Music Trade Review

Issue: 1900 Vol. 30 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
15
THE MUSIC TRADE REVIEW
remarkable how the steady increase of
business goes on uninterruptedly."
Mr. Chandler's new store at 439 is well
located and this veteran dealer of Brooklyn
is receiving his full share of patronage.
He has the Ivers & Pond in splendid evi-
dence in his warerooms and I understand
that he has been unusually successful in
disposing of large numbers of these pianos.
"Go to Held's" was a common sight
years ago on the elevated stations, so I
called there at 313. Mr. Held, as you
know, makes a specialty of publishing mu-
sic and has been successful in bringing out
some decided hits in the business. In the
piano line he is a warm advocate of Kra-
nich & Bach, and says that they are the
easiest selling pianos of the age.
Frank A. Sanford has a snug establish-
ment at No. 569 Fulton street, and al-
though he has been but a short time in the
trade, has scored considerable success, one
of the reasons for which lies in the fact
that he sells the Pease piano which is al-
ways popular.
Leaving Fulton street I made a few calls
on Court street, my first halting ground
being at No. 56 where R. V. Tracy is lo-
cated. He handles the James & Holm-
strom and the Transposing keyboard pi-
anos, also the only piano made in the
State of Maine, stencilled Hughes & Son,
Foxcroft.
Goetz & Co., at No. 83 Court street, ap-
pear to be well satisfied with the trade
which is coming their way and, from the
busy scene in their warerooms, I feel that
they have reason for indulging in business
joys. They do considerable music publish-
ing and in pianos they handle the famous
Gabler—a piano which they indeed take
great pride in showing to the finest trade
in Brooklyn. Some of the specimens which
I saw in their warerooms show that the
Gabler instruments fully bear, out all that
is claimed for them.
The music publishing end of the Goetz
business is in charge of T. Mayo Geary,
well known in the publishing world. He
is not only a talented composer but is a
first-class business man who is steadily
augmenting his reputation.
Horace McGee, at No. 77 Court street,
handles the Francis Bacon piano.
Take it on the whole, the trade in Brook-
lyn has kept up surprisingly good and all
the dealers upon whom I called have ex-
pressed themselves in no uncertain way
regarding the trade conditions for the
month. June is usually a dull month, but
this year there has been a glorious excep-
tion to the rule. In fact, the piano trade
in the Borough of Brooklyn has been in
splendid form all through the season.
The Hymnolia in St. Paul's
CHURCH, LONDON DONATED IN HONOR OF
QlJEKN VICTORIA'S BIRTHDAY—WHAT
THE ORGANIST SAYS.
It is not generally known that a hand-
some Hymnolia organ, of which by the
way Chickering & Sons are distributors for
North and South America, is "being used in
the Crypt Chapel of the famous St. Paul's
Cathedral in London. It was presented in
commemoration of the Queen's eightieth
birthday by eighty British women and so
pleased was her Majesty with the gift that
she graciously accepted a handsomely
framed photograph of the instrument.
Some facts in this connection are taken
from the London letter in the Churchman,
wherein we read:
"St Paul's is
rejoicing in a
new organ! It
is k n o w n to
co mparatively
few people that
in the Crypt
Chapel there is
a daily musical
s e r v i c e at 8
A. M. Until
quite recently
the accompani-
ments h a v e
been supplied
by a harmo-
nium. S o m e
ladies natural-
ly took it to
heart that the Cathedral should be depend-
ent on such an instrument under any cir-
cumstances or in any place, and energetic
measures were accordingly taken. The
new organ is what is known as a Positive
(Hymnolia), small, but very effective.
There organs were designed by Mr. T.
Casson, an eminent organ authority, with
a view to supplant the reed organ as an
accompaniment to ecclesiastal music. They
are of limited compass and without pedals
—still, genuine 'pipe' organs. The most
ignorant player has but to play the written
notes of a short score (hymn-tune), and
yet have a good firm bass all through. The
organ was the gift of eighty ladies in com-
Lemuel Cline, formerly of Cline & Davis, memoration of the Queen's eightieth birth-
who recently closed out their place at Ft. day."
Speaking of this Hymnolia, or positive
Wayne, Ind., will herea'fter represent the
organ as it is called on the other side, Sir
Chase-Hackley Co. on the road.
