Music Trade Review

Issue: 1900 Vol. 31 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
8
even tried to see what they can do along
this line.
What will attract the attention of the
public to your store any quicker than a
well arranged artistic window ?.
There are always some pleasing novel-
ties in the piano and kindred fields which
can be utilized to make an effective win-
dow display.
Talking with an old-time merchant re-
cently in The Review offices, he said: " It
has been my experience that my business
began to increase and move forward after
we began to make a specialty of window
and store display. The general policy of
the music dealers in our town was to keep
rather dilapidated establishments. I inau-
gurated a revolution in this respect, and it
was soon followed by others; and I feel
that we are all doing more business by
having attractive stores."
This is a progressive age, and to keep
pace with the times we must of necessity
employ new business methods to interest
people, and in this connection every piano
merchant can make a splendid window at-
traction if he will.
Who ever passed the window of Lyon
& Healy, of Chicago, without noting
that every inch of that valuable space
was utilized to the best advantage?
Lyon & Healy are pretty good people to
follow. The small man has not an exten-
sive frontage of plate glass but he can
utilize his window such as it is to excellent
advantage and be talked about in his town.
THE BEST SECURITY.
IN the commercial exchange of products
we have the best security of prosperity
and peace. It may involve competition
and lead to rivalry, and to increase or se-
cure it as a means to an end contending
nations may struggle for supremacy. All
this is true both in history that is written
and in that not yet in printer's ink, but the
great fact shapes itself out of all conten-
tion that the more each nation is dependent
on the other the greater will be the ex-
change of goods, and the less likely a rup-
ture. If every tribe, race or nation was
sufficient in itself to exclude all the others
commerce would have no object and no co-
hesions. It would fall to pieces and be
separate as the particles in a downpour of
meteorites, or the cosmic dust that follows
a comet. Hemispheres would be heritages,
and geographical or ethnological divisions
the prison walls of the human race. As it
is, the world is not a series of cells, but a
broad field for enterprise. To that is due
the ship that sails the sea, and the locomo-
tive that speeds on the land. We sell what
we can spare and buy what we lack. The
conditions are corollary, and the inter-depen-
THE MUSIC TRADE REVIEW
dence is beyond the power of men to de-
stroy. All boasts to the contrary are pure-
ly and absolutely fictitious. Isolation is
decay, commercial intercourse is expansion
and life. In some things we may be appar-
ently independent of any source outside
ourselves, but even in these they would rot
on our hands if there were no demand from
outside.
Jesse French Advertising.
The Jesse French Piano & Organ Co.,
of Nashville, Tenn., are ever on the alert
in the matter of publicity. This is evi-
denced in the street cars in that city which
are adorned with neat advertisements in
two colors, about a fo^fe—and a half long,
and half as deep. They are artistically
illustrated with a neat design showing a
cyclist eloping with a handsome upright
piano the fall of which discloses the name
of "Jesse French, Nashville." On an-
other part of the card appears the old
rhyme paraphrased to read :
When business is poor the great majority
of business men accept the situation, be-
come frightened, relax their efforts, draw
in their horns and prepare for hard times.
That's the way to invite them and bring
"Tom, Tom, the piper's son,
Bought a piano, and home did run;
them about. This condition is just what
The tone is sweet,
makes the opportunity for the wideawake,
It can't be beat,
'Twas bought from French on Summer street."
courageous business man. While the other
Below this appears a Jesse French im-
fellow slackens up he puts on more steam,
print
with the fact that they are "agents
for while there is less business going, it's
for
the
Steinway, Knabe and Vose pianos,
not sought after with as much vigor and
and
manufacturers
of the Starr, Jesse
acuteness as when there is plenty of it, and
French
and
Richmond
pianos." The card
so the man who is pressing hard for it has
is
unique
in
every
respect
and cannot fail
the field more to himself and gets the lion's
to
attract
attention.
share.
WANAMAKER ADVERTISING
(FROM THE NEW YORK TIMES.)
