Music Trade Review

Issue: 1900 Vol. 31 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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THE MUSIC TRADE REVIEW
O. HEYWOOD WINTERS.
JV/IR. WINTERS who has been identi-
*™ *• fied with Boston and New York for
the past eight years is permanently located
in New York where he has a magnificent
suite of studios at 98 Fifth avenue. Mr.
Winters' aim from the beginning of his
career has been to be a successful and con-
scientious teacher, for which purpose he
has made himself thoroughly acquainted
with the methods as taught by the greatest
authorities such as Sbriglia, Bouhy, Garcia,
Shakespeare and Randegger, not omitting
some of the most important teachers of
New York and Boston.
In addition to his work upon tone place-
ment and voice building, he is a firm be-
liever in physical development and es-
pecially in breathing exercises for daily
practice. Mr. Winters' work seems to
have been appreciated, for in a compara-
tively short time he has established a large
class and he has pupils who are holding
fine positions, in fact his pupils are suc-
cessful in the same degree as those of old
and well-known instructors.
Mr. Winters does a great deal of work in
choir training and always has several under
his care; he also believes in teaching very
young children, if this is done with great
care and judgment. His own choir is that
of the First Presbyterian at Peekskill,
where he is also the baritone. He has held
that position for several years and has
chosen to remain there notwithstanding
some flattering offers in New York, be-
cause he has also charge of the musical ser-
vices at the Peekskill Military Academy
and negotiations are now pending to have
him take the vocal work in the school.
Mr. Winters has just formed a class to
thoroughly instruct and drill singers for
quartet and solo church choir work, so that
they can apply for positions as experienced
singers if they hold a recommendation from
him.
This class is not drilled as choruses
but in individual quartet and solo work, so
as to give the actual experience they would
have in church without which it is impos-
sible for young singers to secure good po-
sitions. Through his relations with a
large number of churches, Mr. Winters is
also enabled to place many singers.
Mr. Winters loses no opportunity to ben-
efit his pupils in the wider fields of music,
and for this purpose he is giving a course
of artists' recitals in his studio at which
well-known musicians are heard by his
pupils and some invited guests. These
affairs have been very successful and give
the pupils an opportunity to enjoy social
intercourse with musicians of standing.
This advantage is not alone intended
for Mr. Winters' pupils but for all pupils
to whom such opportunities would be of
benefit. Whereas Mr. Winters has given
most of his time to instruction in the past,
he has had much success in the concert
field himself, and it is his intention to give
more attention to this in the future and
doubtless he will be heard more frequently
on the concert stage and in oratorio as he
has a baritone voice, rich, mellow and of
exceptional range.
TWO EDWARDS PUPILS.
A, MONG the artist pupils that are mak-
^*- ing notable successes with credit to
themselves and to Mme. Edwards their
teacher, are Mrs. F. L. Martin and Mrs.
Susie Phillips.
Mrs. Martin has a beautiful soprano
that is capable of both dramatic and lyric
work, and although her choice is the ora-
torio, she sings small songs delightfully
and has a large repertory of both oratorio
She is also scoring great success in songs
by Saint Saens, Massenet and Holmes and
is doing really admirable and conscientious
work. Mme. Edwards has one of the
finest clienteles of Boston, where she has
pupils from all over America as her work
warrants, for she is a teacher who is cap-
able of producing remarkable results with
her pupils, who all seem to realize that
they are fortunate in securing her services.
GERTRUDE J1AY STEIN.
\ GLANCE through the season's pro-
**• grams will show the name of Ger-
trude May Stein oftener than that of any
other woman before the public. Miss
Stein is an American girl and all who re-
joice in the prosperity of American artists
are appreciating her success. The month
of November has seen her on tour with the
Boston Symphony, including New York,
soloist at the opening concert of the Ora-
torio Society, soloist with the Brooklyn In-
stitute, and important engagements in all
the large eastern musical centers.
Miss Stein appeared as soloist of the
last concert given in Music Hall, Boston,
as also of the first in Symphony Hall, in
the same city, so that some of her engage-
ments will be considered historical.
ALW1N SCHROEDER'S QUARTER CENTURY.
MRS. MARTIN.
and ballads well under control. Mrs. Mar-
tin, among many other engagements, is to
give recitals this winter in Boston, Provid-
ence and Portland. She holds an excel-
lent church position at the Melrose Con-
gregational church.
HTHE well-known 'cello virtuoso of the
Boston Symphony and the Kneisel
Quartet, celebrated the twenty-fifth anni-
versary of his first public appearance as
'cellist, Monday, November 26. Schroeder
is a musician of rare worth, and no better
testimonial of this could be made than
the fact that Wilhelm Gericke, the
eminent director of the Boston Symphony
Orchestra, played the accompaniments of
the evening. The notable program is here-
with given and it will be seen that in the
violoncello recital Schroeder had the as-
sistance of three of the 'cellists of the or-
chestra of which he is an honored member.
