Music Trade Review

Issue: 1900 Vol. 31 N. 17

THE
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
NEW YORK
PUBLIC LIBRARY.
THE
RFMEW
APTOR, LENOX ANO
FOUNDATIONS.
MUSIC TRADE
V O L . XXXI. N o . 1 7 . Published Eiery Saturday by Edward Lyman Bill at 3 East Fourteenth Street, New York, October 27,1900.
western end, systematically arranged in a
network of solid shelving, perforated
THE REVIEW TOURS THE NEW BUILDING WITH
music rolls covering the whole range of
MANAGER KEELEY HIGHLY ATTRACTIVE.
classical and popular compositions up to
The Review made a tour of the new the very latest published pieces. The sub-
Wilcox & White warerooms this week in scribers to this library grow continually in
company with W. J. Keeley, of the firm, number. At this time the output is very
under whose vigorous, aggressive manage- large. East of the shelving, is an exhibit
ment the New York business of the Wilcox of instruments and another private recital
& White Co. has made gigantic strides. hall.
Evidences of Mr. Keeley's handiwork
To-day this portion of their Eastern
in
the matter of artistic arrangement and
trade has become one of the most impor-
proper
adjustment are visible at every
tant factors in considering the aggregate
turn.
In
due course, when his ideas have
yearly output of Angelus Orchestrals and
been
fully
carried out with reference to
Symphony instruments.
fittings
and
decorations, The Review will
There is much yet to be done before Mr.
have
something
more to say about the
Keeley will consider himself satisfied, but
Wilcox
&
White
warerooms
and hopes to
enough has been already accomplished to
be
able
to
present
its
readers
with a pic-
justify a brief sketch of conditions as they
ture
showing
adequately
the
appearance
of
now exist. On the main floor, in front, is a
the
interior
as
completed.
large, tastefully decorated showroom, con-
taining, with the window display, a rep-
Get Silver Medals.
resentative exhibit of the latest and most
A silver medal has been awarded to the
attractive of the Wilcox & White products.
Columbia
Phonograph Co. by the National
In a cosy, conveniently-located balcony
Export
Exposition
which was held in Phil-
within the limits of the front hall, Mr.
adelphia
last
year.
This medal constitutes
Keeley has his office, supplied with every
the
highest
award
conferred
and the com-
modern appliance for the prompt dispatch
mittee
says:
"The
delay
has
been caused
of business.
by
the
desire
of
the
management
to make
At the western end of the main floor,
a
medal
that
will
bear
comparison
with
the
divided from the exhibit at the eastern
best
ever
given
as
an
award
by
any
Amer-
end by means of sliding doors with orna-
mental paneling, is the large Symphony ican Exposition, and that should be a
Recital Hall, capable of seating from one worthy sample of the progress of Ameri-
hundred to two hundred people. This is can art in this direction."
elegantly arranged and when completed
Sterling Expansion.
in every particular will be one of the co-
The Sterling Co., Derby, Conn., will be
siest and most artistically decorated halls in prominent factors in the organ field this
the city of New York.
fall. The recent enlargement of the man-
To the southward arc private recital ufacturing department of their organ busi-
rooms, appropriately fitted up and illumi- ness enables them to supply all demands.
nated, as are the other parts of the estab- Within a week or two they will be able to
lishment, with a complete system of the turn out thirty-five organs a day. In the
latest approved electric lighting. In these meanwhile there is no let-up in the de-
private rooms are to be seen choice speci- mand for Sterling pianos. Expansion
mens of the firm's work in usual catalogue seems to be the order of the day, and the
styles and special case designs. Some idea Sterling pianos are gaining friends all the
of the business actually done at the Wilcox time and in all quarters of the country.
& White warerooms from day to day can be
Rudolph Koch, the maker of Reinwarth
gathered from the fact that out of the total
piano
strings, finds in the condition of his
of instruments on the floor during the visit
business
evidences of a lasting prosperity,
of The Review, ten had been sold withinthe
unshaken
by any anxieties as to political
twenty-four hours immediately preceding,
results. Piano manufacturers, as a rule,
three of this number being in course of
in all parts of the country, are giving or-
preparation for export shipment to private
ders for the Reinwarth strings with a free
individuals in response to cash orders.
hand, just as if they had made up their
Under the main floor is a large, lofty minds that a political upheaval, for four
basement, running the entire length of years more at least, were out of the ques-
the building. Here are stored, at the tion.
