Music Trade Review

Issue: 1900 Vol. 31 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
13
QABRILOWITSCH TOURNEE.
/"^LASSED by the best-known musicians
^-^ and critics of the principal European
cities as the foremost of the younger
pianists of the present day, Ossip Gabrilo-
witsch, the eminent Russian player, comes
in a short time before the music loving
public of our country, and will unquestion-
ably achieve new triumphs and successes
during his American tour, which will in-
clude all the prominent cities from Maine
to California. That his name and fame
are known to many is evidenced by the
fact that the demand for his services,
from nearly all the leading clubs and so-
cieties, has been so great that the manage-
ment were compelled to arrange with him
for twenty appearances in addition to the
number originally arranged for, so that
in all nearly sixty concerts have been
booked for him up to the present time.
His debut in America will be made at
Carnegie Hall, New York, Monday even-
ing, November 12, 1900, and he will be as-
sisted by Mr. Emil Paur and his oichestra
of seventy musicians. November 16, he
will be the soloist in the inaugural concert
of the new Philadelphia Permanent, Or-
chestra (Fritz Scheel, conductor), at the
Academy of Music in that city, and he will
also be heard at the Peabody Institute,
Baltimore, about the same time.
Gabrilowitsch will be the soloist at the
first evening concert of the Kneisel Quar-
tette, in Mendelssohn Hall, New York,
Monday, November 19, and with the same
organization in Boston the following even-
ing, November 20. Orchestral concerts at
which he will be the soloist will be given
in Boston, Hartford, Springfield, Worcester
and Portland early in December, and re-
citals have been arranged for in Philadel-
phia, Washington, Brooklyn, Boston and
New York during December.
I n January most of his time will be de-
voted to the Western cities, and his en-
gagements include Chicago, with the
Thomas Orchestra, January 18 and 19 (fol-
lowed by recitals), The Cincinnati Sym-
phony Orchestra (Frank Van der Stucken,
conductor,) January 25 and 26, Cleveland
Symphony Orchestra January 8, and with
the Apollo Club, St. Louis, the Tuesday
Musical of Detroit, and musical organiza-
PHILADELPHIA DOINGS.
tions
in Milwaukee, Louisville, Indiana-
P H I L A D E L P H I A is to have a season of
polis,
Pittsburg, Buffalo, St. Paul and
*• symphony concerts given by an or-
Minneapolis
the same month.
ganization of local musicians, under the
During February he will appear in the
leadership of Fritz Scheel, with Charles
M. Schmitz as assistant conductor. The principal Southern cities, and from Kan-
organization will be known as the Phila- sas City he will go west to the Pacific
delphia Orchestra, and the total number Coast, and for the close of his American
of instrumentalists will be from eighty to tournee arrangements are now pending for
eighty-five.
a short trip with one of the greatest musi-
cal
organizations of the country.
The concerts are to be given in the Aca-
Taken in all, the American engagement
demy of Music. The dates already se-
cured are November 6, December 14, Feb- of Ossip Gabrilowitsch gives every promise
of being one of the most successful ever
ruary 8, March 6, and April 19.
The choir which H. C. Lincoln is train- arranged for any European artist.
ing for the Pennsylvania Christian En-
In appreciation of the great success
deavor Convention is attracting attention,
more than twelve hundred singers having made in Warsaw by the Leipsic Philhar-
been already enrolled. The choir will give monic Orchestra, Baron von Kronenberg,
one concert at the Academy of Music, No- Jean De Reszke's brother-in-law, presented
vember 15.
Hans Winderstein, the conductor, with a
Philadelphia sent $6,368.28 to the Gal- pearl and diamond pin in the shape of a
veston relief fund, which was the result of
crown.
one entertainment.
SOUSA'S RETURN.
A FTER a sensational success on the
**• other side of the pond, Sousa and
his organization arrived home in safety.
As a matter of course, Sousa has been
hunted far and wide by the surveillant re-
porter and to one of the representatives of
this paper Sousa said:
"I have always contended that when
Wagner would cease to be a subject of
partisanship, his influence would be health-
ier and more widely spread, in short, he
would come into a normal condition; he
would be found on mixed programs and
his individuality would not absorb so much
of Germany as it has in the past. There
are many composers who have brilliant
C. C. Mellor has been working all sum-
mer on a biography of his father, which,
when completed, will be an addition to
the musical history of Pittsburg. John
Mellor came to Pittsburg as far back as
1831. He was an organist of ability and
was soon installed in Trinity Episcopal
church as organist and choirmaster. The
position of the elder Mellor gave him ex-
ceptional opportunities to meet all the mu-
sicians of the period from 1831 onward
and he kept copious notes. These, with
stories his father told him, will be used by
C. C. Mellor in the preparation of his vol-
ume.
