Music Trade Review

Issue: 1900 Vol. 30 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
8
Incorporates Music Writer Co.
Discuss Freight Rates.
Stultz & Bauer Success.
Among the incorporations registered
with the Secretary of State of New Jersey
on Tuesday last, June 26, was the Music
Writer Co. of Jersey City, for the purpose
of dealing in music writers. Capital,
$100,000. Incorporators: F. H. Beals, W.
Needham, both of Worcester, Mass. ; O.
Congelton, of New York City. This con-
cern is to exploit the invention of Mr.
Beals, a Worcester, Mass., man. His mu-
sic writer is highly spoken of.
The presidents of the western railroads
have again met, this time in Chicago, and
were this week endeavoring to form a plan
by which irregularities and cutting of rates
may be minimized. The recent meeting in
New York is believed to have been produc-
tive of a certain amount of good, but, as
was pointed out in these columns a week
ago, the tendency among the railroads of
the West seems to be to revert to an unfa-
vorable state of affairs in connection with
rates, especially where there has been any
diminution of traffic. Fortunately for the
roads, the business has thus far continued
fairly good, and neither the slackening of
activity in certain lines of trade and industry
nor the unfavorable crop prospects in some
sections have interfered to any great extent
with current railroad traffic and the earn-
ings which result therefrorM. In fact, in
some instances, weekly railroad earnings for
the month of June have shown fair increases,
which would tend to show that the induce-
ments to cut rates are not very great at
present. Railroad managers, however, are
evidently impressed with the necessity of
coming to a more definite understanding
and placing their competitive relations upon
an amicable basis before the amount of ton-
nage offered falls off, and thus leads to the
usual bidding for business through conces-
sions in rates. The exact details of the
plan by which it is proposed to regulate
passenger and freight business in the terri-
tory of the Western Association has not
been made public. In fact, as Bradstreets
says there is a good deal of reticence among
railroad men in regard to such matters,
which is easily understood, in view of the
fact that it is difficult to formulate any
mode of procedure for the purpose in ques-
tion which may not -be contrary to the
spirit of the anti-trust law or the recent
decisions of the Supreme Court.
TRAVELING AMBASSADOR GOLDEN S VIEWS
ON THIS SUBJECT—SOME REASONS FOR
THE APPRECIATION SHOWN THESE
PRODUCTS.
South African Trade.
Jno. F. Winter, United States Consul at
Annaberg, South Africa, writing to the
State Department at Washington, regard-
ing German commerce with that country,
which during the past ten years has been
steadily on the increase, says:
"Our manufacturers should keep a wide-
awake eye on this part of the world. No
nation is so well equipped as we are to
supply South Africa with the very best
weapons with which to work out her indus-
trial and commercial destiny. All we have
to do is to adapt ourselves to the require-
ments of the people, and a very large share
of the foreign trade will fall into our
hands."
The figures given by Consul Winter, re-
garding the growth of German trade in
South Africa, are interesting. He says:
"In 1891, Germany exported to the Trans-
vaal products amounting in value to $295,-
080; in 1894, to $1,318,520; in 1896, to
$3,258,220; in 1898, to $2,177,320. The
exports to British South Africa and the
Orange Free State amounted in 1891 to
$1,283,780; in 1894, they were $2,801,260;
in 1896, $3,724,700; in 1898, $3,546,200, or
almost three times those of 1891. German
imports from South Africa amounted in
1891 to $4,119,780; in 1898, to $4,858,060.
German manufacturers are preparing to
make the most of the renewed commercial
activity which is expected to follow the
war." Why should not our people do like-
wise?
Val. Schehl Extending
HIS FACTORIES HIS SPECIALTIES, SHEEPSKINS
FOR DRUMS, BANJOS, ETC., IN DEMAND.