Cbe Ki«9 of Piano Players
The Apollo.
Pronounced by experts, who
have given it the most com-
plete tests, to be the perfect
player. Territorial allotment
is being rapidly made to agents
Geo. Martin, Doctor of Music and organist
of St. Paul's Cathedral, remarked: " I have
been astonished at the varied effects which
can be obtained from so small an instru-
ment."
For the benefit of those who have not
become acquainted with the Hymnolia we
may say that it is a small pipe organ oc-
cupying no more space than a large reed
organ, but with capabilities equal to other
pipe organs of double the size and cost.
Owing to its novel construction the tones
of a church organ of two manuals and dou-
ble bass can be produced on the single
keyboard. The tones are full, refined and
varied and a novel feature is the fact that
music can be played on the Hymnolia in
lower or higher keys than written, without
being transposed by the player. For
small churches, missions, chapels, Sunday
schools, convents, choir practice rooms,
lodges, theatres, regimental quarters,
drawing rooms, steamships, etc., it is in-
valuable. The Hymnolia, which is manu-
factured by Frank Taft, can be seen at the
piano warerooms of John Wanamaker, New
York and Philadelphia.
The McPhail Advance.
The McPhail Piano Co. are among the
wideawake Boston firms who report whole-
sale trade as quite active. Their business
for the past six months has been almost
fifty per cent, in advance of the same
period of the previous year. This goodly
showing is due to the splendid line of ar-
tistic pianos which the McPhail are placing
on the market to-day as well as to the en-
terprise which is being shown by the mem-
bers of the firm in conducting their busi-
ness on such dignified and thoroughly cor-
rect lines. Under such circumstances the
continued advance of the McPhail Piano
Co. is inevitable. Application, energy,
ability wedded to originality and modernity
in case designs, first-elass workmanship
and a thoroughly musical tone, have all re-
sulted in an artistic creation such as the
McPhail, which is justly affording unlim-
ited satisfaction.
Japan Wants American Pianos.
S. Miki & Co., the enterprising music
dealers of Osaka, Japan, and old-time sub-
scribers for The Review, are desirous of
receiving communications from piano man-
ufacturers making a commercial instru-
ment which they can handle in Japan.
This firm have long kept in touch with the
progress of our country in the musical
line and feel that we should be able to man-
ufacture an instrument for the Japanese
trade at a satisfactory price. Manufac-
turers would do well to write at once to
S. Miki & Co. and secure all necessary
data on this subject Don't overlook send-
ing catalogues.
Frank T. Nutze, formerly connected with
Lehr & Co., is now associated with the
road interests of Jacob Doll.
mclvilk Clark Piano Co.,
Manufacturers of the . . .
APOLLO and the ORPHEUS,
FaCt r
° w aarn e d roo m s: W ' 4 0 5 W- UM\m
CHICAGO, ILL.
$1
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
The Artist and the flachine.
Dr. Henry Hanchett, the well-known
lecturer and pianist, has contributed to the
current issue of Music (Chicago) an article
on the proper attitude of the artist toward
recent developments of the self-play ing
order in the field of musical instruments.
"Mechanism is inseparable from play-
ing, of instruments," says Dr. Hanchett,
'' and it is the mechanical part of his playing
that demands the incessant practice that en-
ters so largely into the pianist's life. Now
comes the machine and offers to save him all
that practice, all need of executing him-
self the mechanical part of his performance,
while leaving him as free as ever in the
matter of expression. The musician who
only knows how it ought to sound without
having the skill to make it sound so by
manipulating the keys, may now stand on
a par with the pianist who has spent hours
daily for years in acquiring the technic
necessary for that manipulation. On a
par, did I say? Where is the pianist so
accomplished that he can compete with the
machine in either accuracy or velocity?
And who can say that any of the qualities
of playing in which the machine is inferior
to the human pianist are more valuable
than the accuracy and velocity in which it
is superior? The machine can not apply
expression differently to different notes
that enter at the same instant.
As
it plays treble so it must play bass,
except as regards the duration of the
sounds produced. That is admitted to be
a serious defect; but it leaves a great
range of expression still open to any one
who can appreciate the hidden meaning of
the composer and knows how to bring it
out by the aid of the machine. The ma-
chine in tasteful hands not trained in the
slightest degree to the technic of piano-
playing can probably be made to approach
more nearly to the work of the best artistic
pianists than can the best chromo to the
best painting; and, moreover, the machine
can give upon the piano an approximate
interpretation of an orchestral score such
as no pianist can ever hope to rival for
faithfulness or richness of tonal effect."