Victor Herbert's opera, "The Singing
Girl," is to be produced in Europe next
year, and Mr. Herbert will leave here at
the end of the orchestra season, to super-
intend the production.
Assisted by Hans Mettke, violoncellist,
and Herbert A. Davis, baritone, H. P.
Ecker, gave his 479th organ recital recently
at Carnegie Music Hall, Allegheny.
A series of recitals is announced by
Luigi von Kunits and Stephen Leyshon
at the recital hall of the Pittsburg Conser-
vatory of Music.
Kate O. Lippa, the pianist, has returned
from her vacation at Milford Bay and dur-
ing the winter will give at her studio a
series of interpretative sketch recitals,
which she has named "Preludes and Pic-
tures." The programs will include pre-
ludes, with illustrations from Scarlatti,
Bach, Mendelssohn, Chopin and Chami-
nade.
Three classes for the cultivation of chil-
dren's voices are to be started in the East
End under the direction of James Stephen
Martin.
The Pittsburg Orchestra will give a con-
cert in Duquesne Garden Oct. 29 for the
benefit of the Police Pension Fund.
Luigi von Kunits and Professor Joseph
Gittings are organizing a children's orches-
tra, the members of which will range in
age from five to seven years.
Myron T. Barnes has resigned his posi-
tion at the Pennsylvania College for Wo-
men, and has also given up his engage-
ments here.
JOHN PHILIP SOUSA.
talents, talent, in fact, that would carry
importance of itself, but they cannot get
away from Wagner's influence and they
simply speak Wagner in another form,
even the great ones."
"How do you find the musical taste
abroad?"
" Exactly as I find it here and every-
where. There are those who love the in-
tricate, the classical, but the larger propor-
tion everywhere are those who love melo-
dy and dash."
"And your own unique marches, Mr.
Sousa, tell me of those and their recep-
tion."
And Sousa laughed and said: " I guess
Hinton will have to do that," and Mr. Hin-
ton, Sousa's secretary, told of the over-
whelming pleasure manifested by all of the
audiences, and also added, "and that it was
genuine was proven by the fact that the
streets were resonant with whistlers, and
they were all whistling Sousa marches."
HENRY T. FLECK APPOINTED.
From more than one hundred aspirants
Henry Thomas Fleck, conductor of the
Haarlem Philharmonic, has been appointed
to the chair of music in the Normal Col-
lege, at a salary of $4,000 per year. Mr.
Fleck's appointment was decided by a
unanimous vote of the Board. His duties
commence on January 1, 1901, but will not
affect the future concerts of the Haarlem
Philharmonic.
j*
The new Symphony Hall at Boston will
be dedicated October 15 by an enormous
concert by the Boston Symphony Orches-
tra, when one of Beethoven's masses will
be presented. The regular season will
open October 20.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
T H E theatiical season is now in full
*• swing. The menu provided by man-
agers should satisfy the appetites of "all
sorts and conditions" of theatre goers.
It abounds in such solids and delicacies as
to make a feast fit for the gods of drama.
One feature of the season, and a welcome
one, is the predominance of the American
play writer. He is en evidence with the
following works in this city this week:
"Richard Carvel" by Winston Churchill at
the Empire, "Ben Hur" by Gen. Lew
Wallace at the Broadway, "Arizona" by
Augustus Thomas at the Herald Square,
"Sag Harbor" by James A. Herne at the Re-
public, "David Harum" by Noyes Westcott
at the Garrick, "Lost River" by Joseph Ar-
thur at the Fourteenth Stree% "The Monks
of Malabar" by Harry B. Smith at the Knick-
erbocker, "Caleb West" by F. Hopkinson
Smith at the Manhattan, "Fiddle-dee-dee"
by Edgar Smith at Weber & Fields', "The
Rogers Brothers in Central Park" by John
J. McNally at the Victoria, "The Tele-
phone Girl" by Hugh Morton at the Grand,
"The Belle of Bohemia" by Harry B.
Smith at the Casino, " All on Account of
Eliza" by Leo Dietrichstein at the Harlem
Opera House, "A Million Dollars" by Geo.
V. Hobart and Louis Harrison at the New
York, " Siberia " by Bartley Campbell at
the Metropolis, and "Prince Otto," at least
half by Otis Skinner, at Wallack's. A
showing to be proud of!
* * * # *.
A perfect craze seems to exist for stage
versions of popular novels. This is re-
vealed in the number which have been
placed on the boards so far this season.
Lovers of these novels must have had their
ideals shattered after witnessing the dram-
atization of some of those presented. They
are splendidly interpreted, of course, and
are in themselves distinctly meritorious.
