Music Trade Review

Issue: 1900 Vol. 31 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
conditions governing opera in New York.
It is a good business stroke on the part of
Mr. Grau. Mr. Damrosch has a definite
constituency in the classes that make opera
possible as a commercial venture, and the
logic of things pointed to him as the inevi-
table associate of Mr. Grau. It is stated
that Mr. Damrosch has carried his point of
having a different orchestra from the regu-
lar one of the Opera House for the Wag-
nerian performances. This is something
over which to rejoice.
him under his wing when the lad surprised will not only be educational but will attract
the people of the Russian capital at the the people of the country to that annex to
early age of eleven. Leschetizsky was famous Niagara. Sousa's Band has already
later his mentor until he made his formal been secured for two daily concerts, begin-
debut, astonishing all by his virile, dash- ning with June 10th. The famous Mexi-
ing style, his intellectual grasp, and the can Band of the City of Mexico will be
sensuous beauty and euphonious quality of heard later. The leading bands of this
his touch and tone. He has played with city will also participate, as well as famous
all the eminent orchestras and conductors organizations and orchestras of Central
in Europe, and he has been so widely ac- and South America.
The management states that the policy
claimed by all the leaders in the musical
world that his forthcoming tournee is will be to cater to the many diversified
tastes in regard to musical matters and,
awaited with interest.
Gabrilowitsch is only twenty-two, pos- with this end in view, important programs
sesses a magnetic personality and is both are under advisement for concerts, em-
handsome and modest—a rare combination. bracing classical and popular music as well
His intense Slavic nature, backed by a pro- as oratorios and choruses. In July, it is
digious technic, enables him to accomplish expected that the German singing socie-
ties will participate in a grand reunion.
Sufficient is known of the progress of af-
fairs to recognize that music very properly
is to be accorded the important place it
merits at this great Pan-American gath-
ering.
TT is easy to speak of nationality in music
* —to explain definitely the meaning of
the term is difficult enough. As often as
not the quality betrays itself more in the
spirit of the work than in its outward
form. We are perfectly aware of its exist-
ence, but it seems almost too subtly in-
definite and intangible to express in
words. We think of Chopin, Glinka, Smet-
ana, Dvorak, Grieg, as the composers who
have most prominently displayed this na-
tionality. In reality, Bach, Beethoven,
"THE concerts which are being given at
Schumann, Brahms, and Wagner were, to
* Manhattan Beach this season, by
all intents and purposes, as intrinsically
Fanciulli
and his Seventy-first Regiment
national as any of these. Who but Ger-
Band,
are
being largely attended. The
mans could have composed the "Matthaus"
programs
are
at all times interesting—a
Passion Music, the C Minor Symphony, the
happy
blending
of the classical and popu-
"Carneval," the Nibelungen Trilogy, or the
lar.
Mr.
Fanciulli's
organization is doing
Brahms Requiem? Only we have had so
some
splendid
work
and
he must feel well
close an acquaintance with Germany, her
pleased
with
results.
A
feature of the
people, and their history for generations
concerts
so
far
has
been
the
solo work of
past, that we have become completely fa-
W.
Paris
Chambers,
the
well-known
cor-
miliarized with her modes of expression.
netist
and
composer.
In
his
hands
the
For years her giants in music dominated
cornet
seems
to
be
a
new
instrument.
His
the whole musical world, and her school
tone is delightful and expressive and he
served as an exclusive model for other na-
has at all times, a proper appreciation of
tions, consequently its type became univer-
tempo and color. It is well worth a visit
sal, and we have long ago ceased to indi-
to the beach to listen to his playing and
vidualize it as purely German. So entirely
that of the excellent band of which he is a
too, had Germany become mistress of the
GABRiLOWITSCH.
musical field, that musicians of the stand- musical feats far beyond his years; yet it member.
ard, conservative order, of whom each is as a musical and not as a mere virtuoso JWIME. MARY DUFF, a lyric soprano,
decade is bound to produce its quota, dis- artist that he makes his strongest appeal. *•* * is destined to become a potent and
trusted their ears when anything was heard Bach, Beethoven, Schumann and Chopin notable figure among the musical artists of
outside the orthodox German range. Thus he reads to perfection, while his untamed, the world. While yet a comparative stran-
the independent utterances of Chopin and fiery manner caused Oscar Bie, the well- ger in this country, she has attained a dis-
his followers could for a time be treated known German critic, to write of him : tinct success abroad. Mme. Duff is from
as inferior, merely because their authors " Ossip Gabrilowitsch drives the horses of one of the oldest and most aristocratic
were true to their birthright, preferring to Rubinstein."
