Music Trade Review

Issue: 1900 Vol. 31 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
in the fact that they are at home, at least,
in their own country.
With the establishment of English opera
in America, a goal is created for every
music student in this country, for the
ARTISTS 1 DEPARTMENT.
scheme as it stands seems to be on a per-
EMILIE FRANCES BAUER, Editor.
fectly healthy, sound basis. Opera is re-
TELEPHONE NUMBER. 1745.--E1OHTEENTH STREET
garded as an entity, and notwithstanding
The Artists' Department of The Review is
published on the first Saturday of each month the fact that some, in fact, many of the
artists are of such reputation and import-
OPERA AS A BENEFACTOR.
\17AITING is hardly ever pleasurable ance as to rank far above many who have
business, especially when there is a been "starred" with great flourish and
large circle of those in durance vile, as was pomp, the entire scheme, and not the indi-
the case with America waiting for good vidual, is being fostered.
It is impossible to estimate how far-
English opera that looked as though it
were going to stay. But now it does seem reaching the influence of national opera
as though it might be permanent, espe- will be, as it will be so subtle, and yet so
cially knowing the scheme to be in the direct. It will set a standard for music
hands of two such men as Maurice Grau that will help to raise the popular taste
which has become so terribly vitiated by
and Henry Savage.
In a hasty glance it means much to the overwhelming flood of rag-time and
have first-class opera in one tongue and cheap sentimental trash; in short, it will
that the English language in America; also be the influence of the opera house instead
to be able to enjoy this at popular prices of the music hall.
makes it a thing for which the people, not
That New York alone will feel the effect
alone the few wealthy, but the great quanti- is not the case, as it will radiate far and
ties of music-loving people, may rejoice. wide, and eventually other companies will
But these sides, which are those first thought form in the different large cities of the
of, are by far the least important. The states, carrying further the wholesome ef-
benefits to accrue to New York are mani- fect upon the people, and creating work
fold and vast. Already now, and before for those willing and talented enough to
the season had opened, pupils were coming operate in these lines.
to New York instead of to any other city;
The longer one studies the possibilities
even Boston is sending pupils here because of this new enterprise, the more it unrolls
of the opportunities to be derived by the brilliant promises, and the more enthusias-
presence of an opera company of such ex- tically one feels what Henry W. Savage,
cellence as the English Opera at the Metro- who claims no worship of art, has accom-
politan.
plished by solid business tact and a calm
Where thousands of young men and survey of the need of the country.
women are studying with the conditions
It is firmly to be hoped that each and
against the American as they have been, every one will lend enthusiasm and assist-
there was simply no outlet in any way. ance to make of this trial a permanent in-
Even Brooklyn and Boston together could stitution, which will and must add a hun-
not create churches fast enough to give dred fold to the dignity of music in Amer-
employment to the flood of young singers ica.
j*
that are being turned out. Moreover, a
COMMON SENSE IN MUSICAL EDUCATION.
large majority of singers now occupying
T^HAT musical education of the immedi-
church positions are not in any way fitted
ate present is assuming proportions
for this vocation, but have been driven to
which will undoubtedly wipe out old meth-
church work because there was no other
ods, cannot be questioned. There is no
place open for them.
one who knows the hardship of interesting
The chorus requirements alone are of
children in the ground-work by the old
incalculable benefit, as there is no possible
methods, that will not hail some thought,
doubt that the best results come from
scheme or plan that will bring relief, with
those who have grown out of the chorus
pleasure.
into principal parts. The chorus is the
The miracle is not that new thoughts
great school for ease, foi stage presence,
have arisen, but that old ones were allowed
for savoir faire in general. It also makes
to reign for so long a period, of time.
it possible for visiting pupils to earn enough
More than all, the benefit to accrue from
to permit them to continue the study of a more interesting, more intelligent treat-
music, thereby paving the way for great ment of the child mind is the elimination
successes in their own homes.
of the half good, wholly bad teacher who
If, after spending time and money, they has been conceded as "not knowing very
are doomed to failure, how much is saved much, but good enough for a beginner."
America is too enormous, too prolific a
field to let music drift into its own by ac-
cident, and that is all that can be said of
conditions in the primary work heretofore.