Nevertheless it is almost well nowadays to
witness the theatrical version of a novel
before reading it, otherwise, well—-—
* * * * *
"Richard Carvel," presented at the Em-
pire with John Drew in the leading role,
is growing steadily in popularity. Even
without the beautiful scenic effects, the
good work of Mr. Drew and his associates
and the intrinsic merits of the play, should
ensure this. Readers of the novel will re-
member that its scene is mainly in Mary-
land, and its characters American. The
play moves briskly, keeps one's eye inter-
ested and the mind diverted. The pic-
ture in the last act—a spacious hall in an
old Southern mansion of Revolutionary
days—is beautiful.
* * * * *
A long run is probably in store for
"David Harum," which had its initial per-
formance at the Garrick Monday night.
As everyone expected, W. H. Crane in the
title role is a life-like, satisfying embod-
iment of the idea one gets from Westcott's
familiar book. At first hearing some
ideals and imaginative pictures are shat-
tered, but Mr. Crane's work is so clever
that it is safe to assert that he has done
nothing better, and perhaps he has never
done anything quite as good as he will do
in this role after a few performances.
Next to Mr. Crane's "Harum," Alois Fran-
ces Clark's impersonation of the widow
Cullum was perhaps the most delightful.
* * * * *
Few young women who have adopted
the stage as a profession have rret with a
more cordial welcome from their associates
or with more rapid success in the great
MADELEINE SUMMERS.
theatrical whirlpool than petite Madeline
Summers. She is a dancer of more than
ordinary grace and agility, and is now ap-
pearing in Marwig's beautiful ballets in
" A Million Dollars" at the New York
Theatre.
This is her second season as a profes-
sional dancer. Her first engagement was
at the Broadway Theatre in "Ben Hur" un-
der Klaw and Erlanger's management.
She next appeared in the Japanese and
other ballets in "Broadway to Tokio," at
the Sire Brothers' New York Theatre, also
with the same company at Philadelphia,
Baltimore and Boston. During last sum-
mer Miss Summers appeared in "The
Dolls' Revel " at the Cherry Blossom
Grove, until rehearsals began for " A Mil-
lion Dollars."
This sprightly young artist has made
herself extremely popular by her volunteer
work for worthy charities. She is a clever
solo dancer, as many can testify who have
witnessed her work in "Cinderella" at the
Metropolitan Opera House, at Delmonico's
during the last banquet of the New York
Press Club, at the Colonial and other clubs.
Madeleine Summers is the only daughter
of Capt. and Mrs. James C. Summers of
New York. Her father is a journalist and
author, a Freemason of high degree, a
member of the Old Guard and the New
York Press Club. He was a Lieutenant
in the U. S. Navy during the recent Span-
ish war.
In the "Monks of Malabar" at the Knick-
erbocker, Francis Wilson has a comic opera
which acts as an excellent medium to ex-
cite the risibilities of his audiences. The
book is built around Wilson, and suffice it
to say that he has never been more hu-
morous, more sparkling, more nimble in
speech and in person than in the vivacious
role of "Boolboom." Mr. Englander is
entitled to especial praise for his music. It
is full of vigor,melody and rhythm. It has
character, color and is effectively scored.
It is like scenting the atmosphere of the
far West to witness " Arizona " at the Her-
ald Square. The play has brawn and sub-
stance and the essential masculine ring.
Still, there is room for improvement in
its construction. Thomas's types are live,
full-blooded, and actuated by the natural
impulses of love, hate, passion and revenge.
There is a sequence of thrilling situations,
all devised with ingenuity.
"San Toy," a Chinese comedy which
was presented Monday night at Daly's, is
a London success that is destined to enjoy
a longer stay at this house than "The
Rose of Persia." Edward Morton is cred-
ited with the book and Sidney Jones the
music, which is bright and sparkling.
The two acts are filled with melodious
choruses and catchy lyrics. The inimita-
ble James T. Powers has the role of a
thieving secretary. After the "newness"
wears off he is certain to make a big "hit"
in it. Some of the vocal numbers in "San
Toy" will soon be whistled about town.
In the humorous plays without music we
have two first-class examples in " I b a n d
Little Christina" and "The Husbands of
Leontine" at the Madison Square, and
"All on Account of Eliza."
* * * * *
There are few more interesting place in
the mythical stage world than the German
principality of Prince Otto. The interest
is continued and emphasized this season
through Otis Skinner's dramatization of
"Prince Otto" at Wallack's. He enacts
the leading part with spirit and ability.
"The Pride of Jennico," with Mr. Hack-
ett and Miss Bertha Galland in the princi-
pal characters, continues to flourish might-
ily at the Criterion Theatre.
" A Royal Family," at the Lyceum
Theatre, seems to be established firmly,
already, in the public favor. It is a de-
lightfully fresh and humorous entertain-
ment.
* * * * *
The Academy of Music continues to be
crowded by the admirers of Mr. Andrew
Mack in his latest piece, " The Rebel."
THE CRITIC.

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