Music Trade Review

Issue: 1900 Vol. 31 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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THE MUSIC TRADE REVIEW
A YOUNG 'cellist, Pablo Casals, made a
** great success in Barcelona, where he
appeared in concert with Harold Bauer.
Young Casals is a Spaniard.
Lucien Wurmser made a highly success-
ful debut at the Salle Beethoven, Berlin, in
a piano recital.
Among the artists to appear in Cologne
this season are Diemer, Busoni, Ysaye, Pa-
derewski, Maxau de Sandt, Roger-Miclos
and others.
Clothilde Kleeberg, one of the most re-
nowned of feminine pianists, is to be mar-
ried very shortly to Charles Samuel, a Bel-
gian sculptor.
Mme. Ohmstrom-Renard and Miss Re-
becca Mackenzie, who have been identified
with New York for some years, are giving
concerts with successful results in Stock-
holm.
It is positively stated that Calve, who is
not in good health, will pass the winter in
Cairo. The part which she was to have
played in Bruneau's Ouragan has been
given to Mme. Raunay, but there is yet
hope that she will create the title role of
Titania, by G. Hue, and that she will sing
the Armide of Gliick.
A Philharmonic Society has just been
formed in Paris which consists of the best
artists known. It will be directed by M.
F. Barrau. The first concert will be a
notable one to occur in December and the
program will be devoted to Massenet.
Impresario Alexander Rose has ar-
ranged appearances in Vienna for next sea-
son of the following artists. Singers:
Mmes. Marcella Pregi, Eleonore Blanc,
Charlotte Wyns, Helene Gulbranson, Mar-
cella Lindh, Adrienne Osborne, Kraus,
Messrs. H. Knote, Ernest Kraus, Dr.
Felix Kraus, Antoine Van Rooy.
Piano: Messrs. Ricardo Vines, H.
Bauer, Ed. Neuss, Carl Friedberg. Mmes.
Katharina Goodson, Henriette Scehlle.
Violin : Messrs. Felix Berber, Carl
Flesch, M. Hayot, Jan Kubelik, Schmedes,
Cesar Thomson, Frida, Scotta-Kaulbach.
Cello: M. Julius Klengel.
Marsick, former violin professor of the
Paris Conservatory, is locating permanent-
ly at Brussels.
Henri Marteau, the well-known violinist,
is to be married at Geneva, where he has
just located as professor of the conserva-
tory. Mile. Agnes von Ernst is the happy
girl.
Lilli Lehmann and Conrad Ansorge were
soloists with Nikisch at the second Phil-
harmonic concert in Berlin.
Henri Marteau played the Sinding Con-
certo for violin with Nikisch, November 5.
Isadore Seiss resigned his position as
conductor of the Musical Society of Col-
ogne.
Adele aus der Ohe gave a recital in Ber-
lin, the program consisting entirely of her
own compositions.
Leoncavallo, of Pagliacci and Zaza fame,
is writing the music to a book by Fontana.
It is to be called Passariello and it is laid
in Naples.
certs at Dantzig, which double post he held
from 1890 to 1896, and then the next three
years he was conductor of the Philhar-
monic choral and orchestral concerts at
Bremen.
The favorite and evidently the best-
fitted man for the place, Wilhelm Berger,
was handicapped by "his friendship with
Jewish people, his marriage to a wife of
Jewish lineage and because he never went
to church."
Wilhelm Berger was born in Boston and
went to Germany when two or three years
of age. A symphony of his was presented
by the Boston Symphony orchestra last
season in which Berger proved himself a
thorough and sincere musician.
Every Saturday evening at St. James'
Hall, London, there will during the win-
ter, be cheap orchestral concerts, similar
to those which were organized by the late
Heath Mills. Among the recital and other
concert-givers will be Rosenthal, M. Pad-
erewski, Reisenauer, Frederick Dawson
Henry Bird, Donald Tovey, Miss Elzy,
Herr Kupferschmidt, and several others.