The Angelus Palace.
fa.oo PEK YEAR.
SINGLE COPIES 10 CENTS
A Dangerous Reef.
AN ENEMY WHICH A BUSINESS MAN SHOULD
AVOID IS "DRY-ROT."
"Dry-rot" is one of the greatest foes to
commercial success. It is safe to assert
that a merchant hasn't nearly so much to
fear from the temptations and dangers of
over-speculation, extravagance or general
lack of enterprise. These threatening
reefs are so well outlined against the hori-
zon that warning lights are rarely neces-
sary to turn aside the business mariner
from its dangers. It is not so with "dry
rot."
An establishment not a thousand miles
from New York that was completely recon-
structed recently, owing to changes caused
by death, found that a big percentage of
their stock was composed of old squares
and second-hand, shop-worn, out-of-date
instruments that were not worth more than
thirty or forty cents on the dollar. They
had been inventoried from year to year at
a normal discount and were held as valu-
able assets on the books.
It is a compliment to the good sense of
those in charge that they at once got rid of
these encumbrances, thus knowing how
they stood, not only on their books but re-
garding their stock.
It is a mistake to carry useless, unsalable
stock, and in this connection it is better to
face a loss of twenty-five per cent, this
year than fifty per cent, next year.
To paraphrase an old saying, ' 'all roads
lead to 'dry-rot' " hence beware of any-
thing that leads you away from the suc-
cessful conduct of your business, which
should command your thought and time,
but which need not bar sociability, religion,
politics or philanthropy. But none of
these should prevent you from doing your
duty to your family, your creditors, nor
the public you serve.
How many people in the world will show
substantial sympathy if you fail to make
your business a success? How many of
your good deeds will be remembered if
you fail to pay a hundred cents on the dol-
lar? The world at large demands of a
man faithfulness first to his calling in life,
and then to the other issues in which he
interests himself incidentally. Beware of
dry-rot.
The Supreme Court has appointed Henry
B. Ketchum as permanent receiver of the
business of the Brainard, Tanner & Gal-
lien Co. of this city, in a bond of $30,000.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
TWENTY-SECOND YEAR.
RMDV
EDWARD LYMAN BILL,
EDITOR AND PROPRIETOR.
J.
B. S P I L L A N E , MANAGING EDITOR.
EMILIE FRANCES BAUER,
Executive Staff
:
THOS. CAMPBELL-COPELAND
WALDO E. LADD
GEO. W. QUERIPEL
A. J. NICKLIN
PnDlishefl Every Saturflay at 3 East 14m Street, New York
SUBSCRIPTION (including postage). United States, Mexico
and Canada, $2.00 per year ; all other countries, $4.00.
ADVERTISEMENTS, $2.00 per inch, single column, per
insertion. On quarterly or yearly contracts a special discount
is allowed. Advertising Pages $50.00, opposite reading matter
$7S°°.
.
REMITTANCES, in other than currency form, should be
made payable to Edward Lyman Bill.
Entered at the Netu York Post Office as Second Class Matter.
NEW YORK, OCT. 27, 1900.
TELEPHONE NUMBER, 1745--EIGHTEENTH STREET.
On the first Saturday of each month The
Review contains in its "Artists Department"
all the current musical news. This is effected
without in any way trespassing on the size or
service of the trade section of the paper. It has
a special circulation, and therefore augments
materially the value of The Review to adver-
tisers.
foolishly surrendered to the dictation of
selfish and arrogant leaders of the Dold
type.
The Piano Maker's Union as a national
organization never will receive recognition
at the hands of manufacturers unless it
shows itself more worthy than it has in the
past.
Instead of having a cigar maker at its
head like Chas. Dold, it should have a
skilled piano maker, a man versed in every
department of the business, one, who by
his own qualifications should have won the
respect of at least the owners of the factory
wherein his work has been carried on.
Such a man, skilled in all departments
of the business, would exact from every
other member a certain qualification which
would raise the standard of the organiza-
tion. Then, if the men would turn about
and grade the work, we will say into about
four classes, establishing a standard of
wages for each class, they will have made
a stride in the right direction and one
which would win for the organization at
least the respect of the piano manufactur-
ers, because at the outset they would have
established the principle that a certain
standard of excellence, a certain knowl-
edge of work, is necessary even to enter in
the fourth class of workmen.