The Buying of a Piano.
THE NECESSITY OF MUSIC TO MAN FOR PAS-
TIME, ENJOYMENT, DEVELOPMENT, EDU-
CATION AND ENTERTAINMENT.
" Music is the fourth great material want
of our nature—first food, then raiment,
then shelter, then music."
It delights the idle, it gives strength to
the laborer; it soothes the sick, relieves the
tired brain, and builds up the overworked
body. Music ennobles those who study it
as well as those who listen.
Little wonder that there are few homes
that can afford it that contain no musical
instrument. The human mind loves mel-
ody, and as Addison has said: ' 'Music is the
only sensual gratification in which mankind
may indulge to excess without injury to
their moral or religious feelings." And it
might be added, without profligacy; fora
piano once owned means the most aesthetic
enjoyment, without cost, for every leisure
moment.
The question of cost is an insuperable
one sometimes, but the end is worthy of
unusual effort; and the Wanamaker method
of selling pianos tends to make the buying
easy in two ways:
Fairest prices—easy payments.
The monthly payment plan gives you
the piano selected at its cash price, with
only the charge of 4 per cent, per annum
for the amount of money unpaid.
As to variety of pianos from which to
select, no other store has so many—cover-
ing the whole range of piano production;
with a splendid representative in every
grade—each the best instrument extant at
its price.
First, "The Chickering"—foremost per-
fection in piano making. Of which Franz
Liszt once said: " There is no quality that
is foreign to them. They possess, in the
supreme degree, nobility and power of
tone, elasticity and security of the touch,
harmony, brilliancy, solidity, charms and
prestige ; and thus offer a harmonious en-
semble of perfection, to the exclusion of
all defects."
They combine, moreover, that consum-
mation of mechanical excellence which ad-
mits of the most delicate and impressive
effects, and that uniform superiority that
so greatly enchances not only the pleasure
of the listener, but that of the performer
as well.
Vose pianos—A favorite Boston piano,
established in 1854, the sales of which dur-
ing the past few years have been remarka-
ble, and which is forging ahead to a lead-
ing position as rapidly as superb musical
quality, unsurpassed beauty of design, and
the enthusiasm of its admirers can place it
there; while its manufacturers have with
commendable fairness refused to advance
its price. The greatest piano for the
money that is offered in America to-day,
we confidently believe.
Krell pianos—They need neither intro-
duction nor commendatory words from us.
They have been on our floors for more
than a year, during which time both
grands and uprights have been heard in
freqtient concerts that have been given in
our show-rooms by some of the best and
most popular artists of New York. On
each of these occasions, the tone-quality
and repeating capacity of the action have
called forth the most favorable comments
from both* the audience and the musical
press.
The Crown piano—The piano of many
tones, including those of the harp, mando-
lin, guitar, banjo, etc. A characteristi-
cally up-to-date Chicago piano, which is
thoroughly reliable, of excellent tone-qual-
ity, in attractive cases and at fair prices.
The Royal piano—One of the best low-
priced pianos on the market. Also a var-
iety of other pianos ranging from $175 up.
We shall, however, sell no pianos that are
not dependable. None that are not fully
warranted for the full term of five years.
Other pianos and organs—new or o l d -
taken in part payment. Easy monthly or
quarterly payments accepted at cash prices,
charging interest at four per cent, per
annum,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
TWO FAVORITE GABLER CREATIONS.
Art in Piano Construction.
We reproduce herewith the two handsome new style Gablers which were used in our
last issue, in connection with the extended notice of the magnificent art brochure
issued by Ernest Gabler & Bro. Through a mistake in " make-up " last week, the cap-
tions under these instruments were unfortunately transposed, and were therefore incor-
rect and apt to mislead readers as to their proper titles. Dealers will note that each
style now appears accurately captioned.
.
