Behind
this is a case containing some Russian
musical instruments which are the only
instruments of music found all over Russia
from its Northern Siberian boundary down
to its most southern limits. As the general-
ly used music is either for the dance or as
accompaniment for songs, this instrument
is well adapted for its purpose. The tone
produced is much that of a most superior
banjo which has by some means been made
to give a sound in which there is greater
depth of tone than usual with the latter
instruments.
Various forms and sizes of this instru-
ment are shown, all bearing different
names, but the "Balalaika" is the Russian
name, by which an outsider would class
them all. The form of the "balalaika" is a
triangular base with a long neck like a
One upright in cherry wood is splendid-
ly carved, while another is in white maple
having a mosaic of red mahogany in front.
This mosaic is of quite an unusual pattern,"
for it is composed of a musical score con-
taining the Russian National Hymn.
A large glass case contains the exhibit
of Miss Zimmermann. who exhibited and
received a medal at Chicago. The instru-
ments shown are chiefly for military bands
and consist of trumpets of every descrip-
tion and size in brass and silver, flutes,
hautboys, bassoons, clarionets, in fact all
the wind instruments required for a mili-
tary band.
The trumpets by a clever and new
arrangement have a means of trans-
posing the notes which is a great
improvement on the usual method.
Some of these bear the coveted card
"Sold." Ebony and rosewood, mount-
ed with silver and mother-of-pearl,
make the wooden instruments very hand-
some, while many of the smaller wind in-
struments are in ivory with silver mounts,
and all are well finished.
The Japanese musical section hung with
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JO
its red and white flags, very naturally, is
but a small one; indeed it is so small that
but few people know that "that most
western of eastern " nations possesses such
a thing, but as a matter of fact it does, and
its Japanese director is a great musical
amateur and takes an interest in showing
the section to a visitor and telling how the
same firm, Messrs. Surziki Nahrwarha,
make all the instruments of music used in
the Academy of Tokio, also that his firm
made a successful exhibit at Chicago. Five
violins are shown which differ but little
from those turned out by Western manu-
facturers, while the show of violin strings
are of a quality which few nations could
show. These, and a number of flute like
instruments which are unknown in Europe
compose the exhibits of Japan.
Spain has her music section in the gal-
lery ; it is badly placed and the whole
place wears a most deserted appearance,
for it is not a tempting spot for visitors to
linger. That may, of course, be the reason
that neither of the firms showing appears
to have a representative on the spot, and
it is only by the names on the pianos that
it is possible to know who is the exhibitor,
more especially as the guardian of the sec-
tion only speaks his native language.
Messrs. Chassaigne, Barcelona, show two
grands and three uprights. Two of the
latter are very good-looking instruments.
One is a full octaved piano in the now pop.
ular walnut frise, whilst the other, equally
large, is also in walnut of a grey tone of
coloring, very effective, used as it is with
an almost black wood to frame the grey.
This combination of tones in wood is rare.
The grands, a concert, and the other an
ordinary sized one, are both in ebony.
A typical case is shown by Messrs. Car-
devar, Valencia. Bright colored paintings
are lavished on all the instruments shown
in the exhibit of mandolins, banjos, and
castanets, which are very representative of
the national instruments of music.
Two other pianos are shown in this sec-
tion, one is a Steinway grand, not as piano
exhibits however, but as a means of show-
ing the working of four extra pedals, but
as the action is not in order it is impossi-
ble to say what effect these extra pedals
would have upon the tone of any piano
operated on; the name of the exhibitor is
S. L. Hijos, Barcelona.
Sweden has no musical section; and
Greece only shows one small case of man-
dolins in the Greek pavilion; these are
most lavishly ornamented and should be
very good toned ones judging from the
high prices put upon them.
Lilian King.
Of the five new "Crown" styles recently
placed on the market by Geo. P. Bent of
Chicago, style A seems to lead in popular-
ity. It is an instrument whose architec-
tural lines are simple but classic. The ap-
preciation bestowed by the trade is a credit
to their good taste. Meanwhile the other
"Crown" styles—each a splendid example
of good piano making—have their coterie
of admirers; as a result business generally
is very satisfying with Geo. P. Bent, the
famous "Crown" maker.
THE MUSIC TRADE REVIEW
of all, leaving gloom and sadness, where
once reigned smiles and delight?