Val. Schehl, who makes a specialty of
sheepskin
heads for drums, banjos and
The following letter received by Messrs.
tambourines,
finds his business increasing
Steinway & Sons speaks for itself:
so
rapidly
that
an addition, 75x100 feet,
Gentlemen—I should feel very much
obliged if you would during my absence has been arranged for at his Seigel street
look over the Steinway pianos which I use factory in Brooklyn. Mr. Schehl has ex-
in Tarrytown. Particularly do I care for ceptional facilities for the dressing of
the upright which I used for many years, skins. His machinery and appliances are
and which I would not as yet like to have
all of the latest and best. He knows,
replaced by a new one.
In this connection I feel impelled to say also, where to get the best skins.
a few words about your uprights, upon
"I am doing a big business now," said
which I play as frequently and with as Mr. Schehl to The Review during a recent
much delight as upon your glorious grands. talk, "but I am well able to take care of
You have also in these instruments (the
uprights) reached the highest point of per- all orders, and for this reason I would like
fection. They possess the same bewitch- to hear from firms and individuals who
ingly beautiful tone and matchless action. use sheepskin for drums, banjos, tambour-
I remain, with kindest regards,
ines, etc. I calculate to give them better
Yours very sincerely,
skins and better prices than they can get
Rafael Joseffy.
elsewhere.
Moreover, I will give them
Tarrytown, N. Y., June 1900.
prompt and otherwise satisfactory service."
Oscar Helbig's music store was among
The Weaver Organ Co., of York, Pa.,
the many buildings destroyed in the $2,000,-
continue
to make extensive shipments to
000 fire which visited Bloomington, 111.,
all parts of Europe. Included in last
last week. The loss is covered by insur- week's orders was a carload to Russia.
ance. When adjusted, Mr. Helbig will re- The Weaver organs seem to wend their
sume in another location,
way these days to all parts of the world.
Joseffy and the Steinway.
"It is not at all uncommon, in my ex-
perience as a Stultz & Bauer representa-
tive," said Mr. Golden recently to The Re-
view, in returning from a lengthy western
trip, "to learn from one or other of our
dealers that the firm's products have been
put to some extraordinary test as to tone,
durability, general construction or the like,
and that they have, in every instance,
emerged from the trial triumphantly, con-
firming every claim made in behalf of the
Stultz & Bauer instruments and greatly
strengthening public confidence in their
substantial merits.
"Cases have been brought to my notice,
time and time again, where a dealer, hav-
ing full confidence in the outcome, has
suggested to a critical customer—usually
an expert teacher of music—that the mat-
ter of tone be fully tested by 1 trial of
every make of piano of similar high stand-
ard in the warerooms, starting with the
Stultz & Bauer upright. Invariably the
person endeavoring to make a fit and pro-
per choice finished at the starting point
with a declaration to the effect that the
Stultz & Bauer alone met all requirements.
"Then, as to durability, I never make a
trip without coming across some of the
firm's earliest numbers in uprights, made
and sold years ago, but still as good as
new and fit to wear well for many years to
come. Honest construction, too, tells,
when these old pianos are examined. I
have yet to find the first Stultz & Bauer
piano with a crack or a flaw or any other
defect either in the case or in any part of
the instrument proper.
"Some pianos require tuning every
month or two. Not so with the Stultz &
Bauer. Once, or at most, twice a year is
found to be quite often enough, even when
in constant use. Dealers frequently tell
me of their experiences in this direction
and it is because they know that they will
have no trouble with this firm's products
that men with a reputation to sustain han-
dle the Stultz & Bauer cheerfully and to
good purpose.
"At big State fairs, where there is keen
competition, the Stultz & Bauer never
fails to gain strong commendation—also
many friends. The claim that it is the
best piano in the market combining a high
standard of merit with a reasonable price
is made good every time. Thus it hap-
pens that the firm is always busy."
Horace F. Brown, Behr Bros, traveling
representative, returned on Saturday from
a four-weeks western trip. He met with
marked success and secured a number of
orders for the latest styles of Behr up-
rights, including the famous "Behr Col-
onial."
M. H. Coloney, president of the Denver
Music Co., Denver, Col., recently returned
from a three months' trip abroad which
embraced all the leading countries in
Europe.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
tached to the sounding board which is said
to give a more effective tone than is usual
in bass viols.