They were Josef Keller, Josef Adamowski
and Carl Barth.
PROGRAM.
Suite No. 3, in C major
.
.
.
J. S. Bach
First Movement from Concerto in B minor,
B. Romberg
Berceuse
Fitzenhagen
Variations
J. Klengel
Four Violoncelli
"Waldesruhe"
Dvorak
"Vito," Spanish Dance . . . .
Popper
Capriccio
J. Klengel
'Fantasie on "The Daughter of the Regiment," by
Donizetti
Fr. Servais
&
M. AND MME. LUDOVIC BREITNER.
MRS. PHILLIPS.
Mrs. Susie Phillips has a full, mellow
contralto, with an exceptional range which
allows her to sing those dramatic mezzo-
contralto roles. She is the contralto at the
First Universalist Church in Cambridge.
Her repertory includes the Fair Jessie cycle
of Von Fielitz, an aria from Prophete and
songs by Schubert and Schumann, which
are admirably adapted to her warm dram-
atic temperament.
jl/l ME. BREITNER arrived early in No-
* ' * vember to join her husband in New
York, where they will make their home.
Mme. Breitner is a charming and artistic
violinist, and in the first " at home " given
November 30th, the music presented by M.
and Mme. Breitner was of the most finished
and highest order. The arrival [of these
artists in New York is hailed with delight
by those who appreciate what this means
to the artistic atmosphere of this city, as
M. Breitner was one of the greatest teach-
ers in Paris, and a man of his importance
was much needed in New York, as teachers
of merit and reputation may well study
with him without detracting from their
standing. M. and Mme. Breitner have
taken a house at 311 Madison avenue, where
they have delightful parlors for music.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
IN BOSTON.
HE Cecilia society has made elaborate
plans for this season and announces
a series of uncommonly interesting" pro-
grams. "The Promised Land," ^Mas-
senet's most recent oratorio, will be given
if it can be procured. Other announce-
ments are: Cantata, "Departure of Hia-
watha," by Coleridge-Taylor, for chorus,
soloists and orchestra, first time in Amer-
ica; cantata, "Phoenix Expirans," by G.
W. Chadwick, for chorus, soloists, orches-
tra and organ, conducted by the composer;
a rhapsodie by Brahms, for alto voice,
male chorus and orchestra; cantata, "The
Sailor's Christmas," by Chaminade, for
female voices, Hallelujah chorus, from
Beethoven's "Mount of Olives;" "The
Missa Brevis," by Palestrina, entire; a
crucifixns, by Lotti; "The Cherubim
Song," by Tschaikowski; 119th Psalm,
by Cesar Franck, first time in America;
cantata, "Samson and Delilah," Saint-
Saens, with Mme. Schumann-Heink. The
wage-earners' concerts will be continued
as usual.
Mrs. Helen Winslow Potter sang at the
opening concert of the Pullen symphony
at Bangor, Me., and .was cordially received.
Mrs. Potter is the soprano of the First Uni-
tarian Church, Brookline.
Edwin Klahre will give the second of his
series of pianoforte recitals in Steinway
Hall, Thursday, December 6th.
The soloists for the Apollo Club con-
certs this season will be Shannah Gum-
ming, Mme. Jacoby, Maud Powell and
Mme. Charlotte Maconda.
Kittie J. Fish, a pupil of Homer A. Nor-
ris, has written and published two easy
pieces for violin and piano. They are of
genuine merit and unlike most pieces de-
signed for beginners, they have notwith-
standing their simplicity, much dignity to
recommend them. They are written in
form of Waltzes and Berceuse, and are
published by C. W. Thompson & Co.
John Orth of Boston will give five in-
formal musicales at his studio, 146 Boylston
street, on the first Saturday of each month
from November to March. The fourth
entertainment in the faculty course of
the New England Conservatory of Music
was a violin recital, given by Felix Win-
ternitz, assisted by J. Wallace Goodrich.
Both of these gentlemen are excellent mu-
sicians and their work is always valuable
and delightful.
Miss Adah Campbell Hussey, contralto,
has filled a large number of engagements
during the past few weeks. She sang in
Nashua, N. H., and she was immediately
secured for a return engagement. She
also sang Siebel and Martha in "Faust,"
in Providence, given by the Arion Club,
Jules Jordan, director. Dec. 3 she sings
in Phoenix, R. I., for the Cecilia Club,
with Shannah Cummings, soprano, and
Dec. 20 she has an engagement in Boston.