Next to pre-natal influences there can
be nothing so important to mental de-
velopment and growth as childhood and
its training. The kindergarten methods
as applied to music are no ventures, they
are not in any sense experiments; the
great results both intellectual and ethical
of kindergarten as applied to general ed-
ucation, stand as proof of the sanity of such
a system being applicable to anything.
The American mind searches deeply and
diligently, and, confronted with such con-
ditions as are rife in America, it is small
wonder that relief will come from our own
country, as the time of superficial educa-
tion and shams must end some time.
Our people are not suffering from a lack
of opportunities, nor from financial strains,
nor from the draught upon the public by
mediocrities, nor from hundreds of other
things given as excuses by themselves and
by others for the lack of proper apprecia-
tion of musical art in its highest sense,
notwithstanding the fact, that all of these
features add their influences to the stum-
bling blocks which beset art in America.
What is, has been, and will be the trouble
until the atmosphere be removed, is the
careless, unsatisfactory manner in which
the child teaching is handled and we can
only hail with joy the advent of musical
methods where intellect talks to intellect,
where interest is created because of an un-
derstanding of interesting matters, and
where sense and senses receive the disci-
pline necessary to future success.
Heretofore nothing has been done for
the little ones, except where here and there
they dropped into the hands of intelligent,
patient, painstaking teachers. If parents
were wise enough, firm enough, intelli-
gent enough to give them encourage-
ment, well and good; if not, all the
time, money and strength were more
than wasted and hordes of young girlr
and boys were foisted upon teachers who
had to spend years in undoing the work of
early years, much of which could never be
eradicated, and music became a thing of
torture and disagreeable labor where it
might have been a pleasure, happiness and
beauty from the start.
The present is the era for music reform
in child teaching; many methods are being
evolved, and everybody is thinking of it.
Some people will be successful, some will
fail, but all will work to the one end—how
can we better the work for children? And
it is worth the thought to young teachers,
to old teachers, and especially to parents.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
PIANISTS AND THEIR PLANS.
\ 1 7ITH every season comes the usual or
unusual quota of pianists from
abroad in addition to the pianists of ad-
mirable attainments that America holds
for its very own.
This season will see a very large num-
ber of them and if they will be heard in
the right spirit, each one will contribute
his or her share of enjoyment and benefit
to the pleasure seekers, as also to the stu-
dents to whom hearing these artists should
be part of the routine of their study.
That the visiting artists must be of ex-
ceptional worth to be attractive in this
country goes without saying, as they are
coming into the home of Joseffy, Godow-
sky, Julie Rive-King, Fannie Bloomfield
Zeisler, and Wm. Sherwood.
Joseffy, the peerless king of pianists,
promises a few concerts during the season
and the whole world contains no artist
from whom the announcement is more
welcome. No artist is more valuable to
his art or to his hearers than this simple,
modest, unassuming man who holds a
unique position in art.
Twenty years ago Joseffy was the most
emotional, the most unbridled player that
came upon the startled public; for his was
the dash that startled, being in the
sturm und drang of his youth, and a fiery
tempestuous youth it was. No human
being has been fed upon such adulation,
such praise, such open admiration, such
avowed worship, as was Joseffy. These
reefs which have wrecked so many brilliant
promises, bade fair to wreck him as he was
a creature of unchecked emotion which
always means death to art. But his genius
was destined to live, destined to crown
him king of the present era, and Joseffy
with one mighty stroke brought the man
out triumphant. Away with boon com-
panions, away with applause of the
emotion-loving public, and even in
youth, when the blood runs hot, and temp-
tations are fairly insurmountable, Joseffy
disappeared. In vain did his admirers
seek his name upon the concert programs,
in vain did his friends long for the jolly
hours and his fresh exhilarating compan-
ionship. Joseffy was gone and the remem-
brance of the sparkle never died, but it
dimmed as other artists made their en-
trances and their exits where Joseffy had
made his. Five years elapsed, perhaps
six—Joseffy reappears. Breathlessly ex-
pectant the old friends and the generation
of concert goers who learned to know
of him as the most brilliant, most emo-
tional of artists who disappeared from the
musical world while at his height. He
played—and his playing revealed the mas-
tery of man over self, of the spiritual over Bauer, an artist well known in Paris; Ga-
the material. His soul had gone through brilowitsch, the eminent young Russian;
the fires of purification, and art had come Aiulf Hjorvard, the Scandinavian, and sev-
into her own, for Joseffy stands to-day as eral others.