GLIMPSES OF THE MUSICAL EXHIBITS OF FRANCE SOME UNIQUE PIANOS THE DOUBLE
GRAND HARP WITH ALUMINUM FRAME INSTRUMENTS WHICH ATTRACT
This firm have also a small exhibit of
ATTENTION OF VISITORS THE FLAGG EXHIBIT
MANNELLO's
pianos;
but the pianos are merely acces-
MANDOLINS LUDWIG DELAYED THE JURY OF
sories
to
the automatic piano players ex-
AWARDS ON THEIR ROUNDS.
hibited. These players are worked by
[Special to The Review.]
heavy and unnecessary with these paintings. compressed air and are contained in a
Paris, France, June 16, 1900.
The uprights shown are in as many varied rather cumbersome case about a metre
The French section for musical instru- styles as the grands. One exhibited is long and standing some inches higher from
ments is a very handsome structure and called "Modern Style" and is worth notice the ground than the keyboard upon which
forms the entrance to the Palais des Arts by all who admire delicate workmanship. they operate; they have pedals and various
Liberaux. The pianos here have plenty of This case is white with raised silver flowers stops which the operator can use at his
room, and exhibitors have been able to and foliage. Another has a case of dark discretion.
make their stands very effective by the wood, painted a soft green, and upon the
Messrs. Thibout et Cie., 28 Rue Victor
taste displayed in their arrangement. The painting mouldings in bronze which show Masse, Paris, have an exhibit of eight pi-
pianos, organs and harps occupy the center up well on the green. The appearance is anos at the present moment, but the in-
of the section, while in glass cases around better than the description might lead the stallation is not yet complete. Amongst
the walls are arranged the exhibits of wind reader to imagine.
those at present on show is one in the
and string instruments of the smaller sizes.
During the last few years this firm has Louis XV style in dark mahogany and gilt
A gallery runs around this section; this become one of the largest manufacturers mouldings. The feature of this case is its
also contains many exhibits, especially of harps, that instrument which is now so appearance of antiquity; the mahogany
every variety of phonograph now manufac- fashionable in Paris, and which may in a has a look of age with its rather dulled sur-
tured. These instruments are now re- few years time have ousted the piano from face, and the gilt mouldings have been lac-
stricted as to when they may perform, a its long reign in the drawing-rooms of the quered in a way which carries out the idea
most necessary rule, for the sounds when most wealthy, although probably it is only of having seen long and honorable service.
several were in operation at one and the those who will ever be able to make a cult of
A showy upright piano is in modern
same time were simply deafening, and if it. The harps shown this year by Pleyel, style, painted green, with copper mould-
allowed to continue would have ended by Wolff have many improvements. In the first ings and raised figures, mingled with large '
emptying the gallery of all but that class place they have been much simplified in leaves and foliage carried out in light col-
of people who seem to prefer noise of no every possible way; and they are now made ored stamped leather. The effect of these
matter what description, so long as they at a price which, while permitting the best combinations is more original than pleasing.
can tell friends how fond they are of music. materials to be used, make it possible to
You will be interested no doubt in the
The first exhibit upon entering the purchase them. The Harpe Chromatique following complete list of the Jury of
building from the Champ de Mars is a shown here is on quite a new system, by Awards, class 17, just officially announced.