The Apollo Club gave its concert of Nov.
14 in Copley Hall, presenting a miscella-
neous program. One of the numbers was
a part-song by Gericke, "Nun bricht
aus Allen Zweigen." Shannah Cumming
was the soloist. She sang an aria from
T
Spohr's "Faust," and songs by Parker,
Foote and Chadwick.
The concerts that are given in Steinert
Hall this season are so numerous as to
stamp this as a very popular house. Not
alone is the house popular, but the man-
agement, in the hands of R. Newman, is a
boon to all'who come into contact with him,
the singer or teacher they are herewith
produced.
First recital-—December 4. Part I—
Classical airs and songs: "Pur dicesti,"
Lotti; "M'ha presa alia sue ragna," Para-
dies; "Mon petit cceur," author unknown;
"The Three Ravens," "O Mistress Mine,"
old English; "Freudvoll und Leidvoll,"
Beethoven. Part II —
German Lieder: "Gret-
chen am Spinnrade,"
"Du bist die Rub,'"
"Lachen und Weinen,"
Schubert; "Wie Melo-
dien zieht es," "Stand-
chen," Brahms; "Der
Herrlichste," "Er ists,"
"Auftrage," Schumann.
Part III—French and
Slavic songs: Berceuse,
from "Jocelyn," God-
ard; "Ouvre tes Yeux,"
Massenet; "Er liebte
mich so sehr," Tschai-
kowsky; Romance (Rus-
sian), Glinka; Mazurka
(Polish), Zelinski. Part
1V—German L i e d e r :
"Nachtlied," "Marie,"
'Liebesfeier," F r a n z ;
"Ueber's Jahr," "Der
Seheour," C. B o h m ;
"Das Kraut Vergessen-
hett," "Es liegt ein
Traum," Von Fielitz.
Second Recital—De-
comber 11.—Part I—
Classical Arias: "Zeffi-
retti lusinghieri," Mo-
zart; "Nun beut die
Flur," Haydn; air from
'Joshua," Handel. Part
11—German L i e d e r :
1IAKOLI) IiAl'KR, PIANIST.
"Delphine," "Auf dem
as his reliability and interest in other peo- Wasser zu singen," Schubert; "Ich wand're
ple's business makes him valuable beyond nicht," "Volksliedchen," Schumann; "Des
estimate.
Glocken thurmers Tochterlein." "Niemand
J*
hat's gesehn," Loewe. Part III—Interna-
RELIABLE REPERTORY.
tional folk-songs: "Che t'ho fatto?" Nea-
[ TNDER this caption will be found se- politan; " Spinn, meine liebe Tochter,"
^
lections used by the best artists and "The Coolin," Irish; "Gai Ion la," French
teachers in public work and for teaching Canadian; " Kau fra Hallin^dalen," Nor-
purposes. It is done for the benefit of wegian; Duma, Krakowiak, Polish; "Dat-
those who would like something as a guide ckaia i btyskaia," Little Russian. Part V—
in selecting music and will only record the Slavic and German songs: "Zetanie," Ru-
very best class as used by responsible binstein; "Als die .'Ute Mutter," Dvorak;
musicians.
"Ich hab' ein Kleines Lied erdacht," Bun-
Max Bild, one of Joachim's best pupils gert; "Standchen," R. Strauss; "Ich liebe
is playing Hejrekati, by Hubay.
Dich," Adolf Foerster.
Jacques Thibaud, the Parisian violinist,
j*
is playing Havanaise, by Saint Saens. La
HAROLD BAUER ARRIVES.
Serenade d'Ascanio, is a soprano song by A MONG the latest arrivals is Harold
Saint vSaens, being sung by Jeanne Pac- ^ * Bauer, the celebrated Parisian pian-
quot. In baritone, Jos. Bouman is singing ist, who made his American debut yester-
with great success Pas d'Armes du Roi day afternoon with the Boston Symphony
Jean, and bass aria from La Jolie Fille de Orchestra. Bauer had a sensational suc-
Perth, also of Saint Saens.
cess and his tour will doubtless be one of
L'Association Artistique, of Brussels, note, as his unusual ability would seem to
will present on its program for the season indicate.
Requiem of Brahms, a violin concerto of
Sinding, the triple concerto of Beethoven's
J. Warren Andrews opened his series of
for piano, violin and 'cello, and a double organ recitals November 15. He will pre
concerto of Brahms for violin and 'cello. sent his pupils, Lillian M. Bailie and Ar-
There can be no more admirable program thur L. Collins. Other assistants are Al-
scheme and selections than those pre- bert Quesnel, Ray D. Finel, Percy T. He-
sented by Sembrich. For their value to mus and Lucy Madison Lehmann.

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