Southern families. She was born on the
express themselves in their own language
famous Cox ancestral plantation in Georgia.
rather than in borrowed, foreign conven- JVA USIC will form an important feature As a child she revealed exceptional talent
tionalities. Germany has had her musical * * of the Pan-American Exposition for the piano-forte, and at the age of six
day, and truly a magnificent one. Even which will be held at Buffalo from May rst years played Chopin with a master hand.
now she has in her midst one or two un- to November ist, 1901. Every effort is Her education was solely by a private tutor,
deniably great composers. That most being made to arrange such a program as and the natural inclination of her artistic
powerful force, tradition, will also prob-
ably stand her in good stead for years to
, jeyebange, TRenteD, also
come. Nevertheless, the opinion that Ger-
on JEasp payments
many is the one, and only musical nation
Grand, Square and Upright
in the world is decidedly on the wane.
T H E younger group of Russian piano
* virtuosi and, according to all ac-
counts, the most eminent, will be with us
In November in the person of Ossip Ga-
brik>witsch. This youthful artist has for
several years astounded Berlin, Vienna
and London with his matured musical
playing, his marvelous finesse, broad style
and interpretative versatility.
As mentioned before in these columns,
Gabrilowitsch is a native of St. Petersburg
and a protege of Rubinstein, who first took
PIANOFORTES
. These instruments have been before the pub-
lic for fifty years, and upon their excellence
alone have attained an
Unpurchased
Pre-Emlnence»
Which establishes them as UN EQUALED
in Tone, Touch, Workmanship and
Durability.
Every Piano Fully Warranted for Five Years
No. 2I East 14th Street,
NEW YOR
WM, KNABE & CO.
WAREROOMS
48 5th Ave., near 20th St., New York
82 & 24 E. Baltimore St., Baltimore
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
nature was fostered and nurtured to a degree
At a comparatively early age Mme. Duff
developed a voice of wonderful range and
power. She became a pupil of the cele-
brated master, Manuel Garcia, in London,
with whom she studied upwards of four
years. At the conclusion of her studies
with Garcia, the great teacher proclaimed
her to be the equal of Jenny Lind, Pasta
and Grisi, possessing a voice of extraordi-
nary power and extension. The chief
MARIE DUFF.
beauty in Mme. Duff's singing is shown in
her masterful technique, while her splen-
did vocalization and artistic enunciation
are particular qualities evident in all her
work. During her sojourn abroad she ap-
peared in many concerts and recitals in
London, and gained the unanimous en-
dorsement of the trained and experienced
observers of music.
*
LL
W
H E T H E R itis a misfortune to be
v
* an American artist or not " is a
question being debated these days—with
some good purpose, we sincerely trust. It
is regrettable that occasion should arise for
discussion of such a topic, but the fact re-
mains that scores of composers, pianists,
sculptors, painters, writers—all productive,
creative, and recognized as men of ability,
—are actually in want through lack of pat-
ronage on the part of the public.
To love art for art's sake stamps the
true artist and a cultured community. We
have the artists, as Franklyn Sonnekalb
well says, but the community is lacking be-
cause the public demands novelties, fads,
fashion and eccentricities in art preferable
to the beautiful, whether in an artist or an
object. The beautiful never changes and
ever remains beautiful, but the ill-cultured
public craves a change, because grasping
everything with the senses they have no
minds to conceive the inexhaustible riches
in a single beautiful object, such as a Cor-
reggio, a Venus de Milo, a quartet of Bee-
thoven, a Paradise Lost by Milton, or the
work of a native and many a foreign mu-
sician executant.