At the Albert Hall the concert on Jan.
-
jt
24, will be devoted to a repetition of Cole-
Information for prospective visitors to ridge-Taylor's "Song of Hiawatha," which,
Bayreuth next summer: The works to be- with a much inferior cast, was given last
spring. The principal vocalists will be
gin at the festival are "Der Fliegende Hol- Madame Ella Russell, Messrs. Ben Davies
lander," "The Ring of the Nibelung" and and Andrew Black. "Judas Maccabieus"
"Parsifal." There will be twenty repre- on Dec. 6, "Messiah" on Jan. 1, and on
sentations, beginning on July 22, with Good Friday Mr. Parker's "Hora Novissi-
"Der Fliegende Hollander." "Parsifal" ma," and Beethoven's "Choral Symphony"
on Ash Wednesday, "Israel in Egypt" on
will be given on July 23. "The Ring of March 14, and Mendelssohn's "Walpurgis
the Nibelung" will follow on July 25, 26, Night" and "Hymn of Praise" at the final
27 and 28. "Parsifal" will be repeated on concert on April 25.
July 31, and "Der Fliegende Hollander"
The Birmingham Musical Festival took
on Aug. 1, 4, 12 and 19. There will be place from Oct. 2 to 5. These festivals
six repetitions of "Parsifal," but only one date from 1768, when a modest festival
held and realized the sum of ^299.
of "Der Ring des Nibelungen" (Aug. 14 was
The last festival, held three years ago
to 17). The festival will end on Aug. 20. realized a profit of over ^5,000, while
The cost of tickets will be $5 each (20 since the festivals were founded, no less
than ,£137,000 have been paid from profits
marks).
to the General Hospital. The principal
The conductorship of the Berlin Singa- vocalists of the festival were Madame Al-
kademi has been awarded to George Schu- bani, Evangeline Florence, Miss Pdliser,
mann. George Schumann was born on Oc- Madame Brema, Ada Crossley, and Clara
tober 25, 1866, at Koenigstein, in Saxony. Butt, Messrs. Lloyd, W. Green, Ben
He is a pupil of Reinecke, Jadassohn and Davies, Bispham, Plunket Greene, and
Andrew Black. Dr. Richter is spoken of
Zwintscher, which means that he graduated as greater as an orchestral than as a choral
from the Leipsic Conservatory. He be- conductor. Financially the festival is said
came first known as a conductor of the to have been the greatest success of the
mixed chorus and of the symphony con- past quarter of a century.
M. L. PINKHAM,
MUSICAL BUREAU : 87-88 Decker Building,
33 Union Square, New York.
EXCLUSIVE MANAGEMENT OF THE FOLLOWING EMINENT ARTISTS FOR THE SEASON OF 1900-1901.
ALEXANDRE PETSCHNIKOFF
GREAT RUSSIAN VIOLINIST
DE SOUZA
(MARQUIS FRANCISCO DE SOUZA COUTINHO,
FAMOUS PORTUGUESE BARITONE
By special arrangement with G. Thalberg
flLLE. ELSA RUEGGER
THE CELEBRATED SWISS 'CELLIST
CARLOS and n n E . SOBRINO PIANO AND SONG RECITALS
ERNEST HUTCHESON COMPOSER-PIANIST Recently from
Berlin
MAX BENDIX AMERICA'S GREATEST VIOLINIST
LEO SCHULZ
FIRST'CELLIST BOSTON SYMPHONY and NEW YORK
PHILHARMONIC SOCIETIES
By arrangement with M. W. Walbridge
ELLISON VAN HOOSE
TENOR, first season in America since recent European successes
MISS CLARA CLEMENS MEZSO SOPRANO
MME. LOUISE MEISSLINQER CONTRALTO By arrange
with Maurice Grau and H. W. Savage
MARTINUS SIEVEKING
THE GREAT DUTCH PIANIST
ALSO
MME. EVTA KILESKI
MISS EFFIE STEWART
MISS ALICE MERRITT
MME. ANNAEISEN
Dramatic Soprani
MISS BIANCA HOLLEY
MISS MARIE C. CURRIE
Lyric Soprani
MISS MARIA SCHWILL
Mezzo Soprano
MISS LOUISE DESTA
Mezzo Soprano
MME. ROSA LINDE
The eminent American Contralto
MISS GRACE WELLS HEAGLE
MISS ADELE RAFTER
Contralti
MLLE. MARIE SCHADE
Norwegian p'aniste
Special exponent of Grieg
MME. MARYA BLAZEJEWICZ
Polish Pianiste-Composer
WALTER H. WHEATLEY
Tenor
FRANZ LUDWIG HUEBNER
Baritone (late of Vienna)
In Schubert and Schumann programmes
ROBERT HOSEA, Baritone
FREDERIC MARTIN, Basso Cantante
MISS ELIZABETH PATTERSON
Oratorio Soprano from England
LOUIS V. SAAR, Composer, Pianist and Ac-
companist.