When music heavenly maid was young,
Even for this has science provided a
While yeL in early Greece she sung
remedy. The Shonnard, a new and scien-
The passions oft, to hear her Shell
tific apparatus, invented and constructed
Thronged around her Magic Cell.
to play pianos, new or old, in a style that
Collins in 1750, A.D.
For untold ages before the imaginative but few performers can emulate. This
Greeks had elected the sacred sisters nine apparatus is all complete in itself, is hung
to preside over the votaries of poetry, from the bottom board inside underneath
music, the arts and sciences, had the the keys, and out of sight, not affecting
rhythmical sequence of tempo and tone, the instrument in any way by its presence
the earliest factors of a civilizing essence, when you wish to play manually. When
been exerting their mysterious power, to you desire to play automatically, you place
awaken and reclaim man from Barbarism. one of the perforated rolls of music in the
A condition which science seems to in- sliding frame underneath the key board,
dicate was the prevailing one at a very partly in sight. This roll is of the ordi-
nary perforated music roll and the cata-
early period of our existence.
The earliest historical records however, logue is very large.
compel us*to believe that at no time since
When all is in place a slight pressure of
mankind have taken their place in the the finger will start the instrument. No
front rank of creation, has music of some labor or blowing is required, the stops for
kind been absent, and the quality of the the tempo and touch are both convenient
music might safely be taken to give an and respond instantly as required. The
approximate measure of the civilization wonderful flexibility and smoothness of
obtaining where the music itself was the stroke is something admirable and lifts
produced.
the Shonnard into the front rank of
In nearly all the great nations of the piano players. To those who are suffer-
world the love of music is strong and pre- ing from a lack of good music in their
vailing, yet the oldest and largest nation homes, we recommend a visit to No. 19
is, or seems an exception. It would ap- Union Square, west. We think a sight of
pear to me that neither Confucius or Ma- the catalogue will spread the world of
homet, (both have their disciples in China) music Vefore them.
had a particle of music in their souls, it
certainly was not impressed on their teach-
Our Commercial Ascendency.
ing. Contrast theirs with the teaching of
The immense expansion in the foreign
love, justice, humanity and care for the
trade of the United States of late years
well-being of all mankind, as laid down by
has naturally attracted the attention of
our Divine Master. The entire narration
statisticians, who, not content to record
is a hymn of joy.
the actual movements of the day, seek, by
The Banner of the Dragon is a fitting comparison with the work of other coun-
emblem for a nation that wallows in the tries and by reference to the past, to put
mud without enterprise or hope, as our them in their proper perspective. An ex-
own bright banner with its shining stars position of this kind, which emphasizes the
is of our high aims and honorable inten- significance of our current statistics of
tions. If we have winced at times from trade, is found in an article by Commis-
an application of our own stripes no doubt sioner Carroll D. Wright on the commer-
we deserved it, and the application proved cial ascendency of the United States in the
salutary to the body corporate.
current number of the Century magazine.
One of the greatest forces of civiliza- He sets forth that, according to careful
tion in the Christian world is music; the estimates, recently made in the United
churches ring with it, schools and colleges States, the production of manufactured
abound everywhere to teach it, visitations goods for the present year will reach
of great artists from distant countries at at least the value of $12,500,000,000, which
great cost are constantly taking place, will be about $450,000,000 in excess of the
which is some evidence that with us the value of the manufactured products of the
love of music must be greater than the United Kingdom and Germany, the chief
love of money, said to be the root of all competitors of the United States. Not
evil.
many years ago the United Kingdom held
In all of our cities there is abundant not only the ascendancy in manufactures,
means of gratifying the taste for music of but the supremacy. The United States
every kind for those able to attend con- has encroached rapidly upon that position,
certs and recitals, but this does not cover until in many greatlines its products vastly
the field; of all the habitable places on our exceed those of the United Kingdom, while
earth, our homes are where the effects of in the total they are much in excess. The
fine music, its harmony and rhythm, are latest returns show a production of nearly
surely wanted; the minds of children to be 12,000,000 long tons of pig iron in the
filled with memories of sweet chords, the United States, while the production of
aged to be soothed with repetitions of the Great Britain for the same period was only
music that delighted them in their youth- 8,631,151 gross tons; and so it is with nu-
ful days, and recalling to their memories merous other lines.
many happy hours in the lights and shades
of the days long past. But what if in the
The display of "Popular Pease" grands
home, the musicians yielding to the muta- and uprights at the Pease warerooms on
tions of time, had passed to distant lands, Forty-second street is, as usual, one of
or even been gathered into the final home the best in the city.
The Provision of Science.

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