But music, Dr. Hanchett reminds us, is
not the mere making of musical sounds; it
is the expression of emotion and artistic
ideas. And he adds: "He only really
knows the mind of the composer who ab-
sorbs his notes and interprets them by his
own voice or fingers. Even the amateur
who relies upon the machine finds himself
impelled to go to the artist concert that he
may there learn the true rendition of the
pieces he would play from his perforated
rolls. Not long ago it looked as if the
silent-practise machine was about to drive
the piano teacher from his field, since by
the aid of the machine and its methodical
use young girls were able to train embryo
pianists in technic quite as well as experi-
enced and high-priced teachers could do
it; but the technic machine has simply
<;hen the artist teacher a better opportun-
ity to do his legitimate work."
Willard Morris is soon to open a music
store in Wayland, N. Y.
A "Crown" Booklet.
The literature treating of the " Crown "
pianos, issued by Geo. P. Bent, bears the
earmarks of an expert. It is always well
and convincingly written, properly illus-
trated, and artistically conceived from the
typographical standpoint. A recent illus-
tration is a "Crown" booklet which has
just come to hand. It is, if it is possible,,
even daintier in design and execution than,
any "Crown" literature we have yet
seen. The pages open with a succinct re-
view of the especial claims which the
"Crown" pianos have on the consideration
of purchasers and why they occupy "a.
sphere of their own." Following come il-
lustrations and descriptions of the various
"Crown" styles—delightful instruments,
every one of them—closing with clever de-
signs of the various instruments the tones
of which the player is enabled to simulate
through the medium of the orchestral at-
tachment—a feature of the " Crown " pi-
anos. The book, from every standpoint,
is a clever one and should be productive of
splendid results for the "Crown" interests.
The Review, when visiting the Decker
& Son factory on Wednesday, saw an ex-
ample of a handsome new style A, Decker
& Son upright. It is being made in ma-
hogany, walnut and oak, and promises to
be a big success.
In a recent issue ot the Nashville Amer-
ican appears a splendid photographic re-
production of the employees of the Jesse
French Piano & Organ concern in Nash-
ville.
COLUMBIA GRAND GRAPHOPHONE
Reduced to
Former Price,
$75.00
$50.00
New Price,
$50.00
A Wonderful Talking Machine of the Genuine
Grand Type, made to meet the demand for a
Graphophone of less expensive construction
than the Graphophone Grand and Home Grand,
but embodying the same principles.
Grand Records Reduced to $1.00 each.

„ each.
Grand Blanks Reduced
to 75 cts.
The Co'umbia Grand with Columbia Grand records, brings in audible effect, the living singer or musician actually into the presence of the listener
Reproduces music, song or speech as loud and louder than the original, with all the original sweetness and melody. The real music • the actual
voice ; not a diminished copy or a " far away " effect.
'
The Columbia Grand is handsome and durable in construction and simple in operation. It is provided with a tandem spring motor that will run several
Grand records at one winding.
GRAPHOPMONES OF OTHER TYPES FROM $1.50 UP.
COLUMBIA RECORDS ARE SUPERB.
Small Records, 50 Cents each; $5.00 per dozen-
You can make your own records on the Graphophone.
L01IdMt
Grand Records, $1.00 each.
Write for Catalogue " M . "
COLUHBIA PHONOGRAPH COMPANY, Department "M"
NEW YORK, 143 & 145 Broadway.
Retail Branch: 1155, 1157, 1159 Broadway.
CHICAGO, 88 Wabash Avenue.
LONDON, 123 Oxford Street, W.
ST. LOUIS, 720-722 Olive Street.
PHILADELPHIA, 1032 Chestnut Street.
BALTIMORE, 110 E. Baltimore Street.
PARIS, 34 Bouleyard des Italiens.
WASHINGTON, 919 Pennsylvania Ave,
BUFFALO, 313 Main Street.
SAN FRANCISCO, 125 Geary Street.
BERLIN, 65 A Friedrlchstrasse.

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