MISS LOUISE COOMBS
MISS JEANNE FRANKO
MISS ANNA OTTEN
Full information regarding terms, open dates,
repertoires, etc., will be sent upon application.
GUSTAVK THALBERG,
and
ADELAIDE VAN BRUNT,
Representatives.
EMILY GRANT VON TKTZEL
Special Press Representative.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
li
THE MUSIC TRADE REVIEW
O. HEYWOOD WINTERS.
JV/IR. WINTERS who has been identi-
*™ *• fied with Boston and New York for
the past eight years is permanently located
in New York where he has a magnificent
suite of studios at 98 Fifth avenue. Mr.
Winters' aim from the beginning of his
career has been to be a successful and con-
scientious teacher, for which purpose he
has made himself thoroughly acquainted
with the methods as taught by the greatest
authorities such as Sbriglia, Bouhy, Garcia,
Shakespeare and Randegger, not omitting
some of the most important teachers of
New York and Boston.
In addition to his work upon tone place-
ment and voice building, he is a firm be-
liever in physical development and es-
pecially in breathing exercises for daily
practice. Mr. Winters' work seems to
have been appreciated, for in a compara-
tively short time he has established a large
class and he has pupils who are holding
fine positions, in fact his pupils are suc-
cessful in the same degree as those of old
and well-known instructors.
Mr. Winters does a great deal of work in
choir training and always has several under
his care; he also believes in teaching very
young children, if this is done with great
care and judgment. His own choir is that
of the First Presbyterian at Peekskill,
where he is also the baritone. He has held
that position for several years and has
chosen to remain there notwithstanding
some flattering offers in New York, be-
cause he has also charge of the musical ser-
vices at the Peekskill Military Academy
and negotiations are now pending to have
him take the vocal work in the school.
Mr. Winters has just formed a class to
thoroughly instruct and drill singers for
quartet and solo church choir work, so that
they can apply for positions as experienced
singers if they hold a recommendation from
him.
This class is not drilled as choruses
but in individual quartet and solo work, so
as to give the actual experience they would
have in church without which it is impos-
sible for young singers to secure good po-
sitions. Through his relations with a
large number of churches, Mr. Winters is
also enabled to place many singers.
Mr. Winters loses no opportunity to ben-
efit his pupils in the wider fields of music,
and for this purpose he is giving a course
of artists' recitals in his studio at which
well-known musicians are heard by his
pupils and some invited guests. These
affairs have been very successful and give
the pupils an opportunity to enjoy social
intercourse with musicians of standing.
This advantage is not alone intended
for Mr. Winters' pupils but for all pupils
to whom such opportunities would be of
benefit. Whereas Mr. Winters has given
most of his time to instruction in the past,
he has had much success in the concert
field himself, and it is his intention to give
more attention to this in the future and
doubtless he will be heard more frequently
on the concert stage and in oratorio as he
has a baritone voice, rich, mellow and of
exceptional range.
TWO EDWARDS PUPILS.