Then, by having gradations there is also
an incentive for the man who receives the
lowest wages to reach the point where he
may receive greater returns, and this he
can only do by perfecting himself along
certain mechanical lines, thus raising an
educational as well as intellectual standard.
The serious objection to the Union as it
now stands is that it assumes all men are
equal, which they are not, never were and
never will be. For as long as there is an
inequality of brains there must exist in-
equality regarding the possible accom-
plishments of individuals.
Unions to-day have a tendency to hold
back the ambitiously energetic workman
and reduce him by their organization rules
to the standard of the drone, and by hav-
ing the applicants for membership in
the union pass no examination, they are
really raising ignorant workmen to be
the equal of skilled workmen.
This position cannot be maintained ex-
cept at the sacrifice of union success, and
the intelligent men of the unions will see
this and break away from the shackles
which bind them to the unworthy
and to the leaders who are too often inter-
ested in fomenting labor troubles in order
that they may draw their weekly stipend
from the organization.
INVITING DISASTER.
/ ^ H A S . DOLD is indulging in his usual
flamboyant utterances in Cincinnati.
He is making all sorts of claims, and
says that the national organization of piano
workers will uphold the Cincinnati strikers
to the end. He alleges that there are ten
thousand men in the international organi-
zation each one of whom will contribute
fifty cents a week to support the members
who are now on strike and that they will
continue the fight until the sun goes down
on their lives.
We have all heard of Dold's mouthings
before.
Mr. Dold and many other men of his
class overlook the most important point in
organization work. They wish their unions
recognized but seek to dictate terms of set-
tlement to manufacturers. In the latter
their position is un-American and will not
be countenanced by independent manu-
facturers.
One thing, however, which must impress
the average piano workman who is bolster-
ing up tile union cause, is what little for-
ward movement the International Piano-
makers' Union has accomplished in the way
of promotion of the interests of the men.
There is no question but that organiza-
tion can be effective if manipulated prop-
erly and confined to the legitimate func-
tions of organization work.
Take the history of the Piano Maker's
Union and thus far it has scored only-
lamentable failures and instead of advanc-
ing the cause of the workmen it has been
instrumental in causing them vast losses
and entailing upon them and their famil-
There is a union existing among elec-
ies much suffering all because they have tricians, and we understand they have cer-
tain grades dependent entirely upon the
educational qualifications of individual
members. No man can reach the ele-
mentary stage even until he has passed a
suitable examination.
When the workmen of the piano indus-
try exhibit a desire to advance on educa-
tional lines, maintaining a certain individ-
ual standard for admission to the craft,
they will then have made a move in the
direction which will dignify their union
in the eyes of all manufacturers.
When they operate along lines where
ignorance and knowledge are placed upon
the same plane, then they are working on
principles which can only end in disaster
for them. The blatant, abusive utterances
of such men as Dold only have the effect
of creating a feeling of antagonism on the
part of manufacturers, and the men by fol-
lowing such teachings are pursuing lines
which must lead to inevitable disaster.
/~\NE of the oldest piano travelers in the
industry remarked, while in The Re-
view offices this week, that never in his ex-
perience has he seen business maintain
such a satisfactory condition during a
presidential year. In fact, he expressed
surprise at the size of the orders he had
recently taken.
No one can deny the truth of the state-
ment that politics has had but slight effect
upon business. There is activity every-
where, and the result of the election is al-
ready being discounted by business men.
For the next six weeks the power of the
mercantile brain should have its profit-
earning reward without resort to clap-trap
or specially cheapening methods in the dis-
position of the retail product. Leave those
things, the big drum, the loud horn and
the red fire to the dull season. The live
piano merchant will find that it will re,-
quire effort on his part only along dignified
lines to bring trade into his doors during
the next eight weeks.
MR, DEALER!
TTAVE you bought the right pianos?
Is your entire stock good as a profit
earner?
Don't wait too long to find these things
out.
You are busy, perhaps, but are you mak-
ing money? Are you not selling pianos
too cheaply? Are you educating people
on the upward or downward grade regard-
ing piano prices?
Are you exploiting in large type a hun-
dred dollar piano at retail?
Is your business gravitating largely to
the small installment plan? Are you fill-
ing your books with a lot of accounts that
will not improve in value as time rolls on?

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