Style S, as noted under cut, is plain paneled, and is made in walnut, mahogany
and oak. It has three unisons; full metal plate to top of case; double veneered inside
and out; full front swinging music desk; paneled sides; trusses, pilasters and heavy
mouldings; continuous hinges on top and fall board; third (practice) pedal; ivory
keys; ebony sharps; bell metal harmonic scale bar; patent sliding fall board; patent
The trend of the present age is special-
ties. The all-round worker in any branch
of art or mechanics is appreciated for his
general utility, but rarely attains promi-
nence in any branch he undertakes. In
science, medicine or art the expert —the spe-
cialist—alone is accepted as an authority.
And it should be so. He leaves all else to
devote his time and talents to one particu-
lar branch, and must of necessity lead
all competitors. In no branch is this
advancement, the result of progress and
research, more apparent than in the art
of construction. Heretofore it had been
deemed impossible to construct and adorn
piano cases in a highly artistic manner
and at the same time retain the acoustic
qualities of the instrument. Hence it is
that frequently an apartment furnished
and decorated in the most exquisite taste
to represent the style of some particu-
lar period is absolutely ruined by plac-
ing in that particular apartment an in-
strument of the highest quality musically,
but so sadly deficient in appropriate orna-
mentation as to entirely destroy the effect
sought, after the expenditure of many
thousands of dollars. Architects and dec-
orators have felt keenly the fact that the
effect of their work had been destroyed by
a single piano not in harmony with its
surroundings, but no means appeared to
be at hand to remedy this defect.
While architects and decorators have
been bemoaning this misfortune, having
almost lost hope that a remedy would ever
be supplied, Steinway & Sons, fully con-
scious of this condition, have been labor-
ing assiduously and at the cost of much
money, time and labor to furnish the rem-
edy sought, says the Newport Herald.
Not disheartened when success seemed
farthest away, they have kept strenuously
at the work, until to-day they stand forth
triumphant, having reduced to a mathe-
matical science what had been hon-
estly believed to be impossible. Since
the wealth of the world, and particu-
larly of America, has taxed the ab-
ility of architects to produce "poems
in stone," the art piano has become a
recognized necessity. In consequence of
their great success in this line Steinway &
Sons have established a special depart-
ment which embraces the best talent the
world affords and produces examples of
this art that justify the undertaking.
Mr. Joseph Tiffany, the head of this
art department, is an expert in his pro-
fession in art piano case construction,
which has become a necessary adjunct to
piano construction in the present age.
STYLE R.
metallic action frame, cast in one piece; seven and one-third octaves. Its dimensions
are: height, 4 feet d l / 2 inches; width, 5 feet 5 inches; depth, 2 feet 3 ^ inches.
Style R is built on simple, chaste lines, and from an architectural standpoint the
balance is perfect. Its dimensions make it an admirable piano for small apartments.
It has thr,ee unisons; full metal plate; double veneered inside and out; full front
swinging music desk; continuous hinges on top and fall board; third (practice) pedal;
ivory keys; ebony sharps: bell metal harmonic scale bar; patent sliding fall board;
Incorporates Tonograph Co.
FOR TO MAKE THE TONOGRAPH PIANO PLAYER.
STYLE S-PLAIN PANELED.
patent metallic action frame, cast in one piece; seven and one-third octaves. Its dimen-
sions are: height, 4 feet 3 ^ inches; width, 5 feet; depth, 2 feet 3 ^ inches.
It is unnecessary to speak of Gabler reputation. It is too well known in trade
circles to need reiteration. The two designs shown herewith are splendid examples of
the artistic values which are being placed on the market to-day by the Gabler institu-
tion. They are as delightful to the ear as they are to the eye and afford an excellent
idea of the general trend of the modern Gabler creations.
Among the incorporations filed with the
Secretary of State of New York on Wed-
nesday was that of the Tonograph Com-
pany of New York City, to manufacture
the tonograph piano player and perforated
music recorder; capital $100,000. Direc-
tors—Robert A. Gaily, H. S. Pretorms,
and F. P. Anderson, Brooklyn.

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