A, MONG the artist pupils that are mak-
^*- ing notable successes with credit to
themselves and to Mme. Edwards their
teacher, are Mrs. F. L. Martin and Mrs.
Susie Phillips.
Mrs. Martin has a beautiful soprano
that is capable of both dramatic and lyric
work, and although her choice is the ora-
torio, she sings small songs delightfully
and has a large repertory of both oratorio
She is also scoring great success in songs
by Saint Saens, Massenet and Holmes and
is doing really admirable and conscientious
work. Mme. Edwards has one of the
finest clienteles of Boston, where she has
pupils from all over America as her work
warrants, for she is a teacher who is cap-
able of producing remarkable results with
her pupils, who all seem to realize that
they are fortunate in securing her services.
GERTRUDE J1AY STEIN.
\ GLANCE through the season's pro-
**• grams will show the name of Ger-
trude May Stein oftener than that of any
other woman before the public. Miss
Stein is an American girl and all who re-
joice in the prosperity of American artists
are appreciating her success. The month
of November has seen her on tour with the
Boston Symphony, including New York,
soloist at the opening concert of the Ora-
torio Society, soloist with the Brooklyn In-
stitute, and important engagements in all
the large eastern musical centers.
Miss Stein appeared as soloist of the
last concert given in Music Hall, Boston,
as also of the first in Symphony Hall, in
the same city, so that some of her engage-
ments will be considered historical.
ALW1N SCHROEDER'S QUARTER CENTURY.
MRS. MARTIN.
and ballads well under control. Mrs. Mar-
tin, among many other engagements, is to
give recitals this winter in Boston, Provid-
ence and Portland. She holds an excel-
lent church position at the Melrose Con-
gregational church.
HTHE well-known 'cello virtuoso of the
Boston Symphony and the Kneisel
Quartet, celebrated the twenty-fifth anni-
versary of his first public appearance as
'cellist, Monday, November 26. Schroeder
is a musician of rare worth, and no better
testimonial of this could be made than
the fact that Wilhelm Gericke, the
eminent director of the Boston Symphony
Orchestra, played the accompaniments of
the evening. The notable program is here-
with given and it will be seen that in the
violoncello recital Schroeder had the as-
sistance of three of the 'cellists of the or-
chestra of which he is an honored member.
They were Josef Keller, Josef Adamowski
and Carl Barth.
PROGRAM.
Suite No. 3, in C major
.
.
.
J. S. Bach
First Movement from Concerto in B minor,
B. Romberg
Berceuse
Fitzenhagen
Variations
J. Klengel
Four Violoncelli
"Waldesruhe"
Dvorak
"Vito," Spanish Dance . . . .
Popper
Capriccio
J. Klengel
'Fantasie on "The Daughter of the Regiment," by
Donizetti
Fr. Servais
&
M. AND MME. LUDOVIC BREITNER.
MRS. PHILLIPS.
Mrs. Susie Phillips has a full, mellow
contralto, with an exceptional range which
allows her to sing those dramatic mezzo-
contralto roles. She is the contralto at the
First Universalist Church in Cambridge.
Her repertory includes the Fair Jessie cycle
of Von Fielitz, an aria from Prophete and
songs by Schubert and Schumann, which
are admirably adapted to her warm dram-
atic temperament.
jl/l ME. BREITNER arrived early in No-
* ' * vember to join her husband in New
York, where they will make their home.
Mme. Breitner is a charming and artistic
violinist, and in the first " at home " given
November 30th, the music presented by M.
and Mme. Breitner was of the most finished
and highest order. The arrival [of these
artists in New York is hailed with delight
by those who appreciate what this means
to the artistic atmosphere of this city, as
M. Breitner was one of the greatest teach-
ers in Paris, and a man of his importance
was much needed in New York, as teachers
of merit and reputation may well study
with him without detracting from their
standing. M. and Mme. Breitner have
taken a house at 311 Madison avenue, where
they have delightful parlors for music.

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