_1
,
The public and society have an idea that work. Nobody will be likely to hear M.
a pianist, for instance, only exists to amuse de Reszke on the stage after his voice has
and not to live! That years of toil and begun to decline. His reluctance to take
fortunes have been spent by the artist to the long journey to San Francisco alone
finally enable him to entertain the public prevents him from coming here with the
gratis! The public never thinks of pay- rest of the singers in October.
ing this debt so as to enable the artist to
BECKER VON GRABILL, the dis-
live. Why? Because the public does not
tinguished piano virtuoso, has re-
know, in its ignorance, that what he, the
turned
from
the Southwest. He will make
artist, gives them is not only culture, but
a
tournee
throughout
the Northern states
dollars and cents; that he throws away
this
coming
season.
Mr. Von Grabill's
capital—in other words, he is a philanthro-
personality
is
"all
his
own," as a promi-
pist, though poor, and the public are the
nent
critic
puts
it.
"
His
playing is sim-
beggars! Nowhere is this fact so notice-
ply
fascinating,
and
portrays
more indi-
able as in our city.
viduality than probably any other artist
T H E R E are a number of so-called pat- before the public." The Southern Herald
*• rons of musicians and artists in this says of him: "Mr. S. Becker Von Gra-
city who would never think of putting bill is the greatest pianist that has ever
their hands into their pockets to help a visited the South; arrangements will be
starving artist. This seeking a reputation made to secure him for another series of
as an art patron at the expense of a poor recitals in the future. Certain it is that
and defenceless, nay, weak, artist, is one this man has few equals."
of the biggest frauds perpetrated during
the winter season in this city—making a
of Boston's most promising young
convenience of artists to gain newspaper
contraltos is Miss Florence Etta
notoriety.
Glover, whose portrait appears on this
In view of this fact, no artist should page. Her voice, while possessing suffi-
give his services unless fully compensated. cient range and power for oratorio and
Only when an artist is recompensed is he opera singing, is none the less pleasing in
truly and intelligently appreciated. The the lighter forms of musical composition.
professions of jurisprudence, medicine and She received instructions from the best
arms are legitimate, but music, poetry, teachers in her native city and also in
letters, painting and sculpture are fine arts, Paris. Since her debut in Boston, some
and it is unfortunate that artists invariably three years ago, she has been in demand
poor cannot pursue their art untrammelled for concerts and recitals and has met with
with care so as to be of the greatest ser-
vice to state, man, art and themselves in-
dividually, and thus glorify the Grand
Architect of the Universe, as in the prime
days of Greece or as is being done in Italy.
JVAR. SONNEKALB is of the opinion
* * * that this ideal might be reached
through a system of socialism. A commu-
nity or institution of artists of merit form-
ing a settlement of from five hundred to a
thousand persons in each state, and who,
in order to be free from care, are willing
to contribute their work for a general fund
to support the institution or community,
just as the Shakers demonstrate in their
community, would procure comfort, happi-
ness and an ideal life for all artists in the
various arts.
The artist would have a home, a market
for his work, whether painting, music,
sculpture or letters. There could be ex-
hibitions of paintings, recitals by artists,
works could be read, etc., etc. With the
combined efforts of so many artists, a new
impetus would be given to art, and it
would be the beginning of an art epoch
in the New World's history. Such an in-
stitution could be best founded by a phil-
anthropist willing to endow the institution
until it became self-paying.
T H E Maurice Grau Opera Co. will sail
*• for this country on Oct. 20, with the
exception of Jean de Reszke, who will not
arrive here until the beginning of the Bos-
ton season. No reliance is put in the story
that his voice has permanently failed. It
is one peculiarity of the great tenor that
he always sings better as the season ad-
vances and is usually improved by hard
FLORENCE ETTA GLOVER.
a large measure of success. The critics
have been very complimentary in their
estimate of her ability and this is revealed
in the innumerable notices which have ap-
peared in the daily papers. Miss Glover
is under management of Chas. L. Young.
TERESA CARRENO, the cele-
M ME. brated
pianist, is to make an ex-
tended tour through America next season
under the management of J. W. Cochran.
Her first appearanee will be in the opening
concert of the New York Philharmonic
Society in November, when she will play
the B flat minor concerto of Tschaikowsky.
During the past season Mme. Carreno has
been performing in Paris and London with
much success.

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