large and handsome one by Messrs. Pleyel, means of which the pedals are entirely Those representing France are: M. Alfred
Wolff & Cie. of 22 rue Rochechouart, Paris; done away with; then, too, the strings are Acoulon, general musical instruments (of
they show a number of grand and upright arranged as are the keys in the keyboard J. Thibouville-Lamy et Cie.,) Paris; Gus-
pianos several of which are worthy of re- of a piano, the sharps being black, the tave Bernardel, violin maker, Paris; Eu-
mark; especially a square double grand naturals being white; and altogether this gene Briqueville, organist, Versailles;
with a key-board at each end, for the use harp is of a pattern much more simple Constant Pierre, Assistant Secretary of
of two performers; there is only one sound- than any in use formerly. The frame is the National Conservatory of Music, Paris;
ing-board, and the tone of the piano is ex- in aluminum, and the tone leaves nothing Amedee Couesnon, general musical instru-
ceptionally fine. By an ingenious arrange- to be desired. In six octaves the cost is ments (of Couesnon et Cie.,) Paris; Geor-
ment the pedals of both key-boards can be 2,000 francs, but many sizes are shown. ges Dutreih, manufacturer, music boxes,
made to affect only one side or both just One tiny instrument is intended to pro- Paris; Gabriel Gaveau, piano manufac-
as the player or players may desire: thus duce the sound of a lute, and this it does turer (of Gaveau freres), Paris; Gustave
a master and pupil playing together, the effectively. These are some of the most Lyon, piano manufacturer, (house of Pley-
master can use the pedals to affect only remarkable exhibits on the stand which el, Wolff, Lyon et Cie.,) Paris; Henri
his own playing, or by moving a stop he contains fourteen pianos and several harps. Schoenaers, wood and brass instruments
can affect the playing of both performers.
Messrs. Thibouville-Lamy & Cie., of 68 (successor to the house of Millereau,) Paris.
The case of this piano is made all in one Rue Recamier, Paris, with a depot for mu-
Those from foreign countries are Fred'k.
piece and is two metres forty-six cen- sical instruments at 35 Great Jones street, Ehrbar, piano manufacturer, Vienna; Prof,
timetres long, by one metre forty-seven New York, in a large glass case show some de Dlusky, St. Petersburg; H. E. Kreh-
centimetres broad. It is of the Louis XVI of the instruments by which their house biel, musical litterateur, historian and lec-
style, white and gold, with sculptured fig- has become so well known; every kind of turer, New York ; Hermann Roenisch
ures in high relief. This is one of the hand- wind instrument in brass, nickel, aluminum (house of Carl Roenisch), Dresden; M.
somest instruments exhibited, and the and silver is shown, cornets and trumpets Mermod (house of Mermod freres), Ste.
price is worthy of it—14,000 francs.
being much en evidence. Sections of these Croix, Switzerland; Joseph Schunda,
Another Pleyel grand is unusually short, instruments are also shown by which all manufacturer of musical instruments,
being only one metre sixty-two centi- the actions can be studied. This firm have Buda Pesth; and the following Supple-
metres long, by one metre forty-three in three years supplied 1,542 instruments mentary jury, viz. ; M. Arroyo, Lisbon,
centimetres broad. This is a seven octave to the various military bands in the French Portugal, Albert Jacquot, violin maker,
piano, with a tone such as one would hard- Army. Some solid silver cornets are shown Paris, Ernest Focke, piano manufacturer,
which have been specially made for the Paris, and Amedee Thibout, piano manu-
ly expect to find in such a small model.
facturer (house of Henri Herz), Paris.
A Louis XVI style grand is in pale blue, London market.
Among the stringed instruments shown
with lacquered mouldings. This is well
The board of officers elected by this body
shown up by being placed beside a con- is" a mandolin with a patented bridge,
are:
president of the jury, M. Gustave Lyon;
cert grand which has a case in the darkest claimed to greatly improve the tone and to
vice-president,
M. Fred'k. Ehrbar; secre-
polished mahogany. A piano is shown in enable the player to get his instrument
tary,
M.
Alfred
Acoulon; reporter, M. de
the Empire style, the case of very hand- into perfect tune. This is a good idea if it
Briqueville.
some large grain, light colored mahogany, carries out what is claimed for it. A man-
The jury will take up the different de-
with the sides painted in soft tones of dolin in white satinwood has the back fluted
partments
in the following order: Amer-
blues, pinks and greens, showing flowers, the whole length. This fluting of the back
ican
reed
organs,
harmoniums, pianos and
with always a woman's head as a center is said to improve the tone.
piece. The gilt moulding looks rather
A bass viol has a Spanish invention at- the furnishings for these instruments;
Paris Exposition through Review Eyes.

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