Two young pianists who have been well
the highest type of refinement, of self-con-
trol, of intellect, of accuracy, and under known as children are Augusta Cottlow
it all flows the temperamental stream of and Frieda Siemens, both of whom are
rich red blood throbbing with life and all possessed of remarkable talent. Arthur
of its passions, its poetry, its pain and its Friedheim promises a concert tour.
Ernest Hutcheson, an Australian pianist
nobility. And this Joseffy belongs to us,
in the prime and fullness of the beautiful of reputation and ability, is also on the list
ripe years, the best years of usefulness to of strangers, as is Marie Schade, a young
pianist from Copenhagen.
art and to the world.
One of the most important announce-
Godowsky, with his colossal technic, has
ments
of local art is that Henry Holden
made a name to be conjured with in the
pianistic world. He juggles with the ut- Huss, the pianist-composer, is to play his
most difficulties, as he has juggled with own piano-concerto with the New York
some of the Chopin Etudes, which amuses Philharmonic Orchestra. It is a prodig-
one, although one may feel that with such ious work and had Huss accomplished noth-
inventive powers he should have created ing else, this concerto would be enough to
others rather than to disarrange Chopin. make him great.
Katherine Ruth Heyman, who played
However, he can be forgiven, for he is great.
last
year with the Boston Symphony Or-
He will be heard from coast to coast, and
in the delightful setting of soloist with the chestra, and who has made many Euro-
Boston Symphony in those cities particu- pean and American successes, will appear
larly favored by the presence of this mag- in solo recitals and in ensemble with some
of the finest organizations in the country.
nificent orchestra.
Felix Fox, of Boston, after his return
Among pianists of the fair sex there are
a few who ask no odds owing to their sex, from Paris will play a number of concerts.
and among these few sex is a great part Josef Weiss is also to be heard in and
of the charm. That Julie Rive-King will out of New York.
Further announcements come from Made-
play some concerts this season is always
welcome news. Rive-King is one of the line Schiller, Lotta Mills, Jessie Shay,
most valuable of the artists before the Hilda Newman, Mme. Szumowska, Hein-
public, for she is most honest to the com- rich Gebhardt and Leopold Winkler.
jt
poser and the composition, and among a
I T is hard to get up enthusiasm for the
thousand interpretations hers are always
child prodigy; our dislike is open and
regarded as authoritative and masterly.
avowed. The child is not to blame for its
She has been spending the summer
failings, but some one is to blame and some
in a very quiet spot where she practiced
one should be responsible for the loss of
incessantly and took sufficient rest to put
that child to the musical world and to com-
her into good form for the season's strain.
mon sense, as is usually the case. Yet
Fannie Bloomfield Zeisler is not heard must one speak in admiration of little Alma
often enough in New York since Chicago Stencel, whose talent is so great as to com-
claims her. She is one of the most fasci- pel serious consideration. The reason that
nating of all pianists. Frail and slight this child is so far beyond the average
though she be, her powers technically and prodigy is because she has not been left to
intellectually are marvelous. She is a her own sweet will, but she has had the
witch of the key-board in every sense. rigid and magnificent training of Hugo
Her appearances last season were hailed Mansfeldt, of San Francisco, Cal., from
with joy, for she is certainly apprecia- where this little one hails. She is now in
ted in America, her own home.
New York en route to Europe for a com-
Among the incomers are our old and wel- pletion of study; yet, whatever she will
come friend Carreno, who almost belongs accomplish there, she will always owe her
to us—at least to this continent, as also Aus success to Mansfeldt. Her memory and
der Ohe, whose sterling art makes her repertoire are not less remarkable than her
invaluable to America; Dohnanyi, the marvelous technic and power. It is safe
young Hungarian who made a very to predict a great future for Alma Stencel.
deep impression last season in the few ap- She will go to Vienna to study with Lesch-
pearances ; Sieveking, who has been devot- etitsky as soon as he will take her.
ing an enormous amount of time to study
and who made many friends during his ""TEACHERS are resuming their work
and by the end of this month things
last concert tour. Newcomers are numer-
ous and important, including Harold will be humming with them. It would be

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